CODA first hit the headlines back in January when it won four major prizes at the Sundance Film Festival and was snapped up by Apple TV+ for a reported festival record of $25m (£18m).
Now the movie has been released on the streaming service and is likely to be one of their contenders come awards season, but it is the legacy it is leaving in terms of accessibility that is really noteworthy.
CODA stands for Child of Deaf Adults and the film centres on Ruby – the only hearing member of a deaf family – whose loyalties are torn when she discovers a passion for singing that could lead her away from the family home and business.
The drama features deaf actors in many of the main roles, and much of its dialogue is shown through American Sign Language (ASL).
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Writer and director Sian Heder told Sky News that in researching the project she quickly realised she was planning to do something that is rarely seen on screen.
“I wish I could say it was an easier ride,” Heder said.
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“When I started writing the script, I went out and I was like, okay, I got to go find the deaf movies, and you’re looking for them and you’re going back to Children Of A Lesser God 30 years ago – which is Marlee Matlin’s Oscar-winning performance – but since then it’s just so few and far between, I could count them on one hand, the stories that portray deaf characters, especially in leading roles.
“[I was] looking for these portrayals and trying to find a pure ASL scene on screen where you’re watching characters relate in ASL and so it was interesting to sort of be heading into a bit of unknown territory where it was like: ‘Oh, there’s no roadmap for this, we’re going to discover this on our own.'”
Heder said that visiting the set of US show This Close – which was created by and stars deaf actors – helped her to understand what was needed to capture the story she’d written on film, and that she’s now hoping to set an example for other film-makers.
Image: Marlee Matlin (right) appears in CODA. Pic: Apple
“Figuring out how many interpreters do we need to have on set and where do they need to be, and, you know, we have a vocal track – someone at the monitor who’s just speaking the lines into a track so the editor can cut those scenes.”
“Now I want to sort of share that information because I think people are daunted when they think about it – it’s like ‘how did you work with deaf actors?’ And I’m like, ‘actually it was really easy once we put the things in place to facilitate communication on set and make an accessible set.’
“But there isn’t really a way that it’s normally been done because it hasn’t been done very often.”
And it’s not just the on-screen action which is likely to have an impact on future film-making.
Apple have announced that CODA will be the first film ever to have burned-in subtitles, meaning that it will be accessible to anyone that wants to watch it.
Image: Sian Heder says stories like CODA are rarely seen on screen. Pic: Appla
Matlin plays the main character’s mother in CODA, and says she was captivated by the project as soon as she read the script.
“I didn’t want anyone else to take it away, I wanted this role, the opportunity, and I thought this was a story that was a long time in coming that we really needed to share,” Matlin told Sky News.
“It had to do with deaf culture and sign language and on so many levels it was a universal story as well, it was the perfect vehicle for me as an actor to be involved.”
Matlin hopes that just as she did decades ago with Children of a Lesser God, this film will encourage audiences to realise stories about the deaf community can be relevant to anyone.
“I hope that people will be able to see – the same way they saw Children Of A Lesser God – they’ll be taken aback by seeing a deaf character, now we’re talking about several deaf characters carrying the film, that people will see now finally realising, oh, OK, there are thousands of stories, universal stories that are within the deaf community that need to be told and to be shared.
“The beauty of our culture, the beauty of our language, the beauty of our stories, as I said, just to remind people that we’re people just like everybody else, and we have wonderful stories to tell.”
Her husband in the film is played by deaf stage actor Troy Kotsur.
He is also the real-life father of a CODA who he admits “saw the parallels” between what happens in the film and their own family experiences.
Image: Troy Kotsur (right) plays Matlin’s husband in CODA. Pic: Apple
Kotsur told Sky News that it’s difficult for hearing people to understand what it’s like being a CODA – his on-screen daughter Ruby is teased at school by teenagers who have no idea what her life is like.
“She had a hard time trying to articulate what it’s like growing up in a deaf family, nobody understands that,” he explained.
“And it’s different than a typical experience where you have a different spoken language – here with deaf culture and sign language she had to sign at home because that’s the language that we used as a family and then leaving home, she had to adapt and didn’t sign very much.
“The movie depicts her journey navigating between two separate worlds, and this is an opportunity to really share that with the viewers about what it’s like being a CODA.”
For Emilia Jones, who plays Ruby, landing the role meant learning ASL, learning to fish and having singing lessons for the first time.
But despite it sounding like a daunting list of tasks, the actress explained to Sky News that she relished the opportunity, and particularly enjoyed learning ASL which she did for nine months before getting to set, then more intensively with ASL Masters Alexandria Wailes and Anne Tomasetti.
Image: Emilia Jones’ character discovers a passion for singing. Pic: Apple
Jones said: “I wanted to be pushed and I wanted to be challenged so they pushed me very hard.
“I guess it’s like when you’re learning French, you go and live in France and you learn so much more, so the minute I landed, I started intense training and then I met Troy, Daniel [Durant who plays her brother Leo] and Marlee and we kind of started rehearsals and we worked closely together, I just learnt so much faster.”
For Heder, seeing her the words she wrote come alive on screen via ASL was a process she describes as “incredible” – starting when she and ASL Master Alexandria Wailes went through the script line by line, long before they got on set.
Heder explained: “She would read the line of dialogue and she would talk to me about my intention with the line and the emotional state of the character and then she would give me her sign choices and say, ‘what do you think about this?’
“I remember there was a line where the sign for dead was kind of a passive sign [so I asked] ‘is there something more active – she’s really angry in this moment – that could kind of be sharper?’ And so the sign for ‘killing me’ was like a much more dynamic sign in that moment.
“And it was just the coolest process to go through line by line and discover together this completely visual language.”
CODA is in cinemas and available to stream on Apple TV_.
It is “pretty surreal”, Academy Award winner Reese Witherspoon admits, finding herself at the top of The New York Times bestsellers list.
When I meet the actress alongside her co-writer, best-selling author Harlan Coben, overnight the pair have learned that their thriller is now at number one.
He jokes: “I was texting her last night and saying you’ll now have to call yourself number one bestselling novelist, forget about Oscar winner!”
Image: Reese Witherspoon and Harlan Coben told Katie Spencer about their novel Gone Before Goodbye
As one of the most successful authors in the world, Coben has sold over 80 million books to date, while for Witherspoon this is new ground.
Not content with running a hugely successful production company responsible for a string of hits, as well as one of the most successful book clubs in the world, she explains she felt compelled to give writing a try.
“People want you to stay in your lane… as a creative person I think it’s impossible to just choose one kind of life.
“Creativity is infinite and who I was as a creative person when I was 20 is very different from the person I am now at 49.”
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Gone Before Goodbye, a thriller about a talented surgeon who finds herself caught up in a deadly conspiracy, is the result of Witherspoon daring to put her head above the parapet.
Image: Witherspoon says she felt compelled to give writing a try
Coben admits he was “a little wary” at first.
“I don’t co-write novels but when she made the pitch and started talking about it, I was like ‘dang that’s good, we can do something with that’.”
While countless celebrities work with ghostwriters, Coben says: “I said to her from day one ‘it’s only going to be you and me in here… no third person in here, I don’t do that’. So every word you [read] comes from Reese and me.”
Image: Coben has sold over 80 million books to date, while for Witherspoon this is new ground
Witherspoon explains: “He was like ‘if we’re going to do this, it’s going to have to be at a really high level because people going to expect a lot, so our bar was really high.”
“I said to her, in the beginning, novels are like a sausage,” Coben laughs. “You might like the final taste, but you don’t want to see how it was made and Reese got to see the full sausage getting made here.”
When it came to writing, Coben says they “fell into a rhythm right away”, working together in three-hour stints, “back and forth with a yellow legal pad – what about this? What about that?”
Image: Coben says they ‘fell into a rhythm right away’
Witherspoon says it “feels really deeply personal” to have their work now in print.
“Usually, as an actor, I walk into other people’s worlds and it’s already set up… but this was creating the whole world with Harlan and just from beginning to end feels very personal.”
While the story seems an obvious fit for being adapted to the screen, perhaps with a certain blonde actress in the leading role, Coben says that was never their intention.
“The biggest, biggest mistake novelists make when you write a book is to say ‘this would make a really great movie’. A book is a book, a movie is a movie, and we both focused on wanting this to be just a great reading experience.”
Given that their collaboration is already selling in big numbers, will the pair team up again to write a second?
Witherspoon says: “Let’s just see what people think of this one first.”
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Associate professor of neurology Dr Laura Stein told Sky’s US partner NBC News: ” The most well-described risk factors include a predisposition [family history of aneurysm], high blood pressure, cigarette smoking and inflammation.”
She went on to explain that most fatal ruptured aneurysms are in the brain, killing about one in three patients.
“When it’s a blood vessel that’s in the head and it bleeds, there’s a much higher risk of having a very bad problem just because the brain is enclosed in a fixed space,” Dr Stein added.
Low-risk aneurysms are monitored by doctors for growth or abnormalities, and there are a series of potential treatment options for those considered dangerous.
Elsewhere in The Kardashians clip, Kim admitted that her ex-husband Kanye West will be in her life “no matter what” because of the four kids they share together.
Manchester Pride has been put into voluntary liquidation – and the future of the event is now in doubt.
Artists and suppliers are owed money following this year’s event, according to an Instagram statement issued by Pride’s board of trustees.
Pride’s organisers cited rising costs, declining ticket sales and an unsuccessful bid to host Euro Pride as factors behind the decision.
The organisation is a charity and limited company that campaigns for LGBTQ+ equality and offers training, research, policy analysis, advocacy and outreach activities, as well as putting on the annual parade and live event.
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The statement said: “It is with enormous sadness that we announce that Manchester Pride has started the legal process of voluntary liquidation.
“A combination of rising costs, which are affecting the entire events and hospitality industries, declining ticket sales and an ambitious refresh of the format aimed to challenge these issues, along with an unsuccessful bid to host Euro Pride, has led to the organisation no longer being financially viable.
“We regret the delays in communicating the current situation; however, we were keen not to jeopardise financial opportunities while our discussions were ongoing.
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“We were proactive and determined to identify solutions to the financial issues. We’ve been actively working with several partners, including legal and financial advisors, to do everything we could to find a positive solution.
“We had hoped to be able to find a way to continue, and, most importantly, to support our artists, contractors and partners.
Image: A scene from Manchester Pride 2024. The future of the event is in doubt. Pic: AP
“Despite our best efforts, sadly, this has not proved to be possible. We are sincerely sorry for those who will now lose out financially from the current situation.
“The volunteer board of trustees are devastated at this situation and sad to share that our staff team will be made redundant.
“We, along with the team, have put our hearts and souls into the celebration and community activities over two decades and are very distressed at the position in which we find ourselves.”
“The Manchester Pride team have now handed over the details of suppliers and artists who are owed money to the liquidators who will be handling the affairs of the charity and contacting everyone.”