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In this EV game, there are heroes, both sung and unsung. More often than not, it’s the Teslas and Polestars of this world that steal all the headlines with their space-age technology and spaceship designs. But actually, some of the most significant EVs of the past decade have rather flown under the radar, adored by those who drive them but underappreciated by the rest of the world.

And there is surely no better example of this than the electric offerings of Kia and Hyundai. For years now, the Korean sister brands have been churning out high-quality, great value EVs with immense range and a tonne of tech as standard. The E-Niro, the Soul, and the Kona Electric — all brilliant cars in their own right, but all with the same Achilles’ heel. They’re very impressive, very worthy, but not very… sexy. Like almost all Kias and Hyundais before them, these are cars you buy with your sensible hat on. They appeal to your head but not your heart. They are, to be blunt, a bit charmless.

But the beautiful thing about this EV revolution is it does create a lovely opportunity for reinvention — an opportunity that both Kia and Hyundai have seized emphatically. Having successfully developed their own modular EV architecture — the E-GMP — which will underpin a plethora of new EVs in the coming years, both brands have decided now is the time for a bit of a makeover. Hyundai went first with the Ioniq 5, and the reception was truly remarkable. No Hyundai before it has ever generated such buzz. And it’s easy to see why — it’s a wonderful piece of design, a truly desirable object, and still packed with the ultra-impressive EV hardware and as-standard tech we’ve come to expect from the Korean carmakers.

And now it’s Kia’s turn — and it’s safe to say that with the new EV6, they’ve gone in a slightly different direction to Hyundai. Yes, both cars are underpinned by the same platform. Yes, they are roughly the same size and use roughly the same batteries. But design-wise, the EV6 is a very different proposition. No friendly, boxy, retro-futurism here — this is a far more aggressive and polarising design, both inside and out. And having spent a day poking and prodding around a pre-production car, I’m completely sold.

There are two things that really struck me during my day with the EV6. First is, of course, the way it looks. Based on pictures, I was certain that the smiley, butter-wouldn’t-melt Hyundai would be my favorite of the two. But seeing the Kia in the metal, I’m not so sure. There are so many design cues that catch your eye, from its swooping, sporty silhouette to that muscular rear haunch and the utterly outrageous rear lightbar. Even the wing mirrors are mad. There’s a lot going on, and it could very easily have amounted to a design that’s a little too busy. But it doesn’t. Instead, it all combines for a seriously handsome and not especially SUV-looking family SUV. A true head-turner

The second thing that struck me is the sheer quality of the thing. Even on this pre-prod car, the fit and finish were beyond anything I’ve ever seen from a Korean car. The cabin is beautiful, dripping with tech, and everything you touch feels expensive. In fact, the interior might just be the most impressive thing about the car — and we haven’t even got to the face-melting performance on offer at the point end of the EV6 range yet. For the first time in my life, I can honestly say the following sentence: I cannot wait for a drive in this new Kia.

Check out the video above for my detailed first look at the remarkable EV6, and be sure to let us know in the comments what you make of Kia’s brave new look.


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‘The heartbeat of Blondie’: Drummer Clem Burke dies aged 70

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'The heartbeat of Blondie': Drummer Clem Burke dies aged 70

Blondie drummer Clem Burke has died at the age of 70

The band said Blurke had been diagnosed with cancer, and described his death as a “profound loss”.

He featured on all the Debbie Harry-fronted group’s studio albums since joining a year after their formation in 1975.

Blurke was with the band from their self-titled debut, through their 1978 classic Parallel Lines, to 2017’s Pollinator.

Drummer Clem Burke.
Pic: Reuters
Image:
Drummer Burke.
Pic: Reuters

In a statement on Blondie’s Instagram, Harry and the band’s guitarist, Chris Stein, said: “It is with profound sadness that we relay news of the passing of our beloved friend and bandmate Clem Burke following a private battle with cancer.

“Clem was not just a drummer, he was the heartbeat of Blondie.

“His talent, energy, and passion for music were unmatched, and his contributions to our sound and success are immeasurable.

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“Beyond his musicianship, Clem was a source of inspiration both on and off the stage. His vibrant spirit, infectious enthusiasm and rock solid work ethic touched everyone who had the privilege of knowing him.

“Clem’s influence extended far beyond Blondie, a self-proclaimed ‘rock and roll survivalist’, he played and collaborated with numerous iconic artists.”

Clem Burke drummer of the band Blondie in his performance at Festival Estereo Picnic 2023.
Pic: AP
Image:
Burke in his performance at Festival Estereo Picnic 2023.
Pic: AP

Burke featured on Iggy Pop’s 1982 album Zombie Birdhouse and also performed with Bob Dylan, The Ramones, The Who guitarist Pete Townshend and Joan Jett.

The statement went on to say Burke had left an “indelible mark on every project he was part of”.

It added: “We extend our deepest condolences to Clem’s family, friends, and fans around the world. His legacy will live on through the tremendous amount of music he created and the countless lives he touched.”

Burke, who performed on classic tracks such as Call Me, Heart Of Glass and One Way Or Another, made his final live appearance with Blondie last year.

Read more from Sky News:
King arrives in Rome for Italy tour with Queen after health concerns

Global bank chiefs hold talks over Trump tariffs crisis

Blondie performs during Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 25, 2023.  
Pic: Invision/AP
Image:
Blondie performing during Glastonbury Festival in 2023.
Pic: Invision/AP

Among those paying tribute to him was Kinks guitarist Dave Davies, who said: “I feel saddened that Clem Burke was taken from us so soon.

“May he rest in peace, spectacular drumming, we were friends.”

Nancy Sinatra said: “My heart is shattered. Clem became an icon as a member of Blondie, but he was also an important part of my band, the K.A.B. I was blessed to call him my friend.

“If I ever needed him, he was there. Always. Sending healing prayers and comfort to his widow, Ellen, his family, and all who loved him.”

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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
Image:
Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
Image:
Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
Image:
Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
Image:
Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
Image:
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
Image:
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

Read more from Sky News:
Tributes to ‘genius’ Kilmer
Richest billionaires named
Springsteen’s seven new albums

In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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