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I’ve tested a few different Cyrusher electric fat tire bikes over the years, and they all have the same basic qualities: The fit and finish might not match the pros, but the bikes offer a fun helping of ridiculous excessiveness. The Cyrusher XF900 full-suspension fat tire e-bike might just be the most excessive yet, in all the best ways.

The Cyrusher XF900 launched late last year and is even larger in person than I had expected from the photos. It doesn’t just look massive – it is massive.

It’s overbuilt so that you can take it just about anywhere and throw it at just about any terrain.

Between the fat tires and full-suspension, the Cyrusher is basically begging you to finally leave the asphalt behind and do some real exploring.

While I tested it with a fair amount of commuting-style riding, a lot of my adventures didn’t just head for the trails – they left the trails behind completely.

Take a look at how the bike fared in my video review below, then keep reading for my complete review!

Cyrusher XF900 video review

Cyrusher XF900 tech specs

  • Motor: 750W nominal, 1.5 kW peak rear hub motor
  • Top speed: 45 km/h (28 mph)
  • Range: Up to 100 km (62 mi) claimed, actually less (see below)
  • Battery: 48 V 17Ah (816 Wh)
  • Charge time: 5-7 hours
  • Max load: 150 kg (330 lb)
  • Weight: 34 kg (74 lb)
  • Frame: 6061 aluminum
  • Suspension: Front dual crown air fork, rear spring shock
  • Brakes: Zoom hydraulic disc brakes with 180 mm rotors
  • Extras: 21-speed Shimano drivetrain(!), LCD display with speedometer, wattmeter, battery gauge, PAS level indicator, odometer, tripmeter, headlight and tail light, included fenders and rear rack

An extra helping of parts

The Cyrusher XF900 comes pretty much fully loaded.

The rear hub motor is nominally 750W, but they’ve overloaded it to pull 1.5 kW of peak power. On a lighter e-bike that’d be crazy high, though on the heavy XF900 it’s just quite high. It’s not going to throw you off the saddle, but you’ll want to make sure you’re holding on tight when you blip the throttle or engage the pedal assist.

A cool feature that I don’t see very often is that the throttle’s power level is actually tied to the pedal assist level selector. With five levels of pedal assist, if you start in level 1 and mash the throttle to 100%, you’ll experience a gentle takeoff. In pedal assist level 5, the throttle gives you that jolt of power that many riders are looking for. Any number in between provides an increasingly more enthusiastic throttle response.

With a powerful e-bike like this, being able to tone down the throttle is a nice feature. It’s useful when you want to do low-speed maneuvering as well as when letting a friend try the bike when you aren’t so sure how familiar they are with powerful e-bikes. I can leave it in level 1 or 2 until I see that they aren’t going to whiskey throttle their way into a brick wall.

On the battery side of things, the company doesn’t mess around with puny 48V 10Ah batteries and they don’t even waste time with a 14Ah pack. They go straight to the 48V 17Ah pack to give the best range. That’s the kind of big battery you need when you’ve got a powerful motor and controller. They still advertise the silly range of 100 km (62 miles), but that would only be possible on pedal assist level 1 and with a tailwind. Expect a throttle-only range of a third of that, and a pedal assist level 3-ish range of maybe just over half the max stated range. This is a heavy bike with lots of rolling resistance, so it’s not going to be terribly efficient.

Off-road riding ready

As I mentioned in the opening, this e-bike is really designed for exploring the unexplored.

The giant fat tires and suspension make it easy to hit obstacles you’d never consider on a hardtail e-bike with 2″ tires.

Both the front and rear suspension are middle shelf; they aren’t top notch parts like we find on e-bikes that cost nearly twice this much. But they’re good enough for recreational riding, which is exactly what I was looking for.

When the riding got seriously rutted out or technical, I definitely had to come out of the saddle. The suspension just isn’t plush enough for the really rough stuff. But by and large I could stay planted and have a great ride through dirt, gravel, high grass, and some light sand.

The powerful motor and the tires’ ability to pretty much float over anything means you aren’t limited to trails. I did plenty of riding through tall grass fields where I had no idea what I was riding over, but apparently it didn’t matter. I couldn’t see the ground but I could still roll right over everything.

The only thing getting in my way was the pair of derailleurs to snag grass and weeds. This is one of very few e-bikes to sport multiple front chainrings. The 21-speed setup is interesting, but it feels unnecessary.

The advantage of all of those gears is mostly on the low end, where you can drop into lower gears for more torque during hill climbing. But with a powerful motor like this, you don’t really need to drop so low since you’ll be climbing at faster speeds anyways.

The increased granularity also makes it easy to find the perfect cadence. But again, that just feels unnecessary on such a powerful e-bike. Maybe the purists will enjoy the increased gears, but I pretty much left the bike in a single gear the whole time: the highest one.

That’s because the Cyrusher XF900 is just so damn fast. It tops out at 28-ish mph (45 km/h), and it gets there on throttle-only riding or with pedal assist. Technically it’s not a class 3 e-bike if it can surpass 20 mph on throttle, but no one stopped me to ask and I didn’t volunteer that info to anyone.

At those speeds, the bike is an equally capable road warrior and trail tackler. I don’t often hit top speed on the trail, but the open road gives me the room I need to run fast. Back on the trails, if I hit the mid-20s of mph, I consider that pretty darn fast.

Any complaints?

Nothing is perfect, and I have a few gripes about the Cyrusher XF900.

The fenders are as cheap as they come, though I get that fat tire fenders for a full-suspension e-bike are a hard nut to crack. The good news is the rear doesn’t flop too much because the rear rack holds it in place. The front gets a bit floppy, but what can you do? That’s cheap plastic for you.

Next, the front headlight is fine but the rear tail light frustrates me. It isn’t a typical e-bike light that runs off the main battery. Instead, its a saddle light that has its own battery. That means two main downsides: the battery will need somewhat frequent replacing if you ride at night often, and it will be blocked if you put stuff on the rear rack. I also found myself sometimes clicking the button when I moved the bike by lifting under the saddle. If I didn’t notice that I accidentally clicked on the light, it could run for hours during the day and drain the battery by the time I need it at night.

A torque sensor also would have been nice. The cadence-based pedal assist sensor is fine, but when you’re playing in the big leagues you start to want to see those nicer parts that make the riding experience just a bit more comfortable and responsive. At this price, a torque sensor would have been a nice touch.

Lastly, I’d say the price is a tough sell. At $2,799, this is one expensive e-bike. You certainly get a lot: high power, larger-than-average battery, fast speeds, full-suspension, hydraulic disc brakes, included rack and fenders, etc. But it doesn’t come cheap.

It’s actually evenly priced against several other full-suspension fat tire e-bikes in its class, but you have to really want all of these features to write a check that big.

From my time on the bike though, I can definitely say that this is one hell of a ride. Being able to explore everything from the concrete jungle to an actual jungle, and doing it for more than just a few miles, is an experience that I hope everyone can have at some point.


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‘The heartbeat of Blondie’: Drummer Clem Burke dies aged 70

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'The heartbeat of Blondie': Drummer Clem Burke dies aged 70

Blondie drummer Clem Burke has died at the age of 70

The band said Blurke had been diagnosed with cancer, and described his death as a “profound loss”.

He featured on all the Debbie Harry-fronted group’s studio albums since joining a year after their formation in 1975.

Blurke was with the band from their self-titled debut, through their 1978 classic Parallel Lines, to 2017’s Pollinator.

Drummer Clem Burke.
Pic: Reuters
Image:
Drummer Burke.
Pic: Reuters

In a statement on Blondie’s Instagram, Harry and the band’s guitarist, Chris Stein, said: “It is with profound sadness that we relay news of the passing of our beloved friend and bandmate Clem Burke following a private battle with cancer.

“Clem was not just a drummer, he was the heartbeat of Blondie.

“His talent, energy, and passion for music were unmatched, and his contributions to our sound and success are immeasurable.

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“Beyond his musicianship, Clem was a source of inspiration both on and off the stage. His vibrant spirit, infectious enthusiasm and rock solid work ethic touched everyone who had the privilege of knowing him.

“Clem’s influence extended far beyond Blondie, a self-proclaimed ‘rock and roll survivalist’, he played and collaborated with numerous iconic artists.”

Clem Burke drummer of the band Blondie in his performance at Festival Estereo Picnic 2023.
Pic: AP
Image:
Burke in his performance at Festival Estereo Picnic 2023.
Pic: AP

Burke featured on Iggy Pop’s 1982 album Zombie Birdhouse and also performed with Bob Dylan, The Ramones, The Who guitarist Pete Townshend and Joan Jett.

The statement went on to say Burke had left an “indelible mark on every project he was part of”.

It added: “We extend our deepest condolences to Clem’s family, friends, and fans around the world. His legacy will live on through the tremendous amount of music he created and the countless lives he touched.”

Burke, who performed on classic tracks such as Call Me, Heart Of Glass and One Way Or Another, made his final live appearance with Blondie last year.

Read more from Sky News:
King arrives in Rome for Italy tour with Queen after health concerns

Global bank chiefs hold talks over Trump tariffs crisis

Blondie performs during Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 25, 2023.  
Pic: Invision/AP
Image:
Blondie performing during Glastonbury Festival in 2023.
Pic: Invision/AP

Among those paying tribute to him was Kinks guitarist Dave Davies, who said: “I feel saddened that Clem Burke was taken from us so soon.

“May he rest in peace, spectacular drumming, we were friends.”

Nancy Sinatra said: “My heart is shattered. Clem became an icon as a member of Blondie, but he was also an important part of my band, the K.A.B. I was blessed to call him my friend.

“If I ever needed him, he was there. Always. Sending healing prayers and comfort to his widow, Ellen, his family, and all who loved him.”

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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
Image:
Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
Image:
Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
Image:
Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
Image:
Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
Image:
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
Image:
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

Read more from Sky News:
Tributes to ‘genius’ Kilmer
Richest billionaires named
Springsteen’s seven new albums

In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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