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Current US battery production falls woefully short in the face of rapidly growing demand for electric vehicle and storage batteries.

The US has only a small number of domestic, large battery manufacturing factories, including Tesla’s Gigafactory that operates in partnership with Japan’s Panasonic. And just last week, KORE Power announced it will build the first lithium-ion battery factory wholly owned by a US company, in Arizona.

Both innovation and domestic battery production needs to scale quickly and efficiently, and the battery skills gap, among other things, need to be tackled in order to do that. Electrek spoke with Dr. Greg Less, technical director at the University of Michigan Battery Lab, about what the US needs to do to meet that demand.

Electrek: Are battery engineers with lab experience in short supply in the US, and if so, why is that the case?

Dr. Greg Less: It depends upon what level of experience you are looking for. If you want people who have done some basic electrochemistry, made some watch batteries, and written papers on the science of batteries, there are a decent number of people graduating from the universities.

If you want people with experience making actual, full-scale cells that can be placed into a device or vehicle, there are far fewer. The reason for that is that lithium-ion batteries are still relatively new. They were first commercialized in Japan in the early 1990s. Thirty years later, we are still trying to get a domestic production base off the ground. There were some failed attempts in the early 2000s, but other than that, we have mostly relied on purchasing cells from Asian countries.

Now that we are changing course and trying to build the supply chain here, we are being forced to import talent through JVs with Asian companies. I think in time the knowledge will filter over, and we will have the necessary talent base, though a lot of the information that is needed is protected through trade secrets, so there will need to be movement within the industry for the knowledge to truly disseminate.

Electrek: What could the US federal and state governments do to help close the battery skills gap?

Dr. Greg Less: We need to start making the cells and packs domestically. We need to make sure that the basic principles of battery manufacturing and safety are taught to all employees so that they aren’t just pushing a button. Funding educational programs that focus not just on the basic science but also the labor aspects is key.

We need battery education programs at all levels: retraining of labor forces, community college programs, bachelors, master, and PhD level. These programs don’t exist right now – it will take money to develop them and house them.

Electrek: How could universities expand learning opportunities for battery engineers, and in your opinion, how quickly could they scale up?

Dr. Greg Less: It really depends on what the goal of the education is. Right now, there are many university professors doing battery research. If a student wants to engage in that research, the opportunities are there.

The problem comes in at scale and application. Most university research isn’t focused on large-scale cells because that is beyond the scope of basic science. Most companies aren’t interested in watch batteries and basic science.

To address this gap, there needs to be more university facilities like the University of Michigan Battery Lab where students can use machines that are much closer to production scale to create large-format, high-capacity cells for their research. Funding agencies need to make larger format cells the required deliverables and give sufficient funding to allow that large-scale research to happen.

None of this, however, addresses the laborer on the factory floor. The United Auto Worker displaced from transmission assembly doesn’t need to know how to design a battery, she needs to know how to operate the cell fabrication machines safely, reliably, etc. That is where the retraining courses and community colleges come in.

We are talking about whole new curricula and programs that will require expert instructors and large-scale equipment for these students to learn on. The UM Battery Lab had an initial investment of $10 million for hiring and equipment. A similar level of investment will need to be made for all of these training centers.

Electrek: Is there a stopgap solution that the US could utilize while academia, government, and businesses work out how to close the skills gap?

Dr. Greg Less: The stopgap to date has been to form joint ventures between US companies and Chinese/Korean/Japanese companies. The expertise is being provided by the partners.

Electrek: You are at the University of Michigan Battery Lab. What’s working well, and what can be improved upon to meet growing needs of electric vehicles?

Dr. Greg Less: The UM Battery Lab is running at capacity. Expanding capacity, increasing accessibility for student researchers is going to be key.

It would be very beneficial to us, at the university, if we were able to get a clear idea from industry and government on what they want the next generation of graduates to look like.

What are the skills and the knowledge base that is required to make our alumni prime, valuable candidates on the job market?

Read more: KORE to build 12 GWh lithium-ion battery factory in Arizona


Greg Less is the technical director at the University of Michigan Battery Lab, which was developed in cooperation with the Michigan Economic Development Corporation and Ford Motor Company. He’s responsible for the day-to-day operation of the laboratory. Less earned a doctorate in chemistry from the University of Michigan. Prior to joining the Battery Lab, he was a research scientist with battery companies T/J Technologies and A123 Systems.

Photo: Steve Fecht/General Motors


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Filmmaker Jeff Baena, husband of actress Aubrey Plaza, dies aged 47

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Filmmaker Jeff Baena, husband of actress Aubrey Plaza, dies aged 47

Filmmaker Jeff Baena, the husband of actress Aubrey Plaza, has been found dead aged 47.

The US director and writer was known for films including Life After Beth and The Little Hours, in which Plaza starred.

He died on Friday, according to Los Angeles medical examiner records, viewed by E! News.

According to Deadline, the filmmaker’s family “is devastated and asks for privacy at this difficult time”.

The circumstances of his death are not yet clear.

Plaza, 40, who is known for TV series including Parks And Recreation and The White Lotus, and films such as Emily The Criminal, had been in a relationship with Baena since about 2011, and the pair married in 2021.

The pair frequently collaborated on his films. While working on his last movie, Spin Me Around, released in 2022, Plaza confirmed they had wed.

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“So proud of my darling husband,” she wrote on Instagram in May 2021, “for dreaming up another film that takes us to italia to cause some more trouble”.

Baena was a graduate of New York University’s film school and became a production assistant for filmmaker Robert Zemeckis, known for films including Back To The Future and Forrest Gump, after moving to Los Angeles.

He also worked as an assistant editor for writer-director David O Russell (The Fighter, Silver Linings Playbook), with whom he co-wrote the 2004 indie comedy I Heart Huckabees, starring Jason Schwartzman, Naomi Watts, Jude Law, Mark Wahlberg, Dustin Hoffman and Lily Tomlin.

In 2014, Baena made his directorial debut with Life After Beth, a horror comedy, followed by Joshy, in which Plaza also appeared, in 2016. Both films were nominated for the Sundance Film Festival’s Grand Jury Prize.

His other credits included Horse Girl and the TV series Cinema Toast.

Plaza’s representatives have been contacted for comment.

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Creatives having to be even more creative as National Theatre overhauls how it stages productions

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Creatives having to be even more creative as National Theatre overhauls how it stages productions

The National Theatre is overhauling how it stages productions – as its ambitious climate targets mean creatives are having to be even more creative.

After setting itself the goal of achieving net zero as an organisation by 2030, off-stage quietly radical changes are under way.

Pic: Reed Watts
Image:
Pic: Reed Watts

Sky News was invited to see how the theatre, based in Southbank, central London, has gone about overhauling its approach to staging productions, meeting with some of those who’ve worked on its adaptation of the much-loved children’s classic Ballet Shoes.

While critics have been full of praise for the visual spectacle on-stage, how the whole look was created required a fundamental shift in approach.

“All of the team have had to be on board with reinventing, recutting and reimagining items rather than just making them from scratch,” costume designer Samuel Wyer said.

A new resource they had to work with was the National Theatre Green Store in Bermondsey, southeast London.

The warehouse has more than 131,000 items of costume and almost 22,000 props now housed under one roof so that designers can repurpose items from previous productions to try to cut their carbon footprint.

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It’s a surprisingly satisfying challenge.

Mr Wyer said they were able to “dip and cut clothes… which meant I was finding things even outside my imagination that were more perfect than I could have drawn on a piece of paper”.

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Trying to lead by example, the theatre hopes to demonstrate how the industry needn’t take a fast fashion approach to making sets, props and costumes from scratch.

“I think if it’s demonstrated that we can do things in this way that helps all of us imagine a world where we can use what we’ve got rather than new, new, new, because we need that balance,” Mr Wyer said.

“Theatre is where we come to imagine who we could be.”

Pic: Reed Watts
Image:
Pic: Reed Watts

‘Every piece has its own little quirks’

Last year, the National set itself targets of 50% of the materials used in its productions having had a previous life, and 65% being repurposed at the end of each production.

For set designer Frankie Bradshaw, hitting those targets has meant working with a lot more repurposed furniture.

“Lots of second-hand cabinets, bookshelves,” she said. “Ordinarily [carpenters] would have been used to building from scratch following a drawing and this has been quite different.

“Every piece has its own little quirks, and they’ve had to adapt their processes to fit that way of working.”

While it’s by no means straightforward, the process is proving rewarding.

“It requires everyone to be a little bit more flexible, a little more patient, but it does mean you can end up with a product you’re a lot more proud of,” Ms Bradshaw added.

Ballet Shoes runs at the National Theatre until Saturday 22 February.

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Neil Young confirmed as Glastonbury headliner – days after saying he was pulling out

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Neil Young confirmed as Glastonbury headliner - days after saying he was pulling out

Neil Young has been confirmed as a headliner at this year’s Glastonbury – despite saying he was dropping out due to the BBC’s involvement in the festival.

The 79-year-old Canadian musician wrote on his website earlier this week that both he and his band, The Chrome Hearts, were pulling out because the BBC’s involvement was a “corporate turn-off”.

He has now said in a statement that this decision was down to “an error in the information I received”.

Emily Eavis, the organiser of the Glastonbury Festival, posted on Instagram on Friday: “Neil Young is an artist who’s very close to our hearts at Glastonbury.

“He does things his own way and that’s why we love him.

“We can’t wait to welcome him back here to headline the Pyramid in June.”

Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.

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Posting on Neil Young Archives, the Rock and Roll Hall of Famer wrote in his initial statement: “The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs.

“We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.

“It seems Glastonbury is now under corporate control and is not the way I remember it being.”

Young performing at Glastonbury in 2009. Pic: AP
Image:
Young performing at Glastonbury in 2009. Pic: AP

Young, who headlined the festival’s Pyramid stage in 2009, added: “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.

“Hope to see you at one of the other venues on the tour.”

Read more:
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In an updated statement, he wrote: “Due to an error in the information received, I had decided to not play the Glastonbury festival, which I always have loved.

“Happily, the festival is now back on our itinerary and we look forward to playing! Hope to see you there!”

Young, who is married to US actress Daryl Hannah, was booked to play Glastonbury in 1997 but pulled out after cutting his left index finger while making a ham sandwich.

Glastonbury, one of the UK’s largest music festivals, is set to take place between 25 and 29 June, with Sir Rod Stewart booked for the Sunday teatime legend slot.

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