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Candela has just revealed its latest hydrofoil electric boat, the Candela C-8. With the high-tech, ultra-premium electric boat designed for mass production, the company is calling this “an iPhone moment for the boat industry.”

Candela’s first flying electric boat, the C-7, debuted last year as a radical new option in the boating industry. It flew above the water on hydrofoils, allowing it to achieve far better efficiency and range than any other electric boat.

While it excelled at demonstrating the efficacy of Candela’s innovative technology, the boat was also largely hand-built from exotic materials in low-scale production for individual buyers.

The C-7 sold so well that it greatly outstripped supply, leading Candela to develop the C-8 intended for mass-production.

As Candela’s founder and CEO Gustav Hasselskog explained:

“With the C-7, we demonstrated that our hydrofoil technology not only allows for long range on electricity, but also provides a better experience than conventional boats. Thanks to our hydrofoil system, you get a smoother, nicer ride. However, the C-7 was more like a hand-built sports car; never intended for volume production.

With the new C-8, we’re pushing the technology to the next level, and at the same time focusing on making a boat that has all the comfort you would expect, while designing it for efficient mass production.”

Now the company is officially debuting the new larger and roomier Candela C-8 electric hydrofoil boat that includes a cockpit for eight passengers, a large sun bed, roomy cabin with beds for two adults and two children, and even a marine shower and toilet. Despite the suite of improvements, the larger and better outfitted C-8 still touts a price that is on par with the smaller C-7 as well as gas-powered premium boats in the 28- to 29-foot class.

That’s exactly the type of boat the company has its sights set on, hoping to edge out gas-powered premium vessels in the market.

As PR and communications manager Mikael Mahlberg explained to Electrek:

We aim to sell thousands of C-8, and we think it will be the first electric boat that has the potential to outsell combustion engine boats in the premium class. I suspect it will do so with a wide margin, we hope it’s an iPhone moment for boats – something that will radically change how we perceive how boats should be and look like. Not loud, costly to run, shaking and slamming and poisoning the very nature you came to enjoy – but completely silent, intuitive to use, fun to drive but still relaxing for passengers, respectful to nature, maintenance-free, very cheap to operate and upgradeable OTA.

Despite being larger than the previous C-7, the eight-passenger C-8 actually uses less energy thanks to its ultra-efficient C-POD electric drive unit developed in-house by Candela.

The C-8 will include Candela’s new next-generation hydrofoil system with an improved sensor suite and avionics.

The flying boat is jam-packed with embedded technology. Similar to Tesla’s self-driving cars, the C-8 features Autopilot that keeps the boat on a pre-set course, reducing the load on the captain and allowing for a more relaxing experience.

The hydrofoils are also tied into an automatic system developed by Candela, adjusting in real time to maintain a perfectly level flight despite shifting waves.

The team designed the boat’s carbon fiber hull to be much more efficient than typical planing boats. It helps reduce the energy required to get the C-8 up to a speed of 16 knots, at which point the boat extends its hydrofoils to lift up and become foilborne. The boat can then reach its electronically limited top speed of 30 knots (35 mph or 55 km/h).

Foiling allows the C-8 to literally fly over the tops of waves, making the ride smoother and more comfortable than typical shaking, bouncing speed boats. In particularly rough seas, the hull is designed to help pop the boat back up onto its foils after hitting a large wave. And if the sea is simply too rough for hydrofoiling, the C-8 can be operated like a normal boat, though with reduced range. When foiling is capable, the C-8 boasts a cruising range of over 50 nautical miles (58 miles or 93 km). The boat’s 44 kWh battery can be recharged fairly quickly in two hours with a three-phase charger.

Other premium features in the C-8 include a four-person sofa in the cabin, a freshwater shower, optional hard top for cold environments or for sun protection, premium sound system (which is apparently a unique experience in the cabin as the ride is virtually silent without motor noise or any waves on the hull), and a 15.4-inch high-resolution touchscreen for navigation and controls.

The C-8 also boasts huge maintenance and operating cost advantages over typical gas- or diesel-powered boats, and even over other electric boats. The sealed C-POD drivetrain is nearly maintenance-free thanks to a 3,000-hour maintenance cycle (compared to around 100 hours for gas boats). The C-8 is also 95% cheaper to operate than gas boats and more efficient than any other electric boat, resulting in lower electricity costs too.

Of course those electricity costs pale in comparison to the purchase price of €290,000 before VAT (approximately US $339,000). Candela says that’s on par or even below several gas-powered competitors in the 8-meter premium boat class.

While I probably won’t be the proud new owner of a C-8 any time soon, its technology can already help replace noisy, polluting gas-powered luxury boats in marinas around the world, and hopefully continue to work its way into ever more affordable designs.

Very few of us lined up to buy a Tesla Roadster a decade ago, but I see a pile of Model 3s everywhere I go today. That doesn’t mean we’ll see a Candela on every trailer in a decade, but the model of entering the premium market first is fairly tried and true in the EV industry.


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‘The heartbeat of Blondie’: Drummer Clem Burke dies aged 70

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'The heartbeat of Blondie': Drummer Clem Burke dies aged 70

Blondie drummer Clem Burke has died at the age of 70

The band said Blurke had been diagnosed with cancer, and described his death as a “profound loss”.

He featured on all the Debbie Harry-fronted group’s studio albums since joining a year after their formation in 1975.

Blurke was with the band from their self-titled debut, through their 1978 classic Parallel Lines, to 2017’s Pollinator.

Drummer Clem Burke.
Pic: Reuters
Image:
Drummer Burke.
Pic: Reuters

In a statement on Blondie’s Instagram, Harry and the band’s guitarist, Chris Stein, said: “It is with profound sadness that we relay news of the passing of our beloved friend and bandmate Clem Burke following a private battle with cancer.

“Clem was not just a drummer, he was the heartbeat of Blondie.

“His talent, energy, and passion for music were unmatched, and his contributions to our sound and success are immeasurable.

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“Beyond his musicianship, Clem was a source of inspiration both on and off the stage. His vibrant spirit, infectious enthusiasm and rock solid work ethic touched everyone who had the privilege of knowing him.

“Clem’s influence extended far beyond Blondie, a self-proclaimed ‘rock and roll survivalist’, he played and collaborated with numerous iconic artists.”

Clem Burke drummer of the band Blondie in his performance at Festival Estereo Picnic 2023.
Pic: AP
Image:
Burke in his performance at Festival Estereo Picnic 2023.
Pic: AP

Burke featured on Iggy Pop’s 1982 album Zombie Birdhouse and also performed with Bob Dylan, The Ramones, The Who guitarist Pete Townshend and Joan Jett.

The statement went on to say Burke had left an “indelible mark on every project he was part of”.

It added: “We extend our deepest condolences to Clem’s family, friends, and fans around the world. His legacy will live on through the tremendous amount of music he created and the countless lives he touched.”

Burke, who performed on classic tracks such as Call Me, Heart Of Glass and One Way Or Another, made his final live appearance with Blondie last year.

Read more from Sky News:
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Global bank chiefs hold talks over Trump tariffs crisis

Blondie performs during Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 25, 2023.  
Pic: Invision/AP
Image:
Blondie performing during Glastonbury Festival in 2023.
Pic: Invision/AP

Among those paying tribute to him was Kinks guitarist Dave Davies, who said: “I feel saddened that Clem Burke was taken from us so soon.

“May he rest in peace, spectacular drumming, we were friends.”

Nancy Sinatra said: “My heart is shattered. Clem became an icon as a member of Blondie, but he was also an important part of my band, the K.A.B. I was blessed to call him my friend.

“If I ever needed him, he was there. Always. Sending healing prayers and comfort to his widow, Ellen, his family, and all who loved him.”

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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
Image:
Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
Image:
Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
Image:
Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
Image:
Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
Image:
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
Image:
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

Read more from Sky News:
Tributes to ‘genius’ Kilmer
Richest billionaires named
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In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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