Before she died, Sarah Harding wanted to tell her story. Hers was a “wonderfully full and colourful life”, she said, and she was grateful to have achieved “above and beyond anything I dreamed of when I was a little girl”.
So at the same time as going through treatment for breast cancer, which had quickly spread to her lung and other parts of her body, she wrote her memoir – the story of the “other” Sarah Harding she felt had somehow become lost in celebrity.
After publicly revealing her diagnosis in August 2020, and later bravely opening up about her prognosis and mastectomy, the star’s family, friends and fans knew this day would come, but her death still comes as a huge shock. She was just 39.
As a member of Girls Aloud, one of the most successful pop bands in British music history, Harding certainly did have a full life: chart-topping singles, platinum sales, arena tours, and a Brit Award – something she described as one of the biggest moments of her life in her memoir, Hear Me Out, published in March.
“As usual, I was the first to grab the award,” she wrote. “Holding it aloft and screaming: ‘It’s about time!'”
Advertisement
In 2009, after years of success but not so much critical acclaim, in an industry that wasn’t always as appreciative of pop – female acts especially – as it is today, winning the best single Brit for The Promise was a huge deal. And Harding collected with the confidence of Liam Gallagher. Girls Aloud had earned their place at the table.
During her time in the band, she had become known as the group’s party girl, dubbed “Hardcore Harding” by the tabloids and once famously pictured swigging from a bottle of whisky at the NME Awards in 2007.
More from UK
But behind the pop hellraiser image, there was always much more to the star.
Born in Ascot in Berkshire, Harding rose to fame in 2002 as a contestant on ITV’s Popstars: The Rivals, the programme that would see her joining Girls Aloud alongside Cheryl, Nadine Coyle, Nicola Roberts and Kimberley Walsh. Pitted against boy band, One True Voice, Girls Aloud’s debut single – the drum-and-bass inspired curveball Sound Of The Underground – roundly trounced the boys’ forgettable ballad to make Christmas number one that year.
It was the beginning of the group that would go on to be one of the most influential pop acts of the era, paving the way for the likes of The Saturdays and Little Mix. Their innovative approach to mainstream pop meant they became one of the few UK reality television acts to achieve continued success.
Girls Aloud released five studio albums, all of which reached platinum sales. They also achieved 20 consecutive top 10 hits, including four number ones – I’ll Stand By You, Walk This Way (with Sugababes) and The Promise, as well as Sound Of The Underground. In 2009, they were picked – alongside Jay-Z – to support Coldplay at Wembley.
In Hear Me Out, Harding said her time in the band had been “amazing” but also opened up about how hard it could sometimes be, saying it “wasn’t always quite as fabulous” as it appeared.
“It’s not like we were hard done by or being mistreated, far from it; it’s just the way things were when there was something big to promote,” she wrote. “We all knew we were leading a charmed life compared with most, and I always tried to appreciate that, but I didn’t feel glamorous a lot of the time, I can tell you.
“Yes, there were moments of glamour, but day to day it was often hard to keep up. Once you had your hair and make-up on, you’d step out on stage looking a million dollars, but sometimes underneath you’d be thinking, ‘Jesus, I’m knackered! How am I going to get through this?’ It was usually the rush of adrenaline that got me through, especially during a live show.”
In 2013, the group embarked on Ten: The Hits Tour, performing their final show in March of that year. A few hours later, they announced their split on Twitter; Harding said they had all agreed it was “time to say goodbye”.
In addition to her pop success, Harding had a varied career in acting and television, with early credits including roles in the St Trinian’s films and BBC drama Freefall, opposite Dominic Cooper. Later on, a guest appearance as Joni in Coronation Street in 2015 led to the star being invited back for further scenes on the famous cobbles.
In 2016, the star made her stage debut in Ghost – The Musical at the New Wimbledon Theatre in southwest London. The following year, she appeared in Celebrity Big Brother – and was later crowned the winner, beating X Factor singer Amelia Lily and Made In Chelsea’s Sam Thompson in the final.
In her personal life, Harding was previously engaged to DJ Tom Crane, but they announced the end of their four-year relationship in 2011. The star entered rehab shortly after their split and candidly detailed her struggles in her book.
But before she died, she wanted people to know that the party-girl image and problems with drinking did not define her.
“When I look back at my time in Girls Aloud, I feel like I became a caricature,” she wrote. “Okay, so maybe I put out a particular image, which the press and media latched on to. It was an easy one to work with: rock chick, blonde bombshell, party girl, the caner of the band…
“Somewhere among the nightclubs, the frocks and the hairdos, the big chart hits and the glamour of being a pop star, the other Sarah Harding got utterly lost.”
Now, as well as her huge success in the limelight, Harding will also be remembered for bravely sharing the story of her cancer. As a celebrity who had remained relatively private (if social media is a measure, her last Instagram post before revealing her diagnosis in had been more than two years earlier, in May 2018), it must have been a huge decision to speak out.
Noticing her lump during the COVID-19 pandemic, Harding put off getting it checked. When she was eventually diagnosed, while reluctant to make the news public she also knew that as a star with a huge following, her story might help others.
“Please girls – please everyone – don’t let anything get in your way – get checked out if you’re worried about something,” she wrote in Hear Me Out. “Of course, I can’t know for sure, but I believe that if I’d got things moving with appointments and check-ups faster than I did, I’d probably be in a better place than I am now.
“I think I would have had more options for treatment, and certainly less spread of disease. It’s a bloody hard pill to swallow, but the best I can hope for is that my experience might encourage other people to get themselves sorted as soon as possible.”
Harding also said that doctors had told her that Christmas 2020 would probably be her last.
“I don’t want an exact prognosis,” she wrote. “I don’t know why anyone would want that. Comfort and being as pain-free as possible is what’s important to me now…
“I’m trying to live and enjoy every second of my life, however long it might be. I am having a glass of wine or two during all this, because it helps me relax. I’m sure some people might think that’s not a great idea, but I want to try to enjoy myself. I’m at a stage now where I don’t know how many months I have left. Who knows, maybe I’ll surprise everyone, but that’s how I’m looking at things.
“Right now, I’m trying to find joy whenever and however I can. It’s definitely spending quality time with Mum and seeing my friends whenever I can. Life has got so much smaller, and my priorities have changed, but the other Sarah Harding is still in there somewhere too, trust me. Given half a chance, I know she’d be back with a vengeance, dancing on tables and laughing and joking with everyone.”
Speaking out publicly will no doubt have led to more women approaching their doctors, similar to Jade Goody’s cervical cancer in 2008.
“As scary as it was to go public about my diagnosis, it was the right thing to do, and the amount of support I’ve received is incredible,” Harding said. “I’ve been inundated with lovely messages from my fans. I’m grateful beyond words for that.”
That gratitude is no doubt being felt right back by women around the world.
Actress Olivia Hussey, best known for playing Juliet in Franco Zeffirelli’s 1968 production of Romeo and Juliet, has died aged 73.
She died peacefully at her home in California, surrounded by her loved ones on Friday, according to a post shared on her official Instagram account.
The message, posted with a sunset photo of Hussey in her youth, paid tribute to “a remarkable person whose warmth, wisdom, and pure kindness touched the lives of all who knew her”.
It went on: “Olivia lived a life full of passion, love, and dedication to the arts, spirituality, and kindness towards animals”.
Calling her a “truly special soul”, her family said while her “immense loss” was grieved, they would also “celebrate Olivia’s enduring impact on our lives and the industry”.
Instagram
This content is provided by Instagram, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable Instagram cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to Instagram cookies.
To view this content you can use the button below to allow Instagram cookies for this session only.
Born in Buenos Aires in 1951 to an Argentinian father and English mother, Hussey returned to London aged seven with her mother and studied at the Italia Conti Academy drama school.
Spotted by Italian director Zeffirelli in a stage show of The Prime Of Miss Jean Brodie opposite Vanessa Redgrave, Hussey’s performance as Juliet aged just 15 made her a star and won her a Golden Globe.
Sixteen-year-old actor Leonard Whiting played her Romeo, with the pair going on to sue Paramount Pictures in 2022 for sexual abuse due to the Oscar-nominated movie’s nude scene.
The case was dismissed by a judge the following year.
Hussey would work with Zeffirelli again, playing the Virgin Mary in the 1977 TV miniseries Jesus Of Nazareth.
Appearances in horrors including Black Christmas and Psycho prequel Psycho IV: The Beginning established Hussey as a scream queen over the years.
Other notable appearances included Hercule Poirot movie Death On The Nile and Mother Teresa biography Madre Teresa.
Instagram
This content is provided by Instagram, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable Instagram cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to Instagram cookies.
To view this content you can use the button below to allow Instagram cookies for this session only.
Andrew Garfield says he bakes cookies every year in memory of his late mother.
The double Oscar nominee‘s mother Lynn Garfield, from Essex, died in 2019 from pancreatic cancer.
In a conversation about his new film We Live In Time, he told Sky News about the special ways he likes to remember her.
“My mum had the most incredible chocolate chip cookie recipe that I will do every year on the anniversary of her birth and on the anniversary of her death.
“So, I will bake them, and we will all eat them, but I’ll leave a few out for her somewhere, you know, like Rudolph the Red-Nosed Reindeer or Santa Claus at Christmas or something.”
The English-American actor says he looks to keep the connection to his mother alive and notes that he has some of her keepsakes in his own home.
“I have her perfume in my house that my mum used to wear when I was a kid. I have it, like, in a very special place. I’ll just like [smell it], when I need it.
More on Andrew Garfield
Related Topics:
“It’s like in the missing and the longing, you actually get closer to the person. It’s a weird thing. As we reach out in grief, we actually feel much closer to the person so it’s this weird conundrum”.
‘Leaving a legacy behind’
Garfield stars alongside Florence Pugh in the romance film We Live In Time, which follows an up-and-coming chef and a Weetabix salesman through a decade of their love story.
Pugh says she loves playing “really strong-willed women” and says playing a woman dealing with ovarian cancer allowed her to look at the idea of creating a legacy.
“She’s constantly juggling whether she does something for herself, does something for her daughter, does something for her family and ultimately, she’s allowed to do all of those things.
“I do believe that she is trying to leave that kind of legacy behind so that her daughter is proud of her.
“Just because you are a parent and you’re a mum does not mean that your wills and wants also completely vanish and disappear and you can’t have or want them too”.
‘A level of detail and care’
We Live In Time is directed by Brooklyn filmmaker John Crowley.
Having previously worked with Garfield on Boy A, the Irish director says seeing Garfield and Pugh on screen together is magic.
“All that life experience is present in his performance,” he says.
“I wouldn’t say he’s vastly different. I think the level of detail and care that he puts in the work is every bit as much as it was back then, there’s just more there now”.
We Live In Time is in cinemas on Wednesday 1 January.
Elizabeth J. Birch has been a musician for a decade, has won several awards, and loves her job. However, she continues to feel like an outsider in a competitive and precarious industry.
As a wheelchair user, she commonly experiences accessibility barriers at venues, but there’s a more pressing issue – tokenism.
Birch tells Sky News: “While it’s not explicitly stated that it’s tokenistic, it feels tokenistic because [organisations] need a certain amount of disabled people on their board.
“For example, I was once called a poster girl for inclusion.”
When asked how the experience made her feel, she pauses and reflects: “Perhaps it didn’t make me feel like an individual or it made me feel less than human because I was narrowed down to one aspect of myself.
“It’s not about trying to look inclusive, it’s about trying to be inclusive.”
More on Music
Related Topics:
A recent report by Help Musicians and the Musicians’ Union found 94% of those who have experienced discrimination based on their disability said it impacted their ability to work or advance their career progression.
Nyrobi Beckett-Messam, one half of the sister duo ALT BLK ERA, was diagnosed with multiple chronic conditions in 2021.
Out of the fear of discrimination, she wasn’t open about her hidden disability until only a few months ago.
“I didn’t feel comfortable sharing that side of me because society doesn’t accept it,” she says.
And she doesn’t regret opening up.
“I think the biggest benefit of me disclosing my disability is seeing how it’s impacted others,” she says.
“It’s really empowering, I wake up feeling every morning like the effect I’m having on the community.”
Among other key findings, the Musicians’ Census identified the following areas of concern when it comes to financial security, fair pay, and discrimination in the workplace:
• On average there is a £4,400 pay gap between disabled and non-disabled musicians • The gap widens a further £1,700 for musicians with mental health conditions and/or neurodivergent profiles • 27% of disabled musicians said they had experienced racism, compared with 7% of non-disabled musicians • 73% of disabled respondents said they aren’t in receipt of any state benefits, tax credits, or support
Grace Meadows, head of engagement at Help Musicians and Music Minds Matter, said: “What this report really starkly highlights is just how much more work the industry needs to do to support disabled musicians but also to support anybody who may have a disability to speak up without fear of discrimination or disadvantage.
“And with benefits, really what we are needing to see is a change in what those systems look like so people can get the support they need when they need it.”
Follow Sky News on WhatsApp
Keep up with all the latest news from the UK and around the world by following Sky News
A government spokesperson told Sky News: “We are bringing forward proposals to reform health and disability benefits in spring as part of a proper plan to genuinely support disabled people.
“We will work closely with disabled people and their organisations, whose views will be at the heart of these plans.”
Both Birch and Beckett-Messam believe in the social model of disability which recognises that people are disabled by barriers in society, not by their impairment or difference.
For now, they are determined to stay in the industry, but that could change if it stays the same.