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In this EV game, there are heroes, both sung and unsung. More often than not, it’s the Teslas and Polestars of this world that steal all the headlines with their space-age technology and spaceship designs. But actually, some of the most significant EVs of the past decade have rather flown under the radar, adored by those who drive them but underappreciated by the rest of the world.

And there is surely no better example of this than the electric offerings of Kia and Hyundai. For years now, the Korean sister brands have been churning out high-quality, great value EVs with immense range and a tonne of tech as standard. The E-Niro, the Soul, and the Kona Electric — all brilliant cars in their own right, but all with the same Achilles’ heel. They’re very impressive, very worthy, but not very… sexy. Like almost all Kias and Hyundais before them, these are cars you buy with your sensible hat on. They appeal to your head but not your heart. They are, to be blunt, a bit charmless.

But the beautiful thing about this EV revolution is it does create a lovely opportunity for reinvention — an opportunity that both Kia and Hyundai have seized emphatically. Having successfully developed their own modular EV architecture — the E-GMP — which will underpin a plethora of new EVs in the coming years, both brands have decided now is the time for a bit of a makeover. Hyundai went first with the Ioniq 5, and the reception was truly remarkable. No Hyundai before it has ever generated such buzz. And it’s easy to see why — it’s a wonderful piece of design, a truly desirable object, and still packed with the ultra-impressive EV hardware and as-standard tech we’ve come to expect from the Korean carmakers.

And now it’s Kia’s turn — and it’s safe to say that with the new EV6, they’ve gone in a slightly different direction to Hyundai. Yes, both cars are underpinned by the same platform. Yes, they are roughly the same size and use roughly the same batteries. But design-wise, the EV6 is a very different proposition. No friendly, boxy, retro-futurism here — this is a far more aggressive and polarising design, both inside and out. And having spent a day poking and prodding around a pre-production car, I’m completely sold.

There are two things that really struck me during my day with the EV6. First is, of course, the way it looks. Based on pictures, I was certain that the smiley, butter-wouldn’t-melt Hyundai would be my favorite of the two. But seeing the Kia in the metal, I’m not so sure. There are so many design cues that catch your eye, from its swooping, sporty silhouette to that muscular rear haunch and the utterly outrageous rear lightbar. Even the wing mirrors are mad. There’s a lot going on, and it could very easily have amounted to a design that’s a little too busy. But it doesn’t. Instead, it all combines for a seriously handsome and not especially SUV-looking family SUV. A true head-turner

The second thing that struck me is the sheer quality of the thing. Even on this pre-prod car, the fit and finish were beyond anything I’ve ever seen from a Korean car. The cabin is beautiful, dripping with tech, and everything you touch feels expensive. In fact, the interior might just be the most impressive thing about the car — and we haven’t even got to the face-melting performance on offer at the point end of the EV6 range yet. For the first time in my life, I can honestly say the following sentence: I cannot wait for a drive in this new Kia.

Check out the video above for my detailed first look at the remarkable EV6, and be sure to let us know in the comments what you make of Kia’s brave new look.


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‘I’m shocked at how fragile I am still’: Cumberbatch and Colman on protecting their sanity from perils of social media

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'I'm shocked at how fragile I am still': Cumberbatch and Colman on protecting their sanity from perils of social media

Actor Benedict Cumberbatch says he’s shocked at how “fragile” he still is – despite years in the spotlight and success in the industry.

It might seem like the Doctor Strange star and The Crown actress Olivia Colman have it all when it comes to money and success – but they are also human like the rest of us.

The pair lead the cast of new satirical black comedy The Roses, which sees picture-perfect couple Ivy and Theo Rose – a rising star chef and ambitious architect – raise their two children in California, while chasing their own dreams.

‘I am shocked at how fragile I am’

But behind its dark humour and comic language, the film also looks at the realities of power imbalance, insecurity and wounded pride – in even the strongest of relationships.

And 49-year-old Cumberbatch – whose character faces a major setback in his career – tells Sky News that in real life the glare of social media only intensifies those type of situations.

“I am shocked at how fragile I am still.

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“I don’t go anywhere near it [social media] because of that.

“It’s like walking into a place where people want to marry you or kill you. Those extremes.

“I think we will get to a stage, a corporate culture that’s now manifested around it where people are obliged to do that in order to sell their lives, and therefore their brand and what they do for a living.”

Co-star Colman – who’s long-shunned the online world – agrees.

Cumberbatch and Colman in The Roses. Pic: Jaap Buitendijk/ Searchlight Pictures
Image:
Cumberbatch and Colman in The Roses. Pic: Jaap Buitendijk/ Searchlight Pictures

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“I’m afraid I am very thin-skinned.

“I don’t look at any of it. My husband will look at a review and if it’s nice he’ll show me – but if it’s anything mean he knows to just go ‘don’t look – don’t look.’

“You just have to learn to be thicker-skinned.

“But actually, I think we need people who are sensitive and kind.”

‘Don’t do it… delete it all’

Colman – now 51, and whose leading role in The Favourite bagged her an Academy Award in 2019 – says no amount of experience and success can shield her from criticism.

“My advice to a young’un – sort of dipping their toe into the world of social media for the first time is absolutely don’t do it.

“Delete it all. If you want a happy life, don’t have any of it. I’ve never had it.”

The movie – directed by Meet The Parents’ Jay Roach with The Favourite screenwriter Tony McNamara – also calls into question the notion of success – asking, is it really possible to have it all?

Or is sacrifice inevitable when it comes to spinning the plates of a high-flying career, marriage and parenthood?

Cumberbatch admits “you can’t do it all without there being a cost”.

“You just have to weigh up what those balances are,” he adds.

Colman says “there are I suppose little sacrifices along the way” – from both sides of a relationship.

The comedy drama offers a fresh take on Warren Adler’s novel The War Of The Roses – and the 1989 hit film adaptation- starring Michael Douglas and Kathleen Turner.

Colman and Cumberbatch – both producers on the film – insist they weren’t daunted by that though.

“We wanted to find a project to do together, and we have utter respect for the iconic status of the film and book,” explains Cumberbatch.

“Hopefully this will have its own place in the culture – it’s very different, it’s not a remake – it’s a reimagined jumping-on point.”

“But beyond that, it’s very different,” adds Colman.

Former Doctor Who Ncuti Gatwa and Barbie’s Kate McKinnon also form the cast.

The Roses is out in UK cinemas now.

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Top Boy and Eddington actor Micheal Ward granted bail as he appears in court on rape charges

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Top Boy and Eddington actor Micheal Ward granted bail as he appears in court on rape charges

BAFTA-winning actor Micheal Ward has been granted bail after appearing in court charged with two counts of rape.

The 27-year-old, who appeared at Thames Magistrates’ Court this morning, is also accused of two counts of assault by penetration, and one count of sexual assault.

The offences relate to one woman and are reported to have taken place in January 2023.

Ward, who starred in the popular British series Top Boy and was awarded BAFTA‘s rising star honour in 2020, spoke to confirm his name, address and date of birth during a short court hearing.

He did not enter any pleas and was granted conditional bail until a further hearing at Snaresbrook Crown Court on 25 September.

In a statement issued after the charges were announced last month, Ward denied them “entirely” and said he had co-operated with police throughout their investigation.

The actor’s film credits include Blue Story, The Old Guard and Empire of Light, as well as the current Hollywood Western Eddington.

He was also twice nominated for BAFTA’s best supporting actor prize.

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Banksy’s piranhas police box put in protective storage ahead of museum display

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Banksy's piranhas police box put in protective storage ahead of museum display

A Banksy artwork, where a glass police box looks like a tank of piranhas, has been moved into protective storage ahead of its display at the London Museum’s new location.

The artwork made headlines last summer when it featured as part of the street artist’s animal-themed collection in the capital, which concluded with a gorilla appearing to lift up a shutter on the entrance to London Zoo.

The piranhas piece is now in the care of the London Museum and will be kept in secure storage before it becomes accessible to the public as part of a permanent display at the museum’s Smithfield location, which is opening in 2026.

The artwork is moved from London's Guildhall. Pic: PA
Image:
The artwork is moved from London’s Guildhall. Pic: PA

The police box had stood in Ludgate Hill since the 1990s before it was painted to resemble a fish tank.

The box was temporarily relocated by the City Of London Corporation to Guildhall Yard, where thousands of visitors viewed it from behind safety barriers, after Banksy confirmed he was responsible for the artwork.

It was later moved to Guildhall’s South Ambulatory.

Banksy’s London animals collection was made up of nine works including a rhino seemingly mounting a silver Nissan Micra, two elephant silhouettes with their trunks stretched out towards each other, and three monkeys that appeared as though they were swinging on a bridge.

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Some of the works, which also included a howling wolf on a satellite dish, were removed, covered up or vandalised, after being painted across the city from 5 to 13 August 2024.

Chris Hayward, policy chairman of the City of London Corporation, said: “Banksy stopped Londoners in their tracks when this piece appeared in the Square Mile – and now, we’re making it available to millions.

“By securing it for London Museum, we’re not only protecting a unique slice of the City’s story, but also adding an artwork that will become one of the museum’s star attractions.”

The artwork after it first emerged. Pic: PA
Image:
The artwork after it first emerged. Pic: PA

Brendan Barns, chairman of the City of London Corporation’s culture, heritage, and libraries committee, said: “Banksy’s Piranhas are already part of City legend – and soon, they’ll be part of London’s story, too.

“Moving this piece into the care of London Museum guarantees that millions of people will be able to enjoy it, alongside an extraordinary collection that celebrates the capital’s creativity and diversity.”

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Glyn Davies, head of curatorial at London Museum, added: “With the arrival of Banksy’s Piranhas, our collection now spans from Roman graffiti to our first piece of contemporary street art.

“This work by one of the world’s most iconic artists now belongs to Londoners, and will keep making waves when it goes on show next year in the Museum’s new Smithfield home.”

London Museum’s London Wall site opened in 1976 and closed in December 2022 in preparation for the move to Smithfield.

London Museum Docklands remains open.

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