Tim Davie resigns as BBC’s director-general – with CEO of BBC News also stepping down
Tim Davie has resigned as the BBC’s director-general after five years in the role.
The chief executive of BBC News Deborah Turness has also resigned.
It comes as the corporation is expected to apologise on Monday following concerns about impartiality, including how a speech by US President Donald Trump was edited in an episode of Panorama.
White House and others react to resignations – latest
Deborah Turness, the CEO of BBC News and Current Affairs. Pic: PA
The concerns regard clips spliced together from sections of the US president’s speech on 6 January 2021 to make it appear he told supporters he was going to walk to the US Capitol with them to “fight like hell” in the documentary Trump: A Second Chance?, which was broadcast by the BBC the week before last year’s US election.
Mr Davie sent a message to staff on Sunday afternoon, saying it was “entirely” his decision to quit.
Admitting the BBC “is not perfect”, he said: “We must always be open, transparent and accountable.”
“While not being the only reason, the current debate around BBC News has understandably contributed to my decision.
“Overall, the BBC is delivering well, but there have been some mistakes made and as director-general I have to take ultimate responsibility.”
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How ‘Teflon Tim’ was forced to resign
Ms Turness told staff the “ongoing controversy” around the edition of Panorama “has reached a stage where it is causing damage to the BBC – an institution that I love.
“The buck stops with me – and I took the decision to offer my resignation to the director-general last night.
“In public life, leaders need to be fully accountable, and that is why I am stepping down. While mistakes have been made, I want to be absolutely clear recent allegations that BBC News is institutionally biased are wrong.”
Donald Trump boarding Air Force One last week. Pic: Reuters
BBC Chair, Samir Shah called it “a very difficult day”, thanking Ms Turness and crediting her with having “transformed” the corporation’s news output.
Mr Trump said Mr Davie and Ms Turness were “very dishonest people who tried to step on the scales of a presidential election”. In a post on Truth Social, he called it “a terrible thing for democracy!”
Mr Trump’s press secretary, Karoline Leavitt, posted a triumphant two-word reaction on X, using the drinking term “shot” to describe reports that the US president was “going to war with fake news”, referring to the BBC programme, and describing Mr Davie’s resignation as a “chaser” – a drink taken after the shot to soften the taste of the alcohol.
In an interview published on Friday, she had described the BBC as “100% fake news” and a “propaganda machine”.
Farage: ‘BBC’s last chance’
In a message posted on social media, Culture Secretary Lisa Nandy thanked Mr Davie for leading the BBC through a period of “significant change”.
She called the organisation “one of our most important national institutions”, adding that “now, more than ever, the need for trusted news and high-quality programming is essential to our democratic and cultural life, and our place in the world”.
Conservative leader, Kemi Badenoch, said it was “right that Tim Davie and Deborah Turness have finally taken responsibility and resigned from the BBC”.
She said: “The culture at the BBC has not yet changed. BBC Arabic must be brought under urgent control. The BBC’s US and Middle East coverage needs a full overhaul.”
Ms Badenoch said it “should not expect the public to keep funding it through a compulsory licence fee unless it can finally demonstrate true impartiality”.
Liberal Democrat leader Sir Ed Davey said Sunday’s resignations “must be an opportunity for the BBC to turn a new leaf, rebuild trust and not give in to the likes of [Reform UK leader] Nigel Farage who want to destroy it”.
Mr Farage said the pair’s resignations must be “the start of wholesale change” at the BBC.
He urged the ministers to appoint “somebody with a record of coming in and turning companies and their cultures around”, preferably someone “from the private sector who has run a forward-facing business and understands PR”.
Mr Farage said: “This is the BBC’s last chance. If they don’t get this right, there will be vast numbers of people refusing to pay the licence fee.”
As well as the Panorama show on Mr Trump, the BBC has also been accused of failing to maintain its neutrality in its coverage of the Israel-Hamas war and over trans issues.
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The Campaign Against Antisemitism (CAA) called for an independent inquiry into potential bias at the BBC, saying “growing bias” had been evident for “many years across a wide array of issues”.
The group claimed that, under Mr Davie and Ms Turness, the BBC had “often served as a mouthpiece for Hamas” and “gaslit” its audience “by claiming to be a bastion of ethics and truthful journalism”.
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Ex-Panorama staffer: Trump edit ‘worst crime imaginable’
Marcus Ryder, a former executive producer of current affairs at the BBC, called the resignations “really sad”, adding that “it shows the pressure and ethical climate that the BBC is operating in, that this edit can actually bring down the director- general”.
Dame Melanie Dawes, chief executive of Ofcom, thanked Mr Davie, saying he had led the organisation “at a time of great change and challenge”.
The Daily Telegraph reported on Tuesday that a memo by a former external adviser to the BBC’s editorial standards committee raised the issue, as well as other concerns about impartiality, in the summer.
Dealing with controversies
Mr Davie took the role in 2020, replacing Tony Hall.
During his time in charge of the broadcaster, he has dealt with a number of high-profile controversies within the corporation.
They include a row over former Match of the Day host Gary Lineker’s sharing of his political views, top presenter Huw Edwards being convicted of making indecent images of children, and the BBC’s broadcasting of Bob Vylan’s controversial Glastonbury performance.
There were also controversies surrounding some of its top shows, such as MasterChef and its former presenter, Gregg Wallace, as well as Strictly Come Dancing.
Mr Davie, who had a career in marketing and finance before joining the BBC’s marketing team in 2005, was previously acting director-general from November 2012 until April 2013.
He said his departure will not be immediate and that he is “working through” timings to ensure an “orderly transition” over the coming months.
A person familiar with the situation said Davie’s decision had left the BBC board stunned by the move.
Entertainment
A third of daily music uploads are AI-generated and 97% of people can’t tell the difference, says report
Do you care if the music you’re listening to is artificially generated?
That question – once the realm of science fiction – is becoming increasingly urgent.
An AI-generated country track, Walk My Walk, is currently sitting at number one on the US Billboard chart of digital sales and a new report by streaming platform Deezer has revealed the sheer scale of AI production in the music industry.
Deezer’s AI-detection system found that around 50,000 fully AI-generated tracks are now uploaded every day, accounting for 34% of all daily uploads.
File pic: iStock
The true number is most likely higher, as Deezer’s AI-detection system does not catch every AI-generated track. Nor does this figure include partially AI-generated tracks.
In January 2025, Deezer’s system identified 10% of uploaded tracks as fully AI-generated.
Since then, the proportion of AI tracks – made using written prompts such as “country, 1990s style, male singer” – has more than tripled, leading the platform’s chief executive, Alexis Lanternier, to say that AI music is “flooding music streaming”.
‘Siphoning money from royalty pool’
What’s more, when Deezer surveyed 9,000 people in eight countries – the US, Canada, Brazil, UK, France, Netherlands, Germany and Japan – and asked them to detect whether three tracks were real or AI, 97% could not tell the difference.
That’s despite the fact that the motivation behind the surge of AI music is not in the least bit creative, according to Deezer. The company says that roughly 70% of fully AI-generated tracks are what it calls “fraudulent” – that is, designed purely to make money.
“The common denominator is the ambition to boost streams on specific tracks in order to siphon money from the royalty pool,” a Deezer spokesperson told Sky News.
“With AI-generated content, you can easily create massive amounts of tracks that can be used for this purpose.”
File pic: Reuters
The tracks themselves are not actually fraudulent, Deezer says, but the behaviour around them is. Someone will upload an AI track then use an automated system – a bot – to listen to a song over and over again to make royalties from it.
Even though the total number of streams for each individual track is very low – Deezer estimates that together they account for 0.5% of all streams – the work needed to make an AI track is so tiny that the rewards justify the effort.
Are fully-AI tracks being removed?
Deezer is investing in AI-detection software and has filed two patents for systems that spot AI music. But it is not taking down the tracks it marks as fully-AI.
Instead it removes them from algorithmic recommendations and editorial playlists, a measure designed to stop the tracks getting streams and therefore generating royalties, and marks the tracks as “AI-generated content”.
“If people want to listen to an AI-generated track however, they can and we are not stopping them from doing so – we just want to make sure they are making a conscious decision,” the Deezer spokesperson says.
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Deezer’s survey found that more than half (52%) of respondents felt uncomfortable with not being able to tell the difference between AI and human-made music.
“The survey results clearly show that people care about music and want to know if they’re listening to AI or human-made tracks or not,” said the company’s boss Alexis Lanternier.
“There’s also no doubt that there are concerns about how AI-generated music will affect the livelihood of artists.”
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Musicians protests AI copyright plans
Earlier this year, more than 1,000 musicians – including Annie Lennox, Damon Albarn and Kate Bush – released a silent album to protest plans by the UK government to let artificial intelligence companies use copyright-protected work without permission.
A recent study commissioned by the International Confederation of Societies of Authors and Composers suggested that generative AI music could be worth £146bn a year in 2028 and account for around 60% of music libraries’ revenues.
By this metric, the authors concluded, 25% of creators’ revenues are at risk by 2028, a sum of £3.5bn.
Entertainment
BBC apologises to Donald Trump over editing of Panorama but says there isn’t ‘basis for defamation claim’
Saturday Night Live UK has announced its top creative team ahead of the series launching next year.
An American pop culture institution, SNL launched the careers of stars including Bill Murray, Tina Fey, Eddie Murphy, Kristen Wiig and Will Ferrell – and now a “new generation” of British comedians is set to be cast in the first UK spin-off on Sky.
While the show’s stars are yet to be revealed, details of the creative team behind it have now been announced.
Kim Kardashian hosted the show in 2021. Pic: Sky UK/NBC
Two-time Emmy winner James Longman will serve as lead producer, BAFTA winner and live broadcast specialist Liz Clare will direct the series, while writer, comedian and composer Daran Jonno Johnson takes on the role of head writer.
Longman’s credits include The Late Late Show With James Corden, for which he produced famous sketches with stars and notable figures including Sir Paul McCartney, Oprah Winfrey, Tom Cruise and then president Joe Biden.
He also worked on the Friends reunion special in 2021 and hit UK shows such as Never Mind The Buzzcocks, Alan Carr: Chatty Man, The F Word and The Friday Night Project.
L-R: James Longman, Liz Clare, Daran Jonno Johnson. Pic: Sky UK
Clare’s directing credits include An Audience With Adele, The Brits and MTV awards ceremonies, Glastonbury, the BAFTAs and shows such as The Voice UK and Britain’s Got Talent, while Johnson, who is part of the acclaimed sketch group SHEEPS, has written for shows including Wedding Season for Disney+, Siblings for the BBC and Rose d’Or winner Parlement for France.TV.
Saturday Night Live UK marks the first time the US producers have adapted the show, which celebrated 50 years on air earlier this year, for a British audience.
Channel 4 ran several series of a similar programme on Saturday and Friday nights in the 1980s, featuring comedians like Ben Elton and Harry Enfield, but it was domestically produced.
‘A lot of big US comedy is stolen from the UK’
Pete Davidson at SNL’s 50th anniversary celebrations. Pic: Janet Mayer/INSTARimages/Cover Images/AP Feb 2025
Comedian Pete Davidson, another SNL star, told Sky News he’s excited about the UK version – and that it is about time the UK is able to take from US comedy, rather than the other way round.
Speaking in the summer during promotion for The Pickup, Davidson said: “I think it’s a smart idea to have SNL over there because… not that it’s a different brand of comedy, but it is a little bit.
“A lot of the biggest stuff that’s in the States is stuff that we stole from you guys, like The Office or literally anything Ricky Gervais does… there’s just tonnes of great comedy over there. Jimmy Carr is a great stand-up.”
Also highlighting Jack Whitehall, he continued: “I think anything that’s great over there, we just kind of steal… and it doesn’t seem like the other way around. This is the first time I’ve ever heard anything American going to the UK, so I think it’s great.”
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Producers say the UK series will follow the same format as the original, featuring “a new generation of comedy players in the core cast, alongside guest hosts and musical performances”.
The UK show will be overseen by US producer Lorne Michaels. Along with his production company Broadway Video, which has made The Tonight Show Starring Jimmy Fallon and 30 Rock, the show will be led by UK production team Universal Television Alternative Studio.
Saturday Night Live UK will be broadcast on Sky Max and streaming service NOW in 2026.
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