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Toyota Motor Corporation has announced an immediate halt to all of its e-Palette self-driving transportation pods operating at the Tokyo Paralympic Games. The decision comes on the heels of an accident that took place in the Paralympic Village yesterday, when a Toyota e-Palette collided with a visually impaired athlete, injuring them.

While Toyota remains a globally recognized automaker specializing in ICE and hydrogen fuel cell vehicles, it has also been a prominent sponsor for the Olympic and Paralympic Games. In 2015, the automaker signed an eight-year contract reportedly valued at around $1 billion.

With the 2020 Olympics and Paralympics announced for the company’s home country of Japan, Toyota used the events to showcase new technologies to the public. This included its LQ self-driving electric vehicle, although it remains a mere concept.

Following the introduction of the LQ EV, Toyota also announced it would implement up to 20 of its e-Palette self-driving pods to the 2020 Olympic and Paralympic Games in Tokyo.

When the Tokyo Games-specific e-Palettes were unveiled in 2019, Toyota explained how the pods would autonomously transport athletes around the Olympic Village using low-speed SAE level 4 automated technology.

Yesterday, however, Toyota helped demonstrate that Level 4 self-driving technology may not quite be where it needs to be for human safety, especially for pedestrians.

A 2019 rendering of Toyota’s E-Palette designed for the 2020 Paralympic Games / Source: Toyota

Toyota halts all e-Palette pods at 2020 Tokyo Paralympic Games

According to a report from Reuters, Toyota Motor Corporation has stopped the operations of all of its self-driving e-Palette pods at the Tokyo Paralympic Games.

The decision comes one day after an e-Palette driving through the Paralympic village struck a pedestrian who happened to be a visually impaired athlete competing in the games on Saturday.

According to Toyota, the self-driving vehicle had stopped at a T-junction and was about to make a turn under manual control of the operator using a joystick. The vehicle then collided with the athlete going at a speed of around 1 or 2 km/hr.

Toyota Chief Executive Akio Toyoda apologized for the incident and spoke about the difficulties Toyota has faced during the Paralympic Games in Tokyo, trying to remain especially conscious of pedestrians with disabilities:

A vehicle is stronger than a person, so I was obviously worried about how they were. It shows that autonomous vehicles are not yet realistic for normal roads.

Toyoda said he offered to meet the injured athlete but was unable to do so. He stated that Paralympic officials had told him that the athlete remained conscious after the collision and was taken to the medical center at the athlete village for treatment. The athlete was also able to walk back to their residence.

Toyota said it was cooperating with a local police probe to determine the cause of the accident. The automaker also shared plans to also conduct its own investigation and work alongside the Olympic and Paralympic Committees in Tokyo to ensure this doesn’t happen again.

The 2020 Tokyo Paralympic Games began this week and continue through September 5th, although athletes will have to find other ways around the village without Toyota’s e-Palettes.

You can view the full apology from Toyoda on behalf of Toyota below:

Electrek‘s take

Oh Toyota, you’ve outdone yourselves this time. We’ve already shared our thoughts on the automaker jamming its LQ EV concept down viewers’ throats during the Tokyo Olympics, despite the fact that the company doesn’t offer a single passenger BEV at the moment.

Now, this. Toyota’s self-driving electric pods were specifically designed to navigate the Olympic and Paralympic villages and accommodate those pedestrians with disabilities, but it, unfortunately, hit an athlete.

Right now, this doesn’t appear to be entirely the automaker’s fault, nor the fault of its Level 4 self-driving technology… according to Toyota. While the investigation is still underway, it appears that human error may have caused the actual collision with the athlete, as the operator apparently took over control to make the turn.

Regardless of whether human or machine is to blame, this is bad optics on top of bad timing for Toyota during the Paralympic Games of which it sponsors. Especially since the autonomous machine modified to support Paralympic athletes ended up injuring one instead.

It’s welcomed news to hear they are okay and hopefully still able to compete to their full ability this weekend.


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PM’s rap battle with Sky’s Beth Rigby goes viral – and one of the AI satirists behind it explains why

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PM's rap battle with Sky's Beth Rigby goes viral - and one of the AI satirists behind it explains why

Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.

A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.

On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.

He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.

“So we are the new and improved Spitting Image, the much better Have I Got News For You?”

He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.

Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.

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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.

“Crewkerne Man” says providing satire for younger people is important as Labour is lowering the voting age.

Asked why he is trying to be anonymous, the man said the project is not about one person – or even the whole group – but rather their output.

He also claimed the UK is “increasingly seeing arrests – especially with comedians”, pointing to the Graham Linehan case.

“So we just never know where the Labour Party is going to drive the policy next, in regards to free speech,” he said.

“So for me, certainly it’s a matter of safety.”

Watch Beth Rigby’s actual interview with Sir Keir Starmer below.

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The prime minister defends the budget

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Tilly Norwood: Creator of AI actress insists she’s not designed to steal jobs

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Tilly Norwood: Creator of AI actress insists she's not designed to steal jobs

The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.

AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.

Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.

AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”

“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”

Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”

Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.

“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”

Eline Van der Velden said she wanted the character to 'have her own creative path'
Image:
Eline Van der Velden said she wanted the character to ‘have her own creative path’

Read more:
How AI music is fooling most of us
Tom Hollander ‘not scared’ of AI star

Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.

“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.

The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.

The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.

Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.

In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.

Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.

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Why was Palestine Action proscribed?

She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”

Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.

“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.

Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.

She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”

Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.

“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.

The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.

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