Steven Tyler, Axl Rose and ‘lots and lots of others’: Rock stars and the abuse hidden in plain sight

Published

4 years ago

September 10, 2021

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“There are so many stories,” says Sophie Cunningham, wearily. “So many I was just not able to tell, and that’s because of money and power – success and celebrity goes a hell of a long way to keeping people quiet.”

Cunningham is the director and producer of a new documentary confronting the music industry’s dark side, rock music in particular; harassment and abuse against women and “relationships” involving megastars and teenage girls, an issue that was hidden in plain sight for years.

Look Away features interviews with women who make allegations against Aerosmith’s Steven Tyler and Guns ‘N’ Roses frontman Axl Rose, as well as the late music producer and songwriter Kim Fowley, who managed all-female teen rock group The Runaways, co-founded by Joan Jett in the 1970s. But Cunningham says there could have been many more.

Post #MeToo, Hollywood and the film industry has had the start of its reckoning after disgraced producer Harvey Weinstein was jailed for rape and sexual assault in 2020, although it seems sadly inevitable that there is more to come.

For the music industry, says Cunningham, who worked on Look Away for two years, we have only seen the tip of the iceberg. To clarify, the allegations made by other women she couldn’t feature in the documentary – she’s talking about “lots and lots of [stars] who are very, very popular”.

Look Away shines a light on how the music industry fostered a culture where relationships with underage girls – statutory rape – were normalised, and how many behind the scenes turned a blind eye to aggressive sexual behaviour.

“It seems like an area that hasn’t yet had its #MeToo moment and I think desperately requires it,” says Cunningham.

Julia Holcomb’s story is well documented, despite the fact she never wanted to share it – it was Tyler himself who first brought the story to light, writing about their relationship in his 2011 autobiography.

Holcomb met the Aerosmith frontman as a fan at a gig in Portland, Oregon, when she was just 16 and he was in his mid-20s in 1973.

Because the age of consent in the state was 18, she claims Tyler persuaded her mother to sign over guardianship to him, making her his ward, so she could travel with the star on tour. She also claims she became pregnant with his baby, and was forced into having an abortion.

Through the lens of 2021, laid out in black and white, it all seems pretty shocking. But perhaps more shocking is that for years, this kind of behaviour wasn’t at all shocking.

“I think a lot of the times the artists themselves have written about their escapades with their girlfriends or what they got up to during this era and you never really hear from the women,” says Cunningham.

“Musicians were these godlike creatures, especially at that time. There were power structures that enabled them; as long as they were selling records and as long as they were making money for the big record companies, I think there was a general understanding [they] could pretty much get away with anything and also it could all just be written up as an excess of the time.

“It’s very, very easy to think ‘It was different then, it was hedonistic, the world was a different place’. But I think it’s clear from the women who’ve spoken out that their experiences as [teenage] girls impacted them in the same way that they would if it happened to [teenagers] now. It’s not a different era, it’s just that we look at it differently.”

Sheila Kennedy is another woman featured in the documentary, speaking about an experience with Axl Rose in the late 1980s when she was 18. Kennedy was a Penthouse “Pet of the Year” and says she was invited back to a party at a hotel suite with the star. She accuses of him of physically abuse – grabbing her hair and dragging her – before they had sex.

Jackie Fuchs, bassist with The Runaways – who was known as Jackie Fox at the time – also shares her story, accusing Fowley, the band’s manager, of rape, and detailing how people ignored it at the time.

Speaking out like this is not necessarily about seeking justice in the legal sense, says Cunningham, but having a voice – and trying to instigate change.

“Although we are focusing on a certain era in this film, the music industry is still functioning in a very, very similar way,” she says. “I spoke to so many music industry insiders who made it quite clear that nothing has changed. [The documentary] looks at an era I think we all feel very fondly towards, but we need to look at it in a different way. You don’t want to take away from [the music] but you have to recognise that other things were at play.

“All of the women in the film are incredible women in the sense they’re forgiving and they aren’t ‘out to get’ these rock stars. It’s about setting the record straight. For many of them, it’s a personal reckoning. I don’t think it’s a case of wanting to get their own back or tearing anyone down… It’s actually not about the rock stars at all, it’s about these women and it’s about them being heard – so that people don’t just make the assumptions that I think a lot of people make about some of these women.”

Post #MeToo, Cunningham says the world is hopefully finally ready to listen: “Culturally, we’re all thinking in a different way. I think that there hasn’t been an opportunity or a hunger until now to actually hear these stories in a way that challenges our ideas of what the rock scene was.

“So many people, when you tell them you’re making a film like this, they’re like ‘Oh, no, please don’t’ – and then they name their favourite rock star because they don’t want that musician or that music to be ruined for them. This music is so deeply embedded in our lives, I think sometimes people don’t want to [acknowledge] there can be a darker side.”

Cunningham says there were many men who worked behind the scenes who did not want to take part in the documentary. “I think that’s important thing to say,” she says. “That silence, I think, speaks volumes. So although we’re in a time that we’ve been ready for these women to speak and they feel like they have the power to speak, there are lots of men who don’t want to speak out in support of these women for fear of the repercussions in the industry.”

Representatives for Tyler and Rose did not respond to requests to comment or be featured in the documentary by the filmmakers, says Cunningham. Nor did they respond to requests for comment from Sky News.

Cunningham says she likes to think there might come a time when musicians, or any public faces, who behaved in a certain way when it was normalised years ago, want to acknowledge mistakes and help bring about change.

“Wouldn’t you want to speak out and support these women?” she says. “Yes, accusations are being made about you, but maybe speaking out can actually, not redeem you because obviously all of these things have happened, but wouldn’t it be incredible if a rock star came forward and said ‘I did some really bad things and I know I hurt people and I want to campaign for change in support of these women?’ I think that would be incredible.

“But I think silence is just an example of what many people have been doing for years. As I said, there were so many people I approached to be in this film who are prominent men within the music industry, offering them the opportunity to speak out in support of women, about a time that they were part of, and so many people didn’t want to do that. And I think that silence speaks volumes, doesn’t it?”

Look Away premieres on Sky Documentaries and NOW on Monday 13 September at 9pm

Entertainment

The ‘scary spotlight’ on music stars amid Kneecap terror charge

Published

4 hours ago

May 23, 2025

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The 'scary spotlight' on music stars amid Kneecap terror charge

Before the amps are even switched on in Brockwell Park, there’s been a lot of noise about who should or shouldn’t be performing.

It’s where Irish hip-hop trio Kneecap are set to play their first major show since band member Mo Chara was charged for allegedly displaying a flag in support of the terrorist group Hezbollah at one of their gigs.

Before that, there had been calls for festivals to reconsider booking the band over their political stances, and several have done, which prompted artists like Brian Eno, the Mystery Jets and CMAT to sign an open letter accusing Westminster and the British media of a campaign to “remove Kneecap from the public eye”.

They put their names to wording that said “in a democracy, no political figures… have the right to dictate who does and does not play at music festivals.”

The band have since claimed they’re the victims of “political policing” designed to silence their views on Gaza.

So what’s the reality like for artists who are outspoken at a time when the world is so divided?

As some of the biggest names in music gathered in London for the Ivors, an annual celebration of songwriting, Self-Esteem – aka Rebecca Lucy Taylor – said the level of scrutiny can be “terrifying”.

‘The problem with the internet’

She told Sky News: “The problem with the internet is you say one thing, which gets scrutinised, and then you shit yourself, you really do… then you’re advised not to. And then you’re like ‘don’t advise me not to!’

“You second-guess anything you want to say any more… but any time I do that, I think ‘well that’s why you’ve got to say it then’.”

She said it can be frustrating that focus turns on to pop stars’ opinions instead of “the people doing the bad things”.

‘Being a pop artist isn’t just about the music’

Former Little Mix singer Jade said: “To be a pop artist these days, it’s not just about music, it’s: ‘What’s your political stance?’

“I’ve always been quite vocal about those things, but in doing so you have even more of a scary spotlight on you, constantly assessing what your thoughts are as a human…it is scary.”

Trinidad-born London artist Berwyn, whose songs depict his struggles with UK immigration, says: “Silencing freedom of speech… is a road we don’t want to walk down.

“I’m not a politician, this is a very complicated issue, but I do absolutely believe in a human’s right to express themselves freely.”

But is that freedom of speech dependent on what side you’re coming from?

‘Unethical investments’

Soon, an event called Mighty Hoopla will take place at Brockwell Park as part of its programme of six festivals this summer.

Artists performing at that are coming under increased pressure from pro-Palestine groups to quit because it’s owned by a company called Superstruct, which has links to an American investment firm called KKR.

Critics argue that any KKR-affiliated events should be a red flag to artists as campaigners claim it “invests billions of pounds in companies” that do things like “develop Israeli underground data centres”, and they say it has shares in companies that “advertise property on illegally occupied land in the West Bank”.

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Mighty Hoopla itself has said while it “cannot control investments made in our parent companies”, it wants to “state its clear opposition to KKR’s unethical investments”.

And Superstruct – which puts on over 80 festivals around the world – says while horrified by the crisis in Gaza: “We are aware that there is a significant amount of debate… around our festivals.

“Our owners, made up of our promoters and several investment firms, support us to achieve the highest standards… fans and artists rightly expect.”

They insist that operationally, Superstruct is independently run and all its “revenue and profits… remains entirely within our business… towards the ongoing development… of our festivals.”

Even deciding where to perform can have political connotations for musicians these days.

As Tom Gray, a founding member of the rock band Gomez, now chair of the Ivors, explains: “The amount of commercial interest required to get a young artist into the public eye means they have to keep their head down a lot and that’s a terrible shame.

“It’s not just artistic expression, but personal human expression is one of the fundamental things that allows people to feel they have agency.”

Entertainment

Kid Cudi says Sean ‘Diddy’ Combs broke into his house and ‘messed with his dog’

Published

7 hours ago

May 23, 2025

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Kid Cudi says Sean 'Diddy' Combs broke into his house and 'messed with his dog'

Kid Cudi has told a court Sean “Diddy” Combs broke into his home, “messed with” his dog and opened some of his Christmas presents during a break-in in December 2011.

The 41-year-old rapper was giving evidence on day nine of the trial, after briefly dating Diddy’s former girlfriend Cassie the same year.

Cassie and Diddy dated for 11 years, from 2007 to 2018, and Cassie has testified the rapper physically abused her during most of their relationship.

Cudi described Cassie phoning him early one morning, sounding “stressed, nervous and scared”, telling him Diddy had “found out about us”.

He said Diddy later called him from his home and told him, “I’m here waiting for you”.

After dropping Cassie at a West Hollywood hotel, Cudi said he returned to his home and found no one there, but said his dog had been locked in the bathroom.

He described his pet later becoming “jittery and on edge all the time”.

He also said someone had opened Christmas presents he’d bought for his family.

While Cudi, whose real name is Scott Mescudi, said he initially wanted “to fight” Diddy, he later thought through “the reality of the situation,” and called the police to report the break-in.

Earlier this week, Cassie finished giving four days of evidence, becoming emotional at times, and testifying that Combs had threatened to blow up Cudi’s car and hurt him after he learned she was dating him by looking at messages on her phone during a “freak off”.

Prosecutors say Combs, the founder of Bad Boy Records, forced women to take part in days-long, drug-fuelled sexual performances known as “Freak Offs” from 2004 to 2024, facilitated by his large retinue of staff.

Combs, 55, has pleaded not guilty.

The rapper faces five criminal counts: one count of racketeering conspiracy; two counts of sex trafficking by force, fraud or coercion; and two counts of transportation to engage in prostitution.

Sean ‘Diddy’ Combs trial: Day 9 – As it happened

The month after the break-in, Cudi’s Porsche was firebombed in his drive, with a hole cut into the roof and a Molotov cocktail dropped into the driver’s seat.

Cudi said he realised he had to talk to Diddy, before things “got out of hand,” meeting up with Diddy, who he said was weirdly “calm” and staring out the window with his hands behind his back “like a Marvel super villain”.

Cudi says Diddy told him he had still been dating Cassie during his relationship with her, with Cudi replying: “[Cassie] told me you were broke up and I took her word for it.”

Shaking hands at the end of the conversation, Cudi said he asked Diddy about “burning” his car, and Diddy replied, “I don’t know what you’re talking about”. Cudi later said he believed that to be a lie.

Cudi says he saw Diddy once a few years later at Soho House in Los Angeles with his daughter, and Diddy told him: “Man, I just want to apologise for all that bullshit”.

During his cross-examination, the defence suggested Cassie had been “living two different lives”, and “played” both Cudi and Combs.

Cudi concluded his time on the stand, saying his relationship with Cassie ended because he wanted “to give her space” and “the drama was too out of hand”.

Celebrity make-up artist Mylah Morales also gave evidence, describing a fight between Cassie and Diddy in 2010, which she says left Cassie with a “swollen eye, busted lip, and knots on her head”.

Morales said while she had heard the row, she hadn’t physically seen it as she wasn’t in the room.

She told the court, “I feared for my life”, explaining that she took Cassie to her apartment for several days to recover, but that Cassie refused to go to hospital as she was afraid of Diddy’s reaction.

The defence attempted to damage Morales’s credibility by listing her TV appearances, which included programmes on CNN, and with Don Lemon and Piers Morgan, attempting to paint her as attention-seeking.

The day also saw Combs’s former assistant George Kaplan complete his testimony.

He talked about two occasions when he had been asked to carry cash for Diddy, who he said never paid for things himself in the moment, recalling one time in 2015 when he looked after $50,000, and another when he was asked to pick up $10,000.

Kaplan described seeing “regular” physical violence between Cassie and Diddy, including an incident in 2015 with whisky glasses on a private plane, when he heard glass breaking and saw Diddy standing over Cassie in the plane’s central aisle.

He says he also saw Diddy hurling “decorative apples” at another of his girlfriends, Gina, late the same year, handing in his notice the following month.

Also known throughout his career as Puff Daddy and P Diddy, Combs turned artists like Notorious BIG and Usher into household names, elevating hip-hop in American culture and becoming a billionaire in the process.

Diddy has been held in the Metropolitan Detention Center in Brooklyn since September and faces at least 15 years or possibly life in prison if convicted.

The trial is set to last for around six weeks in total and will go into its third week next week.

Entertainment

Bono calls for Israel to be ‘released from Benjamin Netanyahu’ in plea to ‘stop war’

Published

7 hours ago

May 23, 2025

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Bono calls for Israel to be 'released from Benjamin Netanyahu' in plea to 'stop war'

Irish rock star Bono has called for Israel to be “released from Benjamin Netanyahu and far-right fundamentalists” during an awards ceremony.

The U2 frontman’s comments at the Ivors mark the first time the human rights activist has spoken out in public against the Israeli prime minister since the war in Gaza broke out in October 2023.

Bono, who received the Peace Summit Award at the 2008 Nobel Peace Laureates summit, also called for Hamas to release its remaining Israeli hostages.

It comes as Western leaders have been criticising Mr Netanyahu and the Israeli authorities over the renewed offensive in the Palestinian territory and the risk of famine due to an 11-week aid blockade, which is slowly easing.

Gaza war: Follow latest updates

Bono, whose real name is Paul Hewson, said on Thursday evening at London’s Grosvenor House: “Peace creates possibilities in the most intractable situations.

“Lord knows there’s a few of them out there right now. Hamas release the hostages. Stop the war.

“Israel be released from Benjamin Netanyahu and far-right fundamentalists that twist your sacred texts.

“All of you protect our aid workers, they are the best of us.”

Bono, 65, made the call for peace as he and fellow U2 members each received an award from pop star Ed Sheeran.

The group became the first Irish songwriters to be awarded an academy fellowship at the 70th year of the awards.

U2 then performed their song Sunday Bloody Sunday, which references the 1972 Bloody Sunday shootings in Londonderry, where members of the British army’s Parachute Regiment opened fire at civil rights demonstrators.

The group ended the evening with a performance of their 1988 song Angel Of Harlem.

Also on Thursday, Mr Netanyahu said UK Prime Minister Sir Keir Starmer was “on the wrong side of humanity” after he called for an end to the war in Gaza.

In a video he shared on social media, the Israeli prime minister also attacked the leaders of France and Canada for their criticism of Israel’s actions in the conflict.

Mr Netanyahu specifically linked the criticism from the UK, France and Canada to the killings in Washington DC of Israeli embassy workers Yaron Lischinsky and Sarah Lynn Milgrim on Wednesday night.