After his breakout role in Crazy Rich Asians, a role he won after a global casting call, Henry Golding has established himself as a popular leading man.
But his new film sees him taking on a new type of character, the fan favourite Snake Eyes from the GI Joe universe.
The movie tells the origin story of the silent and masked agent, and sees Golding getting to grips with some serious combat moves.
Image: Golding stars alongside Iko Uwais as Hard Master
He told Sky News’ Backstage Podcast it meant learning a lot, very quickly.
“Combat – especially for screen and [using] choreography – it’s all about fluidity, and when you start on day one, you feel like a stick in mud,” he said.
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“You’re kind of awkward, you don’t know what that rhythm is like, but after doing it day in, day out, you start having the sixth sense of moving, sliding, having your feet at the correct stance and being able to adjust on the fly as you’re competing against these combatants.
“So the contrast is particularly steep, but it was absolutely wonderful to be able to push myself to that limit.”
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Golding said the training led to big changes in his body.
“It sheds off you just because you’re doing four or five hours [a day] of really high, intense cardio, working out these movements.
“So it would just go and shed and I was like, wow, there’s not going to be anything left of me! But it felt great, it did.”
The film is partly set in Japan with production also taking place in the country.
Image: Samara Weaving plays Scarlett in the film, which tells Snake Eyes’ origin story
Golding says that filming on location, rather than using sets, gives the film authenticity.
“Many films [use sets] because it’s easier, it’s cheaper, but truly Japan plays a character of its own,” he said. “It played such an integral role in creating the atmosphere and, I suppose, the feeling of the Arashikage – they are a clan that’s been in Japan for thousands of years and so if we were to just create polystyrene sets it just wouldn’t have that sort of gravitas.
“The producers and the Japanese government really worked together to lock in some of the most amazing locations. We were so fortunate to film at these ancient temples, these castles, these living castles. Not only that, we blocked off literally a whole city block of one of the busiest alleyways and streets in Osaka, or we’d film in Toho Studios – the iconic Kurosawa studios that all the Samurai films have been made at – so on the ground it lends itself to tell more of the story so much more authentically.”
While fans of GI Joe know Snake Eyes as a man who never says a word after taking a vow of silence, and who is always hidden by a mask, this film explores how and why he became that person.
Golding says it was essential to have the character unmasked and speaking in order to give people a chance to connect with him.
“We need to understand his motivations, we need to understand his journey, his tribulations, his mistakes he’s made, the wrong turns down the very rocky path that he’s chosen and what he intends to do to make amends for that.
“So to be able to do that and to be able to at the same time endear the audience members to him, we needed to have some sort of like eye-to-eye, you need to see the eyes of that man and hear from his own voice, his pain, to truly understand. That was something that we felt so strongly about and was necessary to have in this first origin film.”
Snake Eyes is out in cinemas in the UK now – hear more from the interview in the latest episode of Backstage, the film and TV podcast from Sky News
A judge has quashed a summons against comedian Reginald D Hunter, brought privately by Campaign Against Antisemitism, ruling it “abusive” and intended to get the comedian “cancelled”.
The 56-year-old US comic had been accused of three counts of sending an offensive communication on three different occasions – 24 August, 10 September and 11 September last year – to Heidi Bachram on X.
The summons was quashed at Westminster Magistrates’ Court on Tuesday by District Judge Michael Snow following an application by the defence.
Judge Snow ruled that the Campaign Against Antisemitism (CAA) charity’s motive in seeking to prosecute Hunter was “to have him cancelled” and that the prosecution was “abusive”.
Bought as a private prosecution, rather than by the state, the judge said the charity was seeking to use the criminal justice system “for improper reasons”.
The CAA describes itself as a volunteer-led charity, “dedicated to exposing and countering antisemitism through education and zero-tolerance enforcement of the law”.
In his ruling, Judge Snow said: “The CAA have demonstrated by the misleading and partial way in which it summarised its application and its wilful, repeated, failure to meet its disclosure obligations, that its true and sole motive in seeking to prosecute Reginald Hunter is to have him cancelled.
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“I have no doubt that the prosecution is abusive.
“My view of the conduct of the CAA is consistent with them as an organisation which is not ‘playing it straight’ but is seeking to use the criminal justice system, in this case for improper reasons.”
Image: Hunter at Westminster Magistrates’ Court earlier this year.Pic: PA
‘Inadequate’ summary and failure to flag compliance probe
Judge Snow said the summary of Ms Bachram’s tweeting in the application case summary was “wholly inadequate”.
He added: “It did not reveal the extent of her tweets directed against Reginald Hunter in the period immediately preceding the complaints (her tweets were sent between 15 August and 11 September 2024).
“The summary misled me into believing that his comments were addressed to her involvement with the Jewish faith as opposed to his response to attempts that were being made to have him ‘cancelled’.”
The judge said the CAA had failed to inform him of a compliance investigation by the Charity Commission into the CAA in November 2024.
CAA accused of ‘weaponising’ the court
Hunter’s lawyer Rebecca Chalkley KC told the hearing on Tuesday that “very little was disclosed” to the judge and the “lack of candour” meant the summons should be quashed.
Ms Chalkley said: “It calls into question the whole juridical process as judges before issuing summonses need to have everything in front of them.”
The lawyer told the judge: “You were led to believe in papers in front of you that the CAA was no more than a charity, that it had no history – as since demonstrated as a vexatious litigant – no complaints, no criticism in Parliament, no investigations by the Charity Commission.”
The lawyer added: “The CAA are weaponising and using the courts for their own political agenda and not just in this case.”
The CAA’s prosecutor Donal Lawler told the hearing that the charity had complied with its duty of candour.
Hunter regularly tours the UK and has appeared on comedy panel shows Never Mind The Buzzcocks, Have I Got News For You and 8 Out Of 10 Cats.
A crowdfunding campaign he launched to help him cover his legal fees raised over £58,000 in less than six months.
Chris Rea, known for hits including Driving Home For Christmas and The Road To Hell, has died after a short illness, according to a family spokesperson.
A statement on behalf of his wife and two children stated: “It is with immense sadness that we announce the death of our beloved Chris.
“He passed away peacefully in hospital earlier today following a short illness, surrounded by his family.”
Image: Chris Rea arrives at the Odeon Leicester Square for the opening of the London Film Festival in 1996. Pic: PA
The Middlesbrough-born musician was diagnosed with pancreatic cancer and had his pancreas removed in 2001, and in 2016 he suffered a stroke.
Rea found fame in the late seventies and eighties with hits such as Fool (If You Think It’s Over), Let’s Dance and The Road To Hell.
Known for his gravelly voice and latterly for his slide guitar playing, he was nominated for a slew of top awards, including Brit Awards, at the height of his success and sold millions of records.
Rea’s debut album, titled Whatever Happened To Benny Santini?, a reference to the stage name his record label wanted him to adopt, was released in 1978.
His track Fool (If You Think It’s Over), from the album, went on to be nominated for a Grammy.
He did not find such success again for a few years, but by the time his eighth album On The Beach was released, he was a star in the UK and around Europe, with sporadic hits in the US.
When Road To Hell was released in 1989, he became one of the biggest solo stars in the UK. Two of his studio albums – The Road To Hell (1989) and Auberge (1991) – went to number one in the country.
His famous song Driving Home For Christmas, first released in 1986, features in this year’s M&S Food Christmas advert – which sees comedian Dawn French sing along to the single in her car.
Speaking about the song during the 2020 Mortimer And Whitehouse Gone Fishing Christmas special, he told comedian Bob Mortimer: “I was on the dole when I wrote that.
Image: Chris Rea arrives at the Mojo Awards in 2009. Pic: PA
“My manager had just left me. I’d just been banned from driving, right. My now wife, Joan, she had to drive down to London, picked me up in the Mini, and take me home, and that’s when I wrote it.”
The singer returned to his blues roots after a string of health problems.
“I wasn’t frightened of dying,” he once said in an interview.
“It did look like the end, but what got me through was the thought of leaving a record that my two teenage daughters could say, ‘That’s what Papa did – not the pop stuff, but the blues music. That’s what he was about’.”
Image: Chris Rea arrives at the Odeon Leicester Square for the opening of the London Film Festival in 1996. Pic: PA
Image: The coffin is carried from the ceremony by Alan Wren (L), Liam Gallagher (R) and John Squire (2nd R). Pic: PA
Image: Pic: PA
His death came two years after that of his wife, Imelda Mounfield, who was diagnosed with stage 4 bowel cancer in November 2020. The couple welcomed twin boys in 2012.
He had been due to travel the UK later this year for an in-conversation tour sharing memories of his rock experiences.
The funeral, which was held at Manchester Cathedral, drew hundreds of fans, including a guard of scooter riders with black bands and a photo of Mani on their bikes.
Arriving at the service, The Stone Roses frontman Ian Brown said Mani was “a brother to me”, calling him a “beautiful human being”.
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Some of the biggest names of British 1990s music were at the ceremony, including Oasis star Liam Gallagher, singer-songwriter Paul Weller, Primal Scream frontman Bobbie Gillespie and Bez, from the Happy Mondays.
Tim Burgess, lead singer of The Charlatans, Elbow frontman Guy Garvey, Ian McCulloch of Echo & The Bunnymen, Mike Joyce, drummer from The Smiths, Inspiral Carpets keyboardist Clint Boon, and former Joy Division and New Order bassist Peter Hook also came to pay tribute.
Image: Liam Gallagher. Pic: PA
Image: David Beckham. Pic: PA
Former Manchester United players David Beckham and Gary Neville were also among hundreds of mourners arriving for the service.
Manchester mayor Andy Burnham and Coronation Street star Sally Lindsay were also in attendance.
Image: Paul Weller. Pic: PA
Image: Bez from the Happy Mondays. Pic: PA
Hundreds more fans gathered outside the cathedral and applauded as the cortege arrived, and as I Wanna Be Adored – one of The Stone Roses’ biggest hits – blared from the speakers.
The coffin, which was decorated with artwork from the cover of The Stone Roses – the band’s self-titled debut album – had travelled around eight miles from Heaton Moor in Stockport to the cathedral.
Gallagher, along with The Stone Roses drummer Alan Wren – also known as Reni – and bandmate John Squire carried the coffin from the ceremony after the service.
Mani was part of the Stone Roses’ classic line-up alongside Brown, Squire and Wren.
Pausing briefly as he went into church, Brown said he was there to celebrate “what a beautiful human being that he was”.
Asked what his bandmate meant to him, the singer said: “Everything. He’s a brother to me.”
Image: Guy Garvey, from Elbow, arriving for the funeral service of former The Stone Roses and Primal Scream bass player Gary Mounfield, who was known as Mani
Image: Actress Sally Lindsay. Pic: PA
Forming in 1983, Mani was part of The Stone Roses until they split in 1996, playing on both the eponymous debut album, released in 1989, and their 1995 follow-up, Second Coming.
The “Madchester” band was known for blending indie with acid house, psychedelia and pop.
Mani went on to play with Scottish band Primal Scream for 15 years, leaving in 2011 to rejoin the reuniting Roses.