Steven Tyler, Axl Rose and ‘lots and lots of others’: Rock stars and the abuse hidden in plain sight

Published

3 years ago

September 10, 2021

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“There are so many stories,” says Sophie Cunningham, wearily. “So many I was just not able to tell, and that’s because of money and power – success and celebrity goes a hell of a long way to keeping people quiet.”

Cunningham is the director and producer of a new documentary confronting the music industry’s dark side, rock music in particular; harassment and abuse against women and “relationships” involving megastars and teenage girls, an issue that was hidden in plain sight for years.

Look Away features interviews with women who make allegations against Aerosmith’s Steven Tyler and Guns ‘N’ Roses frontman Axl Rose, as well as the late music producer and songwriter Kim Fowley, who managed all-female teen rock group The Runaways, co-founded by Joan Jett in the 1970s. But Cunningham says there could have been many more.

Post #MeToo, Hollywood and the film industry has had the start of its reckoning after disgraced producer Harvey Weinstein was jailed for rape and sexual assault in 2020, although it seems sadly inevitable that there is more to come.

For the music industry, says Cunningham, who worked on Look Away for two years, we have only seen the tip of the iceberg. To clarify, the allegations made by other women she couldn’t feature in the documentary – she’s talking about “lots and lots of [stars] who are very, very popular”.

Look Away shines a light on how the music industry fostered a culture where relationships with underage girls – statutory rape – were normalised, and how many behind the scenes turned a blind eye to aggressive sexual behaviour.

“It seems like an area that hasn’t yet had its #MeToo moment and I think desperately requires it,” says Cunningham.

Julia Holcomb’s story is well documented, despite the fact she never wanted to share it – it was Tyler himself who first brought the story to light, writing about their relationship in his 2011 autobiography.

Holcomb met the Aerosmith frontman as a fan at a gig in Portland, Oregon, when she was just 16 and he was in his mid-20s in 1973.

Because the age of consent in the state was 18, she claims Tyler persuaded her mother to sign over guardianship to him, making her his ward, so she could travel with the star on tour. She also claims she became pregnant with his baby, and was forced into having an abortion.

Through the lens of 2021, laid out in black and white, it all seems pretty shocking. But perhaps more shocking is that for years, this kind of behaviour wasn’t at all shocking.

“I think a lot of the times the artists themselves have written about their escapades with their girlfriends or what they got up to during this era and you never really hear from the women,” says Cunningham.

“Musicians were these godlike creatures, especially at that time. There were power structures that enabled them; as long as they were selling records and as long as they were making money for the big record companies, I think there was a general understanding [they] could pretty much get away with anything and also it could all just be written up as an excess of the time.

“It’s very, very easy to think ‘It was different then, it was hedonistic, the world was a different place’. But I think it’s clear from the women who’ve spoken out that their experiences as [teenage] girls impacted them in the same way that they would if it happened to [teenagers] now. It’s not a different era, it’s just that we look at it differently.”

Sheila Kennedy is another woman featured in the documentary, speaking about an experience with Axl Rose in the late 1980s when she was 18. Kennedy was a Penthouse “Pet of the Year” and says she was invited back to a party at a hotel suite with the star. She accuses of him of physically abuse – grabbing her hair and dragging her – before they had sex.

Jackie Fuchs, bassist with The Runaways – who was known as Jackie Fox at the time – also shares her story, accusing Fowley, the band’s manager, of rape, and detailing how people ignored it at the time.

Speaking out like this is not necessarily about seeking justice in the legal sense, says Cunningham, but having a voice – and trying to instigate change.

“Although we are focusing on a certain era in this film, the music industry is still functioning in a very, very similar way,” she says. “I spoke to so many music industry insiders who made it quite clear that nothing has changed. [The documentary] looks at an era I think we all feel very fondly towards, but we need to look at it in a different way. You don’t want to take away from [the music] but you have to recognise that other things were at play.

“All of the women in the film are incredible women in the sense they’re forgiving and they aren’t ‘out to get’ these rock stars. It’s about setting the record straight. For many of them, it’s a personal reckoning. I don’t think it’s a case of wanting to get their own back or tearing anyone down… It’s actually not about the rock stars at all, it’s about these women and it’s about them being heard – so that people don’t just make the assumptions that I think a lot of people make about some of these women.”

Post #MeToo, Cunningham says the world is hopefully finally ready to listen: “Culturally, we’re all thinking in a different way. I think that there hasn’t been an opportunity or a hunger until now to actually hear these stories in a way that challenges our ideas of what the rock scene was.

“So many people, when you tell them you’re making a film like this, they’re like ‘Oh, no, please don’t’ – and then they name their favourite rock star because they don’t want that musician or that music to be ruined for them. This music is so deeply embedded in our lives, I think sometimes people don’t want to [acknowledge] there can be a darker side.”

Cunningham says there were many men who worked behind the scenes who did not want to take part in the documentary. “I think that’s important thing to say,” she says. “That silence, I think, speaks volumes. So although we’re in a time that we’ve been ready for these women to speak and they feel like they have the power to speak, there are lots of men who don’t want to speak out in support of these women for fear of the repercussions in the industry.”

Representatives for Tyler and Rose did not respond to requests to comment or be featured in the documentary by the filmmakers, says Cunningham. Nor did they respond to requests for comment from Sky News.

Cunningham says she likes to think there might come a time when musicians, or any public faces, who behaved in a certain way when it was normalised years ago, want to acknowledge mistakes and help bring about change.

“Wouldn’t you want to speak out and support these women?” she says. “Yes, accusations are being made about you, but maybe speaking out can actually, not redeem you because obviously all of these things have happened, but wouldn’t it be incredible if a rock star came forward and said ‘I did some really bad things and I know I hurt people and I want to campaign for change in support of these women?’ I think that would be incredible.

“But I think silence is just an example of what many people have been doing for years. As I said, there were so many people I approached to be in this film who are prominent men within the music industry, offering them the opportunity to speak out in support of women, about a time that they were part of, and so many people didn’t want to do that. And I think that silence speaks volumes, doesn’t it?”

Look Away premieres on Sky Documentaries and NOW on Monday 13 September at 9pm

Entertainment

With Love, Meghan: What we learnt from Duchess of Sussex’s new Netflix series

Published

2 hours ago

March 4, 2025

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With Love, Meghan: What we learnt from Duchess of Sussex's new Netflix series

The Duchess of Sussex’s lifestyle series premiered this morning – in which she talks about her life in California, her time spent living in Argentina and her love of food.

With Love, Meghan – an eight-part series on Netflix – had been delayed from a January release due to the Los Angeles wildfires.

The episodes, which last about 30 minutes each, feature a host of celebrity friends along with a few cameos from her husband, Prince Harry.

From her first jobs growing up to what she was like on the Suits set, here are some things we learnt about the duchess.

‘I’m Sussex now’

One of Meghan’s guests is The Office star Mindy Kaling, who she bonds with over their lives as toddlers’ mums while putting together a tea party in the garden.

As they put sandwiches together for the tea, Meghan talks about her love of Jack In The Box – a classic US fast-food chain, to which Kaling responds: “I don’t think anyone in the world knows that Meghan Markle has eaten Jack In The Box and loves it.”

The duchess laughs and says: “It’s funny, you keep saying Meghan Markle, you know, I’m Sussex now.

“You have kids, and you go, ‘now I share my name with my children’… I didn’t know how meaningful it would be to me, but it just means so much to go ‘this is our family name, our little family name’.”

Similarities with Archie

During episode four, the duchess goes on a hike with her friend Delfina Blaquier, who is married to Argentinian polo star Nacho Figueras, and together they have a picnic with homemade focaccia bread.

The duchess reveals how she passed time during her childhood – and the similar traits her son, Archie, has: “As a kid, I was taking a bag of tea from the drawer in my house, putting it in a mason jar or probably an empty jar that once held spaghetti sauce and putting it in the sun, and sitting there… waiting for it to change colour.

“Funny enough, which Archie does now.”

Days before the show aired, in an interview with People magazine, the duchess said Archie had told her: “Mama, don’t work too hard” during filming.

She added the five-year-old helped with the clapperboard while visiting the set with his sister Lilibet and Harry.

Life in Argentina

The two friends met through their husbands – “The moment we met, we bonded over our love of the outdoors and being in nature. We always hike together whenever she’s in town. And sometimes we let our husbands join us,” Meghan says.

Reflecting on when they first met, Meghan says: “What’s so funny is, I remember when we first met, and you were like: ‘Wait a minute, you speak Argentinian Spanish?’ But it’s such a pretty language because it sounds so musical.”

Her friend says: “When you started speaking Spanish and I recognised the Argentinian, I was blown away, because I didn’t know that…”

“That I’d lived there,” Meghan responds.

She adds: “When I lived in Argentina, I think the reason I loved it so much is because it reminded me of California in a lot of ways. Where you have the mountains and you have this joy of life and the joy of being outside.

“I was only there for a few months interning at the US Embassy, but I loved it.”

First jobs in doughnut and yoghurt shops – and some more childhood memories

In episode five, as Meghan hosts long-time friends, former Suits co-star Abigail Spencer and Kelly McKee Zajfen, she says that her first job was at Humphrey Yogart, a frozen yoghurt shop in Los Angeles playfully named after actor Humphrey Bogart.

That came after she told chef Roy Choi in episode three, as she presented him with doughnuts she prepared for him, that she once had a job at a doughnut shop.

“Doughnuts in general just remind me of my childhood,” she said.

“I once had a job at a little donut shop called Little Orbit Donuts. They made tiny, tiny, little mini donuts.”

She said she often helped them sell at craft venues, adding that doughnuts generally were a big part of her childhood.

“Growing up, driving down Highland to get to school, there was always a Yum Yum Donuts right there.”

“Highland and Melrose,” Choi clarifies.

“Exactly… is it still there?”

When Choi says it is, she responds: “Oh my god. I should go back in.”

In another episode, Kaling asks whether Meghan began cooking at home or picked it up later. Meghan replies: “I was a latch-key kid so I grew up with a lot of fast food and also a lot of TV tray dinners.

“It feels like such a different time but that was so normal with the microwavable kids meals.”

Life in Montecito house

The lifestyle show, which was filmed in a California farmhouse rather than in her Montecito house, features her describing her every day life – including how it is a “daily” task to pick fruit when it’s in season at her home.

Episode one Hello Honey! features Meghan’s friend Daniel Martin as she prepares a “thoughtful guest basket”.

It begins with her harvesting honey from bees, saying: “The biggest thing is keeping a low tone – talk in our bee voice.”

With the help of a beekeeper, she talks about “trying to stay in the calm of it because it’s beautiful to be this connected”.

Harry is the king of eggs

When asked by Kaling about how best to season eggs, the duchess says: “I have a family, a husband, who no matter what meal is put in front of him before he tastes it puts salt on, so I try to under salt.”

Harry himself, it is later revealed, is something of an egg connoisseur.

Speaking to two close friends in a later episode, she says “H” is a “great cook” and makes “the best scrambled eggs”.

She further praises him by saying he generally makes “a really good breakfast”.

Bacon was the subject of discussions on more than one occasion during the series, with Meghan saying that whenever she cooks it the kitchen “becomes full of husband and three dogs”.

“It’s not my perfume that’s bringing them all in,” she jokes.

What the duchess was like during Suits

Meghan’s days of playing paralegal Rachel Zane in popular drama Suits came to an end in 2018, the year she married Harry.

But she has clearly remained close with co-star Abigail Spencer, who played Dana Scott.

In episode five, as the pair sat in Meghan’s garden alongside Kelly McKee Zajfen, Spencer reflected on what Meghan was like during the Suits days.

She said Meghan was “the head of morale on the show,” to which Meghan thanked her and added: “I liked to plan fun for everyone.”

Heart-warming moments of Meghan with beloved beagle

The whole series ends with a tribute to Meghan’s late dog, Guy, who featured prominently in several episodes.

One morning, the duchess is seen making bone-shaped peanut butter biscuits for the rescue beagle, who died shortly after filming wrapped, saying you can make them with leftover bacon from breakfast.

She admitted there was “never” any leftovers in her house because “we eat a lot of it” – another reference to the Sussexes love of bacon.

“I would do anything for Guy, and he knows it,” she then says. “He can have whatever he wants ’cause he is whatever kind of guy you need him to be depending on the day. My sweet guy, my silly guy, my saucy little guy. Always my spoiled guy.”

Later, as she hands him a peanut butter cookie, she adds: “They provide us with unconditional love, so they get unconditional peanut butter dog biscuits. Why not?”

The Sussexes also have two other dogs – another rescue beagle named Mia and a black Labrador called Pula, who is seen trying to steal some of Meghan and her guests’ food at various points during the series.

Meghan’s ‘next chapter’

In the eighth and final episode, called Feels Like Home, Meghan prepares for Prince Harry to make an appearance.

She is putting together a brunch for family and friends to celebrate the “next chapter” in her life.

Sharing details of how she envisages the so-called “next chapter”, Meghan, wearing a blue maxi dress and putting the finishing touches to a spread of food outdoors, says: “Of course, my husband will be here, my mum will be here, my best friend since college, my community having a brunch in the sunshine with the people that I love, celebrating this next chapter of my life.”

Entertainment

Dolly Parton’s husband of nearly 60 years dies

Published

7 hours ago

March 4, 2025

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Dolly Parton's husband of nearly 60 years dies

Dolly Parton’s husband – who she married in a secret ceremony aged just 20 – has died.

The country music star’s website said Carl Dean died on Monday in Nashville.

Parton said in a statement: “Carl and I spent many wonderful years together. Words can’t do justice to the love we shared for over 60 years. Thank you for your prayers and sympathy.”

Dean was the inspiration behind Jolene, one of her biggest hits.

She said she wrote the song after a flirty bank clerk seemed to take an interest in him.

“She got this terrible crush on my husband,” Parton told NPR in 2008.

“And he just loved going to the bank because she paid him so much attention.

“It was kinda like a running joke between us… So it’s really an innocent song all around, but sounds like a dreadful one.”

The pair met outside the Wishy Washy launderette, where Parton was doing her washing, the day she moved to Nashville at age 18.

“I was surprised and delighted that while he talked to me, he looked at my face (a rare thing for me),” Parton said in 2016.

“He seemed to be genuinely interested in finding out who I was and what I was about.”

Parton said her record company had asked her to wait to get married but the couple tied the knot two years later, in May 1966.

Only her mother, the preacher and his wife were in attendance at the ceremony – held out of state so local papers wouldn’t report it.

Dean owned a paving business and famously shunned the limelight, so was very rarely seen in public with the star.

“A lot of people say there’s no Carl Dean, that he’s just somebody I made up to keep other people off me,” Parton joked in a 1984 interview with AP.

The couple never had any children, but he is survived by his brother and sister.

Entertainment

Oscars 2025: Anora sweeps the Academy Awards with five awards including best picture

Published

1 day ago

March 3, 2025

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Oscars 2025: Anora sweeps the Academy Awards with five awards including best picture

Anora has dominated the Academy Awards, winning five gongs including best picture.

The film’s star, Mikey Madison, who plays a sex worker who marries the son of a Russian oligarch, took home the best actress award – a win that was not a total upset, but many had expected Demi Moore to scoop the prize for her performance in The Substance.

Anora filmmaker Sean Baker was named best director, and used his acceptance speech to make a plea for audiences to support cinemas, which he said were “a vital part of our culture” and at risk of being lost.

Both also thanked sex workers who consulted on the film, saying they could never have made it without them.

Anora also won the Oscars for best original screenplay and best editing. Winning all four awards he was up for, Baker tied with Walt Disney’s record for the most Oscar wins by a single person in a single night – although Disney won his awards for multiple works, rather than a single film as Baker has done.

Adrien Brody won the best actor Oscar for playing Hungarian architect Lazlo Toth in architectural epic The Brutalist.

It was his second Academy Award win in the category some 22 years after his first, for The Pianist back in 2003.

Accepting his award in a lengthy speech, he paid tribute to his partner Georgina Chapman, who he said had “re-invigorated” his “self-worth” and “sense of value”.

Best cinematography also went to The Brutalist directror Brady Corbet’s three-and-a-half-hour epic, which also took home the prize for best original score.

Papal thriller Conclave, starring Ralph Fiennes, took just one award, for best adapted screenplay.

Kieran Culkin took the first award of the night, best supporting actor, for his role in comedy drama A Real Pain, while the best supporting actress prize was won by Emilia Perez star Zoe Saldana, her first Oscar win and nomination.

One of the highest-grossing actresses ever, she cried out “Mommy, mommy”, on stage, explaining her entire family was there with her. She became tearful at the end of her speech as she spoke of being “a proud child of immigrant parents”.

Announced by Mick Jagger, best song went to Emilia Perez’s El Mal (which translates as “Evil”), while the prize for costume design went to Wicked’s Paul Tazewell – who became the first black man to receive the award. The Wizard Of Oz prequel also won best production design.

Brazilian director Walter Salles won best international feature for Portuguese-language film I’m Still Here, set in the 1970s in the midst of the Brazil’s brutal military dictatorship.

A word-of-mouth hit, the film’s Brazilian star Fernanda Torres has gone from a relative unknown to a much-talked-about actress in the US in the last few months.

Make-up and hairstyling was awarded to body horror The Substance, a film which showcased extreme prosthetics, make-up and gore throughout. It was the film’s only win of the night.

The documentary categories went to The Only Girl In The Orchestra and No Other Land – made by a Palestinian-Israeli collective – for short film and feature film respectively.

Accepting the prize, it’s makers Basel Dra and Yuval Abraham made a political plea to the US: “The foreign policy in this country is helping to block [the path of peace]. Why? Can’t you see that we are intertwined? There is another way. It’s not too late for life, for the living.”

Best sound and best visual effects went to Dune: Part Two, directed by Canadian filmmaker Denis Villeneuve.

A night where independent and unusual filmmaking was rewarded, best animated feature went to Latvian computer-generated film Flow, while best animated short film was won by Iranian entry The Shadow Of The Cypress. Both international productions are dialogue-free.

Live action short film went to I’m Not A Robot, a study in an AI-fueled identity crisis.

During the ceremony’s in memoriam section, Morgan Freeman paid tribute to two-time Oscar-winning actor Gene Hackman, who was found dead in his home along with his wife and dog earlier this week.

A video montage honoured Academy members who have passed away over the last year, including British stars Dame Maggie Smith and Dame Joan Plowwright and Donald Sutherland, and US performers James Earl Jones, Kris Kristofferson and David Lynch.

There was also a moving segment honouring late music producer Quincy Jones, led by Oprah Winfrey and Whoopi Goldberg and featuring rapper Queen Latifah.

Sky News is livestreaming the Vanity Fair and Sir Elton John after-party red carpets following the ceremony. Catching the Oscar-winners as they party the night away, join us there from 6am.