Andrew Lloyd Webber has taken another swipe at the government after his new show Cinderella was forced to close down due to a coronavirus case.
On Monday afternoon, the impresario announced that the musical would not be going ahead with its “Freedom Day” show after a cast member caught COVID-19, forcing a number of the team to isolate as close contacts – despite them repeatedly testing negative.
Sky News understands the show will be postponed until at least next week.
Speaking from the Gillian Lynne Theatre in Covent Garden, where Cinderella was due to open, Lord Lloyd Webber said that his industry “cannot function with this current system”.
“We can’t isolate every time somebody may or may not have it. It just simply doesn’t work,” he said.
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“I say this from the heart, I am seeing the profession I have loved, I’m seeing musical theatre I think I had a small part in pioneering in this country at a time when frankly the British were not considered to be people who could do musicals.
“And I am just saying it with passion – please, please will this government for once listen to us.
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“Listen. We do know what we’re doing, we do. Just listen and knock all these platitudes and endless, endless blunt instruments that don’t apply across the board.”
Clearly emotional, the peer added that he had “tried and I have tried and I have tried” to work with the government and prove theatres are safe.
After COVID-19 restrictions were extended in June, Lord Lloyd Webber rejected the government’s offer to be part of the Events Research Programme, which would have allowed him to open his preview shows at full capacity earlier than 19 July.
He also argued that his theatre has “100% fresh air” and the “best ventilation system you can find”, as well as warning of another “very, very major show” that will also be forced to cancel its opening.
“We can’t go on like this, theatre is now on its knees, there’s no way forward,” he said, adding that he feels Prime Minister Boris Johnson “doesn’t seem to grasp what we’re about in theatre”.
The musical theatre magnate says he is determined to open his new multi-million pound show in London, and says he has ignored calls from the industry to move it to Broadway instead.
“I do worry at the end of the day that the government doesn’t regard theatre as anything other than nice to have. I don’t think they have a clue of what the real economic value to the country theatre is, and indeed all forms of live entertainment,” he said.
He said that while Culture Secretary Oliver Dowden “does his best”, “I don’t think he’s really able to be that effective”.
Mr Dowden earlier said that he was “deeply disappointed” to hear of the show’s cancellation, adding he recognised the difficulties that self-isolation was having on the sector.
Equity, the actors’ union, has called for a change to self-isolation rules for the entertainment industry, warning that the current policy is having a “devastating” and costly impact.
Monday’s opening performance of Lord Lloyd Webber’s show appeared to be sold out, with proceeds going to the NHS and St John Ambulance.
Cinderella is a new musical which offers a twist to the traditional story, and features West End star Carrie Hope Fletcher in the titular role, who told fans she was “so, so sorry” about the closure.
Shows across England and the West End have begun to reopen, some at full capacity and some keeping COVID regulations in place, after legal restrictions were lifted across the country.
UK music sales hit a 20-year high of £2.4bn in 2024, helped by pop megastar Taylor Swift’s latest album, and driven by streaming and the vinyl revival, figures show.
Revenues from recorded music reached an all-time high, more even than at the peak of the CD era, according to annual figures from the digital entertainment and retail association ERA.
Total consumer spending on recorded music – both subscriptions and purchases – topped the previous record of £2.2bn in 2001, ERA said.
Takings from streaming services including Spotify, YouTube Music, and Amazon rose by 7.8% to a little over £2bn.
Almost £200m was spent on vinyl albums, an annual uplift of 10.5%, while CD album revenues were flat at just over £126m.
Swift’s The Tortured Poets Department was the biggest-selling album of the year, aided by her record-smashing worldwide Eras tour.
More than 783,000 copies were bought, nearly 112,000 of them on vinyl – making it 2024’s biggest-selling vinyl album.
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The biggest single of the year was Noah Kahan’s Stick Season, generating the equivalent of 1.99 million sales.
ERA chief executive Kim Bayley said 2024 was “a banner year for music, with streaming and vinyl taking the sector to all-time-high records in both value and volume.
Ms Bayley called it the “stunning culmination of music’s comeback which has seen sales more than double since their low point in 2013. We can now say definitively – music is back.”
Music revenues grew by 7.4% in 2024, while video rose by 6.9%, and games fell by 4.4%, according to preliminary figures.
Subscriptions to Netflix, Amazon Prime Video and Apple TV grew by 8.3% to £4.5bn – almost 90% of the sector’s revenues.
Deadpool & Wolverine was the biggest-selling title of the year, with sales of 561,917 – more than 80% of them sold digitally.
Despite the games sector’s 4.4% decline last year, it remains nearly twice as large as the recorded music business.
Full game sales saw a drop-off with PC download-to-own down 5%, digital console games down 15% and boxed physical games down 35%, in favour of subscription models which grew by 12%.
EA Sports FC 25 – formerly known as Fifa was once again the biggest-selling game of the year, generating 2.9 million unit sales, 80% of them as digital formats.
In a statement released to the media, Parks And Recreation star Plaza, 40, said: “This is an unimaginable tragedy.
“We are deeply grateful to everyone who has offered support. Please respect our privacy during this time.”
Baena, a director and screenwriter, worked with Plaza on 2014 horror film Life After Beth and 2017 historical comedy The Little Hours.
The couple had been in a relationship since about 2011 and married in 2021.
Previously, Plaza told The Ellen DeGeneres Show she and Baena “got a little bored one night” during the COVID pandemic and decided to wed after celebrating their 10th anniversary.
She said after finding a wedding officiant online to perform the ceremony in their garden, she “created a very quick love altar in our yard” where they married.
Baena wrote 2020 thriller Horse Girl, starring Alison Brie, and 2022 dark comedy Spin Me Round, both of which he also directed.
He also co-wrote the 2004 comedy I Heart Huckabees alongside director David O Russell, which boasted a stacked cast that included Jude Law, Jason Schwartzman, Dustin Hoffman, Naomi Watts, Lily Tomlin and Mark Wahlberg.
Baena created the anthology comedy series Cinema Toast, which had an episode directed by Plaza and another starring Community actress Brie.
On X, Hollywood actor and comedian Marc Maron wrote: “Very sad about the tragic loss of a true artist and sweet guy.”
Sundance Film Festival, where Baena’s directorial debut Life After Beth premiered in 2014, wrote: “We extend our heartfelt thanks to Jeff Baena for sharing his stories and contributing to the lasting memories we’ve built together.
“Jeff, we’ll miss your wit, humour, and daring vision. Rest in peace, friend.”
Plaza had been announced as a presenter at Sunday’s Golden Globes ceremony earlier this week before her husband’s death.
Director Brady Corbet, who won best director for his film, The Brutalist, said in his acceptance speech: “My heart is with Aubrey Plaza and Jeff’s family.”
Plaza was nominated for a Golden Globe in 2023 for her role in the second series of HBO dark comedy White Lotus and is also known for Disney+ series Agatha All Along, and films including Megalopolis, My Old Ass, Ingrid Goes West, Dirty Grandpa and Emily The Criminal.
Los Angeles Police Department (LAPD) confirmed it attended the residence where Baena died and said a coroner will lead the investigation.
If you are in need of support, Samaritans run a helpline which is open day and night, 365 days a year, on 116 123. You can also email jo@samaritans.org, or visit samaritans.org to find your nearest branch.
RuPaul has said his “heart is broken” following the death of former Drag Race winner, The Vivienne.
The drag queen and TV presenter said on Instagram on Monday he joined the entire Drag Race universe in mourning the loss of The Vivienne, whom he called “an incredibly talented queen and a lovely human being”.
The Vivienne, whose real name was James Lee Williams, won the first series of RuPaul’s Drag Race UK in 2019.
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The 32-year-old’s death was confirmed by their publicist Simon Jones on Sunday evening.
Danny Beard, who won the reality show in 2022, called The Vivienne “a proper entertainer” and “one of the most passionate, talented, geeky, girls I’ve ever known” and their death meant “there’s a piece missing now”.
Cheddar Gorgeous, that year’s runner-up, said on Instagram they had lost “a peer, a friend and an icon”, adding that “the entire world of entertainment grieves” and it was “impossible to make sense of such sadness”.
Bagachipz said on social media they would “talk to you before I go onstage for every single show I do”, calling The Vivienne a “powerhouse when you hit that stage”.
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The Vivienne, 32, rose to prominence in 2015 after becoming the UK Drag Ambassador for the American series of RuPaul’s Drag Race.
The show sees drag queens competing in front of a panel of judges to become the next drag superstar.
The Vivienne, whose drag name came from their love of designer Vivienne Westwood, later competed in the first UK series of the show in 2019, going on to win it after lip-syncing in the final to the Wham! hit I’m Your Man.
Williams, who was born in Wales, also came third on the 2023 series of Dancing On Ice.
A spokesman for Cheshire Police said officers were called to a house in Chorlton-by-Backford, near Chester, at 12.22pm on Sunday following reports of a sudden death.
The force said there were “no suspicious circumstances”.