“There are so many stories,” says Sophie Cunningham, wearily. “So many I was just not able to tell, and that’s because of money and power – success and celebrity goes a hell of a long way to keeping people quiet.”
Cunningham is the director and producer of a new documentary confronting the music industry’s dark side, rock music in particular; harassment and abuse against women and “relationships” involving megastars and teenage girls, an issue that was hidden in plain sight for years.
Look Away features interviews with women who make allegations against Aerosmith’s Steven Tyler and Guns ‘N’ Roses frontman Axl Rose, as well as the late music producer and songwriter Kim Fowley, who managed all-female teen rock group The Runaways, co-founded by Joan Jett in the 1970s. But Cunningham says there could have been many more.
Image: Axl Rose of Guns ‘N’ Roses performing in Chicago in 1988. Pic: Gene Ambo/MediaPunch/IPX/AP
Post #MeToo, Hollywood and the film industry has had the start of its reckoning after disgraced producer Harvey Weinstein was jailed for rape and sexual assault in 2020, although it seems sadly inevitable that there is more to come.
For the music industry, says Cunningham, who worked on Look Away for two years, we have only seen the tip of the iceberg. To clarify, the allegations made by other women she couldn’t feature in the documentary – she’s talking about “lots and lots of [stars] who are very, very popular”.
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Look Away shines a light on how the music industry fostered a culture where relationships with underage girls – statutory rape – were normalised, and how many behind the scenes turned a blind eye to aggressive sexual behaviour.
“It seems like an area that hasn’t yet had its #MeToo moment and I think desperately requires it,” says Cunningham.
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Julia Holcomb’s story is well documented, despite the fact she never wanted to share it – it was Tyler himself who first brought the story to light, writing about their relationship in his 2011 autobiography.
Holcomb met the Aerosmith frontman as a fan at a gig in Portland, Oregon, when she was just 16 and he was in his mid-20s in 1973.
Because the age of consent in the state was 18, she claims Tyler persuaded her mother to sign over guardianship to him, making her his ward, so she could travel with the star on tour. She also claims she became pregnant with his baby, and was forced into having an abortion.
Through the lens of 2021, laid out in black and white, it all seems pretty shocking. But perhaps more shocking is that for years, this kind of behaviour wasn’t at all shocking.
“I think a lot of the times the artists themselves have written about their escapades with their girlfriends or what they got up to during this era and you never really hear from the women,” says Cunningham.
“Musicians were these godlike creatures, especially at that time. There were power structures that enabled them; as long as they were selling records and as long as they were making money for the big record companies, I think there was a general understanding [they] could pretty much get away with anything and also it could all just be written up as an excess of the time.
“It’s very, very easy to think ‘It was different then, it was hedonistic, the world was a different place’. But I think it’s clear from the women who’ve spoken out that their experiences as [teenage] girls impacted them in the same way that they would if it happened to [teenagers] now. It’s not a different era, it’s just that we look at it differently.”
Sheila Kennedy is another woman featured in the documentary, speaking about an experience with Axl Rose in the late 1980s when she was 18. Kennedy was a Penthouse “Pet of the Year” and says she was invited back to a party at a hotel suite with the star. She accuses of him of physically abuse – grabbing her hair and dragging her – before they had sex.
Image: (L-R): Joan Jett, Cherie Currie, Jackie Fox (Fuchs) and Lita Ford of The Runaways, pictured in 1976. Pic: Kipa/Shutterstock
Jackie Fuchs, bassist with The Runaways – who was known as Jackie Fox at the time – also shares her story, accusing Fowley, the band’s manager, of rape, and detailing how people ignored it at the time.
Speaking out like this is not necessarily about seeking justice in the legal sense, says Cunningham, but having a voice – and trying to instigate change.
“Although we are focusing on a certain era in this film, the music industry is still functioning in a very, very similar way,” she says. “I spoke to so many music industry insiders who made it quite clear that nothing has changed. [The documentary] looks at an era I think we all feel very fondly towards, but we need to look at it in a different way. You don’t want to take away from [the music] but you have to recognise that other things were at play.
“All of the women in the film are incredible women in the sense they’re forgiving and they aren’t ‘out to get’ these rock stars. It’s about setting the record straight. For many of them, it’s a personal reckoning. I don’t think it’s a case of wanting to get their own back or tearing anyone down… It’s actually not about the rock stars at all, it’s about these women and it’s about them being heard – so that people don’t just make the assumptions that I think a lot of people make about some of these women.”
Image: Look Away director Sophie Cunningham says she hopes the documentary can play a part in starting to instigate change. Pic: Johnny Stafford
Post #MeToo, Cunningham says the world is hopefully finally ready to listen: “Culturally, we’re all thinking in a different way. I think that there hasn’t been an opportunity or a hunger until now to actually hear these stories in a way that challenges our ideas of what the rock scene was.
“So many people, when you tell them you’re making a film like this, they’re like ‘Oh, no, please don’t’ – and then they name their favourite rock star because they don’t want that musician or that music to be ruined for them. This music is so deeply embedded in our lives, I think sometimes people don’t want to [acknowledge] there can be a darker side.”
Cunningham says there were many men who worked behind the scenes who did not want to take part in the documentary. “I think that’s important thing to say,” she says. “That silence, I think, speaks volumes. So although we’re in a time that we’ve been ready for these women to speak and they feel like they have the power to speak, there are lots of men who don’t want to speak out in support of these women for fear of the repercussions in the industry.”
Representatives for Tyler and Rose did not respond to requests to comment or be featured in the documentary by the filmmakers, says Cunningham. Nor did they respond to requests for comment from Sky News.
Cunningham says she likes to think there might come a time when musicians, or any public faces, who behaved in a certain way when it was normalised years ago, want to acknowledge mistakes and help bring about change.
“Wouldn’t you want to speak out and support these women?” she says. “Yes, accusations are being made about you, but maybe speaking out can actually, not redeem you because obviously all of these things have happened, but wouldn’t it be incredible if a rock star came forward and said ‘I did some really bad things and I know I hurt people and I want to campaign for change in support of these women?’ I think that would be incredible.
“But I think silence is just an example of what many people have been doing for years. As I said, there were so many people I approached to be in this film who are prominent men within the music industry, offering them the opportunity to speak out in support of women, about a time that they were part of, and so many people didn’t want to do that. And I think that silence speaks volumes, doesn’t it?”
Look Awaypremieres on Sky Documentaries and NOW on Monday 13 September at 9pm
Lady Gaga has led the MTV Video Music Awards (VMAs), with four wins including artist of the year. Ariana Grande and Sabrina Carpenter took three awards each.
It was a night dominated by women, with female stars bagging all the awards, with the exception of Bruno Mars for his collaborations with Gaga and Blackpink member Rose.
Mariah Carey collected her first-ever VMA award, swiftly followed by a second when she was awarded the Video Vanguard award.
And tribute was paid to Ozzy Osbourne, who died in July, with Yungblud and Aerosmith’s Steven Tyler and Joe Perry performing Black Sabbath classics, introduced by Jack Osbourne and his four daughters.
Crystal was 18 when bone cancer changed her face. On top of chemotherapy and operations, she had to deal with other painful realities too.
She told Sky News: “Pre-cancer, and everything that happened I wasn’t aware how people who had facial differences were villainised or victimised.
Image: Crystal before her diagnosis
“Experiencing that, seeing the trauma, I’ve been so affected by people staring at me in the street, and hate comments about my appearance.”
She believes part of the problem is the screen portrayal of visibly different characters: “There’s a narrative in Hollywood, especially that’s been going on for years, that people are not addressing and seeing that these are real people.”
Refusing to let her differences keep her from pursuing her dreams, Crystal studied acting at LAMDA, one of the UK’s top drama schools.
Now a professional actress, she knows her appearance will always be judged.
“[My visible difference] is on my face. I can’t really hide anything. Every time I talk or enter a room, it’s not like anyone’s fault, I just know that people have that first perception or viewpoint of me.”
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With aspirations to one day appear in a Marvel movie, she hopes her drive to perform will help others in the future.
“I didn’t have anyone who looked like me as a role model… It would have just been so much better if I’d had that one person to look up to, to be inspired by.”
Image: Crystal graduated from LAMDA in 2024
Lack of representation is not the only problem. When visible difference does make it onto the screen, misrepresentations and negative overtones often reinforce stigma.
Nearly one in five people in the UK self-identifying as having a visible difference, such as a mark, scar or condition, according to charity Changing Faces.
New research they conducted into the way disfigurement is portrayed on screen found that people with visible differences were over twice as likely to be shown as a victim or a villain than as a love interest.
Film and television have used scars, burns and birthmarks as a shorthand for villainy across the genres for years. From Bond to Batman and Star Wars, to more family-friendly productions such as The Lion King.
Image: Heath Ledger as the infamous Joker. Pic: Rex Features
Image: Rami Malek as Safin in No Time To Die, complete with scars. Pic: Universal
And while visibly different characters aren’t common on screen, a woman with a physical difference in film or TV is even rarer.
Author and entertainment journalist Kristen Lopez says it’s because women’s value on screen is so tied up with their sexuality.
The author of Popcorn Disabilities: The Highs and Lows of Disabled Representation in the Movies has even come up with a term to describe the industry’s attempt to keep their leading ladies “sexy and beautiful”.
“You often see what I call ‘pretty disabilities’. It’s a disability that is not going to affect the physical perfection of the actress. And it will also allow for an A-list, usually non-disabled actress, to continue to play the character.”
Lopez says for that reason, films are more comfortable with portraying blind or visually impaired women, deaf women, or non-verbal women, because their disability “doesn’t mar the face”.
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Speaking from her own experience of growing up with brittle bone disease, she says: “I worry about the next generation of disabled girls – what are they seeing? Do they feel represented?
“How do you navigate adolescence if you don’t see anybody that looks like you doing the things that every other young person is doing?”
Romeo Olukotun was just one year old when an accident left him with second and third-degree burns on his torso, chest and neck.
With his accident not spoken about at home, he admits, “I just kind of had to deal with that on my own”.
He did find some flashes of inspiration, including from singer Seal.
Image: Romeo was just one when an accident left him with burns on his chest, neck and stomach
“I loved how even though he had a visible difference and scarring on his face, he wasn’t looked down because of that. He was seen for his talent.”
With his confidence taking a hit due to his scars while at secondary school and university, he rebuilt his self-esteem as an adult through cheerleading.
Later spotted at a music video shoot he’d gone along to with a friend, he’s now an actor and model. But his visible differences have, at times, affected his casting.
Image: Pic: Changing Faces
Romeo told Sky News: “Because my scar on my neck looks like I’ve been stabbed, I would often be asked to ‘Try this [performance] like a thug or someone who’s on the streets’. And I didn’t like being labelled as that. I’m someone who is much more than my scars.”
He’s now a man on a mission: “I want to be someone who shows other people with a visible difference that they can be anything. They can play the romantic lead, they can play a villain if they want to. They can be a hero, not just be labelled as someone sinister and evil, Machiavellian.”
Image: Pic: Changing Faces
While the film and TV industries might be slow to change, LAMDA vice principal Dr Philippa Strandberg-Long is hopeful for the future.
“We have to make our students aware of the industry that they are going into and not, I guess, create a utopia where they’re not aware of the industry they’re going into. However, we can change it from how we educate our students that come out.
“Things won’t change overnight, but it will change over time. So, we have to put in the work at the grassroots, which is here.”
Changing Faces is the UK’s leading charity for anyone with a visible difference. They have a confidential support and information line for anyone dealing with the impact of visible difference.
Conservationists in Ibiza are warning the island’s native bright blue and green lizards are coming ever closer to extinction due to the mounting threats of invasive snakes and tourists’ litter.
The Ibizawall lizard is endemic to Ibiza and neighbouring Formentera and is vital to the ecosystem of the islands, experts say, for pollinating plants and controlling pests.
Since the 2000s, the small, colourful reptiles, which are harmless to humans, have become endangered due to the proliferation of invasive snakes that first arrived in imported trees.
Image: Conservationists say Ibiza lizards are endangered. Pic: Dean Gallagher
Conservation foundation IbizaPreservation says snakes are now present on up to 90% of the island, while the lizard population has decreased massively, believed to have disappeared from about 70%.
But there is also another issue affecting the species – litter left mainly by tourists at beauty spots.
Dean Gallagher, a snake catcher on the island, says he is constantly finding the bodies of dead lizards stuck inside discarded bottles and cans at Es Savinar, a southerly viewpoint where people often gather for sunset.
“I’m finding these lizards trapped in cans and bottles,” he tells Sky News. “Once they get inside their feet get wet from the drink inside, the beer or the Red Bull, and they can’t get out. Sun comes up, heats up the bottle, the can, and just fries a lizard inside. It’s absolutely devastating.”
Image: Dean Gallagher has lived in Ibiza for more than 20 years
Tourism accounts for about 84% of Ibiza’s economy and is vital for the island, with tourist spending reaching 4.3bn euros in 2024, according to the Balearic Institute of Statistics (IBESTAT) – an increase of 62% since 2016. The number of tourists reached a record high of more than 3.7m for Ibiza and neighbouring Formentera in 2023 – an increase of almost 25% since 2016.
The land Dean looks after at Es Savinar is private, he says, but people ignore signs and fences which were replaced at the beginning of the summer.
“We do rubbish collections probably once or twice a week,” he says. “We clear the whole area of bottles and cans then the next time, we go back and there’s even more.
“Bottles can cause bush fires. The forests are really dry at the moment, just one spark can set this place alight. And [litter] is also killing our lizards. They’re marvellous, beautiful creatures, they’re not aggressive and they keep the bugs away. The ecological value is really important.”
Image: Signs have been put up around the private land. Pic: Dean Gallagher
Dean lives near Santa Eulalia, where he says numbers are scarce. “Lots of parts of the north of the island now, they’ve completely diminished and it’s very sad,” he adds.
“And the very southwest corner of the island where this viewpoint is, this is the last place where they are in stable numbers. But the excessive rubbish, tourism, snakes, are gonna wipe them out completely.”
Image: Gallagher says he is constantly finding the reptiles trapped in glass bottles and cans
Visual surveys of areas of Ses Salines Natural Park by environmental association GEN-GOB have found the population there has decreased by between 70% and 90% since 2023.
GEN-GOB, Friends Of The Earth Ibiza and IbizaPreservation are among several organisations that have been working to save the species in recent years.
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Ibiza’s shanty towns – the side of the island most do not see
Jordi Serapio, coordinator of Protegim Ses Sargantanes, IbizaPreservation’s lizard protection project, says abandoned bottles and cans are “deadly traps” for the animals.
And snake numbers continue to grow and expand toward territories where lizards still remain, he adds. The most common snake on the island – and the biggest danger to lizards – is the horseshoe whip snake, but other types have been spotted.
“It has followed a northeast to southwest expansion,” he says. “The highest snake densities are observed in what they have called the ‘invasion front’ – this is known precisely thanks to trapping.
“In contrast, in areas where lizards have already become extinct, there appears to be a much lower density of snakes.”
So the more food available for the snakes, the higher the numbers.
“This is something common in most biological invasions, which end up regulating themselves naturally,” Jordi says. “The unknown in this case is whether some lizard populations will manage to survive and adapt. Although everything seems to indicate that they won’t.”
He also highlights another problem – predation by both feral and domestic cats – which he says is a growing threat.
“In the current context of the species’ extinction, any additional pressure worsens the situation.”