Connect with us

Published

on

Punch-ups, car chases, window leaps – for years, film and TV sets have employed stunt co-ordinators to oversee potentially dangerous scenes to make sure everyone involved is safe and feels comfortable.

So why is this such a relatively new thing for sex and intimacy?

While filming these sequences may not leave stars physically hurt, from Sharon Stone in Basic Instinct to Maria Schneider in Last Tango In Paris, there are well-publicised stories of the emotional scars some famous scenes have left on their stars. And earlier in 2021, Keira Knightley said she would no longer shoot intimate scenes for films or shows directed by a man and that she is not interested in “scenes where you’re all greased up and everybody is grunting”.

Michaela Coel as Arabella in I May Destroy You.
Pic: BBC/Various Artists Ltd and FALKNA/Natalie Seery
Image:
Michaela Coel, star and creator of I May Destroy You, thanked her intimacy co-ordinator in her BAFTA speech. Pic: BBC/Various Artists Ltd and FALKNA/Natalie Seery

Following her leading actress win at the BAFTA TV Awards, for her portrayal of rape victim Arabella in the groundbreaking I May Destroy You, it was the unsung role of intimacy co-ordinator that Michaela Coel praised in her speech. For a show exploring issues of consent, Ita O’Brien’s presence on set, Coel said, was “essential”.

The role of intimacy co-ordinator has really come to the fore as a result of the Harvey Weinstein scandal in 2017 and the subsequent #MeToo movement, with directors and producers now paying a lot more attention to the way scenes of a sexual nature are shot and handled. And the issue has been highlighted again in recent weeks following allegations of misconduct made against actor and director Noel Clarke – which he “vehemently denies”.

“It seems crazy now that we’ve had stunt co-ordinators overseeing fights but we didn’t have a co-ordinator overseeing scenes that have intimacy, where people are just as likely to be mentally injured as physically if they’re not handled correctly,” intimacy co-ordinator Vanessa Coffey tells Sky News.

Keira Knightley at the London Film Festival in 2018
Image:
Keira Knightley has said she no longer wants to do sex scenes with male directors

Her job is to speak to producers and directors about what they’re looking for, and actors about what they’re comfortable doing, and make sure everyone on set has an understanding of what is needed. Because, she says, “if you have the power to hire or fire somebody, you might not be getting a real answer from them as to whether or not they are happy… a lot of actors are worried that they’ll lose a job if they say no”.

Coffey has worked on series including Wolfe, War Of The Worlds, and I Hate Suzie, the comedy starring Billie Piper that was also up for several BAFTAs alongside I May Destroy You. One episode of the series is almost entirely focused on Piper’s character masturbating; with the wrong person in charge, it could have been incredibly uncomfortable to film.

Piper, she says, was “a wonderful person to work with because she comes with a lot of her own thoughts and ideas”, and they were all able to “have a bit of a laugh between takes, which certainly eases tension”.

Billie Piper in I Hate Suzie. Pic: Sky UK Ltd
Image:
Billie Piper stars in I Hate Suzie. Pic: Sky UK Ltd

Sex on screen in 2021

From Bridgerton and Adult Material to It’s A Sin and Normal People, there has been a lot of sex on screen in the past year or so. And it’s in no small part down to intimacy co-ordinators that we’re seeing less of the “male gaze” and porn-style sex, and it’s becoming more realistic.

“I do think it is changing,” says Coffey, of portrayals of sex on screen. “Because [intimacy co-ordinators] just work on intimate scenes… we start to really have an eye to how to craft these moments and think about what position will tell a particular story as well. Whereas, if you’ve just left actors to it in the past, to ‘go for it’, you end up seeing a little bit maybe inside the actors’ personal lives rather than, ‘what is the story of the characters we’re telling in this moment?'”

Coffey, who previously worked as a lawyer before training to be an actor, has been in the role officially since 2018, but was also working unofficially before that after being asked to look over a nudity rider – a contract between an actor and the production they are hired by that defines what will happen on set when filming nude – for a colleague.

She is now one of about 20 intimacy co-ordinators in the UK, but numbers look set to rise; following Coel’s speech, Time’s Up UK, a charity set up following the Weinstein scandal, has called for the creation of an independent standards authority, and for intimacy co-ordinators to become mandatory on film and TV sets.

Intimacy co-ordinator Vanessa Coffey has worked on productions including I Hate Suzie, Wolfe and War Of The Worlds
Image:
Intimacy co-ordinator Vanessa Coffey has worked on productions including I Hate Suzie, Wolfe, and War Of The Worlds

The importance of intimacy co-ordinators

So why is the role so vital? BECTU (the broadcasting, entertainment, communications and theatre union) says there is a higher risk of bullying, emotional manipulation and sexual harassment on set in scenes with intimacy, and someone co-ordinating the scenes can help prevent this.

“We’ve seen some really powerful examples historically,” says Coffey, of scenes that have affected actors long after release. “One of the classics to talk about is Last Tango In Paris, the [Bernardo] Bertolucci film.

“Obviously that was in the ’70s, so we’re talking about well before the concept of intimacy co-ordinators was ever considered. But you had a performer in that [Schneider] who says afterwards that she felt raped, having done a scene where she didn’t consent to a lubricant being used. She didn’t know that that was what was going to be happening within the scene with the other performer.”

In an interview that resurfaced in 2016, Bertolucci admitted to conspiring with actor Marlon Brando to add butter without Schneider’s consent, saying: “I wanted her to react humiliated.” Schneider struggled with drug addiction and depression following the film. She died from cancer in 2011, aged 58.

Maria Schneider and Marlon Brando in Last Tango In Paris
Image:
Maria Schneider and Marlon Brando in Last Tango In Paris, released in 1972

In March, Sharon Stone’s memoir detailed the background of her famous “missing underwear” scene from 1992’s Basic Instinct; in an extract published in Vanity Fair, she claimed she was misled while filming.

“That was how I saw my vagina-shot for the first time, long after I’d been told, ‘We can’t see anything – I just need you to remove your panties, as the white is reflecting the light, so we know you have panties on’,” she said. In the end, Stone said, she agreed to the scene being used “because it was correct for the film and for the character”.

A representative for Basic Instinct director Paul Verhoeven said he did not want to comment on Stone’s claims.

There are, Coffey says, “some fairly extreme examples out there of people’s boundaries having been quite severely crossed – not just pushed, but absolutely crossed”.

She continues: “People walking away from productions talking about the awkwardness of something that happened… as well as having been on the receiving end of something that might go as far as being called assault.

“I speak to actors all the time who, even in very recent times, have come away from productions feeling that either they or that somebody on the production hadn’t done the right thing and that boundaries had inadvertently been crossed.”

And it is not just women, but men as well. “A lot of the men I’ve spoken to have been so worried about the boundaries they might inadvertently have crossed, too, not having had a really open conversation with, say, a female performer, for example.”

Olly Alexander leads the cast of It's A Sin. Pic: Channel 4
Image:
It’s A Sin star Olly Alexander has praised the show’s intimacy co-ordinators for helping with sex scenes. Pic: Channel 4

Where can actors and others in the industry go for help and advice?

In 2019, Directors UK issued guidelines for directing nudity and simulated sex in British television and film for the first time. In 2020, BECTU created a specific branch for intimacy co-ordinators. And there is also Time’s Up UK.

Following the allegations made against Clarke, there have been calls for more to be done. In a recent interview with Sky News ahead of the BAFTAs, Time’s Up UK chief executive Dame Heather Rabbatts said the charity had made progress since it was set up in January 2018, but there is always more that can be done.

“I think when we see allegations of any kind in the media about things that have gone on before in our industry, we do sit back and think, ‘how can we make this different going forward’, or ‘what have we already got in place that we’re not using?'” says Coffey.

“Within the [Directors UK] guidance, it says that you should never have to do a naked audition, for example. If you need to see what somebody’s body looks like, at most you should ask them to wear a bikini or trunks, and have a chaperone present. So there are safety precautions that we have in place that I think are worth highlighting.”

As the problems in the industry have come under the spotlight in recent months and years, a lot has been said about power dynamics on film and TV sets.

But it’s not power that’s the problem, says Coffey, it’s about how that authority is used. And that’s where an intimacy co-ordinator can help.

“To me, power is not a bad thing,” she says. “We have power dynamics on set and we have them for a reason and they’re there to keep people safe – it’s the abuse of power that’s a problem.”

Continue Reading

Entertainment

What if Romeo had a scar? Or Juliet a facial difference? The actors challenging screen conventions

Published

on

By

What if Romeo had a scar? Or Juliet a facial difference? The actors challenging screen conventions

Crystal was 18 when bone cancer changed her face. On top of chemotherapy and operations, she had to deal with other painful realities too.

She told Sky News: “Pre-cancer, and everything that happened I wasn’t aware how people who had facial differences were villainised or victimised.

Crystal before her diagnosis
Image:
Crystal before her diagnosis

“Experiencing that, seeing the trauma, I’ve been so affected by people staring at me in the street, and hate comments about my appearance.”

She believes part of the problem is the screen portrayal of visibly different characters: “There’s a narrative in Hollywood, especially that’s been going on for years, that people are not addressing and seeing that these are real people.”

Refusing to let her differences keep her from pursuing her dreams, Crystal studied acting at LAMDA, one of the UK’s top drama schools.

Now a professional actress, she knows her appearance will always be judged.

“[My visible difference] is on my face. I can’t really hide anything. Every time I talk or enter a room, it’s not like anyone’s fault, I just know that people have that first perception or viewpoint of me.”

More from Ents & Arts

With aspirations to one day appear in a Marvel movie, she hopes her drive to perform will help others in the future.

“I didn’t have anyone who looked like me as a role model… It would have just been so much better if I’d had that one person to look up to, to be inspired by.”

Crystal graduated from LAMDA in 2024
Image:
Crystal graduated from LAMDA in 2024

Lack of representation is not the only problem. When visible difference does make it onto the screen, misrepresentations and negative overtones often reinforce stigma.

Nearly one in five people in the UK self-identifying as having a visible difference, such as a mark, scar or condition, according to charity Changing Faces.

New research they conducted into the way disfigurement is portrayed on screen found that people with visible differences were over twice as likely to be shown as a victim or a villain than as a love interest.

Film and television have used scars, burns and birthmarks as a shorthand for villainy across the genres for years. From Bond to Batman and Star Wars, to more family-friendly productions such as The Lion King.

Heath Ledger as the infamous Joker. Pic: Rex Features
Image:
Heath Ledger as the infamous Joker. Pic: Rex Features

Rami Malek as Safin in No Time To Die, complete with scars. Pic: Universal
Image:
Rami Malek as Safin in No Time To Die, complete with scars. Pic: Universal

And while visibly different characters aren’t common on screen, a woman with a physical difference in film or TV is even rarer.

Author and entertainment journalist Kristen Lopez says it’s because women’s value on screen is so tied up with their sexuality.

The author of Popcorn Disabilities: The Highs and Lows of Disabled Representation in the Movies has even come up with a term to describe the industry’s attempt to keep their leading ladies “sexy and beautiful”.

“You often see what I call ‘pretty disabilities’. It’s a disability that is not going to affect the physical perfection of the actress. And it will also allow for an A-list, usually non-disabled actress, to continue to play the character.”

Lopez says for that reason, films are more comfortable with portraying blind or visually impaired women, deaf women, or non-verbal women, because their disability “doesn’t mar the face”.

Speaking from her own experience of growing up with brittle bone disease, she says: “I worry about the next generation of disabled girls – what are they seeing? Do they feel represented?

“How do you navigate adolescence if you don’t see anybody that looks like you doing the things that every other young person is doing?”

Romeo Olukotun was just one year old when an accident left him with second and third-degree burns on his torso, chest and neck.

With his accident not spoken about at home, he admits, “I just kind of had to deal with that on my own”.

He did find some flashes of inspiration, including from singer Seal.

Romeo was just one when an accident left him with burns on his chest, neck and stomach
Image:
Romeo was just one when an accident left him with burns on his chest, neck and stomach

“I loved how even though he had a visible difference and scarring on his face, he wasn’t looked down because of that. He was seen for his talent.”

With his confidence taking a hit due to his scars while at secondary school and university, he rebuilt his self-esteem as an adult through cheerleading.

Later spotted at a music video shoot he’d gone along to with a friend, he’s now an actor and model. But his visible differences have, at times, affected his casting.

Pic: Changing Faces
Image:
Pic: Changing Faces

Romeo told Sky News: “Because my scar on my neck looks like I’ve been stabbed, I would often be asked to ‘Try this [performance] like a thug or someone who’s on the streets’. And I didn’t like being labelled as that. I’m someone who is much more than my scars.”

He’s now a man on a mission: “I want to be someone who shows other people with a visible difference that they can be anything. They can play the romantic lead, they can play a villain if they want to. They can be a hero, not just be labelled as someone sinister and evil, Machiavellian.”

Pic: Changing Faces
Image:
Pic: Changing Faces

While the film and TV industries might be slow to change, LAMDA vice principal Dr Philippa Strandberg-Long is hopeful for the future.

“We have to make our students aware of the industry that they are going into and not, I guess, create a utopia where they’re not aware of the industry they’re going into. However, we can change it from how we educate our students that come out.

“Things won’t change overnight, but it will change over time. So, we have to put in the work at the grassroots, which is here.”

Changing Faces is the UK’s leading charity for anyone with a visible difference. They have a confidential support and information line for anyone dealing with the impact of visible difference.

Continue Reading

Entertainment

Ibiza lizards ‘near extinction’ due to invasive snakes and mounting litter

Published

on

By

Ibiza lizards 'near extinction' due to invasive snakes and mounting litter

Conservationists in Ibiza are warning the island’s native bright blue and green lizards are coming ever closer to extinction due to the mounting threats of invasive snakes and tourists’ litter.

The Ibiza wall lizard is endemic to Ibiza and neighbouring Formentera and is vital to the ecosystem of the islands, experts say, for pollinating plants and controlling pests.

Since the 2000s, the small, colourful reptiles, which are harmless to humans, have become endangered due to the proliferation of invasive snakes that first arrived in imported trees.

Conservationists say Ibiza lizards are endangered. Pic: Dean Gallagher
Image:
Conservationists say Ibiza lizards are endangered. Pic: Dean Gallagher

Conservation foundation IbizaPreservation says snakes are now present on up to 90% of the island, while the lizard population has decreased massively, believed to have disappeared from about 70%.

But there is also another issue affecting the species – litter left mainly by tourists at beauty spots.

Dean Gallagher, a snake catcher on the island, says he is constantly finding the bodies of dead lizards stuck inside discarded bottles and cans at Es Savinar, a southerly viewpoint where people often gather for sunset.

“I’m finding these lizards trapped in cans and bottles,” he tells Sky News. “Once they get inside their feet get wet from the drink inside, the beer or the Red Bull, and they can’t get out. Sun comes up, heats up the bottle, the can, and just fries a lizard inside. It’s absolutely devastating.”

Dean Gallagher has lived in Ibiza for more than 20 years
Image:
Dean Gallagher has lived in Ibiza for more than 20 years

Tourism accounts for about 84% of Ibiza’s economy and is vital for the island, with tourist spending reaching 4.3bn euros in 2024, according to the Balearic Institute of Statistics (IBESTAT) – an increase of 62% since 2016. The number of tourists reached a record high of more than 3.7m for Ibiza and neighbouring Formentera in 2023 – an increase of almost 25% since 2016.

The land Dean looks after at Es Savinar is private, he says, but people ignore signs and fences which were replaced at the beginning of the summer.

“We do rubbish collections probably once or twice a week,” he says. “We clear the whole area of bottles and cans then the next time, we go back and there’s even more.

“Bottles can cause bush fires. The forests are really dry at the moment, just one spark can set this place alight. And [litter] is also killing our lizards. They’re marvellous, beautiful creatures, they’re not aggressive and they keep the bugs away. The ecological value is really important.”

Signs have been put up around the private land. Pic: Dean Gallagher
Image:
Signs have been put up around the private land. Pic: Dean Gallagher

Dean lives near Santa Eulalia, where he says numbers are scarce. “Lots of parts of the north of the island now, they’ve completely diminished and it’s very sad,” he adds.

“And the very southwest corner of the island where this viewpoint is, this is the last place where they are in stable numbers. But the excessive rubbish, tourism, snakes, are gonna wipe them out completely.”

Gallagher says he is constantly finding the reptiles trapped in glass bottles and cans
Image:
Gallagher says he is constantly finding the reptiles trapped in glass bottles and cans

Visual surveys of areas of Ses Salines Natural Park by environmental association GEN-GOB have found the population there has decreased by between 70% and 90% since 2023.

GEN-GOB, Friends Of The Earth Ibiza and IbizaPreservation are among several organisations that have been working to save the species in recent years.

Read more:
Is Ibiza at breaking point?

Please use Chrome browser for a more accessible video player

Ibiza’s shanty towns – the side of the island most do not see

Jordi Serapio, coordinator of Protegim Ses Sargantanes, IbizaPreservation’s lizard protection project, says abandoned bottles and cans are “deadly traps” for the animals.

And snake numbers continue to grow and expand toward territories where lizards still remain, he adds. The most common snake on the island – and the biggest danger to lizards – is the horseshoe whip snake, but other types have been spotted.

“It has followed a northeast to southwest expansion,” he says. “The highest snake densities are observed in what they have called the ‘invasion front’ – this is known precisely thanks to trapping.

“In contrast, in areas where lizards have already become extinct, there appears to be a much lower density of snakes.”

So the more food available for the snakes, the higher the numbers.

“This is something common in most biological invasions, which end up regulating themselves naturally,” Jordi says. “The unknown in this case is whether some lizard populations will manage to survive and adapt. Although everything seems to indicate that they won’t.”

He also highlights another problem – predation by both feral and domestic cats – which he says is a growing threat.

“In the current context of the species’ extinction, any additional pressure worsens the situation.”

Continue Reading

Entertainment

Former London’s Burning actor John Alford guilty of sexually assaulting girls aged 14 and 15

Published

on

By

Former London's Burning actor John Alford guilty of sexually assaulting girls aged 14 and 15

Former London’s Burning actor John Alford has been found guilty of sexually assaulting girls aged 14 and 15 at a friend’s home.

Jurors heard the 53-year-old, who rose to fame in BBC show Grange Hill, sexually assaulted the girls while they were drunk following a night out at the pub.

St Albans Crown Court was told he bought £250 worth of food, alcohol and cigarettes from a nearby petrol station in the early hours of the morning, including a bottle of vodka which the victims subsequently drank.

Alford then had sexual intercourse with the 14-year-old girl in the garden of the home and later in a downstairs toilet, and inappropriately touched the 15-year-old girl as she lay half asleep on the living room sofa.

He denied four counts of sexual activity with the younger girl and charges of sexual assault and assault by penetration relating to the second teenager at a property in Hertfordshire on April 9 2022.

But, after 13 hours of deliberations, he was found guilty.

As a firefighter in one of his most famous roles. File pic: PA
Image:
As a firefighter in one of his most famous roles. File pic: PA

Alford, of Holloway, north London, who was charged under his real name John Shannon, had previously told the court the allegations were a “set-up”.

He put his head in his hand and shouted “Wrong, I didn’t do this” from the dock as the verdicts were read out in court.

‘I didn’t want sex with an old man’

During the week-long trial, Alford, who cried while giving evidence, told jurors “I never touched either of them girls”, adding there was “no DNA” evidence and that he would stand by his denial “until the day I die”.

However, the 15-year-old girl said: “We were all just like dozing off. That was when John started to touch me.”

Asked how she felt after the assault, the girl said: “Sick. I felt absolutely sick. I wasn’t going to tell anyone.”

In a video of her police interview played to the court, the 14-year-old girl said she had never had sex before the night of the alleged incidents.

“I told him to stop because I didn’t want to have sex with an old man,” she said.

Continue Reading

Trending