Diversity and equality were at the heart of discussions last week, when TV titans rolled into Edinburgh for its annual festival.
Okay, so it was a virtual festival, but the flagship industry event tackled the issue head-on, centreing largely on disabled representation and black talent.
The timing could not have been better, with a new report revealing this week that disabled people who work in the British television industry are facing “consistent difficulties” when it comes to career progression, with 80% of those surveyed saying their disabilities have adversely affected their careers.
Image: Jack Thorne gave this year’s MacTaggart Lecture. Pic: Richard Shotwell/Invision/AP
Jack Thorne delivered this year’s headline MacTaggart Lecture at the event, slamming the TV industry saying it has “failed disabled people, utterly and totally.”
The prolific screen and play writer, who is known for projects such as His Dark Materials and Harry Potter And The Cursed Child, used the speech to launch a group named Underlying Health Condition, which will lobby the industry to be more accessible and a fund will be set up to pay for it.
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Thorne, who was diagnosed with cholinergic urticaria (which makes sufferers allergic to their own body heat) also said that his disability is invisible, and “as a white man with all the privilege that entails… I have had opportunities that my disabled family have not”.
The push towards inclusion was underlined at the festival by the likes of streaming giant Netflix, which said that its policy of “show not tell” when it came to achieving its diversity goals was working, and that viewers can expect to see changes on screens in the next few years.
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Vice president for original series Anne Mensah said that while the company is not “perfect”, it is “working towards it”.
The BBC also weighed in, with chief content controller Charlotte Moore agreeing with Thorne, saying of his speech: “I think it makes all of us say, ‘We know we’re changing but my God we’ve got to change faster’.”
Hollywood firepower also became part of the conversation too, with Hamilton writer and actor Lin-Manuel Miranda saying the industry needs a “chorus of voices” and to attack the inequalities that exist.
“Some of it is really attacking that stuff systemically and supporting folks who are at the ground-floor level of this industry and making sure that a living wage exists, so that I can make a living doing the thing I love,” he said.
Racial inequality was also discussed at the festival – a year on from the Black Lives Matter movement and the conversation about having black voices more represented on (and off) screen.
Queer Eye star Tan France, who acted as the international editor of the festival, said the TV industry in the UK was “lightyears” behind the US, and that he feels tokenism has become commonplace in place of actual representation.
Image: Tan France, (L) was the festival’s international editor. Pic: Willy Sanjuan/Invision/AP
This was a view echoed by comedian London Hughes, who said that it shouldn’t take the death of an unarmed black man to get networks to employ black talent.
Hughes had previously criticised Channel 4 for its Black To Front initiative, which she described as “performative tokenism”, telling the conference: “The people in charge need to do more… I wish George Floyd didn’t have to die for Alison Hammond to get a slot on This Morning.
“She should have had it already.”
But these were the same conversations being had 12 months ago, and networks will now need to put their money where their mouths are and follow through on their promises of better commissioning policies and more inclusive hiring practices.
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Image: Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Image: Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Image: Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”