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In today’s Electrek Green Energy Brief (EGEB):

  • KORE Power will build the first lithium-ion battery factory wholly owned by a US company.
  • A Bronx, New York food distributor will host a 2.7-megawatt community solar project on its roof.
  • UnderstandSolar is a free service that links you to top-rated solar installers in your region for personalized solar estimates. Tesla now offers price matching, so it’s important to shop for the best quotes. Click here to learn more and get your quotes. — *ad.

KORE Power’s new lithium-ion battery factory

Coeur d’Alene, Idaho-based battery cell technology developer KORE Power announced yesterday that it will build the first lithium-ion battery factory wholly owned by a US company in Maricopa County, Arizona. It will create a vital new US battery supply for electric vehicles and battery storage.

The 1 million-square-foot manufacturing facility will be called the KOREPlex (rendering above). It will support up to 12 gigawatt-hours (GWh) of battery cell production.

KOREPlex will add to the company’s current annual production capacity of 2 GWh that’s in the process of scaling up to 6 GWh.

KORE Power plans to start construction of KOREPlex by the end of 2021 and intends to start production in the second quarter of 2023.

The new Arizona factory will create more than 3,000 full-time jobs and around 10,000 direct and indirect jobs. The company said it chose Maricopa County because it “offered proximity to complementary industries such as e-mobility, solar, semiconductor, and utilities, workforce and logistics capacity, and a pro-business tax and regulatory environment.”

Senator Kyrsten Sinema (D-AZ) said:

I join all Arizonans in welcoming to our state KORE Power and its new manufacturing site that will create thousands of new jobs. Arizona is positioned to lead the nation on increasing America’s competitiveness in battery technology, and I will continue supporting this vital industry.

Bronx community solar

White Plains, New York-based grocery distributor Krasdale Foods is going to host a 2.7-megawatt community solar project on its 325,000-square-foot Hunts Point Food Distribution Center in the Bronx.

San Diego-based clean energy infrastructure provider PowerFlex will install more than 6,500 panels. The project will generate clean energy equivalent to offsetting 5.3 million pounds of emissions or removing 524 gas cars from the road annually.

The project is expected to be completed in 2022, and Krasdale will be able to extend its current lease through 2041 as part of an agreement with the New York City Economic Development Corp.

Around 300 residents are expected to qualify for the no-cost community solar project, which will cut their electric bills by 10%. 

Electrek’s Take: We love it when large warehouses and buildings host solar on their huge roofs – why not utilize all that unused space? Krasdale has operated out of this warehouse since the early 1970s, and it’s giving back to its Bronx community by cutting their power bills and helping to reduce emissions by increasing the use of renewables. Everyone wins.

Read more: Why isn’t US commercial solar’s massive potential being tapped?

Photo: KORE Power


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Matty Healy reacts to Taylor Swift’s ‘diss track’

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Matty Healy reacts to Taylor Swift's 'diss track'

Matty Healy has reacted to new tracks by supposed ex-girlfriend Taylor Swift that are rumoured to be about him.

The 1975 frontman is never named in any tracks featuring on Swift’s new album, The Tortured Poets Department, but fans have assumed several references are about him.

Many have interpreted the lyrics of the first song on the album, Fortnight, to be about him, where she sings: “And I love you, it’s ruining my life, I touched you for only a fortnight.”

It’s widely assumed he’s also the subject of the track Guilty As Sin, where she sings about having “fatal fantasies” about someone from her past while in a relationship.

Fans are also suggesting the song The Smallest Man Who Ever Lived appears to allude to Healy “ghosting” her.

“You tried to buy some pills, from a friend of mine, they just ghosted you, now you know what it feels like,” she sings.

In a video circulating online, Healy was approached by a reported photographer in Los Angeles and asked how he rates his “Taylor diss track” and how he thought it compared to the other songs on the 31-track double album.

Healy, looking confused, responded: “My diss track?”

The photographer reiterated: “Yeah, Taylor’s new song?”

“Oh!” Healy laughed, adding: “I haven’t really listened to that much of it, but I’m sure it’s good.”

Read more:
The other people Swift referenced in Tortured Poets
The original ‘it girl’ who inspired Swift’s new song

Last May, Healy made a surprise appearance during the Nashville performance of Swift’s Eras tour to play with her support act, indie singer-songwriter Phoebe Bridgers.

Swift also sung two The 1975 songs at their London gig in February 2023.

By June last year, reports surfaced that the pair were “no longer romantically involved”, with a source telling US outlet People the relationship was “always casual”.

“She had fun with him, but it was always casual,” the source said.

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Drake ordered to delete diss track featuring AI-generated voice of Tupac Shakur

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Drake ordered to delete diss track featuring AI-generated voice of Tupac Shakur

Tupac Shakur’s estate has threatened to sue Drake and ordered him to delete a track featuring an AI-generated copy of the late rapper’s voice.

Drake released the song Taylor Made Freestyle – a diss track aimed at Kendrick Lamar – on his Instagram page on Friday, which features verses created by AI software mimicking both Shakur and Snoop Dogg.

In a cease-and-desist letter seen by Sky News’ US partner NBC News, Howard King, an attorney who represents Shakur’s estate, requested that Drake remove the track from all platforms where it is publicly available.

The letter sent on Wednesday states the Canadian rapper has until midday on Thursday to confirm he will remove it or the estate will “pursue all of its legal remedies” against him.

“Not only is the record a flagrant violation of Tupac’s publicity and the estate’s legal rights, it is also a blatant abuse of the legacy of one of the greatest hip-hop artists of all time,” Mr King wrote.

“The estate would never have given its approval for this use.”

The letter also outlines the estate’s “dismay” regarding the topic of the track, saying Lamar is “a good friend to the estate who has given nothing but respect to Tupac and his legacy publicly and privately” and that this “compounds the insult”.

In the track, the AI-generated voice of Shakur urges Lamar to respond to Drake’s previous diss track about him released several days prior, saying lines like: “Kendrick, we need ya, the West Coast saviour / You seem a little nervous about all the publicity / You asked for the smoke, now it seem you too busy for the smoke.”

Tupac was killed in 1996. Pic: Walik Goshorn/MediaPunch/IPx/AP
Image:
Tupac was killed in 1996. Pic: Walik Goshorn/MediaPunch/IPx/AP

The letter claims the track and its popularity have created the “false impression that the estate and Tupac promote or endorse the lyrics for the sound-alike”.

Shakur’s estate is also seeking damages including all profits from the record, which has so far only been posted on Drake’s Instagram page, as well as additional damages for substantial economic and reputational harm caused.

Read more:
Musicians react to AI songs flooding the internet
J Cole: I feel ‘terrible’ about Kendrick Lamar diss track

The letter claimed Drake’s non-consensual use of Shakur’s likeness violates Shakur’s right to publicity, an intellectual property right protecting against the misappropriation of somebody’s name or image.

Sky News has contacted representatives of Drake for comment.

The AI-generated voice of prominent rapper Snoop Dogg was also used on the track.

Snoop Dogg posted a video on his Instagram story shortly after the diss track was posted, where he said: “They did what? When? How… What’s going on… I’m going back to bed.”

The use of AI in the music industry has been the subject of heavy debate since last year, when Drake’s own voice was cloned alongside The Weeknd by the artist known as Ghostwriter.

The track was taken down from all platforms shorty after it was released in April.

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Baby Reindeer: Writer Richard Gadd tells fans to stop speculating about characters

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Baby Reindeer: Writer Richard Gadd tells fans to stop speculating about characters

Richard Gadd has urged fans of his hit show Baby Reindeer to stop speculating about who the characters in his show are based on in real life.

The Netflix series is based on the real-life story of its writer Gadd, who also plays the lead character, and his warped relationship with a female stalker.

Fans have been speculating online about the identity of the stalker played by Jessica Gunning in real life (spoiler warning), as well as who another character, seen sexually assaulting Gadd in the series, is based on.

The character, played by Tom Goodman-Hill, is a TV writer who repeatedly sexually assaults Gadd’s character and supplies him with drugs.

Gadd addressed his fans on his Instagram story on Tuesday, saying: “People I love, have worked with, and admire… are unfairly getting caught up in speculation.

“Please don’t speculate on who any of the real-life people could be. That’s not the point of our show. Lots of love, Richard.”

Read more on Sky News:
Richard Osman reveals Thursday Murder Club cast
Police launch manhunt for Home and Away star

Pic: Netflix
Image:
Pic: Netflix

The show is based on the hit Edinburgh Fringe one-man stage play Gadd performed in 2019.

Gadd, who plays Donny Dunn, a character based on himself, said he didn’t expect the show to “blow up” in the way it has since its release on 11 April.

“I’m super proud of it. I really believed in this show, but the fact it’s gone so stratospheric so quickly, for such a cult, quite niche story… it’s kind of amazing. It’s clearly struck a chord,” he said on This Morning.

The writer, actor and comedian is also an ambassador for We Are Survivors, a charity which supports male survivors of sexual abuse.

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