‘I was more afraid of my mom than kids who roughed me up’: 50 Cent on using his childhood on screen
Curtis Jackson also goes by the name 50 Cent, but despite the moniker suggesting otherwise it seems the star doesn’t do things by halves.
When he put out his first album Get Rich Or Die Tryin’ it became the best-selling debut hip-hop record ever, while his TV show Power has been one of the most successful series on premium pay television in the US, according to network Starz.
It led to four spin-off series being commissioned and the latest, Power Book III: Raising Kanan, focuses on how Jackson’s character in Power, drug dealer Kanan Stark, became the man he did.
Curtis ’50 Cent’ Jackson starred in the original Power series, and now narrates a spin-off. Pic: Myles Aronowitz/Starz
Jackson tells Sky News he requested to the show’s creator Courtney A Kemp that he wanted to play “the worst character that they’ve seen on television – so if I play a bad guy, I want to play a real bad guy”.
But the prequel shows how he ended up that way, with Jackson narrating the story of Kanan’s younger years.
“To go into the prequel on his character is to show all of his trauma and all of the things that he – the things you go through make you who you are, I believe that – and the things that he went through and his experiences that hardened him to the point that he was that guy that we saw in Power at the beginning,” he says. “So you kind of see the things that he’s gone through that turned him into that.”
In order to give the character authenticity, Jackson borrowed from his own experiences growing up in the borough of Queens in New York City.
Mekai Curtis stars plays a young version of Jackson’s character Kanan in Power Book III: Raising Kanan. Pic: Nicole Rivelli/ Starz
One of the show’s opening scenes sees a young Kanan running home to his mother after being beaten up, but instead of comforting him she tells him he needs to learn to fight back and accompanies him for the rematch.
“These are real things, like, I really experienced being roughed up in the park before my mom sent me back to the park, and I was just more afraid of her than the kids in the park, so I ended up going back to fight them instead of dealing with my mom,” he says.
“And you deal with that and it kind of changes your perspective, like, I’m not going to go back whining to my mother for her to send me back, I’ll just handle it before she finds out that I’m scared or afraid of the other person, so it kind of changed a part of my character in the very early stages.
“It was probably the biggest thing to describe what my relationship with my mom was like fairly early on, you know, because she was the only provider, so she was like the source of everything that’s good; if she’s angry with you then nothing good is around, you know what I’m saying, and you’re like, wow, no, just take me back to the park, I’d rather fight than deal with this.”
Jackson narrates the story of Kanan’s upbringing. Pic: Myles Aronowitz/Starz
As a father himself now, Jackson recognises that idolising of parents by their children from the other side of the relationship.
“There’s a point where kids view their parents as superheroes because they don’t understand everything else in life that they have to do, work and everything else to create the comforts.
“My little guy now, he sees me like that, he thinks, ‘my dad could do it – there’s no question my dad could do it’, like if somebody can jump further and he’ll say ‘my dad can jump that far’, he thinks I can do everything, and it’s amazing.”
Jackson’s own mother passed away when he was eight, and he went on to be raised by grandparents. There, he was one of nine and there wasn’t a lot of money to go around, but his mother’s friends kept him in their lives; the star says it was them who inspired him to do whatever it took to make money.
“I look at my journey, some of the decisions that my mom made have guided mine, and it’s because people from her life had what was a representation of financial freedom, they had those nice things in front of me,” he says.
“They got everything that you would want, so it kind of led me down the same path of the hustling and going to do different things, and, you know, I just hit the roof of that and wanted to do more, so I got involved in music and entertainment where we do things that exceed that level of success, completely.
“Like, that [what his mum’s friends had] is the smallest thing, you know what I mean, it just felt big at that point, when I was little.”
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Jackson has returned to the studio to make new music for Raising Kanan. The tracks see him collaborating with up-and-coming artists – mirroring his own experiences of starting out in the music industry, when he worked with Eminem and Dr Dre – but now it’s Jackson who’s the experienced one boosting the profile of others.
The start of his career was strange to negotiate, he says. “My first album Get Rich Or Die Tryin’ was the largest debuting hip-hop album – still – 13 million records sold on the first album. If your first record is that big – you know that saying, you never have a second chance at a first impression – so people will never really appreciate you as much as they did at that point.”
With a second series of Power Book III: Raising Kanan commissioned before the first even aired, another Starz show called Black Mafia Family and a series for Netflix in the works, Jackson has plenty to keep him busy.
He says that in terms of his TV career, he was inspired to make his own shows by someone he looks up to.
“Sylvester Stallone’s career is my hero career, and it’s because he made the projects that made his career work. He made Rocky, he made Rambo, made Escape Plan – he makes these franchises himself, comes up with the right idea that could work for him and writes the project and everything.”
“So I like that, to develop the things that I’m involved in, that I feel passionate enough about the project after I’ve gone through it step by step.”
Power Book III: Raising Kanan is out now on streaming service Starzplay
Entertainment
Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
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In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
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The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”
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