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Everyone seems to know the score, they’ve seen it all before…

Except this time, maybe, they haven’t. England. Are. In. The. Final. Of. Euro 2020. Could football (whisper it) actually be coming home?

We have David Baddiel, Frank Skinner and The Lightning Seeds’ Ian Broudie to thank for that central refrain now synonymous with England and football; a song full of unashamed nostalgia for the days of our World Cup victory (1966, you might have heard of it), perfectly capturing the mix of “oh-so-nears” pessimism and cautious hope that comes with being an England fan.

Released for Euro ’96, back when it was only 30 years of hurt, Three Lions is still the ultimate anthem for English football. But Sunday’s match against Italy will be the men’s team’s first international tournament final since 1966; a historic moment, which means you may want a whole soundtrack to mark the occasion.

From a homage to Sven-Goran Eriksson to a celebration of baked goods, here are a few official and unofficial songs to add to the playlist. After Three Lions, of course. And Three Lions ’98, because no one likes change. We still believe…

This Time (We’ll Get It Right)

After failing to qualify for the World Cup in 1974 and 1978, 1982 was not only a big year for football but a big year for England in the charts. Frontman Kevin Keegan was no stranger to the Top 40, having released the single Head Over Heels In Love a few years earlier, and he led the squad in their promise to “get it right… this time”. Sadly, it wasn’t to be; England failed to progress beyond the second group stage, despite remaining unbeaten throughout the tournament in Spain. The song charted at number two though, so every cloud.

We’ve Got The Whole World At Our Feet

“There’s not a single team that we can’t beat,” sang the England squad ahead of Mexico 1986. Unfortunately, they hadn’t reckoned with Maradona and his Hand of God. To add insult to injury chart success also eluded them, with We’ve Got The Whole World At Our Feet only reaching number 66 (as if they needed another reminder). However, Gary Lineker did win the tournament’s Golden Boot for top scorer.

All The Way

For the Euros in West Germany in 1988, Stock, Aitken and Waterman took charge of the music, which led to this upbeat number that epitomised the pop sound at the time. Sadly, it only reached number 64 in the charts – mirroring England’s success in the tournament (they went out early after failing to win any of their games in the group stage).

World In Motion

England’s second-finest track comes from New Order and a magnificent rap from John Barnes, with minimal input from the rest of the squad. Released for Italia 90, this was the World Cup of Gazza’s tears, of England’s first heartbreaking penalties defeat – losing 4-3 to West Germany in the semi-finals – and of Gary Lineker infamously getting caught short on the pitch. There aren’t many football songs that break out of the novelty bracket but this is definitely one of them, encapsulating the hopeful optimism of England fans perfectly without, for the most part, really sounding like a football song at all.

Eat My Goal

Not an official England track but Collapsed Lung’s football anthem Eat My Goal, released in 1996, became the soundtrack to Coca-Cola’s “Eat Football, Sleep Football, Drink Coca-Cola” advertising campaign that tied in with Euro 96.

Vindaloo

As well as the revived Three Lions, the France 98 World Cup also brought us Fat Les, aka Blur bassist Alex James, actor Keith Allen and artist Damien Hirst. Thanks to its easy to chant “nah nah nahs” and triumphant “we’re gonna score one more than you”, Vindaloo was an affectionate parody that became the unofficial hit of the tournament. Featuring comedian Paul Kaye (best known as Dennis Pennis) in a video sending up The Verve’s Bittersweet Symphony, also look out for David Walliams and Matt Lucas, and a young Lily Allen, who are in there somewhere.

(How Does It Feel To Be) On Top Of The World

This one was actually the official song for 98, even though it’s Vindaloo you remember. Featuring a medley of artists including The Spice Girls, Echo And The Bunnymen, Space and Ocean Colour Scene – aka England United – but no actual England players (apart from a few cameos in the video), the song featured a nice sing-song chorus but wasn’t quite as memorable or rousing as the other offerings that year, and charted at number nine. This was the World Cup of Michael Owen’s incredible goal against Argentina – and David Beckham’s infamous red-card kick in the same game.

Meat Pie, Sausage Roll

After the success of Three Lions, football songs were cool again – which meant everyone wanted to release one. Contenders in 1998 also included Granddad Roberts And His Son Elvis, with this ridiculous song that should have been sponsored by Greggs. “Ooh, we got a corner,” is the refrain, while it ends with the bizarre line: “No wonder my wee smells like Sugar Puffs, the stress I’m under.”

We’re On The Ball

Ant & Dec took over official duties for the 2002 World Cup in South Korea and Japan, hailing then manager Sven-Goran Eriksson as England’s “super Swede” and referencing captain Golden Balls and the 5-1 win over Germany in the qualifiers the previous year. Despite the single essentially being PJ and Duncan’s musical revival, England were not quite ready to rhumble and lost 2-1 to eventual winners Brazil in the quarter-finals

Sven, Sven, Sven

Released a year earlier, Sven, Sven, Sven, by comedy duo Bell & Spurling, was also inspired by the 5-1 victory and the nation’s love for Eriksson at the time. Featuring women in England bikinis and dressed in Bavarian costume, the video is a reminder of how much times have changed in the last 20 years. The pair released an updated version, Gareth, Gareth, Gareth, for the World Cup in 2018, but it wasn’t quite as successful as their top 10 debut.

All Together Now

Written about the Christmas truce in the First World War in 1914, when soldiers from both sides put their weapons down to exchange gifts and play football, this song by The Farm was released in 1991 and has been used by numerous football teams since. Re-released for the 2004 Euros in Portugal, England were beaten by the hosts on penalties in the quarter-finals.

World At Your Feet

The official England song for the Germany 2006 World Cup was released by Embrace, best known for hits including All You Good Good People, Come Back To What You Know, Ashes and Gravity in the 1990s and 2000s. “With the world at your feet, there’s no one you can’t beat/ Yes it can be done,” sang frontman Danny McNamara. A nice effort that charted at number three and spent six weeks in the Top 40, but England were not so successful. Wayne Rooney was red-carded in the quarter-final against Portugal and Cristiano Ronaldo became known as the winker – and once again they were knocked out on penalties.

Shout

While the only music people really remember from the South Africa World Cup in 2010 is Shakira’s Waka Waka (This Time For Africa) and the deafening sound of vuvuzelas, Dizzee Rascal and James Corden did also team up to release this unofficial song for England. Sampling Tears For Fears’ Shout and also including the line “come and have a go if you think you’re hard enough”, the song did top the charts but probably won’t be remembered as one of the England greats. England went out 4-1 to Germany in the final 16, so it wasn’t the team’s greatest performance, either.

Sing 4 England

Chris “Unbelievable, Jeff” Kamara released Sing 4 England for the Euros in 2012, co-hosted in Poland and Ukraine. Harking back to the naff but lovable-sounding typical football songs of the 80s and 90s, it gets full marks for rousing positivity. “Come on and sing for ENG-ER-LAND”. We were all encouraged; sadly, we’d seen it all before, and England lost in the quarter-finals, to Italy, on penalties.

Ole (We Are England 21)

Released during this year’s tournament, Ole is the Euro 2020 (yes, it’s still Euro 2020, even though it’s now 2021; blame COVID) effort from Krept & Konan. A contemporary rap track that – ole, ole, oles aside – moves away from the traditional football song but still reflects the mood of the nation.

Sweet Caroline

Neil Diamond’s 1969 hit Sweet Caroline became a feel-good hit again all over again during the pandemic in 2020, and has now become a hit at this year’s Euros, too. DJ Tony Perry made the decision to play the song after England’s win over Germany, and a fan favourite was born. In a video message, the US singer-songwriter told The Telegraph he was “thrilled” to see fans belting the song out at Wembley, saying: “Well, I hope you can do it again – here’s to England.” Because good times never seemed so good – so good, so good…

Whole Again

This sugary Atomic Kitten hit from 2000 has found a new audience thanks to a reworked version paying tribute to current England manager Gareth Southgate; so much so that Natasha Hamilton and Liz McClarnon went viral after performing it live to football fans watching the quarter-final victory over Ukraine in Croydon, and have now released it as a new single. While some might say they could have put a bit more effort in and changed the rest of the lyrics, now is not the time for nitpicking. Altogether now: “Southgate, you’re the one, you still turn me on – football’s coming home again.”

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Gavin & Stacey to return for ‘last ever episode’ on Christmas Day, James Corden announces

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Gavin & Stacey to return for 'last ever episode' on Christmas Day, James Corden announces

Hit sitcom Gavin & Stacey will return for its “last ever episode” on Christmas Day, James Corden has announced.

Corden posted a picture on his Instagram of himself and co-creator Ruth Jones holding a script.

The text on its cover reads: “Gavin & Stacey: the finale. Written by James Corden and Ruth Jones 2024.”

In the caption, Corden added: “Some news…It’s official!”

“We have finished writing the last ever episode of Gavin & Stacey. See you on Christmas Day, BBC One. Love Ruth and James.”

The series, which is primarily filmed in South Wales, first aired in 2007 and lasted for three series, before returning for a special in 2019.

James Corden and Ruth Jones announce final ever episode of Gavin & Stacey. Pic: James Corden
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James Corden and Ruth Jones. Pic: James Corden

The comedy follows the blossoming romance of Gavin Shipman (Matthew Horne) and Stacey West (Joanna Page). Shipman is from Essex and West is from Barry in Wales.

Corden and Jones appear as their respective best friends Smithy and Nessa.

Nessa’s catchphrase – “what’s occurring?” – is one of many widely quoted lines from the programme.

Other well-known actors in the cast include Rob Brydon, Melanie Walters, Alison Steadman and Larry Lamb.

A Christmas Day return for the series had been rumoured earlier this year after reports in US media.

Jones had previously denied the claims, but now the show’s comeback has been officially confirmed.

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The last special ended on a cliffhanger as audiences eagerly awaited Smithy’s response to Nessa’s marriage proposal.

The 2019 special was watched by around 18 million viewers.

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Dane Baptiste apologises to Jewish community for ‘disturbing’ language – and is dropped by agency

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Dane Baptiste apologises to Jewish community for 'disturbing' language - and is dropped by agency

Comedian Dane Baptiste has apologised to the “Jewish community, my colleagues and my fans” following criticism over a now-deleted social media post.

The stand-up star, who has appeared on TV shows including 8 Out Of 10 Cats Does Countdown, Live At The Apollo, and Mock The Week, has been dropped by his talent agency Insanity.

The company said the contents of a deleted post were “completely at odds with our values and what we stand for”.

The Metropolitan Police has also been made aware of the post.

Baptiste said he had made “a massive error of judgment” after receiving “a number of threatening and abusive messages from accounts accusing me of antisemitism for having pro-Palestinian views”.

The comedian said his partner had made him aware that “some of these same people” were monitoring her Instagram account.

In an apology posted on social media, Baptiste said: “In a massive error of judgment, I posted an excessive and impulsive response, hoping to dissuade anybody monitoring my family.

“I made a point to say Zionist and not Jewish, but I appreciate how disturbing, threatening and incendiary that language is, I would categorically state I have no ill intention towards the Jewish community and never have.

“I have a loving family of which I am massively protective of; I reacted poorly and emotionally to a perceived threat with no considered thought to the consequences, and I apologise profusely for my actions to the Jewish community, my colleagues and my fans.”

Baptiste was the first black comedian to be nominated for the award for best newcomer at the Edinburgh Comedy Awards in 2014, and also fronted the BBC Three sketch programme Bamous.

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In a statement, a spokesperson for Insanity said: “Insanity became aware of a social media post published by Dane on Instagram yesterday.

“The contents of his post are completely at odds with our values and what we stand for. We promptly made this clear to him, and are no longer working with him.

“As an organisation we do not tolerate hate speech of any kind and are committed to the values of respect and tolerance for all.”

Sky News has contacted Baptiste for comment.

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Universal artists to return to TikTok as dispute comes to an end

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Universal artists to return to TikTok as dispute comes to an end

Universal Music and TikTok have ended a dispute over royalties after the label pulled millions of songs from the social media platform.

The new licensing agreement means songs by some of the biggest artists in the world, including Drake, Adele and Billie Eilish will return to the site for use within the next two weeks.

TikTok, a short video app, is a valuable marketing and promotional tool for music stars. But in January, Universal claimed it paid artists and songwriters “a fraction” of the rate offered by similar social media platforms, and announced it was pulling its catalogue.

Billie Eilish at the 2024 Oscars. Pic: Reuters
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Billie Eilish is also among Universal’s artists. Pic: Reuters

Universal is the biggest music label in the world and also looks after Taylor Swift – who allowed a selection of her songs to return to TikTok as she promoted her latest album, The Tortured Poets Department, in April. Swift owns the copyrights to her recordings through her 2018 deal with Universal and can control where her songs are available, according to the Financial Times.

The companies now say they have come to “a new multi-dimensional” licensing agreement that will deliver “significant industry-leading benefits” for Universal’s artists and labels.

In a joint statement, TikTok said it would continue to invest resources into “building artist-centric tools” and work on strengthening online safety protections for artists and their fans.

The AI issue

Pic: AP
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Drake, another Universal artist, has previously had his voice cloned for AI tracks. Pic: AP

The agreement means all videos that had been muted will be unmuted. It comes just over three months since Universal posted an open letter criticising TikTok, calling for higher payments for artists and songwriters, protection from the “harmful effects” of AI, and online safety.

In their joint statement, the companies now say they will work together to ensure AI development across the industry “will protect human artistry and the economics that flow to those artists and songwriters”.

They will also work to remove unauthorised AI-generated music from the platform, as well as on tools to improve artist and songwriter attribution, the statement says.

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Universal chairman and chief executive Sir Lucian Grainge said the “new chapter” focuses “on the value of music, the primacy of human artistry and the welfare of the creative community”, while TikTok chief executive Shou Chew added: “Music is an integral part of the TikTok ecosystem, and we are pleased to have found a path forward with Universal Music Group.”

Concerns about AI have grown in the creative community. In April last year, a song featuring the cloned voices of Drake and The Weeknd was removed from streaming sites after going viral.

On Tuesday, British singer-songwriter and producer FKA Twigs told a US Senate hearing how she had created her own digital clone – but condemned unauthorised use of her voice and image.

Read more from Sky News:
‘Regulate it before we’re finished’: Musicians on AI
Olivia Rodrigo reacts after gigs cancelled at crisis-hit venue
McCarthy responds to Streisand after Ozempic comment

On Wednesday, a poll by the All-Party Parliamentary Group (APPG) on Music found that 83% of UK adults agree that a music artist’s creative “personality” should be protected in law against AI copies and 77% believe it amounts to theft when generated music fails to acknowledge the creator of the original.

In April, more than 200 artists signed an open letter objecting to the “predatory” use of AI to “steal professional artists’ voices and likenesses”.

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