All eyes will be on E3 this weekend as the world’s biggest gaming convention gets going online, with some exciting announcements expected.
The industry event has taken place every June (except last year, for obvious reasons) since 1995, and is hotly anticipated by gamers around the world.
Fans can usually look forward to new games, sneak previews, updates to old favourites, and sometimes even fresh consoles – with this year looking no different.
Image: Fans usually gather in Los Angeles for the convention. Pic: AP
Among the companies in attendance will be Nintendo, Ubisoft, and Microsoft – all hoping to wow the crowd, which this year will be virtual.
One gaming giant that is notably absent though is PlayStation maker Sony – who ditched the convention a few years back in favour of making announcements elsewhere.
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With video games having become ever more popular during the pandemic, as much of the world’s population was ordered to stay at home, plenty of players are chomping at the bit for new experiences.
Here is a round-up of some of the biggest announcements we’re expecting.
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Halo Infinite should emerge from its COVID-enforced hibernation
Microsoft revealed some new gameplay footage of the latest Halo instalment last year – but it was largely criticised by fans and the press, forcing a delay to its release.
It had been due to arrive at the same time as the new Xbox Series X and S consoles last November, but the developer 343 Industries clearly struggled with the shift to working from home.
Fans believe Halo Infinite will be at the heart of Microsoft’s showcase on Sunday (6pm UK time), and is set to pick up the story of Master Chief on a mysteriously damaged Halo (the ring-shaped planets that have been a staple of the series since it debuted on the original Xbox in 2001).
The launch of Microsoft’s next-gen consoles was overshadowed by the PS5, which has boasted exclusive games like Spider-Man: Miles Morales and Ratchet And Clank: Rift Apart, adding to the pressure on Halo Infinite to deliver.
Hopefully we get a new release date on Sunday – at the moment the game’s only pencilled in for a vague 2021.
Image: Fans panned Halo Infinity when gameplay footage was released in 2020. Pic: Microsoft
Fans could finally learn what Starfield is – three years after its announcement
Microsoft has made a big deal in the last 12 months of buying Bethesda – as they darn well should.
That’s the studio behind iconic and long-running franchises like The Elder Scrolls and Fallout, so you can see why Microsoft shelled out an eye-watering $7.5bn (£5.3bn).
There are very scant details on the studio’s next big release, Starfield. We do know it will be a sci-fi role-playing game (RPG) but we’ve only seen one image since the announcement that is was being made in 2018.
Bethesda have managed to attract some Hollywood talent to their games in the past, including the likes of Sean Bean and Patrick Stewart, and there are rumours that one Tom Cruise may be involved this time.
A 2021 release seems unlikely given how little we know about Starfield, but we should find out more at the Microsoft showcase on Sunday.
Image: Little is known about Starfield – but that could soon change. Pic: Bethesda
The Legend Of Zelda: Breath Of The Wild 2’s release date may be revealed
Breath Of The Wild’s sequel is one of the most anticipated games in YEARS – and it’s expected to get its release date this weekend, as well as a rumoured first gameplay trailer.
The multi-award-winning Breath Of The Wild was a runaway success when it was released at the launch of the original Nintendo Switch in 2017 (emphasis on original, more on that later), with fans of the franchise begging for a sequel to the first truly open-world Zelda game.
The Zelda games celebrate their 35th anniversary this year, and it shows no sign of slowing down. With titles including Ocarina Of Time, Twilight Princess and Link To The Past, it is one of the most highly regarded game franchises ever.
Earlier this year, Nintendo revealed it was remastering Skyward Sword for the Switch console, after getting its initial run out on the Wii about a decade ago.
Eagle-eyed fans have already spotted some major gaming retailers taking pre-orders for the second instalment of Breath Of The Wild – so we may not be waiting much longer.
Image: The Legend Of Zelda: Breath Of The Wild was a runaway success following its 2017 launch. Pic: Nintendo
Ubisoft will give us more on Rainbow Six and Far Cry 6
Although not new announcements, we’re expecting more information on Tom Clancy’s Rainbow Six Extraction (just renamed from Rainbow Six Quarantine because of you know what) and Far Cry 6.
A few bits of gameplay have previously leaked for both, but we expect to get the first official look at the new games in action at Ubisoft’s event on Saturday (8pm UK time).
Breaking Bad and The Mandalorian star Giancarlo Esposito stars in Far Cry 6 as villain Anton Castillo, and players will be able to unlock a number of different endings.
Ubisoft will have plenty else to show, and there’s nothing to suggest that everything will involve the number six. A new Assassin’s Creed seems unlikely, though, given that content is still arriving for last year’s Valhalla.
Image: More details about Far Cry 6 could be revealed. Pic: Ubisoft
Nintendo could… switch up the Switch
Nintendo is adamant that its convention slot will be purely focused on games – but that hasn’t stopped rumours of it announcing a new beefed-up version of the Switch.
Reports have had it named as everything from the Nintendo Switch Pro to the Super Nintendo Switch, but industry insiders seem to agree that it’ll feature a bigger screen (seven inches to be precise) and be able to output at 4K when hooked up to a TV – bringing it in line with its Sony and Microsoft competition.
What better way to show off Breath Of The Wild 2 than with a shiny new console, after all.
We’ll know about both either way at Nintendo’s event on Tuesday, broadcasting at 5pm UK time.
Succession writer Jesse Armstrong says he hopes his new film about toxic tech billionaires can be a receptacle for anyone who is “feeling wonky about the world”.
Now making his film directorial debut with Mountainhead, starring Steve Carell and Jason Schwartzman, Armstrong has shifted his focus from cut-throat media moguls to a group of billionaire friends meeting up to compare bank balances against the backdrop of a rolling international crisis they appear to have stoked.
Speaking to Sky News about the project, he said: “For a little while I poured some of my anxieties and feelings into it… and I hope it can be a receptacle for other people if they’re feeling wonky about the world, maybe this can be somewhere they put some of their anxieties for a while.”
Image: Cory Michael Smith (R) plays Venis in Mountainhead. Pic: Mountainhead/HBO
Image: Jesse Armstrong with Ramy Youssef. Pic: Mountainhead/HBO
Few television writers achieve widespread recognition beyond their work, but Armstrong – the man behind Succession, one of the most critically acclaimed TV shows of the past decade – has become a household name and is today one of the world’s hottest properties in high-end drama.
“If there was more self-reflection and self-knowledge, there probably wouldn’t be such amenable targets for comedy and satire,” he admits.
Long before he gifted viewers with the likes of manipulative Logan Roy and sycophantically ambitious Tom Wambsgans, back in the beginning, there was selfish slacker Jez and the perennially insecure Mark on his breakthrough hit Peep Show.
“I love comedy, you know, it’s my way in,” he explains. “I think I like it because… the mixture that you get of tragedy and absurdity strikes me as a sort of a true portrayal of the world… and I just like jokes, you know, that’s probably the basic reason.”
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After putting his pen down on the finale of Succession, walking away with 19 Emmys and nine Golden Globes, attention was always going to be drawn to what Armstrong did next.
“I had a couple of other things that I thought I would write first and this kind of snuck up on me as an area of interest,” Armstrong says.
“After I’d listened to a bunch of tech podcasts and Ted talks, I sort of needed somewhere to put the tone of voice that was increasingly in my head.”
Tapping into the unease surrounding big tech, he wrote, shot and edited Mountainhead in less than six months.
Image: Jesse Armstrong says the film’s theme ‘snuck up on me as an area of interest’
Capturing the audience mood
Explaining why he worked so fast, he said he “wanted to be in the same sort of mood as my audience, if possible”.
While he insists there aren’t “any direct map-ons” to the billionaire tech moguls, which frequently make headlines in real life, he joked he’s “happy… to play a game of ‘where did I steal what from who?'” with viewers.
“You know… Elon Musk… I think at least people would see some Mark Zuckerberg and, I don’t know, some Sam Altman, there is a bunch of those people in all the [film’s] different characters… and we’ve stolen liberally from the world in terms of the stories we’ve given them.”
Steve Carell is tasked with delivering some of the film’s most memorable lines as the satire explores the dynamic between those holding the power and those pulling the strings.
“People who lack a certain degree of self-knowledge are good for comedy….and if there was more self-reflection and self-knowledge, there probably wouldn’t be such amenable targets for comedy and satire.
“You know, living in a gated community and travelling by private jet certainly doesn’t help you to understand what life is like for most people.”
Armstrong’s gift for using humour to savagely dramatic ends is arguably what makes him one of the most sought-after writers working today.
Behind his ability to craft some of the sharpest and scathing dialogue on our screens, he views what he does as more than getting a laugh.
“I do believe in the sort of nobility of the idea, that this is a good way to portray the world because this is how it feels a lot of the time.”
Mountainhead will air on Sky and streaming service NOW on 1 June.
Taylor Swift has bought back all the rights to her master recordings – but has suggested she won’t be re-releasing her Reputation album.
“All the music I’ve ever made now belongs to me,” the star announced on her official website.
“I’ve been bursting tears of joy… ever since I found out this is really happening.”
The pop star had originally lost the rights to her first six albums in 2019 when her first record label, Big Machine, sold them to music executive Scooter Braun.
After she learned Braun had acquired her musical catalogue, she opened up about it in a lengthy Tumblr post, blaming him for being complicit in Kanye West’s “incessant, manipulative bullying” of her.
Swift said she was not given the opportunity to buy her work outright, and so, in a bid to diminish the value of the master tapes, she set about re-recording them.
Image: Taylor Swift’s back catalogue was eventually sold on by Scooter Braun
She had re-released four “Taylor’s Version” albums to date. Just her self-titled debut album and Reputation remained.
Braun later sold his stake in her albums to Shamrock Holdings, a Los Angeles investment fund, in a deal reported to be worth £222 million.
It is not known how much Swift paid Shamrock to re-acquire the rights to her songs.
Swift said she was “forever grateful” to Shamrock for allowing her to buy the rights to her music back.
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“This was a business deal to them, but I really felt like they saw it for what it was to me: My memories and my sweat and my handwriting and my decades of dreams,” Swift wrote on her website.
“I am endlessly thankful. My first tattoo might just be a huge shamrock in the middle of my forehead.”
What it means for Reputation fans
Just two albums remained to be re-released by Swift – her self-titled debut album and Reputation. The latter was a particularly strong source of speculation among fans, who would look for clues in her outfits during her record-breaking Era’s tour.
But this announcement could spell the end of that.
“Full transparency: I haven’t even re-recorded a quarter of it,” Swift said.
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She said Reputation was “so specific” to a certain time in her life, that she kept hitting a block when she tried to re-record it. She also said she felt it was the first album she could not improve by re-recording it.
Debut has been re-recorded, with Swift saying she “loves how it sounds now”.
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But both albums could still “re-emerge when the time is right”, particularly the unreleased tracks.
“If it happens, it won’t be from a place of sadness and longing for what I wish I could have,” Swift said.
How Swift’s stance changed the music industry
In the music industry, the owner of a master controls all rights to their artists’ recordings. This is usually agreed in contracts with artists, and allows them to recoup the financial investment they make in stars, including funding production, marketing and promotion.
It also means they can distribute it to new streaming services or license the songs to be used in movies.
Image: Pic: AP
Swift, as co-writer of her music, had always maintained publishing rights.
“I do want my music to live on. I do want it to be in movies. I do want it to be in commercials. But I only want that if I own it,” she told Billboard in 2019.
Swift said today she had been “heartened by the conversations this saga had reignited within my industry among artists and fans”.
“Every time a new artist tells me they negotiated to own their master recordings in their record contract because of this right, I’m reminded of how important it was for all of this to happen.”
Russell Brand has pleaded not guilty to rape and sexual assault charges as he appeared in court in London.
The British comedian and actor, from Hambleden in Buckinghamshire, was charged by post last month with one count each of rape, indecent assault and oral rape as well as two counts of sexual assault.
The charges relate to alleged incidents involving four separate women between 1999 and 2005.
The 49-year-old, who has been living in the US, was flanked by two officers as he pleaded not guilty to all the charges at Southwark Crown Court today.
Image: Russell Brand appears at Southwark Crown Court. Pic: Reuters
Brand stood completely still and looked straight ahead as he delivered his pleas.
The comedian, who has consistently denied having non-consensual sex since allegations were first aired two years ago, is due to stand trial in June 2026.