An Oscar-winning Palestinian filmmaker has been held by the Israeli military in the occupied West Bank, according to activists.

Hamdan Ballal had earlier been beaten up by Israeli settlers who were among dozens who attacked the Palestinian village of Susya in the Masafer Yatta area and destroyed property, said the Centre for Jewish Nonviolence.

The activist group said Mr Ballal suffered a bleeding head in the assault, and as he was being treated in an ambulance, he and another Palestinian man were detained.

“We don’t know where Hamdan is because he was taken away in a blindfold,” said 28-year-old Josh Kimelman, who was at the scene.

During the incident, around 10-20 masked settlers reportedly attacked Jewish activists with stones and sticks, smashing car windows and slashing tyres. One settler swung his fists at two activists before the pair rushed back to their vehicle, video provided by the Centre for Jewish Nonviolence showed.

The Israel Defence Forces (IDF) said in a statement to Sky News that on Monday night “several terrorists hurled rocks at Israeli citizens, damaging their vehicles near Susya”.

The IDF also said a violent confrontation then broke out involving “mutual rock-hurling between Palestinians and Israelis at the scene”.

“IDF and Israeli Police forces arrived to disperse the confrontation, at this point, several terrorists began hurling rocks at the security forces,” according to the statement.

“In response, the forces apprehended three Palestinians suspected of hurling rocks at them, as well as an Israeli civilian involved in the violent confrontation. The detainees were taken for further questioning by the Israel police. An Israeli citizen was injured in the incident and was evacuated to receive medical treatment.

“Contrary to claims, no Palestinian was apprehended from inside an ambulance.”

Best documentary

Mr Ballal is one of the co-directors of No Other Land which won the best documentary Oscar this year.

The film follows Masafer Yatta residents as they struggle to stop Israel’s army from demolishing their villages.

No Other Land has two Palestinian co-directors, Ballal and Basel Adra, both Masafar Yatta residents, and two Israeli directors, Yuval Abraham and Rachel Szor.

Read more from Sky News:
What happened to Israel-Hamas ceasefire?
West Bank areas ‘turning into mini-Gaza’

Hundreds of Palestinians have been killed in the West Bank in Israeli military operations during the Gaza war, and there has also been a rise in settler attacks on Palestinians.

There has also been a surge in Palestinian attacks on Israelis.

Red Cross office damaged

Meanwhile, in the southern Gazan city of Rafah, a Red Cross office was damaged by an explosive projectile.

The Israeli military said its forces fired at a building belonging to the charity after identifying suspects and sensing a threat.

But it admitted it had opened fire due to an incorrect identification.

“The structure’s ownership was unknown to the force at the time of the shooting,” the military added.

No one was injured, according to the International Committee of the Red Cross, which said the attack had a direct impact on its ability to operate.

Artists are boycotting America’s Kennedy Center for the Performing Arts in protest at changes made by Donald Trump.

Several performers have cancelled shows at the iconic venue in Washington DC after the president made himself chairman and replaced board members with political loyalists.

One musician told Sky News it was “authoritarianism coming for arts institutions”.

The Kennedy Center stage is seen as a showcase for the best of American performance art.

It hosts more than 2,000 shows per year, including its annual honours ceremony, which celebrates artists who have made significant contributions to US culture. Previous honourees include Joni Mitchell, Aretha Franklin, and Led Zeppelin.

Its board of trustees has traditionally been made up of appointees who span the political spectrum.

However, following Trump’s election, he got rid of 18 board members and replaced them with people more politically aligned with him, including his chief-of-staff Susie Wiles, and Fox presenters Laura Ingraham and Maria Bartiromo.

As the new chairman of the board, Trump said of its production schedule: “We didn’t like what they were showing, we’re going to make sure it’s good and it’s not going to be woke.”

The hit Broadway show Hamilton is among the artists and productions to cancel dates at the Kennedy Center in protest. Others include the actor and producer Issa Rae, mystery writer Louise Penny and Pulitzer Prize-winning folk musician Rhiannon Giddens.

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The rock band Low Cut Connie switched their Kennedy Center show to a different venue in Washington DC.

Frontman Adam Weiner told Sky News: “It will affect the arts. And Trump taking over the Kennedy Center, firing half the board, changing the programming. This is authoritarianism coming for arts institutions. I’m a working artist and I won’t stand for it.”

He added: “Countries around the world have dealt with authoritarianism before. We’re a young country. This is an American experiment and we do not, collectively in this country, have a memory of what authoritarianism can do.

“We’re kind of sleepwalking in this country. People do not realise how bad this situation can get and it seems like a slow drip but we’re moving quicker than people realise. I fear that among artists, not speaking about these changes is tacit approval. It is a capitulation.”

Trump has extended his reach into the arts world by naming his friends Mel Gibson, Jon Voight and Sylvester Stallone as “special ambassadors” to Hollywood “for the purpose of… bringing Hollywood back bigger, better and stronger than ever before”.

On the Kennedy Center changes, Robin Givhan, a senior critic-at-large at The Washington Post, told Sky News: “I think what this does is it sends a message that some ideas are not welcome. But I think even more than that, it suggests that this is a president who doesn’t just want to control who’s performing on the stage.”

“It’s a desire to control the perceptions of the people who are sitting in the audience and to me, that is far more disturbing.”

Disney’s live-action remake of Snow White And The Seven Dwarves has topped the North American box office chart, despite a controversy-packed run-up to the film’s release.

Based on the 1937 classic that established Disney’s name as an industry leader, Snow White took an estimated $43m (£33.1) domestically, and $87.3m (£67.3) worldwide according to Box Office Mojo.

For comparison, Disney’s Mufasa: The Lion King, which came to cinemas in December, took $35m domestically (£27m). It’s now gone on to take over $700m (£540m) globally.

Meanwhile, Disney’s 2019 live-action Dumbo, directed by Tim Burton, took $45m (£35m) domestically in its opening weekend. It has since taken over $350m (£270m) worldwide.

Snow White hasn’t performed well in China, only making it to seventh place in the Chinese box office charts and grossing less than $1m (£770,000) over its opening, according to EntGroup’s China Box Office website.

Reviews for the movie have been mixed, with The Guardian calling it an “exhaustingly awful reboot” and The Observer similarly judging it to be “toe-curlingly terrible”.

The Independent wasn’t a fan of the “uncanny CGI caricatures” which it said were reminiscent of 2004 movie The Polar Express, a sentiment echoed by Empire which called the reimagined dwarves an “unholy VFX disaster”.

The Daily Mail called it “painfully muddle-headed”, but gave Zegler the thumbs up, highlighting her “oodles of talent”, while The New York Post said it was “mediocre” and unmemorable.

Some US outlets have given a more favourable critique, with Variety calling it “one of the better live-action adaptations of a Disney animated feature,” and The Hollywood Reporter judging it “mostly captivating”.

Reviews aggregator Rotten Tomatoes gives the movie a 44% critic score – which translates to “rotten” – however the audience score on the site’s “Popcornometer” is currently at 74%, rating it “fresh”.

Dubbed ‘woke’ and plagued with speculation

The movie had a muted marketing campaign, with no UK premiere and reduced US press opportunities.

Costing around $250m to make, the film had been flagged as a potential tent-pole movie (a film that is expected to be very successful and support a range of merchandise or spin-off opportunities) for Disney early on.

But aspirations faded as it approached release as it was hit by controversy after controversy.

Early on, Snow White was labelled “woke” due to its casting of Latina actress Rachel Zegler, who is of Colombian-Polish descent, in the lead role.

Zegler also faced a backlash after suggesting the early version of the film had content that was unsuitable for the 21st century – namely the fact the prince “literally stalks” Snow White.

There was then speculation as to whether Zegler got on with Israeli actress Gal Gadot, who plays the evil queen, as they have previously expressed very different views over the Israel-Hamas war.

The use of CGI to create the seven dwarf characters, thus replacing the potential for little people to take up the roles, has left disability activists to accuse the movie of “erasing” them from the narrative.

Ahead of the film’s release, comedian, model and content creator Fats Timbo told Sky News she believed Disney missed a golden opportunity to educate children during what was likely to be their first encounter with someone with dwarfism.

Snow White is in cinemas now.