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Ahead of upcoming deliveries of the SONDORS Metacycle electric motorcycle, the company is sharing new details about how they’re ensuring the bike will withstand a tough life as a daily commuter bike.

The SONDORS Metacycle is likely still the most anticipated electric motorcycle of the year. That’s not because its the fastest or the longest range electric motorcycle on the way – it’s far from either – but rather because of the extreme value it offers.

Unlike powerful and flashy electric motorcycles like the Zero SR/F and LiveWire One, the SONDORS Metacycle electric motorcycle has much more muted specs.

It claims a top speed of 80 mph (130 km/h) and a maximum range of 80 miles (130 km) per charge.

That won’t win the Metacycle any races or distances records, but the $5,000 sticker price is less than a quarter of what the other flagship electric motorcycles cost.

That makes the Metacycle the first highway-capable electric motorcycle in the US to reach a price that is widely seen as affordable by the masses.

SONDORS originally expected to deliver the first bikes by the end of 2021, but announced several months ago that production was moving forward ahead of schedule. That led the company to move up delivery estimates to Q3 of this year.

Now we’re getting a look at the accelerated durability testing that the Metacycle is currently undergoing to validate its life expectancy on the road.

According to SONDORS:

“We don’t stop at going the extra mile with our commitment to exceptional quality, and Metacycle has shown to be a true overachiever.

That’s why Metacycle is undergoing continuous “Accelerated Durability Testing” — The motor and controller are rocking out 9,000 problem-free miles per day, accurately simulating hours and hours of real-world driving.”

This type of testing is common in the motorcycle industry, and often uses various methods to simulate accelerated wear, such as operating at higher speeds, using higher temperatures and under increasingly harsher test environments.

SONDORS claims that the Metacycle’s drivetrain has now racked up over 300,000 miles (510,000 km) of testing without any major issues.

The battery has also undergone over 1,000 successful charge and discharge cycles.

The Metacycle uses an approximately 50 lb (23 kg) removable battery with 4 kWh of capacity. A second auxilliary battery measuring 3 kWh will be one accessory provided to fill the open cavity in the “tank” area of the frame. The other two optional accessories will be a faster Level 2 charger for using public charging stations or a storage compartment.

The clock is ticking as SONDORS continues testing the bike ahead of deliveries. Soon we’ll see if they’ll make it in time.

Electrek’s Take

With SONDORS still promising an estimated delivery timeframe of Q3 2021, it looks like it will come down to the wire. We haven’t heard any news about bikes prepped for delivery yet, but the company still has six more weeks to go before the end of Q3.

To be honest though, I’d be more surprised if they actually did meet that deadline. That’s nothing against SONDORS, specifically. It’s just that the company used the pre-sell method that has become typical in the electric bicycle industry where SONDORS got it start. However, with current industry pressures causing delays across the board, the standard operating procedure has largely evolved into taking pre-orders in full, promising a delivery date, then missing it by a couple of months. That’s been happening to many of the major players, and so I wouldn’t be surprised to see it again here.

If SONDORS can get Metacycles in garages in the next six weeks, that’d be great. But I’m not going to bet the farm on it. Even so, the company has over five years of successfully delivering e-bikes under its belt, so I’m not worried about them making off with anyone’s deposit or pre-order like a fly-by-night operation.

What do you think? Let’s hear your thoughts in the comments section below!


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The Golden Globes kicks off the awards party tonight – and there could be a few surprises

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The Golden Globes kicks off the awards party tonight - and there could be a few surprises

While the Oscars bestows the film industry’s highest honours, the Golden Globes is the ceremony that gets the awards season party started.

Emilia Perez, which stars Selena Gomez and tells the story of a Mexican drug lord who changes gender, leads the nominations with 10, while postwar epic The Brutalist, starring Adrien Brody, has seven, and papal thriller Conclave, starring Ralph Fiennes, has six.

After surpassing Mamma Mia earlier this week to become the highest-grossing film ever adapted from a Broadway musical, Wicked has four nods – and seems certain to follow in the perfectly arched footsteps of Barbie by clinching the prize for cinematic and box office achievement.

The Golden Globes also celebrates TV – with The Bear, Shogun, Only Murders In The Building, Baby Reindeer, The Penguin and Monsters among the big nominees.

This year’s ceremony takes place in Los Angeles later today, so you’ll have to stay up late if you plan to follow in the UK.

Ahead of the show, here are a few things to look out for.

Musicals lead the way

Selena Gomez as Jessi in Emilia Pérez. Pic: Shanna Besson/Page 114/Why Not Productions/Pathe Films/ France 2 Cinema
Image:
Selena Gomez as Jessi in Emilia Perez. Pic: Shanna Besson/Page 114/Why Not Productions/Pathe Films/ France 2 Cinema

All singing, often dancing – it seems the world has really been holding space for musicals over the past 12 months.

Operatic musical Emilia Perez comfortably has the most nominations of all the films in the running, while Wicked, starring Ariana Grande and Cynthia Erivo, has been the most talked about film of the year (not least because of the viral press tour).

Both Erivo and Grande are nominated in acting categories – for Grande, it is her first Golden Globe nod for her performance as Glinda, and she competes in the best supporting female actor in a motion picture category against fellow pop star Gomez and Zoe Saldana, who also stars in Emilia Perez.

Erivo is up for the award for best female actor in a motion picture musical or comedy, alongside Zendaya for romantic sports film Challengers, Karla Sofia Gascon for Emilia Perez, Demi Moore for The Substance, Amy Adams for Nightbitch, and a breakout performance from Mikey Madison for Anora, a film about a young sex worker who marries the son of a Russian oligarch.

Read more: Anora – the film opening the conversation about sex work

Surprise surprise

Ralph Fiennes stars as Cardinal Lawrence in director Edward Berger's Conclave. Pic: Philippe Antonello/Focus Features 2024
Image:
Ralph Fiennes stars as Cardinal Lawrence in director Edward Berger’s Conclave. Pic: Philippe Antonello/Focus Features 2024

Last year’s nominations were led by Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer, the latter of which went on to win pretty much every award going, including best picture at the Oscars.

While the Barbenheimer buzz was fun for a while, Oppenheimer’s domination made awards season pretty predictable (and, some might say, a little dull). This year, Wicked aside, there are no such obvious contenders.

The Brutalist, which follows Brody as a Hungarian architect attempting to build a life in the US after the Second World War, seems to be a favourite for best drama, as well as a best actor win for its star, and best director for Brady Corbet.

But it faces tough competition from Conclave, in which Fiennes plays a priest who has to select a new pope, as well as A Complete Unknown, starring Timothee Chalamet as Bob Dylan. Awards voters love a biopic, after all.

In the musical/comedy category, experts for awards prediction site Gold Derby seem to be split three ways, between Wicked, Emilia Perez, and Anora – whose star Madison is also tipped to beat the likes of Erivo and Moore in her category.

Read more: The full list of nominations

Celeb spotting

Pamela Anderson in The Last Showgirl. Pic: Roadside Attractions
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Pamela Anderson in The Last Showgirl. Pic: Roadside Attractions

After a difficult few years, the Golden Globes are still in comeback mode.

Following an expose over a lack of diversity among members, the ceremony was held in private and boycotted by celebs in 2022 and didn’t quite fully bounce back in 2023.

Now, with a new organising body and after appearances by lots of A-listers last year, it looks set to bring some mega-watt star appeal once again.

Angelina Jolie – a favourite for best actress for her portrayal of opera singer Maria Callas in Maria – Denzel Washington, Nicole Kidman, Chalamet and Moore are just a few of the big-name nominees, alongside Grande and Gomez. Pamela Anderson is also on the list – nominated for best actress in a drama for her performance in The Last Showgirl.

Read more: Ralph Fiennes on Conclave: ‘It’s not a facile takedown’

British and Irish hopefuls

Eddie Redmayne in The Day of The Jackal. Pic: Sky UK/ Carnival Film & Television Limited 2024
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Eddie Redmayne in The Day Of The Jackal. Pic: Sky UK/ Carnival Film & Television Limited 2024

And it’s not just Hollywood making up the star-studded guest list, as loads of British celebs are in the running for awards, too, from Eddie Redmayne for his performance in Sky’s The Day Of The Jackal, to Keira Knightley for Netflix’s Black Doves.

Other British stars on the shortlists include Kate Winslet (nominated in both the TV and film categories for The Regime and Lee), Gary Oldman for hit Apple TV+ series Slow Horses, Hugh Grant for horror movie Heretic, Felicity Jones for The Brutalist, Colin Farrell for The Penguin, and Daniel Craig for his film Queer, based on the 1985 novella by William S Burroughs. And Erivo, too.

Robbie Williams also gets a nod for best original song for his unique biopic, Better Man – his life story told through the medium of a computer-generated monkey.

Read more: Robbie Williams on Better Man

The stars who missed out

Pic: Paramount Pictures
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There’s no Golden Globe nod for Paul Mescal this year. Pic: Paramount Pictures

Unlike the Oscars, the Globes covers both TV and film and also includes genre splits – with separate awards for dramas, and comedies and musicals. It means there are a lot of nominees in the running for awards.

Still, there were a few big names absent from the shortlists.

While his co-star Washington is up for a supporting award, Gladiator II star Paul Mescal missed out on a nod – as did director Sir Ridley Scott.

The original film won the best picture Golden Globe in 2001 and star Russell Crowe was nominated in the best acting category for his performance.

British director Sir Steve McQueen’s Second World War drama film Blitz, starring Saoirse Ronan, is also absent from the nominations.

And while Dune: Part Two is up for best picture and best original score by Hans Zimmer, director Denis Villeneuve has not been recognised.

Read more: Paul Mescal on Gladiator II

First female solo host

Nikki Glaser is ready for the Golden Globes. Pic: Richard Shotwell/Invision/AP
Image:
Host Nikki Glaser is ready for the Golden Globes. Pic: Richard Shotwell/Invision/AP


Yes, you read that right. While Tina Fey and Amy Poehler hosted the ceremony several times as a double act, comedian Nikki Glaser will be the first woman to take the reins solo.

Some of the ceremony’s most memorable moments have come not from the stars, but the hosts themselves – Ricky Gervais‘s caustic takedowns of the A-listers in the audience were always a favourite.

It’s a big gig, with not just the audience to impress, but the millions who will watch and see the clips all over social media later on. Jo Koy, who hosted last year, didn’t go down particularly well.

Fortunately, this year’s show should be suitably sharp in the hands of US stand-up Glaser, a comedian who is not afraid of being savage.

“It’s the best of TV and film coming together with one common goal: to receive the love and validation they never got as children from their parents,” she said. “Sunday night is a night to celebrate TV and film, actors and directors, Xanax and tequila.”

The Golden Globes take place in LA, with the red carpet starting at about 11.30pm UK time and the ceremony starting at 1am on Monday.

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Filmmaker Jeff Baena, husband of actress Aubrey Plaza, dies aged 47

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Filmmaker Jeff Baena, husband of actress Aubrey Plaza, dies aged 47

Filmmaker Jeff Baena, the husband of actress Aubrey Plaza, has been found dead aged 47.

The US director and writer was known for films including Life After Beth and The Little Hours, in which Plaza starred.

He died on Friday, according to Los Angeles medical examiner records, viewed by E! News.

According to Deadline, the filmmaker’s family “is devastated and asks for privacy at this difficult time”.

The circumstances of his death are not yet clear.

Plaza, 40, who is known for TV series including Parks And Recreation and The White Lotus, and films such as Emily The Criminal, had been in a relationship with Baena since about 2011, and the pair married in 2021.

The pair frequently collaborated on his films. While working on his last movie, Spin Me Around, released in 2022, Plaza confirmed they had wed.

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“So proud of my darling husband,” she wrote on Instagram in May 2021, “for dreaming up another film that takes us to italia to cause some more trouble”.

Baena was a graduate of New York University’s film school and became a production assistant for filmmaker Robert Zemeckis, known for films including Back To The Future and Forrest Gump, after moving to Los Angeles.

He also worked as an assistant editor for writer-director David O Russell (The Fighter, Silver Linings Playbook), with whom he co-wrote the 2004 indie comedy I Heart Huckabees, starring Jason Schwartzman, Naomi Watts, Jude Law, Mark Wahlberg, Dustin Hoffman and Lily Tomlin.

In 2014, Baena made his directorial debut with Life After Beth, a horror comedy, followed by Joshy, in which Plaza also appeared, in 2016. Both films were nominated for the Sundance Film Festival’s Grand Jury Prize.

His other credits included Horse Girl and the TV series Cinema Toast.

Plaza’s representatives have been contacted for comment.

This breaking news story is being updated and more details will be published shortly.

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Creatives having to be even more creative as National Theatre overhauls how it stages productions

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Creatives having to be even more creative as National Theatre overhauls how it stages productions

The National Theatre is overhauling how it stages productions – as its ambitious climate targets mean creatives are having to be even more creative.

After setting itself the goal of achieving net zero as an organisation by 2030, off-stage quietly radical changes are under way.

Pic: Reed Watts
Image:
Pic: Reed Watts

Sky News was invited to see how the theatre, based in Southbank, central London, has gone about overhauling its approach to staging productions, meeting with some of those who’ve worked on its adaptation of the much-loved children’s classic Ballet Shoes.

While critics have been full of praise for the visual spectacle on-stage, how the whole look was created required a fundamental shift in approach.

“All of the team have had to be on board with reinventing, recutting and reimagining items rather than just making them from scratch,” costume designer Samuel Wyer said.

A new resource they had to work with was the National Theatre Green Store in Bermondsey, southeast London.

The warehouse has more than 131,000 items of costume and almost 22,000 props now housed under one roof so that designers can repurpose items from previous productions to try to cut their carbon footprint.

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It’s a surprisingly satisfying challenge.

Mr Wyer said they were able to “dip and cut clothes… which meant I was finding things even outside my imagination that were more perfect than I could have drawn on a piece of paper”.

Read more on Sky News:
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Trying to lead by example, the theatre hopes to demonstrate how the industry needn’t take a fast fashion approach to making sets, props and costumes from scratch.

“I think if it’s demonstrated that we can do things in this way that helps all of us imagine a world where we can use what we’ve got rather than new, new, new, because we need that balance,” Mr Wyer said.

“Theatre is where we come to imagine who we could be.”

Pic: Reed Watts
Image:
Pic: Reed Watts

‘Every piece has its own little quirks’

Last year, the National set itself targets of 50% of the materials used in its productions having had a previous life, and 65% being repurposed at the end of each production.

For set designer Frankie Bradshaw, hitting those targets has meant working with a lot more repurposed furniture.

“Lots of second-hand cabinets, bookshelves,” she said. “Ordinarily [carpenters] would have been used to building from scratch following a drawing and this has been quite different.

“Every piece has its own little quirks, and they’ve had to adapt their processes to fit that way of working.”

While it’s by no means straightforward, the process is proving rewarding.

“It requires everyone to be a little bit more flexible, a little more patient, but it does mean you can end up with a product you’re a lot more proud of,” Ms Bradshaw added.

Ballet Shoes runs at the National Theatre until Saturday 22 February.

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