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UEFA has rejected a request for Frank Skinner and David Baddiel to perform Three Lions (Football’s Coming Home) on the pitch before the Euro 2020 final.

Skinner claimed the tournament’s organisers said performing the song at Wembley before England play Italy on Sunday would be “too partisan and not fair to the Italians”.

The comedian pointed out that Italian opera star Andrea Bocelli sang Nessun Dorma at Rome’s Stadio Olimpico before Italy took on Turkey in the opening game of Euro 2020.

Ian Broudie from the Lightening Seeds (left to right), comedians Frank Skinner and David Baddiel at a photocall announcing their new recorded version of the Three Lions to coincide with the 1998 World Cup.
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Three Lions (Football’s Coming Home) has become an anthem for England supporters since it was released in 1996

Skinner told Channel 4 show The Last Leg: “There was a suggestion that we sang (Three Lions) on the pitch before the final on Sunday and UEFA said it was too partisan and not fair to the Italians to have that.

“In the opening game, which was Italy versus Turkey, Andrea Bocelli sang Nessun Dorma before the game.”

In a statement to Sky News, UEFA confirmed a request for Baddiel and Skinner to perform Three Lions on the Wembley pitch was received on Friday but the closing ceremony had “already been finalised”.

“No additional elements can be integrated at this stage due to the very tight countdown schedule and operational complexities ahead of the kick-off,” a UEFA spokesperson said.

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UEFA said Three Lions had been chosen as “the fan song” by the FA and it will be played during the players’ warm-up with karaoke graphics on giant screens, “as has been the case for England’s previous matches”.

Baddiel and Skinner will now perform the song with the Lightning Seeds at London’s 229 music venue in front of 200 England fans ahead of the Euros final on Sunday.

David Baddiel and Frank Skinner have attended several England games during Euro 2020
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David Baddiel and Frank Skinner have attended several England games during Euro 2020

Three Lions (Football’s Coming Home) has become an anthem for England supporters since it was first released in 1996.

It is one of the UK’s best-selling singles of all time, according to the Official Charts Company, and has had four spells at number one.

It has zoomed up the charts again this week to number four as the England team seek to win their first major trophy since the famous 1966 World Cup victory.

Explaining the intended meaning of the song, Baddiel said: “It’s about how we mainly lose but still irrationally believe that this time, hope might triumph over experience.

“It’s about yearning and magical thinking. It’s about the condition of being a football fan. Admittedly people have taken (Football’s Coming Home) to mean all sorts of b******s.”

Ahead of the final, government ministers are reportedly being urged not to declare “it’s coming home” while supporting the England football team because it aggravates foreign nations.

A briefing note from the Department for Digital, Culture, Media and Sport, seen by PoliticsHome, said the phrase “does not go down well overseas” and might damage a potential UK and Ireland bid to host the 2030 World Cup.

Government sources acknowledged the e-mail and said the song would not be put front and centre of a bid to host the 2030 tournament.

But they added “the song is about us for us, it’s been a long old wait for a final”.

England manager Gareth Southgate has made an appeal to the country’s wartime spirit ahead of their Euro 2020 final, urging supporters to be proud of its achievements both on and off the pitch.

Southgate celebrates England's win over Denmark on Wednesday. Pic: AP
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Southgate celebrates England’s win over Denmark on Wednesday. Pic: AP

Southgate said the nation has “so much to be proud of” and urged fans to stop “looking at the negatives of our own country”.

“People have tried to invade us and we’ve had the courage to hold that back,” Southgate told The Daily Telegraph.

“You can’t hide that energy in the stadium against Germany was because of that. I never mentioned that to the players, but I know that’s part of what the story was.”

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Bernard Hill: Lord Of The Rings and Titanic actor dies aged 79

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Bernard Hill: Lord Of The Rings and Titanic actor dies aged 79

Actor Bernard Hill, who played roles in Lord Of The Rings and Titanic, has died aged 79, his agent has confirmed.

Hill also featured as Yosser Hughes in the iconic drama series Boys In The Blackstuff.

He was given a number of awards for his role as King Theoden in the Lord of the Rings trilogy and played Captain Edward Smith in the 1997 Oscar-winning film Titanic.

The actor was born in Blackley, Manchester, in 1944 and graduated with a diploma in theatre in 1970.

He was married to fellow actor Marianna Hill, with whom he shared a son. His agent Lou Coulson said he died in the early hours of Sunday.

Hill will return to TV on Sunday night starring in the second series of Martin Freeman’s The Responder.

Fans have already started to pay tribute to him on social media.

Scottish musician Barbara Dickson wrote of their time working together: “It’s with great sadness that I note the death of Bernard Hill. We worked together in John Paul George Ringo and Bert, Willy Russell marvellous show 1974-1975.

“A really marvellous actor. It was a privilege to have crossed paths with him. RIP Benny x.”

At a London premiere in 2005. Pic: PA
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In London in 2005. Pic: PA

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Madonna plays biggest-ever show to 1.6 million fans on Rio’s Copacabana beach

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Madonna plays biggest-ever show to 1.6 million fans on Rio's Copacabana beach

Madonna has played her biggest-ever gig to an estimated 1.6 million people on Copacabana beach in Rio de Janeiro.

It was the last show in her Celebration tour and she performed hits such Like A Prayer, Vogue, Hung Up, Into The Groove and Like A Virgin.

The Brazil city was buzzing ahead of Saturday’s free two-hour show, with hotels and Airbnb’s packed and about 170 extra flights expected into the city.

Pic: Reuters
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Pic: Reuters

The famous Rio beach was packed with fans. Pic: AP
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The famous Rio beach was packed with fans. Pic: AP

Helicopters and drones buzzed over the beach as the Queen of Pop took to the stage at 10:37pm, nearly 50 minutes late.

“Here we are in the most beautiful place in the world,” Madonna told the crowd as she pointed out Rio’s famous mountains and Christ the Redeemer statue.

The 65-year-old opened up with Nothing Really Matters from 1998’s Ray of Light album.

Eighteen speaker towers were dotted along the beach to ensure everyone could hear the US star’s vocals.

Brazilian musicians and people from local samba schools were involved in the show – with many fans dressing up in Madonna-themed outfits.

Pic: AP
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Pic: AP

Pic: Reuters
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Pic: Reuters

“Since Madonna arrived here, I’ve been coming every day with this outfit to welcome my idol, my diva, my pop queen,” said Rosemary de Oliveira Bohrer, 69, who wore a version of Madonna’s iconic gold cone bra.

Many fans had staked out a spot many hours – or even days – before the show, while others took in the spectacle from yachts or apartment balconies.

Madonna’s website said it was the biggest she had ever done – more than 10 times the 130,000 she played to in Paris in 1987.

However, Rio is used to huge shows – The Rolling Stones and Rod Stewart have played to similar-size crowds there.

Pic: AP
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Pic: AP

Pic: Reuters
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Pic: Reuters

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Thousands of police were on duty for Saturday’s show, which city authorities estimated drew a crowd of 1.6 million and would earn the local economy about 293 million reals (£46m).

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For Madonna, it was the culmination of an 81-date retrospective tour that began in London in October and moved across Europe and North and South America.

The singer embarked upon the tour a few months after being admitted to intensive care with a serious bacterial inaction in June 2023.

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Olly Alexander addresses ‘extreme’ remarks from fans on Israel’s Eurovision inclusion

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Olly Alexander addresses 'extreme' remarks from fans on Israel's Eurovision inclusion

The UK’s Eurovision Song Contest representative has addressed “extreme” remarks from fans over Israel’s inclusion in the competition.

Olly Alexander was selected as this year’s representative for the UK for the popular singing competition.

It’s set to take place in Malmo, Sweden, next week but tens of thousands are expected to protest Israel’s involvement and its ongoing war in Gaza.

Alexander, the Years & Years singer, has found himself facing criticism from some who called for him to withdraw amid the ongoing war between Israel and Hamas.

Queers for Palestine circulated a letter, signed by thousands including actors Indya Moore, Brigette Lundy-Paine, and Maxine Peake calling for the It’s A Sin actor to pull out of the show.

In March, along with Irish hopeful Bambie Thug, Danish entrant Saba and other Eurovision artists, Alexander released a joint statement, backing “an immediate and lasting ceasefire” but refusing to boycott the event.

Now, speaking out in a new documentary which has followed the 33-year-old as he prepares for the show, he has described some of the comments he and other participants have faced as “very extreme”.

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Bambie Thug, the Irish entrant in the 2024 Eurovision Song Contest. Pic: Pa
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Bambie Thug, the Irish entrant, also signed a statement backing a ceasefire, but is refusing to boycott the event. Pic: PA

He said: “A lot of the contestants and myself have been having a lot of comments that are like ‘You are complicit in a genocide by taking part in Eurovision’ which is quite extreme. It’s very extreme.

“I understand where that sentiment is coming from but I think it’s not correct.

“It’s an incredibly complicated political situation, one that I’m not qualified to speak on.

“The backdrop to this is actual immense suffering. It’s a humanitarian crisis, a war.

“It just so happens there’s a song contest going on at the same time that I’m a part of.”

Speaking in the BBC’s documentary titled Olly Alexander’s Road To Eurovision ’24, he continued saying that people should boycott Eurovision if they didn’t feel comfortable watching and he respected their decision – but would be taking part himself.

He added: “My plan is to just focus on putting on a good performance in Malmo.

“My team, everyone’s worked so hard, and we’re in the final stretch now.”

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Earlier in the week, Alexander broke down crying during an interview with The Times when discussing the pressure he had come under for participating in Eurovision.

He told the paper he knew a number of signatories of the petition against him, and none had reached out to him.

He said: “This is so much bigger than me and Eurovision, it really is. But, obviously, I wish there wasn’t a war or this insane humanitarian crisis.

“I wish for peace and I have found this experience, at times, extremely … I’ve just felt really sad and distressed.”

Olly Alexander. Pic: PA
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Pic: PA

Speaking on Sky’s Sunday Morning with Trevor Phillips, deputy director general of the European Broadcasting Union who organises Eurovision, Jean Philip De Tender, defended Israel’s inclusion in the competition.

He said: “We do understand the concerns and deeply held views around the war in the Middle East.

“The song contest is a music event organised and co-produced by 37 public broadcasters, it’s not a competition between nations or governments.

“Our governing bodies reviewed the participation of Kan [Israel’s public broadcasting corporation] and found that they met all of the competing rules.”

Phillips pointed out incidences when Kan came under fire for their broadcasting.

This included, he said, when Kan published a video of children singing, in the public broadcaster’s own words, for the “annihilation of Gaza” and when one of their presenters was seen writing “I want to send the people of Gaza artillery shells”.

Mr De Tender said they had been in contact with Kan about the content they published and their editorial output, and had expressed concern on occasion.

He added that Eurovision had competition rules which they had to follow, and taking action beyond these rules to exclude Kan would have been a “political decision as such which we cannot take”.

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