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Ahead of upcoming deliveries of the SONDORS Metacycle electric motorcycle, the company is sharing new details about how they’re ensuring the bike will withstand a tough life as a daily commuter bike.

The SONDORS Metacycle is likely still the most anticipated electric motorcycle of the year. That’s not because its the fastest or the longest range electric motorcycle on the way – it’s far from either – but rather because of the extreme value it offers.

Unlike powerful and flashy electric motorcycles like the Zero SR/F and LiveWire One, the SONDORS Metacycle electric motorcycle has much more muted specs.

It claims a top speed of 80 mph (130 km/h) and a maximum range of 80 miles (130 km) per charge.

That won’t win the Metacycle any races or distances records, but the $5,000 sticker price is less than a quarter of what the other flagship electric motorcycles cost.

That makes the Metacycle the first highway-capable electric motorcycle in the US to reach a price that is widely seen as affordable by the masses.

SONDORS originally expected to deliver the first bikes by the end of 2021, but announced several months ago that production was moving forward ahead of schedule. That led the company to move up delivery estimates to Q3 of this year.

Now we’re getting a look at the accelerated durability testing that the Metacycle is currently undergoing to validate its life expectancy on the road.

According to SONDORS:

“We don’t stop at going the extra mile with our commitment to exceptional quality, and Metacycle has shown to be a true overachiever.

That’s why Metacycle is undergoing continuous “Accelerated Durability Testing” — The motor and controller are rocking out 9,000 problem-free miles per day, accurately simulating hours and hours of real-world driving.”

This type of testing is common in the motorcycle industry, and often uses various methods to simulate accelerated wear, such as operating at higher speeds, using higher temperatures and under increasingly harsher test environments.

SONDORS claims that the Metacycle’s drivetrain has now racked up over 300,000 miles (510,000 km) of testing without any major issues.

The battery has also undergone over 1,000 successful charge and discharge cycles.

The Metacycle uses an approximately 50 lb (23 kg) removable battery with 4 kWh of capacity. A second auxilliary battery measuring 3 kWh will be one accessory provided to fill the open cavity in the “tank” area of the frame. The other two optional accessories will be a faster Level 2 charger for using public charging stations or a storage compartment.

The clock is ticking as SONDORS continues testing the bike ahead of deliveries. Soon we’ll see if they’ll make it in time.

Electrek’s Take

With SONDORS still promising an estimated delivery timeframe of Q3 2021, it looks like it will come down to the wire. We haven’t heard any news about bikes prepped for delivery yet, but the company still has six more weeks to go before the end of Q3.

To be honest though, I’d be more surprised if they actually did meet that deadline. That’s nothing against SONDORS, specifically. It’s just that the company used the pre-sell method that has become typical in the electric bicycle industry where SONDORS got it start. However, with current industry pressures causing delays across the board, the standard operating procedure has largely evolved into taking pre-orders in full, promising a delivery date, then missing it by a couple of months. That’s been happening to many of the major players, and so I wouldn’t be surprised to see it again here.

If SONDORS can get Metacycles in garages in the next six weeks, that’d be great. But I’m not going to bet the farm on it. Even so, the company has over five years of successfully delivering e-bikes under its belt, so I’m not worried about them making off with anyone’s deposit or pre-order like a fly-by-night operation.

What do you think? Let’s hear your thoughts in the comments section below!


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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
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Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
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Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
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Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
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Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

More on The Who

Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
Image:
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
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Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

Read more from Sky News:
Tributes to ‘genius’ Kilmer
Richest billionaires named
Springsteen’s seven new albums

In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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Russell Brand charged with rape and sexual assault

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Russell Brand charged with rape and sexual assault

Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

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Ashna Hurynag discusses Russell Brand’s charges

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

Read more from Sky News:
Mum spared prison after son’s death
Last UK blast furnaces days from closure
Ship owner files legal claim after North Sea crash

The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

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