Sarah Jessica Parker was the subject of some unwanted headlines over the past few weeks after saying she reads two books a day.

While speculation of her reading capabilities circulates, the actress continues the challenging mountain of novels she has to get through in order to be a judge for the Booker Prize.

The actress is part of a panel of judges for the literary award which announces the “Booker Dozen” of 12 or 13 books on 29 July, its shortlist on 23 September and the overall winner on 10 November. The winner receives £50,000.

“I have one by my side now,” Sarah Jessica tells Sky News during an interview for her show And Just Like That.

“It’s been hard these last two weeks because we’ve been promoting the show and I thought I would be able to read between interviews, but you can read two words. You can read these three sentences, so I’m feeling very anxious about how many books I have yet to read for our next deliberation,” she says.

The Sex And The City actress compares the workload to preparing to take an exam.

“I’ve not ever felt this behind, including in high school. Like, I really am not entirely sure how I’m going to read the required amount of books by our next deliberation,” she says.

“I thought about this last night in bed, that even if I stay up every day and don’t sleep, I might not make it. So I’m not sure how. I have to not make dinner for anybody, not do anybody’s laundry. I have cut out all tasks. So we’ll see. It’s pretty fantastic, this burden is pretty wonderful.”

Turning to her spin-off series, she says she never paid much attention to the cultural impact Sex And The City had on portraying women in their 30s on screen without a rose-tinted lens.

“I think we’re just always wanting to tell interesting stories,” she says.

“And the rule in the writing room has been, for as long as I’ve known, the story can only be as far removed as one person from the writer, so every single story told has either happened to a writer or to a friend or family member or colleague of the writer.”

She says what makes it real is that the show deals with real moments that happen to women as they age, from children flying the nest to navigating the dating pool.

“You don’t flat line at 50 or 60. People are living pretty colourful, interesting, exciting lives and they have influence and authority. They’re trying new things. They’re leaving marriages. They’re saying goodbye to kids. They’re starting new jobs, they’re leaving jobs, and they’re getting married, they are widows, there’s just endless amounts to talk about and it should be,” she says.

‘It is insane there aren’t more shows like us’

Her co-star Kristin Davis agrees and states her main hope for returning was to break certain taboos for women now in their 50s.

“It is insane that there aren’t more shows like us, you know? I’m hoping that there will be,” she says. “It’s very interesting that somehow women, especially at a certain age, you’re just supposed to just vanish. I don’t know where we’re supposed to be and that just makes no sense.”

Sex And The City was ‘incredibly white’, says Cynthia Nixon

For Cynthia Nixon, playing Miranda now as a lesbian character allowed the show to explore the challenges that face people coming out later in life and navigating the world they find themselves in.

She says although Sex And The City broke taboos for white women in their 30s, she felt the original iteration of their show wasn’t as reflective of the real world as it could have been.

“The one thing that didn’t really sit well with me in the past was how incredibly white the show was,” she says. “So, I think to expand the universe of, you know, who gets to be centred in the show has been a tremendous boon. Whether you’re talking about people of colour, whether you’re talk about queer people, people of different ages. We used to have a wonderfully fascinating lens, but it was fairly narrow.

“We’ve moved in our view of queer people… for so long, if you wanted to put a gay person on screen, one of the ways to make them palatable was to really emphasise their funniness and I think we have many very funny gay characters, but we’re able to, I think, have a more well-rounded view of them.”

And Just Like That is available on Sky and NOW.

Race Across The World contestant Sam Gardiner has died at the age of 24 in a car crash, his family has said.

In a statement, his mother Jo – who appeared on the 2019 series with him – and his father Andrew said: “We are devastated by the loss of our beloved son Sam in a terrible accident.

“Sam left us far too soon, and whilst words will never fully capture the light, joy and energy he brought into our lives, we hold on to the memories that made him so special.

“Sam was adored by his family. As a son, brother and nephew, he was loyal, funny and fiercely protective.”

They added that taking part in Race Across The World “opened his eyes to the wonder of adventure and travel”.

The statement continued: “He was willing to go wherever the trail might lead and he touched everyone he met on the road.

“Sam brought warmth, laughter and a smattering of chaos wherever he went. He leaves behind a huge hole in our hearts.

“He found great happiness working as a landscape gardener on the west coast of Scotland. He leaves behind a huge hole in our hearts. We will miss him endlessly, but we’ll also remember him with smiles, tall tales, and a depth of love that will never fade.”

Greater Manchester Police (GMP) said the car accident happened on the A34 in Gatley, near Cheadle on Monday night. He died from his injuries on Thursday, they said.

“Emergency services attended the scene after a vehicle was reported to have left the carriageway and rolled before landing on its side,” a spokesperson said.

The 24-year-old was the only person in his car and no other vehicles were involved, they added.

A spokesperson for the makers of Race Across The World said: “Everyone who worked with him and indeed everyone who watched Sam could see just how precious and transformative the trip was for both him and his mum, Jo.

“Sam embraced the seven-week trip with an energy, love and a determination that saw the pair enjoy adventures across Mexico to Argentina making audiences fall in love with them and their special bond as a result.

“We would like to extend our deepest condolences to his parents, Andrew and Jo; his brothers, William and Charlie; his step mum Justine; his family and friends.”

Succession writer Jesse Armstrong says he hopes his new film about toxic tech billionaires can be a receptacle for anyone who is “feeling wonky about the world”.

Now making his film directorial debut with Mountainhead, starring Steve Carell and Jason Schwartzman, Armstrong has shifted his focus from cut-throat media moguls to a group of billionaire friends meeting up to compare bank balances against the backdrop of a rolling international crisis they appear to have stoked.

Speaking to Sky News about the project, he said: “For a little while I poured some of my anxieties and feelings into it… and I hope it can be a receptacle for other people if they’re feeling wonky about the world, maybe this can be somewhere they put some of their anxieties for a while.”

Few television writers achieve widespread recognition beyond their work, but Armstrong – the man behind Succession, one of the most critically acclaimed TV shows of the past decade – has become a household name and is today one of the world’s hottest properties in high-end drama.

“If there was more self-reflection and self-knowledge, there probably wouldn’t be such amenable targets for comedy and satire,” he admits.

Long before he gifted viewers with the likes of manipulative Logan Roy and sycophantically ambitious Tom Wambsgans, back in the beginning, there was selfish slacker Jez and the perennially insecure Mark on his breakthrough hit Peep Show.

“I love comedy, you know, it’s my way in,” he explains. “I think I like it because… the mixture that you get of tragedy and absurdity strikes me as a sort of a true portrayal of the world… and I just like jokes, you know, that’s probably the basic reason.”

After putting his pen down on the finale of Succession, walking away with 19 Emmys and nine Golden Globes, attention was always going to be drawn to what Armstrong did next.

“I had a couple of other things that I thought I would write first and this kind of snuck up on me as an area of interest,” Armstrong says.

“After I’d listened to a bunch of tech podcasts and Ted talks, I sort of needed somewhere to put the tone of voice that was increasingly in my head.”

Tapping into the unease surrounding big tech, he wrote, shot and edited Mountainhead in less than six months.

Capturing the audience mood

Explaining why he worked so fast, he said he “wanted to be in the same sort of mood as my audience, if possible”.

While he insists there aren’t “any direct map-ons” to the billionaire tech moguls, which frequently make headlines in real life, he joked he’s “happy… to play a game of ‘where did I steal what from who?'” with viewers.

“You know… Elon Musk… I think at least people would see some Mark Zuckerberg and, I don’t know, some Sam Altman, there is a bunch of those people in all the [film’s] different characters… and we’ve stolen liberally from the world in terms of the stories we’ve given them.”

Steve Carell is tasked with delivering some of the film’s most memorable lines as the satire explores the dynamic between those holding the power and those pulling the strings.

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Lack of self-knowledge ‘good for comedy’

“People who lack a certain degree of self-knowledge are good for comedy….and if there was more self-reflection and self-knowledge, there probably wouldn’t be such amenable targets for comedy and satire.

“You know, living in a gated community and travelling by private jet certainly doesn’t help you to understand what life is like for most people.”

Armstrong’s gift for using humour to savagely dramatic ends is arguably what makes him one of the most sought-after writers working today.

Behind his ability to craft some of the sharpest and scathing dialogue on our screens, he views what he does as more than getting a laugh.

“I do believe in the sort of nobility of the idea, that this is a good way to portray the world because this is how it feels a lot of the time.”

Mountainhead will air on Sky and streaming service NOW on 1 June.