The X Factor was nothing short of a cultural phenomenon when it launched in 2004 on ITV.
As well as giving the world some of the most popular artists of all time – such as One Direction and Little Mix – it was also known for its special mega-guest stars, comedic auditions and outrageous scraps.
ITV has now said there are “no plans” for another series of The X Factor. In the talent show’s honour, we’ve rounded up just some of its most memorable moments.
Beyoncé?!
During the final in the 2008 series of the show, Beyoncé shocked viewers across the UK by turning up to sing a duet with contestant Alexandra Burke, who went on to win the show.
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Starting to sing Listen from Dreamgirls, Burke went on to say: “Ladies and gentlemen, I absolutely cannot believe I’m about to introduce this woman to the stage. Please welcome, my hero Beyoncé.”
Burke told Beyoncé that she had made her “dreams come true” after their performance. The A-lister returned the praise, telling the judges: “She’s a superstar. Such a beautiful voice and such a beautiful young lady. I’m very, very happy to sing with you tonight.”
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Other guest stars throughout the years included Robbie Williams (who came in too early on his own track, Angels) joining Olly Murs. George Michael came on stage to join Joe McElderry, while Michael Bublé performed a duet with Stacey Solomon.
Rylan sobbing after being told he’s through to the live shows
It’s not only a highlight in The X Factor’s history – it’s probably one of the best moments we’ve seen on British television.
Okay, that might be a bit of an exaggeration, but Rylan crying in front of Nicole Scherzinger after being told he’ll be in the live shows is truly memorable.
Before he was known as one of the kings of light entertainment, Rylan Clark appeared on The X Factor in 2012, and was mentored by The Pussycat Dolls lead singer.
After being told he would be performing in the Saturday night live shows during the Judges’ Houses stage (read: plush hotel in Dubai) he launched into an uncontrollable crying fit.
He admits in his autobiography that it lasted 23 minutes, and that paramedics had to be called. That was after rubbing his face on the hotel’s $2,500 Versace cushions – whoops!
Clarke came a respectable fifth that year, with the crown going to James Arthur.
The “novelty” acts that managed to win over the British public
They were often relentlessly mocked, but sometimes the acts the judges hated were the ones we loved the most.
Yes, I’m talking about the likes of Jedward, Wagner and Honey G – who all went great guns in the live shows, despite judges often feeling like they shouldn’t.
Jedward (who have since turned on the show and celebrated its downfall) were the excitable teens with spiky hair who were mentored by fellow Irishman Louis Walsh.
Their well-produced, energetic performances often drew some pretty sharp criticism from the judges – but it didn’t seem to matter because they were fun. John and Edward came sixth in 2009, proving they won a sizeable fan base among the British public.
The pair went on to have a pop career AND represent Ireland at Eurovision… twice. They are now advocates for a number of good causes and both have modelling contracts.
Elsewhere, 2010’s Wagner is largely remembered for singing most of his songs while playing his bongo drums – and landed in sixth place thanks to public votes.
While Honey G from 2016 was largely branded as a novelty act (including by judge Nicole Scherzinger), she controversially rapped her way into fifth place.
But that support only went so far – she released a single called The Honey G Show on Simon Cowell’s record label, which only peaked at 149 in the charts.
AbLisa
Cousins and best friends Abbie and Lisa came together to perform as AbLisa (clever) and made it on to the arena auditions in 2010.
Things went south from almost the minute they stepped on stage though – calling Louis Walsh an “old man” and telling the audience to “shut up” when they began laughing at them.
They sang an out-of-time and out-of-key version of That’s My Goal – a song by former winner Shayne Ward – for the judges and the now hostile crowd.
Of course, the panel made their true thoughts known to the pair before Lisa asked Natalie Imbruglia: “Who are you?”
It got heated on stage, which culminated in Abbie punching Lisa and walking off stage.
The pair were kept apart backstage after their small tussle, with Dermot O’Leary telling Abbie: “You cannot strike people.”
Unsurprisingly, it was four noes – but their clip has been seen more than 130 million times on YouTube.
The auditions – especially the bad ones
It’s why most of us tuned in, right? To see some of the truly awful auditions that made the cut.
There are of course too many to remember, but among those that stick are the likes Ant and Seb giving us their best rendition of Mysterious Girl (“come on, move your body”) or Debbie Stevens who reacted to negative feedback by saying she wanted to slap Louis Walsh.
Other notable auditions that will stick in our heads for years to come include Holly, who became known as “cave mouth”; Kelly, whose family intervened after her multi-key performance of I Will Always Love You saw her rejected; and Onkar, who slammed to his knees at the culmination of his Earth Song rendition.
And who can forget Rachel Lester, who Simon Cowell said was his worst audition ever. She told judges “whatever song you want me to sing I’ll do it” – adding she was better than most big singers.
That’s a bold claim for someone that walked away with four noes after a pitchy (at best) performance of Sugar Walls by Sheena Easton. It then descended into chaos – and she used some fruity language to tell the judges what she really thought of them before security dragged her out.
ONLY THE YOUNG!, Lee Nelson’s stage invasion and JLS’ meme-worthy “Merry Christmas!”
Even the tightly produced live shows gave us some unexpected moments.
It might be niche, but the holler of “ONLY THE YOUNG” from the crowd every week in 2014 got the nation talking.
Like clockwork, the group’s biggest fan would scream the band’s name during the elimination section of the show every week.
The stunt prompted articles, radio discussions and copycats at other events.
Lee Nelson made The X Factor his victim in 2014 – by jumping on stage to perform You Are Not Alone with Stereo Kicks.
The comic appeared next to the lads and tried to fit in before security grabbed him.
Both Cowell and Walsh were frantically waving their arms to try and force Nelson off the stage.
And what about the over-enthusiastic “Merry Christmas” from JLS’s JB during their Last Christmas performance in 2008?
Seemingly innocuous, it went on to inspire memes that are still used today – including on TikTok.
It also made Harry Hill’s TV Burp – with the comic relentlessly mocking the moment.
And finally… the judges
The shows revolving door of judges gave viewers some of the best moments in The X Factor’s history.
Among some of the best moments is Louis Walsh and Sharon Osbourne having to be told off by gaffer Simon Cowell one year for bursting into uncontrollable laughter after a particularly bad audition.
They were sent into the corridor to go and chill out – but matters were made worse when Osbourne walked into a door – setting the pair off yet again.
And in 2012, Gary Barlow and Tulisa came to blows – when the Take That star responded to criticism from the N-Dubz singer by saying: “I don’t know what offends me more, those comments or that fag ash breath.”
Barlow later apologised for his comments, but Tulisa quickly retorted with: “Just a note for Gary – lay off the red wine, coz’ I can really smell that as well.”
Sir Keir Starmer is vowing to fight any challenge to his leadership rather than stand aside, amid claims of plotting by MPs being compared to TV’s The Traitors.
Number 10 is going on the attack ahead of a difficult budget this month, with fears it could prove so unpopular that Labour MPs may move against Sir Keir.
But Sky News political editor Beth Rigby reports the prime minister “has no intention of giving way”, with allies warning any challenge would lead to a “drawn-out leadership election, spook the markets, and create more chaos that further damages the Labour brand”.
One senior figure told Rigby any move against Sir Keir would be more likely to arrive after next May’s elections, rather than the budget.
They said many Labour MPs could probably get behind measures like tax rises for wealthier workers, pensioners and landlords, as well as scrapping the two-child benefit cap, if that’s what the chancellor announces on 26 November.
But there are a series of potentially damaging elections in May, including in London and for the Senedd in Wales, as Labour face a challenge from Reform UK on the right and parties like the Greens and Plaid Cymru on the left.
Rigby said there is a “settled view among some very senior figures in the party that Starmer lacks the charisma and communication skills to take on Nigel Farage and win over the public, particularly if or when he breaks a bunch of manifesto pledges”.
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The Number 10 operation to ward off a challenge comes after Sky News deputy political editor Sam Coates likened the febrile mood in the Labour high command to the TV hit The Traitors.
Speaking on the Politics At Sam And Anne’s podcast, he said: “A minister got in touch at the start of the weekend to say they believe that there’s some quite substantial plotting going on.
“They say there was at least one cabinet minister telling colleagues that Keir Starmer, and I quote, is finished.”
When Boris Johnson was facing mutiny from Conservative MPs, his allies launched “Operation Save Big Dog”.
When Margaret Thatcher was about to be ousted by her rebellious MPs in 1990, she declared: “I fight on, I fight to win.”
And Harold Wilson, constantly paranoid about plots, famously quipped in 1969: “I know what’s going on. I’m going on.”
Boris Johnson was ousted less than six months after “Operation Save Big Dog”, Margaret Thatcher resigned the following morning after saying “I fight on”, and Harold Wilson lost a general election to Edward Heath a year after vowing that he would go on.
Coates said the cabinet minister “absolutely and totally denies they are up to anything nefarious whatsoever”.
“I actually do think that this is all in the style of The Traitors, because I’m not sure that there is hard and fast evidence of plotting – there might be some hints from some quarters,” he added.
“But what seems to be completely logical is that if you’re a bit worried in Number 10, you’re trying to pitch roll and ward off people who are maybe thinking about the need to position themselves by starting to get out rumours of plots and hoping that the political system turns against them for disloyalty.”
Image: Who is plotting to unseat the PM? Pic: PA
Cloak-and-dagger
Reports emerged on Tuesday night in The Times, The Guardian, and from the BBC of a “bunker mode” in Number 10, “regime change”, and “plotting” to replace Sir Keir.
Responding to the reports, Health Secretary Wes Streeting denied he was seeking to oust the prime minister.
A spokesperson for Mr Streeting told Sky News: “These claims are categorically untrue.
“Wes’s focus has entirely been on cutting waiting lists for the first time in 15 years, recruiting 2,500 more GPs and rebuilding the NHS that saved his life.”
Image: It’s not me, insists Wes Streeting. Pic: Reuters
However, there is clearly a co-coordinated campaign by allies of the increasingly unpopular Sir Keir to try to prevent a leadership challenge by a cabinet minister or stalking horse.
Sir Keir’s biographer Tom Baldwin questioned the logic of those briefing from within the corridors of power.
“I’m at a loss to understand why anyone would think this sort of briefing will help Keir Starmer, the government, or even their own cause,” he said on social media. “Some people just can’t resist, I guess, but it’s all a bit nuts.”
What next?
It comes ahead of Prime Minister’s Questions this lunchtime, handing Tory leader Kemi Badenoch the chance to make it an awkward afternoon for Sir Keir.
The health secretary will start his day on Sky News’ Morning With Ridge And Frost and will then speak at an NHS providers’ conference.
Watch and follow live coverage across Sky News – including in the Politics Hub.
A decision not to award compensation to the Waspi women will be reconsidered by the government because of undisclosed “evidence”, the Work and Pensions Secretary has said.
Waspi women – Women Against State Pensions Inequality – are those born in the 1950s who say they were not given sufficient warning of the state pension age for women being lifted – to be in line with men – from 60 to 65.
They have long argued that this was done too quickly, leaving some women financially unprepared to cope with the number of years when they were no longer able to claim their state pension.
Image: Waspi campaigners at a protest in Westminster in October last year. Pic: PA
But Pat McFadden told the Commons on Tuesday: “Since then, as part of the legal proceedings challenging the government’s decision, evidence has been cited about research findings from a 2007 report.”
The cabinet minister was referring to the rediscovery of a 2007 Department for Work and Pensions evaluation which had led to officials stopping sending automatic pension forecast letters out.
Mr McFadden said: “In light of this, and in the interest of fairness and transparency, I have concluded that the government should now consider this evidence. This means we will retake the decision made last December as it relates to the communications on State Pension age.”
Around 3.6 million women were impacted by the change to the state pension age. The government has previously said compensating them could cost £10.5bn.
Mr McFadden stressed that reviewing the decision should not be taken as an indication that the government will “decide that it should award financial redress”.
Angela Madden, the chair of Waspi, said the decision was a “major step forward”.
“The government now knows it got it wrong, and we are pleased they are now trying to do it properly,” she said.
“The only correct thing to do is to immediately compensate the 3.6 million Waspi women who have already waited too long for justice.”
The decision to refuse compensation was made despite a recommendation by the Parliamentary and Health Service Ombudsman (PHSO) that the women should be paid up to £2,950 each.
The PHSO’s findings are not binding, and last year the then-work and pensions secretary Liz Kendall said that the cost could not be justified as most women knew about the changes.
Sir Keir Starmer also said compensation would “burden” the taxpayer.
Groups tackling AI-generated child sexual abuse material could be given more powers to protect children online under a proposed new law.
Organisations like the Internet Watch Foundation (IWF), as well as AI developers themselves, will be able to test the ability of AI models to create such content without breaking the law.
That would mean they could tackle the problem at the source, rather than having to wait for illegal content to appear before they deal with it, according to Kerry Smith, chief executive of the IWF.
The IWF deals with child abuse images online, removing hundreds of thousands every year.
Ms Smith called the proposed law a “vital step to make sure AI products are safe before they are released”.
Image: An IWF analyst at work. Pic: IWF
How would the law work?
The changes are due to be tabled today as an amendment to the Crime and Policing Bill.
The government said designated bodies could include AI developers and child protection organisations, and it will bring in a group of experts to ensure testing is carried out “safely and securely”.
The new rules would also mean AI models can be checked to make sure they don’t produce extreme pornography or non-consensual intimate images.
“These new laws will ensure AI systems can be made safe at the source, preventing vulnerabilities that could put children at risk,” said Technology Secretary Liz Kendall.
“By empowering trusted organisations to scrutinise their AI models, we are ensuring child safety is designed into AI systems, not bolted on as an afterthought.”
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2:52
AI child abuse image-maker jailed
AI abuse material on the rise
The announcement came as new data was published by the IWF showing reports of AI-generated child sexual abuse material have more than doubled in the past year.
According to the data, the severity of material has intensified over that time.
The most serious category A content – images involving penetrative sexual activity, sexual activity with an animal, or sadism – has risen from 2,621 to 3,086 items, accounting for 56% of all illegal material, compared with 41% last year.
The data showed girls have been most commonly targeted, accounting for 94% of illegal AI images in 2025.
The NSPCC called for the new laws to go further and make this kind of testing compulsory for AI companies.
“It’s encouraging to see new legislation that pushes the AI industry to take greater responsibility for scrutinising their models and preventing the creation of child sexual abuse material on their platforms,” said Rani Govender, policy manager for child safety online at the charity.
“But to make a real difference for children, this cannot be optional.
“Government must ensure that there is a mandatory duty for AI developers to use this provision so that safeguarding against child sexual abuse is an essential part of product design.”