“There are so many stories,” says Sophie Cunningham, wearily. “So many I was just not able to tell, and that’s because of money and power – success and celebrity goes a hell of a long way to keeping people quiet.”
Cunningham is the director and producer of a new documentary confronting the music industry’s dark side, rock music in particular; harassment and abuse against women and “relationships” involving megastars and teenage girls, an issue that was hidden in plain sight for years.
Look Away features interviews with women who make allegations against Aerosmith’s Steven Tyler and Guns ‘N’ Roses frontman Axl Rose, as well as the late music producer and songwriter Kim Fowley, who managed all-female teen rock group The Runaways, co-founded by Joan Jett in the 1970s. But Cunningham says there could have been many more.
Post #MeToo, Hollywood and the film industry has had the start of its reckoning after disgraced producer Harvey Weinstein was jailed for rape and sexual assault in 2020, although it seems sadly inevitable that there is more to come.
For the music industry, says Cunningham, who worked on Look Away for two years, we have only seen the tip of the iceberg. To clarify, the allegations made by other women she couldn’t feature in the documentary – she’s talking about “lots and lots of [stars] who are very, very popular”.
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Look Away shines a light on how the music industry fostered a culture where relationships with underage girls – statutory rape – were normalised, and how many behind the scenes turned a blind eye to aggressive sexual behaviour.
“It seems like an area that hasn’t yet had its #MeToo moment and I think desperately requires it,” says Cunningham.
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Julia Holcomb’s story is well documented, despite the fact she never wanted to share it – it was Tyler himself who first brought the story to light, writing about their relationship in his 2011 autobiography.
Holcomb met the Aerosmith frontman as a fan at a gig in Portland, Oregon, when she was just 16 and he was in his mid-20s in 1973.
Because the age of consent in the state was 18, she claims Tyler persuaded her mother to sign over guardianship to him, making her his ward, so she could travel with the star on tour. She also claims she became pregnant with his baby, and was forced into having an abortion.
Through the lens of 2021, laid out in black and white, it all seems pretty shocking. But perhaps more shocking is that for years, this kind of behaviour wasn’t at all shocking.
“I think a lot of the times the artists themselves have written about their escapades with their girlfriends or what they got up to during this era and you never really hear from the women,” says Cunningham.
“Musicians were these godlike creatures, especially at that time. There were power structures that enabled them; as long as they were selling records and as long as they were making money for the big record companies, I think there was a general understanding [they] could pretty much get away with anything and also it could all just be written up as an excess of the time.
“It’s very, very easy to think ‘It was different then, it was hedonistic, the world was a different place’. But I think it’s clear from the women who’ve spoken out that their experiences as [teenage] girls impacted them in the same way that they would if it happened to [teenagers] now. It’s not a different era, it’s just that we look at it differently.”
Sheila Kennedy is another woman featured in the documentary, speaking about an experience with Axl Rose in the late 1980s when she was 18. Kennedy was a Penthouse “Pet of the Year” and says she was invited back to a party at a hotel suite with the star. She accuses of him of physically abuse – grabbing her hair and dragging her – before they had sex.
Jackie Fuchs, bassist with The Runaways – who was known as Jackie Fox at the time – also shares her story, accusing Fowley, the band’s manager, of rape, and detailing how people ignored it at the time.
Speaking out like this is not necessarily about seeking justice in the legal sense, says Cunningham, but having a voice – and trying to instigate change.
“Although we are focusing on a certain era in this film, the music industry is still functioning in a very, very similar way,” she says. “I spoke to so many music industry insiders who made it quite clear that nothing has changed. [The documentary] looks at an era I think we all feel very fondly towards, but we need to look at it in a different way. You don’t want to take away from [the music] but you have to recognise that other things were at play.
“All of the women in the film are incredible women in the sense they’re forgiving and they aren’t ‘out to get’ these rock stars. It’s about setting the record straight. For many of them, it’s a personal reckoning. I don’t think it’s a case of wanting to get their own back or tearing anyone down… It’s actually not about the rock stars at all, it’s about these women and it’s about them being heard – so that people don’t just make the assumptions that I think a lot of people make about some of these women.”
Post #MeToo, Cunningham says the world is hopefully finally ready to listen: “Culturally, we’re all thinking in a different way. I think that there hasn’t been an opportunity or a hunger until now to actually hear these stories in a way that challenges our ideas of what the rock scene was.
“So many people, when you tell them you’re making a film like this, they’re like ‘Oh, no, please don’t’ – and then they name their favourite rock star because they don’t want that musician or that music to be ruined for them. This music is so deeply embedded in our lives, I think sometimes people don’t want to [acknowledge] there can be a darker side.”
Cunningham says there were many men who worked behind the scenes who did not want to take part in the documentary. “I think that’s important thing to say,” she says. “That silence, I think, speaks volumes. So although we’re in a time that we’ve been ready for these women to speak and they feel like they have the power to speak, there are lots of men who don’t want to speak out in support of these women for fear of the repercussions in the industry.”
Representatives for Tyler and Rose did not respond to requests to comment or be featured in the documentary by the filmmakers, says Cunningham. Nor did they respond to requests for comment from Sky News.
Cunningham says she likes to think there might come a time when musicians, or any public faces, who behaved in a certain way when it was normalised years ago, want to acknowledge mistakes and help bring about change.
“Wouldn’t you want to speak out and support these women?” she says. “Yes, accusations are being made about you, but maybe speaking out can actually, not redeem you because obviously all of these things have happened, but wouldn’t it be incredible if a rock star came forward and said ‘I did some really bad things and I know I hurt people and I want to campaign for change in support of these women?’ I think that would be incredible.
“But I think silence is just an example of what many people have been doing for years. As I said, there were so many people I approached to be in this film who are prominent men within the music industry, offering them the opportunity to speak out in support of women, about a time that they were part of, and so many people didn’t want to do that. And I think that silence speaks volumes, doesn’t it?”
Look Awaypremieres on Sky Documentaries and NOW on Monday 13 September at 9pm
Oprah Winfrey, Sir Elton John and Barack Obama among the famous figures who have paid tribute to Quincy Jones following his death at the age of 91.
Following the announcement of his death on Monday, a string of friends, collaborators and admirers have been speaking out to praise the music producer and composer.
TV host Oprah Winfrey said her life “changed forever for the better” after meeting Jones as he helped secure her role in the 1985 film adaptation of The Colour Purple, which earned her an Oscar nomination.
Jones, the jazz musician known for collaborating with the likes of Frank Sinatra and Michael Jackson, wrote the film score and also co-produced the film.
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Quincy Jones dies aged 91
Winfrey wrote on Instagram: “My beloved Q. The world’s beloved Q. The one and only Quincy Jones ‘discovered’ me for The Color Purple movie in 1985. My life changed forever for the better after meeting him.
“I had never experienced, nor have since, anyone who’s heart was so filled with love.
“He walked around with his heart wide open, and he treated everybody as if they were the most important person he’d ever met. He was the Light. No shadows.
“He was love lived out loud in human form and he was the first person I ever loved unconditionally.”
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10 things about Quincy Jones
Whoopi Goldberg, who was also in The Colour Purple, also wrote on Instagram: “I was lucky enough to have him in my life for all these years.
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“My heart is breaking for his friends and his extended family who loved and adored him… my condolences.”
Former US president Barack Obama, who honoured Jones with the US National Medal of Arts in 2010, said: “For decades, Quincy Jones was music.
“From producing Thriller, to composing the score for The Color Purple, to working with Frank Sinatra to Ray Charles, it seemed like every big record – and every big film – had Quincy’s name on it.
“His music appealed to listeners of every race and every age. And by building a career that took him from the streets of Chicago to the heights of Hollywood, Quincy paved the way for generations of Black executives to leave their mark on the entertainment business.”
He added: “Michelle and I send our thoughts to Quincy’s friends, family, and everyone who has lived their lives to his songs.”
Sir Elton John remembered Jones as someone who had a more “incredible” career in music than anyone else.
He shared a photo with him at the Elton John Aids Foundation Oscar viewing party, and called him a “loyal supporter of this important fundraiser”.
The singer added: “Nobody had a career as incredible as Quincy Jones. He played with the best and he produced the best. What a guy. Loved him.”
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Rapper Ice T hailed Jones as a “genius”, while US Grammy-winner Lenny Kravitz said he was “speechless”, but added: “What a life. What an expression of authenticity. What a teacher. I am humbled that I was given the gift of your openness and friendship”.
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Singers react to death of ‘hero’ Quincy Jones
Destiny’s Child singer Kelly Rowland thanked Jones for being “such a wonderful teacher” and creating the soundtrack to “some of the most extraordinary moments” in her life.
Jones also helped to launch and was an executive producer on the popular US sitcom The Fresh Prince Of Bel-Air, starring Will Smith.
Smith said: “Quincy Jones is the true definition of a mentor, a father and a friend. He pointed me toward the greatest parts of myself. He defended me. He nurtured me.
“He encouraged me. He inspired me. He checked me when he needed to. He let me use his wings until mine were strong enough to fly.”
Chic co-founder Nile Rodgers, who was friends with Jones, shared a video that said “Rest In Power Quincy Jones. The Greatest of All Time”.
Peter Hook, the bassist and co-founder of Joy Division and New Order, wrote on social media: “It’s so sad to hear about Quincy Jones. When he signed us to his label, he made us feel so welcome – inviting us to dinner at his home every time we were in town.
“He made us big in America. He was so humble & sweet that you immediately fell in love with him.”
Hook added: “And to this day I still got a lovely message from him every year on Christmas and birthday cards! A musical genius and a great, lovely man.”
Amy Dowden will not take part in the rest of this year’s Strictly Come Dancing.
The professional dancer made a return to the celebrity contest this series after undergoing treatment for breast cancer and had been partnered with JLS star JB Gill.
However, the 34-year-old has now had to pull out of the competition due to a foot injury.
In a statement on Instagram, she said: “I’m so sad, so upset and asking why me, why now that our journey has been cut short.
“My heart right now is breaking having to pull out of the competition due to a foot injury.”
Dowden added: “I know only too well ‘this too shall pass’ and I’ll be soon better and back dancing. Something I’ve had to get used to in my life. I’m sure at some point we will dance again JB.
“To all the fans, to my loved ones, my strictly family thank you.”
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A spokeswoman for Strictly added: “Sadly, Amy Dowden MBE will not be partaking in the rest of the competition this year.
“Whilst Amy focuses on her recovery following a foot injury, fellow professional dancer Lauren Oakley will step in as JB’s dance partner.
“The health and wellbeing of everyone involved in Strictly are always the utmost priority. The whole Strictly family sends Amy love and well wishes.”
The news was first announced on Monday evening during the show’s spin-off programme Strictly: It Takes Two.
She was taken to hospital from the BBC show’s production centre, Elstree Studios, as a “precaution” after “feeling unwell”, a spokesman for Dowden said at the time.
Last year, Dowden found a lump in her breast while on her honeymoon in the Maldives with fellow professional dancer Ben Jones, and was unable to compete on Strictly.
After treatment for stage three breast cancer, she announced in February that tests showed she had “no evidence of disease“.
Dowden was made an MBE in this year’s New Year’s honours list for services to fundraising and raising awareness of Crohn’s. She was diagnosed with the disease as a teenager and is a UK ambassador for the charity Crohn’s and Colitis.
She was also admitted to hospital in Manchester following a Crohn’s flare-up during the 2022 Strictly live tour.
Dowden also said in her statement that in the past few months she had “finally felt like me again”.
She added: “Cancer was no longer the first thing I thought of when I woke up. It was choreography, music choices, which dances in which order, what we needed to work on. I felt free again.
“My goal since hearing those words you have cancer was to get back on the strictly dance floor. It’s been such a challenge to get back.”
Dowden also praised JB Gill for being the “perfect partner” on the dancefloor.
“I know you and Lauren will continue to ace that dance floor. I’ll forever be your biggest cheerleader,” she added.
Quincy Jones, the music producer and composer, has died at the age of 91.
Jones worked with Michael Jackson, Frank Sinatra, Ray Charles and many other artists.
Among his best-known credits was as the producer of Jackson’s historic Thriller album.
Jones oversaw the all-star recording of the 1985 charity record We Are The World.
He also composed the soundtrack to the hit 1969 British film The Italian Job, starring Michael Caine.
His publicist, Arnold Robinson, confirmed Jones died at his Los Angeles home on Sunday surrounded by his family.
In a statement, his family said: “Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’s passing.
“And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”
His family added Jones was “truly one of a kind” who they would “miss dearly”.
“We take comfort and immense pride in knowing that the love and joy, that were the essence of his being, was shared with the world through all that he created,” they added.
“Through his music and his boundless love, Quincy Jones’s heart will beat for eternity.”
His career, which spans more than 75 years, saw him achieve 28 Grammy award wins out of 80 nominations.
He was named one of the most influential jazz musicians of the 20th century by Time magazine.
Lionel Richie, who co-wrote We Are The World and was among the charity single’s featured singers, called Jones “the master orchestrator”.