Connect with us

Published

on

More than 180 million people watched the final of the Eurovision Song Contest last month, as the competition continued to dominate viewing figures in the UK.

Some 183 million people in 36 countries watched Maneskin take the trophy for Italy, increasing its audience share by 4% on the previous contest in 2019, according to Eurovision organisers the European Broadcasting Union (EBU).

In the UK, 7.4 million people tuned into BBC One to watch the show – the highest British audience since 2014 – an audience share of 48.5%.

Please use Chrome browser for a more accessible video player

Moment UK scored zero points in Eurovision

Despite the rise in viewing figures, British hopeful James Newman scored the dreaded nil points with his self-proclaimed “banger”, Embers.

Young people also tuned in to the contest in their droves, with 52.8% of 15 to 24-year-olds watching in the countries where it is shown, the EBU said.

The BBC has faced calls to stop broadcasting the show in the future, with continued accusations that its “political” nature means the UK fails to top the leader board.

More on Eurovision

Responding to the nay-sayers, the BBC said: “The accusation that the contest’s voting is ‘political’ is nothing new. The EBU is strongly committed to secure the fairness of the Eurovision Song Contest and has implemented a wide range of measures to ensure this.

“Ever since the Eurovision Song Contest first burst on to our television screens in 1956, the competition has continued to be staple springtime viewing for BBC audiences.

“Eurovision is the most watched, live non-sporting event in the world and the 2021 Contest provided BBC viewers with over eight hours of content in three shows.

Iceland will sit this year out after being forced to self-isolate. Pic: EBU/Thomas Hanses
Image:
Iceland came fourth this year. Pic: EBU/Thomas Hanses

“The Grand Final on BBC One attracted an average of 7.4 million viewers. It is extremely cost effective for a popular prime time entertainment programme.”

The UK is one of the most successful countries in the contest’s history, winning five times, and last topping the vote in 1997 with Katrina And The Wave and Love Shine A Light.

Elsewhere, around 150,000 Icelanders watched the show – equating to an amazing 99.9% of the country’s TV viewership.

Iceland’s Dadi Freyr, who was a hot favourite for the contest, came fourth with his track 10 Years, with his rehearsal performance being shown after one of the Icelandic delegation tested positive for COVID-19.

Curiosity in Iceland’s participation in the competition piqued last year, when it was the focus of Will Ferrell’s Netflix film Eurovision: The Story Of Fire Saga.

Continue Reading

Entertainment

Matty Healy reacts to Taylor Swift’s ‘diss track’

Published

on

By

Matty Healy reacts to Taylor Swift's 'diss track'

Matty Healy has reacted to new tracks by supposed ex-girlfriend Taylor Swift that are rumoured to be about him.

The 1975 frontman is never named in any tracks featuring on Swift’s new album, The Tortured Poets Department, but fans have assumed several references are about him.

Many have interpreted the lyrics of the first song on the album, Fortnight, to be about him, where she sings: “And I love you, it’s ruining my life, I touched you for only a fortnight.”

It’s widely assumed he’s also the subject of the track Guilty As Sin, where she sings about having “fatal fantasies” about someone from her past while in a relationship.

Fans are also suggesting the song The Smallest Man Who Ever Lived appears to allude to Healy “ghosting” her.

“You tried to buy some pills, from a friend of mine, they just ghosted you, now you know what it feels like,” she sings.

In a video circulating online, Healy was approached by a reported photographer in Los Angeles and asked how he rates his “Taylor diss track” and how he thought it compared to the other songs on the 31-track double album.

Healy, looking confused, responded: “My diss track?”

The photographer reiterated: “Yeah, Taylor’s new song?”

“Oh!” Healy laughed, adding: “I haven’t really listened to that much of it, but I’m sure it’s good.”

Read more:
The other people Swift referenced in Tortured Poets
The original ‘it girl’ who inspired Swift’s new song

Last May, Healy made a surprise appearance during the Nashville performance of Swift’s Eras tour to play with her support act, indie singer-songwriter Phoebe Bridgers.

Swift also sung two The 1975 songs at their London gig in February 2023.

By June last year, reports surfaced that the pair were “no longer romantically involved”, with a source telling US outlet People the relationship was “always casual”.

“She had fun with him, but it was always casual,” the source said.

Continue Reading

Entertainment

Drake ordered to delete diss track featuring AI-generated voice of Tupac Shakur

Published

on

By

Drake ordered to delete diss track featuring AI-generated voice of Tupac Shakur

Tupac Shakur’s estate has threatened to sue Drake and ordered him to delete a track featuring an AI-generated copy of the late rapper’s voice.

Drake released the song Taylor Made Freestyle – a diss track aimed at Kendrick Lamar – on his Instagram page on Friday, which features verses created by AI software mimicking both Shakur and Snoop Dogg.

In a cease-and-desist letter seen by Sky News’ US partner NBC News, Howard King, an attorney who represents Shakur’s estate, requested that Drake remove the track from all platforms where it is publicly available.

The letter sent on Wednesday states the Canadian rapper has until midday on Thursday to confirm he will remove it or the estate will “pursue all of its legal remedies” against him.

“Not only is the record a flagrant violation of Tupac’s publicity and the estate’s legal rights, it is also a blatant abuse of the legacy of one of the greatest hip-hop artists of all time,” Mr King wrote.

“The estate would never have given its approval for this use.”

The letter also outlines the estate’s “dismay” regarding the topic of the track, saying Lamar is “a good friend to the estate who has given nothing but respect to Tupac and his legacy publicly and privately” and that this “compounds the insult”.

In the track, the AI-generated voice of Shakur urges Lamar to respond to Drake’s previous diss track about him released several days prior, saying lines like: “Kendrick, we need ya, the West Coast saviour / You seem a little nervous about all the publicity / You asked for the smoke, now it seem you too busy for the smoke.”

Tupac was killed in 1996. Pic: Walik Goshorn/MediaPunch/IPx/AP
Image:
Tupac was killed in 1996. Pic: Walik Goshorn/MediaPunch/IPx/AP

The letter claims the track and its popularity have created the “false impression that the estate and Tupac promote or endorse the lyrics for the sound-alike”.

Shakur’s estate is also seeking damages including all profits from the record, which has so far only been posted on Drake’s Instagram page, as well as additional damages for substantial economic and reputational harm caused.

Read more:
Musicians react to AI songs flooding the internet
J Cole: I feel ‘terrible’ about Kendrick Lamar diss track

The letter claimed Drake’s non-consensual use of Shakur’s likeness violates Shakur’s right to publicity, an intellectual property right protecting against the misappropriation of somebody’s name or image.

Sky News has contacted representatives of Drake for comment.

The AI-generated voice of prominent rapper Snoop Dogg was also used on the track.

Snoop Dogg posted a video on his Instagram story shortly after the diss track was posted, where he said: “They did what? When? How… What’s going on… I’m going back to bed.”

The use of AI in the music industry has been the subject of heavy debate since last year, when Drake’s own voice was cloned alongside The Weeknd by the artist known as Ghostwriter.

The track was taken down from all platforms shorty after it was released in April.

Continue Reading

Entertainment

Baby Reindeer: Writer Richard Gadd tells fans to stop speculating about characters

Published

on

By

Baby Reindeer: Writer Richard Gadd tells fans to stop speculating about characters

Richard Gadd has urged fans of his hit show Baby Reindeer to stop speculating about who the characters in his show are based on in real life.

The Netflix series is based on the real-life story of its writer Gadd, who also plays the lead character, and his warped relationship with a female stalker.

Fans have been speculating online about the identity of the stalker played by Jessica Gunning in real life (spoiler warning), as well as who another character, seen sexually assaulting Gadd in the series, is based on.

The character, played by Tom Goodman-Hill, is a TV writer who repeatedly sexually assaults Gadd’s character and supplies him with drugs.

Gadd addressed his fans on his Instagram story on Tuesday, saying: “People I love, have worked with, and admire… are unfairly getting caught up in speculation.

“Please don’t speculate on who any of the real-life people could be. That’s not the point of our show. Lots of love, Richard.”

Read more on Sky News:
Richard Osman reveals Thursday Murder Club cast
Police launch manhunt for Home and Away star

Pic: Netflix
Image:
Pic: Netflix

The show is based on the hit Edinburgh Fringe one-man stage play Gadd performed in 2019.

Gadd, who plays Donny Dunn, a character based on himself, said he didn’t expect the show to “blow up” in the way it has since its release on 11 April.

“I’m super proud of it. I really believed in this show, but the fact it’s gone so stratospheric so quickly, for such a cult, quite niche story… it’s kind of amazing. It’s clearly struck a chord,” he said on This Morning.

The writer, actor and comedian is also an ambassador for We Are Survivors, a charity which supports male survivors of sexual abuse.

Continue Reading

Trending