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Bosch has just announced one of the biggest updates in years to its electric bicycle drive unit lines, including some smart new tech and a new larger battery.

The new updates are included in Bosch’s MY2022 announcement being made today.

On the hardware side, Bosch is unveiling a new PowerTube 750 Wh battery that should take riders farther than ever before.

Bosch’s largest battery had previously been its 625 Wh packs, which still fell somewhat behind the common 672 Wh (48V 14Ah) packs seen on many other e-bikes in the industry.

Bosch’s new 4.4 kg (9.7 lb) battery now adds 20% more capacity and range to Bosch’s best in-frame offering so far.

The company is also unveiling a new Kiox 300 display. It provides all the rider’s pertinent info and can be relocated to new positions around the bars as desired.

The buttonless Kiox 300 display pairs with a new remote operated by the rider’s left thumb. It allows riders to change parameters on the bike, such as the pedal assist’s power level. Color changing LEDs give users a quick visual reference to confirm which power level has been selected.

Moving from hardware to software, Bosch is now making its electric bikes much smarter with a host of new features.

Bosch’s Flow app is designed to digitize the e-bike ownership experience. Instead of needing to bring the bike into an authorized Bosch dealer for minor updates, riders can now perform over-the-air (OTA) updates themselves via the app. That will allow riders to take advantage of new Bosch features as they are continuously developed and deployed.

It’s all part of Bosch’s goal of pushing e-bikes into a more digitally customizable form, as Bosch eBike Systems CEO Claus Fleischer explained:

“In the future, the eBike will automatically adjust to the rider’s personal needs. It adapts to our riding style, suggests routes that we enjoy and guides us safely from point A to B. It gets to know our preferences and interests and offers a perfectly tailored eBike experience.”

The app is also useful for customizing riding modes, recording riding activities automatically, and integrating with fitness apps. The automatic riding activity recording is particularly interesting as it uses the bike’s sensors to begin the activity recording automatically, meaning riders won’t need to pull out their phones and manually click “record” to track each ride.

Bosch also has its sights set on integrating Bike-to-X communication as part of the internet-of-things (IoT) framework, which would allow for interesting features to be added. By connecting with other cars and trucks, the e-bikes could give early warning signals that help to better protect riders.

According to Fleischer:

“While the Car-to-X communication is slowly advancing, the Bike-to-X communication will certainly remain a pipe dream for many years to come. But we see great potential here to make eBiking even safer.”

Other safety advances include a “digital guardian angel” are planned to be incorporated into Bosch’s e-bike systems to call for help in the event of an emergency.

GPS-based anti-theft solutions and remote locking of an e-bike that has been stolen were all floated as possibilities that will be enabled by the new technology.

As Fleischer continued:

“We are convinced that the fully connected, smart eBike will redefine the mobility of tomorrow, both for short trips in everyday life and for extended rides in leisure time. The smart system equips the eBike with more intelligence, comfort, and safety for the mobility of the 21st century. This is how we are turning our vision of the eBike mobility of the future into a reality, step by step.”

Electrek‘s take

Some of this could be game-changing for e-bikes, such as the digital guardian angel and ability for e-bikes to alert cars of their presence.

Other things feel like features where Bosch is playing catchup, such as over-the-air updates. Cheap e-bikes have been capable of this for years, and it smacks of Apple selling iPhones for years before giving us common features like copy/paste. If you’re going to have a smart e-bike, then including over-the-air updates is pretty much a prerequisite these days.

But there’s no denying that Bosch is laying the groundwork for what could become an incredible connected e-biking system. The real test will be to see what kind of additional features they can roll out to users to truly bring e-bikes into the 2020s.

Oh yeah, and it’s also great to see battery capacity continue walking upwards. Another 20% range is a nice boost. It’s more than most people need for city riding, but off-road riding eats battery capacity for breakfast. So I’ll take any extra 20% I can get, please and thank you.


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Olivia Hussey, star of 1968 film Romeo and Juliet, dies at 73

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Olivia Hussey, star of 1968 film Romeo and Juliet, dies at 73

Actress Olivia Hussey, best known for playing Juliet in Franco Zeffirelli’s 1968 production of Romeo and Juliet, has died aged 73.

She died peacefully at her home in California, surrounded by her loved ones on Friday, according to a post shared on her official Instagram account.

The message, posted with a sunset photo of Hussey in her youth, paid tribute to “a remarkable person whose warmth, wisdom, and pure kindness touched the lives of all who knew her”.

It went on: “Olivia lived a life full of passion, love, and dedication to the arts, spirituality, and kindness towards animals”.

Calling her a “truly special soul”, her family said while her “immense loss” was grieved, they would also “celebrate Olivia’s enduring impact on our lives and the industry”.

Born in Buenos Aires in 1951 to an Argentinian father and English mother, Hussey returned to London aged seven with her mother and studied at the Italia Conti Academy drama school.

Spotted by Italian director Zeffirelli in a stage show of The Prime Of Miss Jean Brodie opposite Vanessa Redgrave, Hussey’s performance as Juliet aged just 15 made her a star and won her a Golden Globe.

Sixteen-year-old actor Leonard Whiting played her Romeo, with the pair going on to sue Paramount Pictures in 2022 for sexual abuse due to the Oscar-nominated movie’s nude scene.

(L-R) Franco Zeffirelli, Olivia Hussey and Leonard Whiting pictured in 1968. Pic: AP/Eustache Cardenas
Image:
(L-R) Franco Zeffirelli, Olivia Hussey and Leonard Whiting in 1968. Pic: AP/Eustache Cardenas

The case was dismissed by a judge the following year.

Hussey would work with Zeffirelli again, playing the Virgin Mary in the 1977 TV miniseries Jesus Of Nazareth.

Appearances in horrors including Black Christmas and Psycho prequel Psycho IV: The Beginning established Hussey as a scream queen over the years.

Other notable appearances included Hercule Poirot movie Death On The Nile and Mother Teresa biography Madre Teresa.

Read more:
Andrew Garfield on baking cookies and his mum’s perfume
Disabled musicians demand greater inclusivity

Hussey was reunited with Whiting in the 2015 British film Social Suicide, which was loosely based on Shakespeare‘s Romeo and Juliet.

Her daughter, actress India Eisley, played her on-screen daughter in the movie.

It was Hussey’s final screen role, according to IMDB.

Hussey leaves behind three children, Alex, Max, and India, her husband of 35 years David Glen Eisley, and grandson, Greyson.

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Andrew Garfield on baking cookies and keeping perfume to remember his mum

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Andrew Garfield on baking cookies and keeping perfume to remember his mum

Andrew Garfield says he bakes cookies every year in memory of his late mother.

The double Oscar nominee‘s mother Lynn Garfield, from Essex, died in 2019 from pancreatic cancer.

In a conversation about his new film We Live In Time, he told Sky News about the special ways he likes to remember her.

“My mum had the most incredible chocolate chip cookie recipe that I will do every year on the anniversary of her birth and on the anniversary of her death.

Pic: StudioCanal
Image:
Pic: StudioCanal

“So, I will bake them, and we will all eat them, but I’ll leave a few out for her somewhere, you know, like Rudolph the Red-Nosed Reindeer or Santa Claus at Christmas or something.”

The English-American actor says he looks to keep the connection to his mother alive and notes that he has some of her keepsakes in his own home.

“I have her perfume in my house that my mum used to wear when I was a kid. I have it, like, in a very special place. I’ll just like [smell it], when I need it.

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“It’s like in the missing and the longing, you actually get closer to the person. It’s a weird thing. As we reach out in grief, we actually feel much closer to the person so it’s this weird conundrum”.

Pic: StudioCanal
Image:
Pic: StudioCanal

‘Leaving a legacy behind’

Garfield stars alongside Florence Pugh in the romance film We Live In Time, which follows an up-and-coming chef and a Weetabix salesman through a decade of their love story.

Pugh says she loves playing “really strong-willed women” and says playing a woman dealing with ovarian cancer allowed her to look at the idea of creating a legacy.

“She’s constantly juggling whether she does something for herself, does something for her daughter, does something for her family and ultimately, she’s allowed to do all of those things.

“I do believe that she is trying to leave that kind of legacy behind so that her daughter is proud of her.

“Just because you are a parent and you’re a mum does not mean that your wills and wants also completely vanish and disappear and you can’t have or want them too”.

Pic: StudioCanal
Image:
Pic: StudioCanal

‘A level of detail and care’

We Live In Time is directed by Brooklyn filmmaker John Crowley.

Having previously worked with Garfield on Boy A, the Irish director says seeing Garfield and Pugh on screen together is magic.

“All that life experience is present in his performance,” he says.

“I wouldn’t say he’s vastly different. I think the level of detail and care that he puts in the work is every bit as much as it was back then, there’s just more there now”.

We Live In Time is in cinemas on Wednesday 1 January.

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‘It made me feel less than human’: Disabled musicians demand greater inclusivity

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'It made me feel less than human': Disabled musicians demand greater inclusivity

Elizabeth J. Birch has been a musician for a decade, has won several awards, and loves her job. However, she continues to feel like an outsider in a competitive and precarious industry.

As a wheelchair user, she commonly experiences accessibility barriers at venues, but there’s a more pressing issue – tokenism.

Birch tells Sky News: “While it’s not explicitly stated that it’s tokenistic, it feels tokenistic because [organisations] need a certain amount of disabled people on their board.

“For example, I was once called a poster girl for inclusion.”

Due to her own experiences, Elizabeth acknowledges why some with hidden disabilities choose not to disclose their conditions

When asked how the experience made her feel, she pauses and reflects: “Perhaps it didn’t make me feel like an individual or it made me feel less than human because I was narrowed down to one aspect of myself.

“It’s not about trying to look inclusive, it’s about trying to be inclusive.”

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A recent report by Help Musicians and the Musicians’ Union found 94% of those who have experienced discrimination based on their disability said it impacted their ability to work or advance their career progression.

Nyrobi Beckett-Messam, one half of the sister duo ALT BLK ERA, was diagnosed with multiple chronic conditions in 2021.

Out of the fear of discrimination, she wasn’t open about her hidden disability until only a few months ago.

“I didn’t feel comfortable sharing that side of me because society doesn’t accept it,” she says.

And she doesn’t regret opening up.

“I think the biggest benefit of me disclosing my disability is seeing how it’s impacted others,” she says.

“It’s really empowering, I wake up feeling every morning like the effect I’m having on the community.”

Nyrobi felt inspired to open up about her hidden disability after Lady Gaga revealed that she had chronic illness fibromyalgia in 2017

Among other key findings, the Musicians’ Census identified the following areas of concern when it comes to financial security, fair pay, and discrimination in the workplace:

• On average there is a £4,400 pay gap between disabled and non-disabled musicians
• The gap widens a further £1,700 for musicians with mental health conditions and/or neurodivergent profiles
• 27% of disabled musicians said they had experienced racism, compared with 7% of non-disabled musicians
• 73% of disabled respondents said they aren’t in receipt of any state benefits, tax credits, or support

Grace Meadows, head of engagement at Help Musicians and Music Minds Matter, said: “What this report really starkly highlights is just how much more work the industry needs to do to support disabled musicians but also to support anybody who may have a disability to speak up without fear of discrimination or disadvantage.

“And with benefits, really what we are needing to see is a change in what those systems look like so people can get the support they need when they need it.”

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A government spokesperson told Sky News: “We are bringing forward proposals to reform health and disability benefits in spring as part of a proper plan to genuinely support disabled people.

“We will work closely with disabled people and their organisations, whose views will be at the heart of these plans.”

Both Birch and Beckett-Messam believe in the social model of disability which recognises that people are disabled by barriers in society, not by their impairment or difference.

For now, they are determined to stay in the industry, but that could change if it stays the same.

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