Why playing lead roles in adaptation of ‘unfilmable’ novel was not enough for Felicity Jones and Shailene Woodley
It’s a book that the author felt was “unfilmable” due to its different time strands.
But both Shailene Woodley and Felicity Jones were so taken with the adaptation of The Last Letter From Your Lover that they chose not just to star in the film, but to work on it as executive producers as well.
Now Jojo Moyes’ story of two love affairs, decades apart, is being released in cinemas and its stars have told Sky News why they wanted to get so involved on the project.
UK actress Felicity Jones (L) also executive produces her latest film. Pic: Studio Canal
“Any producer role, I think the main job – take out the day-to-day bits – is to protect the integrity of the story that you’re telling and to protect the creative people involved and to make sure that it doesn’t go off the rails any which way,” explained Woodley.
“For me, it has felt very important to be involved in that way, because as much as we as actors care about our characters, we really care about the stories that we’re telling and we care about the entire plot line as a whole.
“So it feels really like an honour to be a producer in a way, because you are there making sure that everything is protected – and it also feels a lot more fun because there’s other creative elements that you get to bring into the project.”
US star Shailene Woodley (L) also served as an executive producer on The Last Letter From Your Lover. Pic: Studio Canal
Felicity Jones, who plays a journalist in the modern-day strand of the movie, said while it was a natural transition to become a producer, it’s a role she’s really valued.
“When you’re playing leads, you do tend to get more involved in the development side of things and you have a lot more input in the script and tend to get a little bit more involved in the behind the scenes stuff, so it did feel like quite a natural evolution to formalise what had been happening already,” she said.
“It’s a really special experience when you’re with a team where you feel listened to – we were both able to see the edit of the film and have an opinion on that, and were really listened to in the making of this film, which you sort of get used to and want that to continue on everything that you do.”
Woodley plays Jennifer Stirling. Pic: Studio Canal
The book the story is based on first came out in 2008, and like so many of Moyes’ novels it won a legion of fans.
The best-selling author also worked on the movie, which should bring comfort to those concerned about seeing how the characters they love on the page have been brought to life on the screen.
Jones said she is all too aware of the weight of expectation from those who love the book.
“I have such empathy when you read something and then you see it and you think, ‘Oh, no, that’s so disappointing’,” she said.
“But Jojo Moyes was so closely involved in this film throughout its entirety, so it felt like we had her blessing, and what you seek to do is capture the essence of those characters and the book.
“There are definitely some changes that have happened, but essentially you want to get ‘what did Jojo want by writing that book?’ And it does feel, hopefully, that the film has achieved that.”
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While Jones’ character is set in modern-day London, Woodley’s narrative plays out in the 1960s.
The separate timelines meant Jones and Woodley – who are promoting the film together – didn’t actually spend much time with one another during production.
“It is funny, we would see each other very rarely on set, there would be a little bit of crossover or maybe we’d be leaving and entering a costume fitting at around the same time, and in a sense it was a bummer because I’ve wanted to work with Felicity for a really long time and I hope one day we have the opportunity to do that,” Woodley said.
“And at any given moment, it’s left a lot of mystery to this project because I myself have been excited to see what Felicity and Nabhaan [Rizwan who plays Jones’ character’s love interest] brought to their storyline and how they created that dynamic.
“And it’s funny when that happens in films, I think there’s an assumption if any given actors are in a project together that they got to spend a lot of time together, but I mean, we maybe had a few days at most when we saw each other.”
But despite not filming together, there does seem to be a genuine affection between the pair as Jones chips in with “It wasn’t enough, it wasn’t enough – there’s more to come!”
The Last Letter From Your Lover is out in cinemas on 6 August.
Thousands of members of actors’ trade union Equity are being asked whether they would support industrial action over artificial intelligence protections.
The organisation has launched an indicative ballot among about 7,000 members working in film and TV.
Performers are being asked whether they are prepared to refuse to be digitally scanned on set in order to secure adequate artificial intelligence protections.
It will be the first time the performing arts and entertainment trade union has asked this whole section of its membership to vote in a ballot.
The Hollywood strikes took place in 2023. File pic: AP
The announcement follows the Hollywood strikes in 2023, when members of Equity’s sister union in the US, SAG-AFTRA, and writers, went on strike over issues including AI.
Video game actors in the US also protested over the use of AI, ending almost a year of industrial action earlier in 2025.
Equity’s ballot opens on Thursday and runs for two weeks, and will show the level of support the union has for action short of a strike.
Another statutory ballot would have to be made before any industrial action is taken.
“While tech companies get away with stealing artists’ likeness or work, and the government and decision makers fret over whether to act, unions including Equity are at the forefront of the fight to ensure working people are protected from artificial intelligence misuse,” Equity general secretary Paul W Fleming said in a statement.
“If bosses can’t ensure someone’s likeness and work won’t be used without their consent, why should performers consent to be digitally scanned in the first place?”
Mr Fleming said the ballot would give members the opportunity to “send a clear message to the industry: that it is a basic right of performers to have autonomy over their own personhood and identity”.
The union has no choice but to recommend members support industrial action, he said.
“It’s time for the bosses to step away from the brink and offer us a package, including on AI protections, which respects our members,” added Mr Fleming.
The hotly anticipated Spotify Wrapped is revealing our top tracks, artists and albums for 2025.
But how does the streaming service calculate personalised summaries of users’ listening habits and rank the UK’s hottest artists?
Here’s a look at how your data is used.
The platform describes the annual statistics as “a chance to look back on your year in sound”.
It says data is captured between January and mid-November on every account, although it mostly excludes anything streamed in private mode. (Don’t worry, your passion for the Spice Girls can be kept secret.)
Wrapped presents personalised listening statistics, which Spotify calls the “real story of your year of listening”, alongside global figures for comparison.
The streaming service says Minutes Listened reflects the actual time spent listening to audio on the platform.
Once a user streams at least 30 tracks, Spotify generates a list of Your Top Songs. Similarly, Your Top Artists ranks artists based on total minutes listening to a particular performer.
Other metrics identify the top genres users have played, as well as podcasts and audiobooks ranked by total minutes listened. And if you’ve listened to at least 70% of tracks on a record, you’ll see top albums too.
Spotify also creates Your Listening Age, a guesstimate of your age based on the era of the music “you feel most connected to”.
The streaming service says the statistic is calculated using a five-year span of music which users engaged with more than other listeners of a similar age.
Spotify has been summing up 2025’s most listened to tracks. Pic: Spotify
Swift vs Bunny
Pop superstar Taylor Swift has been named the UK’s most-streamed artist on Spotify for the third year in a row.
But she dropped out of the top spot in the global rankings, coming second to Puerto Rican superstar Bad Bunny, who secured more than 19.8 billion streams. Third were The Weeknd, followed by Drake and Billie Eilish.
Bad Bunny’s LP Debi Tirar Mas Fotos was the most listened-to album worldwide.
Read more from Sky News:
Sabrina Carpenter fury at video
Drake’s lawsuit dismissed
Spotify hikes UK prices
Spotify revealed Drake was the UK’s second most-listened to artist, followed by Sabrina Carpenter in third, The Weeknd in fourth and Billie Eilish in fifth.
Despite being the most listened-to artist, Swift failed to break into the UK’s top five most listened-to songs and albums of the year.
Alex Warren’s Ordinary was the most-streamed song, and Short ‘N’ Sweet, released by Carpenter last year, the top album.
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