Punch-ups, car chases, window leaps – for years, film and TV sets have employed stunt co-ordinators to oversee potentially dangerous scenes to make sure everyone involved is safe and feels comfortable.
So why is this such a relatively new thing for sex and intimacy?
While filming these sequences may not leave stars physically hurt, from Sharon Stone in Basic Instinct to Maria Schneider in Last Tango In Paris, there are well-publicised stories of the emotional scars some famous scenes have left on their stars. And earlier in 2021, Keira Knightley said she would no longer shoot intimate scenes for films or shows directed by a man and that she is not interested in “scenes where you’re all greased up and everybody is grunting”.
Following her leading actress win at the BAFTA TV Awards, for her portrayal of rape victim Arabella in the groundbreaking I May Destroy You, it was the unsung role of intimacy co-ordinator that Michaela Coel praised in her speech. For a show exploring issues of consent, Ita O’Brien’s presence on set, Coel said, was “essential”.
The role of intimacy co-ordinator has really come to the fore as a result of the Harvey Weinstein scandal in 2017 and the subsequent #MeToo movement, with directors and producers now paying a lot more attention to the way scenes of a sexual nature are shot and handled. And the issue has been highlighted again in recent weeks following allegations of misconduct made against actor and director Noel Clarke – which he “vehemently denies”.
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“It seems crazy now that we’ve had stunt co-ordinators overseeing fights but we didn’t have a co-ordinator overseeing scenes that have intimacy, where people are just as likely to be mentally injured as physically if they’re not handled correctly,” intimacy co-ordinator Vanessa Coffey tells Sky News.
Her job is to speak to producers and directors about what they’re looking for, and actors about what they’re comfortable doing, and make sure everyone on set has an understanding of what is needed. Because, she says, “if you have the power to hire or fire somebody, you might not be getting a real answer from them as to whether or not they are happy… a lot of actors are worried that they’ll lose a job if they say no”.
Coffey has worked on series including Wolfe, War Of The Worlds, and I Hate Suzie, the comedy starring Billie Piper that was also up for several BAFTAs alongside I May Destroy You. One episode of the series is almost entirely focused on Piper’s character masturbating; with the wrong person in charge, it could have been incredibly uncomfortable to film.
Piper, she says, was “a wonderful person to work with because she comes with a lot of her own thoughts and ideas”, and they were all able to “have a bit of a laugh between takes, which certainly eases tension”.
Sex on screen in 2021
From Bridgerton and Adult Material to It’s A Sin and Normal People, there has been a lot of sex on screen in the past year or so. And it’s in no small part down to intimacy co-ordinators that we’re seeing less of the “male gaze” and porn-style sex, and it’s becoming more realistic.
“I do think it is changing,” says Coffey, of portrayals of sex on screen. “Because [intimacy co-ordinators] just work on intimate scenes… we start to really have an eye to how to craft these moments and think about what position will tell a particular story as well. Whereas, if you’ve just left actors to it in the past, to ‘go for it’, you end up seeing a little bit maybe inside the actors’ personal lives rather than, ‘what is the story of the characters we’re telling in this moment?'”
Coffey, who previously worked as a lawyer before training to be an actor, has been in the role officially since 2018, but was also working unofficially before that after being asked to look over a nudity rider – a contract between an actor and the production they are hired by that defines what will happen on set when filming nude – for a colleague.
She is now one of about 20 intimacy co-ordinators in the UK, but numbers look set to rise; following Coel’s speech, Time’s Up UK, a charity set up following the Weinstein scandal, has called for the creation of an independent standards authority, and for intimacy co-ordinators to become mandatory on film and TV sets.
The importance of intimacy co-ordinators
So why is the role so vital? BECTU (the broadcasting, entertainment, communications and theatre union) says there is a higher risk of bullying, emotional manipulation and sexual harassment on set in scenes with intimacy, and someone co-ordinating the scenes can help prevent this.
“We’ve seen some really powerful examples historically,” says Coffey, of scenes that have affected actors long after release. “One of the classics to talk about is Last Tango In Paris, the [Bernardo] Bertolucci film.
“Obviously that was in the ’70s, so we’re talking about well before the concept of intimacy co-ordinators was ever considered. But you had a performer in that [Schneider] who says afterwards that she felt raped, having done a scene where she didn’t consent to a lubricant being used. She didn’t know that that was what was going to be happening within the scene with the other performer.”
In an interview that resurfaced in 2016, Bertolucci admitted to conspiring with actor Marlon Brando to add butter without Schneider’s consent, saying: “I wanted her to react humiliated.” Schneider struggled with drug addiction and depression following the film. She died from cancer in 2011, aged 58.
In March, Sharon Stone’s memoir detailed the background of her famous “missing underwear” scene from 1992’s Basic Instinct; in an extract published in Vanity Fair, she claimed she was misled while filming.
“That was how I saw my vagina-shot for the first time, long after I’d been told, ‘We can’t see anything – I just need you to remove your panties, as the white is reflecting the light, so we know you have panties on’,” she said. In the end, Stone said, she agreed to the scene being used “because it was correct for the film and for the character”.
A representative for Basic Instinct director Paul Verhoeven said he did not want to comment on Stone’s claims.
There are, Coffey says, “some fairly extreme examples out there of people’s boundaries having been quite severely crossed – not just pushed, but absolutely crossed”.
She continues: “People walking away from productions talking about the awkwardness of something that happened… as well as having been on the receiving end of something that might go as far as being called assault.
“I speak to actors all the time who, even in very recent times, have come away from productions feeling that either they or that somebody on the production hadn’t done the right thing and that boundaries had inadvertently been crossed.”
And it is not just women, but men as well. “A lot of the men I’ve spoken to have been so worried about the boundaries they might inadvertently have crossed, too, not having had a really open conversation with, say, a female performer, for example.”
Where can actors and others in the industry go for help and advice?
In 2019, Directors UK issued guidelines for directing nudity and simulated sex in British television and film for the first time. In 2020, BECTU created a specific branch for intimacy co-ordinators. And there is also Time’s Up UK.
“I think when we see allegations of any kind in the media about things that have gone on before in our industry, we do sit back and think, ‘how can we make this different going forward’, or ‘what have we already got in place that we’re not using?'” says Coffey.
“Within the [Directors UK] guidance, it says that you should never have to do a naked audition, for example. If you need to see what somebody’s body looks like, at most you should ask them to wear a bikini or trunks, and have a chaperone present. So there are safety precautions that we have in place that I think are worth highlighting.”
As the problems in the industry have come under the spotlight in recent months and years, a lot has been said about power dynamics on film and TV sets.
But it’s not power that’s the problem, says Coffey, it’s about how that authority is used. And that’s where an intimacy co-ordinator can help.
“To me, power is not a bad thing,” she says. “We have power dynamics on set and we have them for a reason and they’re there to keep people safe – it’s the abuse of power that’s a problem.”
This year’s famous Super Bowl half-time show needs to be more “family friendly”, a group of critics has said – following what they describe as “vulgar” past performances by Jennifer Lopez and Rihanna, and the infamous Janet Jackson “wardrobe malfunction”.
Republican politicians and campaigners in Louisiana have written a letter to organisers raising “serious concerns” ahead of this year’s Super Bowl, which is due to take place at the Caesars Superdome in New Orleans in February.
Grammy-winning rapper Kendrick Lamar will headline the half-time show.
In a letter signed by 17 Republican senators and representatives for Louisiana, as well as 15 pro-family organisations, critics called out Lopez‘s performance alongside Shakira in Florida in 2020, saying the star “wore little clothing and was groped by male and female dancers on stage”, and also “made sexually suggestive gestures and performed on a stripper pole”.
Criticising Rihanna‘s performance at the 2023 half-time show in Arizona – when the star revealed she was pregnant with her second child – they said she was shown “groping herself” while singing lyrics “that were so offensive that few Louisiana adults could read those lyrics before an audience without shame”.
The letter continued: “We realize that these past vulgar performances may have been acceptable to the residents of those states where those Super Bowls were held but, in Louisiana, these lewd acts are inappropriate for viewing by children, objectify women, and are simply NOT welcomed by the majority of Louisiana parents.”
Jackson‘s performance with Justin Timberlake in Texas in 2004, during which he exposed one of her breasts, was also highlighted.
“Had that 2004 performance taken place in Louisiana and been proven to be intentional, it would have violated Louisiana’s obscenity law,” the letter said.
CBS, which aired that year’s Super Bowl, was fined $550,000 by the Federal Communications Commission over the incident – but this was later overturned.
In 2021, following the release of the Framing Britney Spears documentary, which included details of Timberlake’s relationship with the star and their break-up, conversation around his Super Bowl performance with Jackson was also reignited.
At the time of the incident, Jackson bore the brunt of the criticism, while Timberlake’s solo career flourished. In 2021, Timberlake issued an apology, saying: “I specifically want to apologise to Britney Spears and Janet Jackson both individually, because I care for and respect these women and I know I failed.”
The Republicans’ letter did not mention Timberlake but said Jackson’s “exposed bare breast was excused by one of her fellow performers as a ‘wardrobe malfunction’.”
Super Bowl half-time performances have become “increasingly vile”, it continued, and therefore it could be “reasonably anticipated that the half-time performance this year in New Orleans will be inappropriate for children to watch”.
Sky News has contacted the celebrities for a response to the criticism.
Senator Valarie Hodges, who signed the letter and shared details on X, said: “My hope is that Louisiana can set an example for future hosting states of the Super Bowl in advocating for entertainment suitable for viewers of all ages without needing a content rating.”
It has also been shared by the Family Research Council. President Tony Perkins, a former Louisiana state representative who is also one of the signatories, said their complaint was “not only about protecting children, important as that is, but also upholding community standards”.
The letter is addressed to Phillip Sherman, chairman of the Greater New Orleans Sports Foundation, and Robert Vosbein Jr, chairman of the Louisiana Stadium and Exposition District, which oversees the superdrome venue.
In a statement sent to Sky News, Jay Cicero, president and chief executive of the Greater New Orleans Sports Foundation, said: “We respect and value the comments of our legislators, who play a critical role in our ability to secure large events providing an economic boost to our city and state.
“We have shared the letter with the NFL and we are all in agreement that this year’s half-time show will be a family-friendly event befitting New Orleans’ storied history hosting Super Bowls.”
Mr Vosbein told the Louisiana Illuminator news outlet it was “unfortunate” Ms Hodges had waited until less than a few weeks before the event to share her concerns.
Sky News has contacted both organisations for comment.
Love Island winner Jack Fincham has been released on bail pending an appeal – hours after being jailed for his cane corso dog attacking a man while he was running.
The 32-year-old had pleaded guilty at Southend Magistrates’ Court to two counts of being in charge of a dangerously out-of-control dog, with one of the incidents causing injury.
As well as being jailed for six weeks, he was ordered to pay £3,680 in total, including a £2,000 contribution to kennelling costs, a fine of £961 and £200 compensation.
But after being sentenced at the court on Wednesday, it emerged he had successfully lodged an appeal and had been granted conditional bail.
Fincham’s solicitor told Sky News District Judge Williams heard the bail application in open court.
After the sentence was announced, Fincham gave a thumbs up as he was led to the cells, as a woman in the public gallery cried.
The court heard his dog Elvis bit a runner in his home town of Swanley, Kent, in September 2022.
Fincham was going to be cautioned and take part in a responsible dog ownership course after the man accepted an apology, said prosecutor Erin Peck. Conditions were made including that his dog must be muzzled, she added.
However, in June last year, there was a second incident in Grays, Essex, when the dog was out of control. Fincham was later charged.
Presiding magistrate Anne Wade, sentencing, originally said Fincham was subject to a suspended sentence order at the time of the incident in Swanley. This was for 12 weeks custody, suspended for 18 months, for an unrelated driving matter.
Ms Wade said this order would be activated in part and issued the six-week prison sentence.
“The dog was in a public place not abiding by the conditions to be muzzled and kept on a lead,” she said.
Richard Cooper, representing Fincham, said the defendant had “no savings” to pay the £3,680.
Ms Wade said he could pay in instalments, initially at £400 per month.
She made an order that the dog must be muzzled in public places, be kept on a lead, and not be left alone with anyone under the age of 16.
Fincham rose to fame after winning the fourth series of Love Island with his then-girlfriend Dani Dyer in 2018. The pair were favourites throughout the series after being “coupled up” from the start.
They announced their break-up six months after leaving the show’s villa in Majorca.
Noel Clarke has accused The Guardian newspaper’s publisher of fabricating and deleting evidence over claims of sexual misconduct against him, the High Court has been told.
The 49-year-old actor, best known for his film Kidulthood and starring in Dr Who, is suing Guardian News and Media (GNM) for libel over a series of articles which began with an investigative feature in April 2021.
Some 20 women who knew him in a professional capacity had come forward with allegations against him, the newspaper reported.
Clarke, who was present in court for the latest hearing, wearing a grey suit and dark-rimmed glasses, vehemently denied any sexual misconduct or criminal wrongdoing in a statement released at the time.
GNM is defending the legal action at the High Court in London on the grounds of truth and public interest.
At a hearing on Wednesday ahead of a full trial, lawyers for Clarke applied for GNM’s defence case to be struck out.
Philip Williams, representing Clarke, said in a written submission to the court that they believe there is “overwhelming evidence not just of an attempt to pervert… but actual perversion of the course of justice”.
He also alleged there had been “deliberate and permanent deletion of personal correspondence between the three journalists that undertook the purported investigations, as well as fabrication”.
This makes it “impossible for the defendant to legitimately put forward a positive case that it reasonably believed publishing the defamatory articles were in the public interest”, he argued.
Mr Williams claimed two freelance journalists were instructed to “carry out wholesale deletion” of threads on the encrypted messaging app Signal.
He also told the hearing that one of the messages said: “Delete this entire thread. I’ll create a new thread which will likely be disclosable in court.”
Another message allegedly said: “Can we delete all these threads and use the final thread from now on?”
In his written submissions, Mr Williams said the messages illustrated “intent and taking steps to fabricate evidence”.
He described the alleged “destruction of evidence” as “widespread and wholesale”, and added: “It is something which they frankly admit.
“For example, the claimant maintains that four other group chats were set to auto-delete. This is admitted by the defendant.”
Mr Williams said it was “notable” the messages instructed the two more junior journalists to delete messages, and that there was also the creation of a “carefully curated thread”, which would assist the publisher’s case.
He added: “The crux of the strike-out application is whether there had been perversion of the course of justice, or spoliation of evidence which renders a fair trial impossible.”
Gavin Millar, representing GNM, told the court in written submissions that Clarke seeks to deprive the publisher “of its right to the trial of its defences of truth and public interest”.
He described the application as “a poor and opportunistic one for which there is no adequate evidential basis” and said it sought “to smear Guardian journalists and editors without any proper justification”.
Mr Millar added: “There is no evidence either that any evidence was ‘fabricated’.”
He told the court: “None of this ‘evidence’ raises an arguable prima facie case of bad faith, still less criminal conduct against anyone.”
Scotland Yard said in a statement in March 2022 that, following a thorough assessment by specialist detectives, officers decided that the information they received did not meet the threshold for a criminal investigation.