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After listening to almost two weeks of evidence against disgraced neurosurgeon Christopher Duntsch, the jury in Dallas, Texas, reportedly took just a few hours to find him guilty of maiming patients.

Following at least a year of botched surgeries, which resulted in the deaths of two patients and left dozens of others paralysed or seriously injured, he was sentenced to life in prison in February 2017.

The conviction was based on one victim but Duntsch had been accused of wide-ranging malpractice that included improper placement of screws and plates along patients’ spines, a sponge left in another patient and a major vein cut in another, according to an Associated Press report from the time. Records also showed that he operated on the wrong part of a patient’s spine, damaged nerves, and left one woman with chronic pain and dependent on a wheelchair.

Handout photo of former neurosurgeon Christopher Duntsch, who was jailed in 2017. Pic: Dallas County Sheriff's Department via AP
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Former neurosurgeon Christopher Duntsch was jailed in 2017. Pic: Dallas County Sheriff’s Department via AP

The story of “Dr Death” and how he was able to continue his work before his licence was finally revoked is the stuff of nightmares. When a patient is lying on an operating table, they are putting their life in a medical team’s hands; the surgeon in charge is not supposed to make mistakes.

But Duntsch did, over and over and over, and the story of how he was able to continue working has now been dramatised in a series starring The Affair and Dawson’s Creek star Joshua Jackson as the titular Dr Death, and Christian Slater and Alec Baldwin as two physicians who fought to expose him.

Christian Slater as Randall Kirby in Dr Death. Pic: Barbara Nitke/Peacock/StarzPlay
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Christian Slater plays Dr Randall Kirby, one of the good guys, in Dr Death. Pic: Barbara Nitke/Peacock/StarzPlay

Slater – known for films including True Romance, Heathers, Pump Up The Volume and Robin Hood: Prince Of Thieves in the late ’80s and early ’90s, and more recently in TV series such as Mr Robot and Dirty John – plays one of those real-life doctors; vascular surgeon Randall Kirby, who he met after shooting on the show had finished.

“It’s a horrifying story,” Slater tells Sky News. “[It’s] very scary that someone like this could get away with what he was doing for so long. He’s a real performer, was able to kind of play the part but lacked all the skills necessary in order to really perform those surgeries.

“[Dr Kirby] said that Dr Christopher Duntsch, he shouldn’t have moved beyond operating on mice. That should have been where his career stopped, he never should have been allowed to operate on human beings.”

Over eight episodes, Dr Death tells the story of a rising star in the Dallas medical community, a man who promised to change the lives of patients suffering from spinal issues. A man who thought he could play God. At best he was woefully inept but arrogant and completely misguided; at worst he was evil.

It was “incompetence mixed with ego, narcissism – a sociopath”, says Slater, based on his conversations with Dr Kirby. “He [Kirby] saw him in that regard. He got to witness Christopher Duntsch at work. He stood over a body and watched him perform with such ineptitude that it horrified him and scared him. Those are the moments within the show that are horrifyingly true and as accurate as we could possibly make them.”

Joshua Jackson in Dr Death. Pic: Peacock/ Starzplay
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Joshua Jackson plays Duntsch, the titular Dr Death. Pic: Peacock/ Starzplay

As a viewer, it is not just what you see on screen but what you can hear that makes the show so terrifying, and gruesome. “The sounds… they stayed with me after we would finish shooting the scenes, they’re still in my brain,” says Slater. Fortunately, behind their surgeons masks, they were able to keep the mood light. “Of course, we take it seriously, but there is an element of humour that comes along with it because both Josh and I are so inept at being doctors that, you know, behind our masks we’d be laughing quite a bit.”

As well as examining Duntsch and his catalogue of horrors, the series also looks at the American healthcare system and how the malpractice was able to continue; how he moved between clinics, which enabled him to work for longer, and how profit was put above patients.

“Our healthcare system is one that has been examined and questioned for such a long time now and it’s one that is in desperate need of revisions,” says Slater. “The scary thing is Christopher Duntsch was able to take advantage of a part of the healthcare system that is not only designed to protect the patients, but also the doctors. And with that, he was able to kind of skirt through the system, and the system just kept kicking the can down the road, and he was able to continue to be enabled and get away with what he got away with for so long.”

Christian Slater and Alec Baldwin in Dr Death, starring Joshua Jackson in the titular role. Pic: Peacock/ Starzplay
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Slater’s Dr Kirby teams up with Alec Baldwin’s Dr Robert Henderson to expose Duntsch. Pic: Peacock/ Starzplay

People put medics “on pedestals and we treat doctors as gods and forget that they’re human beings and, you know, they are fallible and they will make mistakes”, he adds. Duntsch was an extreme case of that.

Ego, greed, narcissism; traits that can apply to people in power in all walks of life, including Hollywood. When I ask Slater if he has come across any similar figures, and how he has dealt with them, he seems to allude to the US’s most recent former president, Donald Trump, rather than anyone in the entertainment industry.

“It’s not always easy, particularly when you have someone who is coming from a place of such delusional thinking and they’re in one of the highest offices in the land,” he says. “I feel like that’s what it’s been like for the last four or five years, that we’ve just been living in delusion land and moved so far away from honesty. Narcissism and sociopathic behaviour has been enabled for a long time now. And I can’t wait until we move through that process.”

And as something of an industry veteran, what does Slater know now that he wishes he’d known when he first started acting in the 1980s?

“I think to appreciate all the moments. I think I’ve learnt in retrospect that I’ve been very, very fortunate in my career, very, very lucky. I’ve had great opportunities to work with some pretty amazing people. And it really is only in retrospect that you realise how special some of these experiences really were. So today, I think I’ve learnt to be in the moment as much as possible and appreciate every aspect of what it is that I get to do.”

Which includes Dr Death. Slater asks how much I’ve seen; I tell him I’ve just finished episode three.

“Wait till you get to episode eight,” he says. “They get scarier and scarier.”

Dr Death is out on Starzplay in the UK from 12 September

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Harry and Meghan extend Netflix partnership – but it’s no longer exclusive

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Harry and Meghan extend Netflix partnership - but it's no longer exclusive

Harry and Meghan have signed a new “multi-year, first-look deal” with Netflix, following the deal they struck with the streaming giant five years ago.

Described by the Sussexes as “extending their creative partnership”, while the news quashes rumours the relationship might not be renewed, it would appear to be a less prestigious deal than their first.

With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix
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With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix

As a “first-look deal” rather than an overall deal, the entertainment giant will be able to say yes or no to their content before anyone else, but they will not be under an obligation to stream it.

Several US outlets have suggested it is a downgrade from the Sussexes’ previous contract, which saw the streaming giant pay for exclusive rights for the content and was thought to be worth more than $100m (£74m).

British PR expert Mark Borkowski described the deal as a “downgrade” and suggested Netflix was “pivoting away” from Harry and Meghan.

Read more: Some call the deal a demotion – but the company still sees them as a power couple

Harry and Meghan set up their media company, Archewell Productions, after quitting as senior working royals in 2020.

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Their partnership with Netflix had promised documentaries, docuseries, feature films, scripted shows and children’s television, but has so far only delivered documentaries and docuseries.

These include Harry & Meghan, a six-part series about their departure from the royal household, which is Netflix’s fifth most popular series of all time, and most recently, the lifestyle show With Love, Meghan, which is the streamer’s most-watched culinary show since its release earlier this year.

Speaking about the new deal, Meghan said: “We’re proud to extend our partnership with Netflix and expand our work together to include the As ever brand.”

As ever is Meghan’s lifestyle brand, launched in 2024, and rebranded this year, selling products including jams, shortbread and wine.

Meghan went on: “My husband and I feel inspired by our partners who work closely with us and our Archewell Productions team to create thoughtful content across genres that resonates globally and celebrates our shared vision.”

(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix
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(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix

Netflix’s chief content officer Bela Bajaria called the Sussexes “influential voices” and said their stories “resonate with audiences everywhere”.

New output includes the second season of With Love Meghan later this month, and a Christmas special in December.

Archewell Productions is also working on a documentary about orphaned children in Uganda’s Masaka region, an area heavily hit by the HIV/AIDS crisis, titled Masaka Kids, A Rhythm Within, and is developing a feature adaptation of the bestselling romantic novel by Carley Fortune, Meet Me At The Lake.

It comes as Harry has cut ties with his Sentebale charity but has said he still intends to do what he can to help young people in Lesotho, Botswana and Southern Africa.

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Some call the Sussexes’ Netflix deal a demotion – but the company still sees them as a power couple

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Some call the Sussexes' Netflix deal a demotion - but the company still sees them as a power couple

While we’re all desperate to know what this new deal is really worth in dollars and pounds, one thing I can tell you for certain is that Prince Harry and Meghan want us to know they’re delighted that Netflix again wanted to get a deal done.

“Absolutely over the moon” is how it was described to me.

But they’ll also be aware of the attention it’ll attract as we all try to pick apart what it means.

Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix
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Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix

Firstly because of that ongoing fascination in how they’re making money since stepping away from royal life and losing financial support from the King, but also because of the recent reports that Netflix were intending to cut ties.

Yes this is a different type of deal from their original one in 2020. Some have argued that a “first look deal” looks like a demotion from what they previously signed up to.

With no real clarity on how much their original deal was worth, and no numbers being publicly thrown around this time, that is hard to judge.

But talking to those who know something about these kinds of deals you do get a sense it could potentially be more lucrative than it looks on face value.

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With first look deals, yes there is often financial commitments from the likes of Netflix to get that first exclusive look at projects and first refusal.

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Harry claims: War of words continues

But there could be other significant monetary incentives for the Sussexes to sign.

For example, when the Obamas signed a first look deal with Netflix, the streaming service agreed to pay the operational costs for their production company “Higher Ground”.

Could it be that Netflix are also now covering the costs of Archewell Productions?

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It’s stating the obvious to say that Harry and Meghan continue to divide opinions, some wanting to watch their programmes from a place of respect and fondness, others as a reason to grumble about them.

But signing on this latest dotted line shows Netflix still sees them as a power couple, who attract significant attention and are worthy of investment, whatever that really adds up to.

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Mandalorian actor Gina Carano settles lawsuit with Disney – and thanks Elon Musk for funding it

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Mandalorian actor Gina Carano settles lawsuit with Disney – and thanks Elon Musk for funding it

Actor Gina Carano has settled her lawsuit with Disney and Lucasfilm after claiming she was wrongfully dismissed from The Mandalorian for expressing her political opinions.

Carano was fired in February 2021 after starring as Rebel ranger Cara Dune in two series of the Disney+ Star Wars series The Mandalorian.

According to court documents, it came after the 41-year-old referenced the Nazis’ treatment of Jewish people while discussing current political differences in the US.

At the time, production company Lucasfilm said in a statement that her “social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable”.

But late on Thursday, she posted on X: “I have come to an agreement with Disney/Lucasfilm which I believe is the best outcome for all parties involved.”

She added that she “hopes this brings some healing to the force”.

The details of the financial settlement have not been disclosed.

When filing her lawsuit at the Californian District Court last year, she had sought $75,000 (£59,000) in damages.

She also thanked Elon Musk for financing the lawsuit, despite the two having never met.

“I want to extend my deepest most heartfelt gratitude to Elon Musk, a man I’ve never met, who did this Good Samaritan deed for me in funding my lawsuit,” she wrote in her post. “Thank you Mr. Musk and X for backing my case and asking for nothing in return.”

The X owner is an ardent advocate of free speech and has funded similar legal battles previously.

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Carano as Cara Dune.'The Mandalorian'. Pic: Lucasfilm/Disney/Kobal/Shutterstock
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Carano as Cara Dune.’The Mandalorian’. Pic: Lucasfilm/Disney/Kobal/Shutterstock

Carano signed off: “I am excited to flip the page and move onto the next chapter.

“My desires remain in the arts, which is where I hope you will join me. Yes, I’m smiling. From my heart to yours, Gina.”

In response to the settlement, Lucasfilm said in a statement: “Ms Carano was always well respected by her directors, co-stars, and staff, and she worked hard to perfect her craft while treating her colleagues with kindness and respect.

“With this lawsuit concluded, we look forward to identifying opportunities to work together with Ms. Carano in the near future.”

In legal documents, Carano’s team claimed both Disney and Lucasfilm had “targeted, harassed, publicly humiliated, defamed, and went to great lengths to destroy Carano’s career”.

She also alleged she was treated differently to her male colleagues. Neither company commented on these claims.

Pic: Lucasfilm/Disney/Kobal/Shutterstock
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Pic: Lucasfilm/Disney/Kobal/Shutterstock

Lawyer Gene Schaerr, managing partner at Schaerr Jaffe, said at the time: “Disney bullied Ms Carano, trying to force her to conform to their views about cultural and political issues, and when that bullying failed, they fired her.

“Punishing employees for their speech on political or social issues is illegal under California law.”

Carano, who began her career as a mixed martial arts fighter, has starred in other Hollywood franchises, including Fast & Furious 6 as Riley Hicks, and Deadpool, in which she played Angel Dust.

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