Why playing lead roles in adaptation of ‘unfilmable’ novel was not enough for Felicity Jones and Shailene Woodley
It’s a book that the author felt was “unfilmable” due to its different time strands.
But both Shailene Woodley and Felicity Jones were so taken with the adaptation of The Last Letter From Your Lover that they chose not just to star in the film, but to work on it as executive producers as well.
Now Jojo Moyes’ story of two love affairs, decades apart, is being released in cinemas and its stars have told Sky News why they wanted to get so involved on the project.
UK actress Felicity Jones (L) also executive produces her latest film. Pic: Studio Canal
“Any producer role, I think the main job – take out the day-to-day bits – is to protect the integrity of the story that you’re telling and to protect the creative people involved and to make sure that it doesn’t go off the rails any which way,” explained Woodley.
“For me, it has felt very important to be involved in that way, because as much as we as actors care about our characters, we really care about the stories that we’re telling and we care about the entire plot line as a whole.
“So it feels really like an honour to be a producer in a way, because you are there making sure that everything is protected – and it also feels a lot more fun because there’s other creative elements that you get to bring into the project.”
US star Shailene Woodley (L) also served as an executive producer on The Last Letter From Your Lover. Pic: Studio Canal
Felicity Jones, who plays a journalist in the modern-day strand of the movie, said while it was a natural transition to become a producer, it’s a role she’s really valued.
“When you’re playing leads, you do tend to get more involved in the development side of things and you have a lot more input in the script and tend to get a little bit more involved in the behind the scenes stuff, so it did feel like quite a natural evolution to formalise what had been happening already,” she said.
“It’s a really special experience when you’re with a team where you feel listened to – we were both able to see the edit of the film and have an opinion on that, and were really listened to in the making of this film, which you sort of get used to and want that to continue on everything that you do.”
Woodley plays Jennifer Stirling. Pic: Studio Canal
The book the story is based on first came out in 2008, and like so many of Moyes’ novels it won a legion of fans.
The best-selling author also worked on the movie, which should bring comfort to those concerned about seeing how the characters they love on the page have been brought to life on the screen.
Jones said she is all too aware of the weight of expectation from those who love the book.
“I have such empathy when you read something and then you see it and you think, ‘Oh, no, that’s so disappointing’,” she said.
“But Jojo Moyes was so closely involved in this film throughout its entirety, so it felt like we had her blessing, and what you seek to do is capture the essence of those characters and the book.
“There are definitely some changes that have happened, but essentially you want to get ‘what did Jojo want by writing that book?’ And it does feel, hopefully, that the film has achieved that.”
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While Jones’ character is set in modern-day London, Woodley’s narrative plays out in the 1960s.
The separate timelines meant Jones and Woodley – who are promoting the film together – didn’t actually spend much time with one another during production.
“It is funny, we would see each other very rarely on set, there would be a little bit of crossover or maybe we’d be leaving and entering a costume fitting at around the same time, and in a sense it was a bummer because I’ve wanted to work with Felicity for a really long time and I hope one day we have the opportunity to do that,” Woodley said.
“And at any given moment, it’s left a lot of mystery to this project because I myself have been excited to see what Felicity and Nabhaan [Rizwan who plays Jones’ character’s love interest] brought to their storyline and how they created that dynamic.
“And it’s funny when that happens in films, I think there’s an assumption if any given actors are in a project together that they got to spend a lot of time together, but I mean, we maybe had a few days at most when we saw each other.”
But despite not filming together, there does seem to be a genuine affection between the pair as Jones chips in with “It wasn’t enough, it wasn’t enough – there’s more to come!”
The Last Letter From Your Lover is out in cinemas on 6 August.
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The trailer for Harry and Meghan’s new documentary series has been released.
The one-minute preview, released by Netflix, features previously unseen black and white photographs of the couple set to music.
They are heard being asked “Why did you want to make this documentary?” to which Harry replies: “No one sees what’s happening behind closed doors.”
He adds: “I had to do everything I could to protect my family” before Meghan is seen wiping away tears.
The trailer ends with Meghan saying: “When the stakes are this high, doesn’t it make more sense to hear our story from us?”
Images of William and Kate with Harry and Meghan at the Commonwealth Day service in 2020, the Sussexes’ final public appearance as senior working royals, feature among the images.
There are also joyful pictures of the couple kissing while Meghan sits on a kitchen counter, as newlyweds dancing at their wedding, cuddling in a photobooth, and Meghan cradling her baby bump.
But the duchess is also pictured in sadder moments, wiping away tears and sitting with her hands covering her face.
Meghan and Harry. Pic: Netflix
Netflix describes the documentary, titled Harry & Meghan, as a “global event” and says it is “coming soon” – reports say it will land on 8 December.
It says the show “explores the clandestine days of their early courtship and the challenges that led to them feeling forced to step back from their full-time roles in the institution”.
It features commentary from friends, family and royal historians.
It adds: “The series does more than illuminate one couple’s love story, it paints a picture of our world and how we treat each other.”
The director, Liz Garbus, is a two-time Academy Award-nominated and Emmy-winning director.
Harry and Meghan signed lucrative deals – thought to be worth well over £100m- with Netflix and Spotify after quitting the monarchy and moving to the US.
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