For more than nine months, musician and composer Mehdi Rajabian kept himself hidden away in an underground room in Sari, northern Iran, working to create his latest album undercover.
While many artists will tell you they pour blood, sweat and tears into their art, this is much more than just a throwaway phrase for Rajabian.
He has already served more than two years in prison for making music the Iranian authorities did not agree with, including a period of solitary confinement and a hunger strike, but is undeterred – despite the very real threat of more jail time. No power, he says, can stop the “freedom and thought of music”.
Image: Rajabian has collaborated online with singers and musicians from around the world to make the record. Pic: Barg Music
So despite his limitations and the danger he faces in a country where art is heavily censored, the 31-year-old recorded his second album, Coup Of Gods, in a secret basement, patiently dealing with the challenges of keeping hidden, plus low-speed internet, to connect with other musicians from all over the world.
The album includes tracks featuring an orchestra from Brazil, and singers and musicians from everywhere from the US to Italy to Russia. It has been mastered by record producer and songwriter Harvey Mason Jr, who has worked on tracks by stars including Beyonce, Britney Spears, John Legend and Justin Timberlake, and became chief executive of the Recording Academy (which runs the Grammy Awards) earlier in 2021.
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Rajabian approached Mason on email and the Grammys boss tells Sky News he was at first “blown away by his story” but ultimately the music had to be good enough. “For me it all came down to what came out of the speakers,” he says. “The music was beautiful, compelling and so well done. In my mind, it is true art.”
Rajabian, also corresponding with Sky News over email, says he is proud of the album and thinks it has “come out really strong”, despite “all the complications” he has had to overcome.
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“In Iran, women can’t sing and it’s prohibited,” he says. “Even I got arrested a few months back for finishing an album having female voices. Prison and prohibition have caused Iranian artists to be afraid to be in my album.”
Rajabian is all too aware of the horrors he could face should he be jailed again. In 2013, he spent three months in solitary confinement for propaganda against the state. Solitary confinement “kills the human soul,” he says. “You are no longer a normal human being afterwards.”
Image: Producer and songwriter Harvey Mason Jr, who is releasing the album through his label, says he believes it is “true art”. Pic: Jordan Strauss/Invision/AP
From 2015, following what Amnesty International described as a “blatantly unfair” trial, he served two years in prison until he was released after a 40-day hunger strike. “Solitary kills the soul and the hunger strike kills the body”, he says, describing it as “like eating your own flesh” because of the damage inflicted. “I lost 15kg of weight and 40% of my vision.”
The musician was arrested again in 2020, for his first album and for working with female dancers and singers, and again, he says, because of his new album earlier this year. He is currently in the midst of a three-year suspended sentence, which could be activated at any time.
Rajabian spent his time behind bars at Iran’s notorious Evin Prison. “It can be said that it is one of the most horrible prisons in the world,” he says. “I spent several months in a Somali pirate cell as a punishment. Prison is a difficult place to live, but what matters is how much you believe in your own thought and philosophy of work; the more you believe, the easier it is for you to overcome difficulties.”
After his arrest, his office was closed and his recordings and hard drives seized. He spent his “whole life” while making the album in his underground room, alone. But he is determined.
“A few months back, I was arrested by the Iranian regime,” he says. “Handcuffed in a court, they asked to seize the project, and [ordered me to] stop making music. But I stated to the judge that even if this means I’m going back to jail, I’ll get my work done. I do not think about the consequences of producing a work of art and I am ready for any consequences. They can imprison me again. I [will] also write music in prison, as I wrote before. Music will not stop under any circumstances.”
The hunger strike left Rajabian with incredibly swollen joints, meaning he can no longer play an instrument himself. So he composed and arranged the album working alongside collaborators including US singers Lizzy O’Very and Aubrey Johnson and musicians such as violinists Yury Revich and Emmanuele Baldini, cellist Rafael Cesario, duduk player Soroosh Nematollahi and sarangi player Vanraj Shastri. His underground room has now been cleared, to remove all trace of his work, and the album is ready to go.
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A teaser for Iranian composer Mehdi Rajabian’s new record, Coup Of Gods.
The first track, Whip On A Lifeless Body, is his most personal. “This piece is the narrator of a human body that no longer has a physical presence,” he says. “The feeling is for the time when I was on a hunger strike, between earth and sky, between life and death, between the living and the dead… on the 29th day of the hunger strike, I opened my eyes that morning and I did not know whether I was alive or dead, on earth or in heaven. I was in a trance. It was a strange feeling.”
Making music, or the type of music Rajabian wants to make, is clearly a dangerous business in Iran. Many would ask why he continues. “Forbidding music for me means sewing my lips,” he says. “I cannot be silent. In the time of oppression, silence means betrayal. Prohibition of art means prohibition of truth and suppression of consciousness. So I have to believe in the freedom of music, even if I go to prison again for it.”
The release comes just weeks after the Taliban’s takeover of bordering Afghanistan, where concerns have been raised for musicians and artists and how their work may be censored. Rajabian says he knows too well the mentality of the country’s new rulers.
“There is only one question for me: how can we as artists express our pain to the world with the language of art, when these kind of painful images are sent to the world from Iran and Afghanistan? As artists, our work has become difficult, because feelings, sadness, surprise and pain are no longer effective.
“The world is no longer amazed by any sound or image; humanity has seen everything that exists. That is why humanity is moving towards fun and entertainment with art. Philosophical, protest and poetic art no longer has a place. Humanity shuns philosophical and painful art because humanity wants to get away from these pains. And that makes it difficult for us.”
Rajabian says that despite everything, hope keeps him alive, “even though I know we have a difficult future ahead of us”.
He continues: “After every darkness there is a light. Finally, I am optimistic about the future.”
Coup Of Gods by Mehdi Rajabian will be released on streaming platforms by Mason’s label Hundredup on 17 September
It’s hard to believe it’s 35 years since a plasticine man in a sweater and slippers, along with his voiceless, but hugely expressive dog, burst on to our screens and won the hearts of millions with their mix of humour, charm and nostalgia.
Wallace and Gromit managed to be both familiar and fresh, and their modest creator Nick Park couldn’t have foreseen how their handmade adventures would change the world of animation and make Wensleydale cheese internationally famous.
But three decades on and Preston-born Park is beginning to realise that his flair for feel-good filmmaking has made him a very big deal.
Image: Nick Park picking up the special recognition award for Wallace and Gromit at this year’s National Television Awards. Pic: PA
Oscar wins and box office hits aside, his latest accolade, in the Lancashire city where he was born and bred, clearly means a lot.
A new Wallace and Gromit exhibition is being showcased at the Harris Museum, which Park visited frequently growing up.
Image: A life-size replica of Wallace and Gromit’s living room
The historic landmark looms large over the city centre and is filled with artefacts and treasures that inspired him as a boy.
He was drawn to the library and devoured books on his favourite subject, you guessed it, animation.
The museum has been closed for four years as part of a £19m revamp. And who better to re-open it this weekend than Park.
Image: The exhibition features a raft of items
As we meet at the exhibition, he tells me he was a quiet child who loved drawing. Visits to the museum helped shape his creativity and storytelling.
He said: “I used to love spending a day around here looking at all the artefacts, the paintings. I used to come to the library here, there was no internet, and so I would look for books on animation.
“I would scour the library for anything I could get my hands on.”
We chat in a life-size replica of Wallace and Gromit’s living room. The wallpaper, standing lamp and armchair are so familiar.
Park says it’s like sitting in one of his own sets.
The living room was actually based on his grandma’s house, which he describes as a cosy 1960s home. And as he sits in the chair with his cup of tea, he jokes that he’s now turned into Wallace.
He said: “I feel like I’m made of clay, sitting on a replica set, it’s just incredible.”
Image: The Wrong Trousers, released in 1993, took home the Oscar for best animated short film
But that’s the joy of his films – the personal touch. And whilst they’re unmistakably Northern, inspired by Park’s family and upbringing, they’re also universally relatable.
He said: “I used to draw from my own childhood a lot, and that’s what inspired me. Because it feels true to do that.
“So, I went to memories of my granny, the lamp stand that my granny had and other objects, toasters, clocks, you name it.”
Image: The exhibition opens on Sunday and will run until January
Park is now arguably as famous as his much-loved characters. Something he seems to be finally getting used to.
He says he’s honoured and a little overwhelmed that his hometown holds him and his clay creations so close to his heart.
He said: “I was a shy teenager, and just talking about this hobby, I never imagined they would become household names.
“So, to have statues of my characters in the centre of town and now to be opening this newly refurbished exhibition and my own exhibition. To be here with my own characters, it’s just crazy.”
I ask what this stop motion supremo makes of the use of AI and technology in film.
He said: “We need to hang onto our values, there’s something about handmade quality that gives everything charm and appeal.
“It would probably be wrong to completely ignore that.”
The exhibition is immersive and emotive. Being up close and personal with the models, drawings, and characters evokes the same feelings as the films do. Warmth, humour and nostalgia.
A journey through the formative years of a young filmmaker and the birth of one of cinema’s unlikeliest heroes.
Park is now inspiring the next generation of storytellers and filmmakers at the museum, which played such an important part in his own success story.
Wallace and Gromit in A Case at the Museum Exhibition opens on Sunday and runs until January.
The older brother of Oasis stars Liam and Noel Gallagher has denied a charge of rape.
Paul Gallagher, 59, has also pleaded not guilty to coercive and controlling behaviour, three counts of sexual assault, three counts of intentional strangulation, two counts of making a threat to kill, and assault occasioning actual bodily harm.
The alleged offences took place between 2022 and 2024, according to a charge sheet.
Gallagher, of East Finchley, north London, entered his pleas from the dock at Harrow Crown Court, which was sitting at Southwark Crown Court on Friday.
He was wearing a dark suit and shirt, and thick-rimmed glasses.
Gallagher was released on conditional bail and will face trial on September 13, 2027.
Judge Anupama Thompson told him: “I’m very sorry that it’s such a long time away, but we have a number of cases that need to be listed.”
Paul Gallagher, who is about a year older than Noel and seven years older than Liam, has never been involved in Oasis.
A terror charge against Kneecap rapper Liam Og O hAnnaidh has been thrown out by a court.
The Irish rapper, who performs under the name Mo Chara, appeared at Woolwich Crown Court on a single terror charge.
Giving his ruling, chief magistrate Paul Goldspring said: “These proceedings against the defendant were instituted unlawfully and are null.”
The 27-year-old had been accused of displaying a flag in support of Hezbollah at a gig at the O2 Forum in Kentish Town, north London, on 21 November last year.
He had been on unconditional bail since his first court appearance in June.
After delivering his ruling, the judge said: “Mr O hAnnaidh, you are free to go,” which was met by cheers in the public gallery and applause.
The levity was met with a stern reprimand, with the judge adding: “You can do your celebrating outside, but the court now has other business to attend to”.
Both of O hAnnaidh’s parents were in court to support him.
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‘We’re right and you’re wrong’
O hAnnaidh: ‘We’re right and you’re wrong’
Speaking outside court, O hAnnaidhthanked his legal team and interpreter, before addressing his large crowd of supporters.
He said: “This entire process was never about me, never about any threat to the public, never about terrorism. A word used by your government to discredit people you oppress. It was always about Gaza. About what happens if you dare to speak up.
“As people from Ireland, we know oppression, colonialism, famine and genocide. We have suffered and still suffer under your empire.
“Your attempts to silence us have failed, because we’re right and you’re wrong… We will not be silent. We said we’d fight you in your court and we would win, and today we have.
If anyone on this planet is guilty of terrorism, it’s the British state. Free Palestine. Tiocfaidh ar la [Irish for our day will come].”
The audience responded with cheers and chants of “Free, free Palestine”.
Image: O hAnnaidh speaks outside court following the ruling
At the start of the hearing, O hAnnaidh stood to confirm his name, date of birth and current address, speaking in Irish with his words translated by an interpreter. The judge then summarised his judgement for the court.
He made clear the purpose of the hearing was not to determine O hAnnaidh’s innocence or guilt, but about whether the court had jurisdiction to hear the case.
He went on to say he agreed with O hAnnaidh’s lawyers, who argued that the Attorney General had not given permission for the case to be brought against the defendant when police informed him he was to face a terror charge on 21 May.
Criminal proceedings are instituted when a criminal charge is first issued, not when the defendant first appears in court.
Image: Protestors outside court. Pic: PA
Concluding the reasons for his decision, the chief magistrate said: “I find that these proceedings were not instituted in the correct form, lacking the necessary DPP (Director of Public Prosecutions) and AG (Attorney General) consent within the six-month statutory time limit.
“The time limit requires consent to have been granted at the time or before the issue of the requisition.
“Consequently, the charge is unlawful and null and this court has no jurisdiction to try the charge.”
Sweeping aside the prosecution’s previous argument that permission from the DPP and AG was not required until the defendant’s first court appearance, and that permission did not need to be sought in order to bring a criminal charge, the chief magistrate said such arguments “defy logic”.
Following the hearing, a Metropolitan Police spokesperson said: “We will work with the Crown Prosecution Service to understand the potential implications of this ruling for us and how that might impact on the processing of such cases in the future.”
Kneecap‘s manager Daniel Lambert said the rap trio were on the “right side of history”, and said in a post on X: “We said we would fight them and win. We did (Twice). Kneecap has NO charges OR convictions in ANY country, EVER.”
Irish First Minister: ‘Kneecap used their platform to expose genocide’
Swiftly responding to the court ruling, Northern Ireland’s First Minister Michelle O’Neill said on social media that she welcomed the decision, saying: “These charges were part of a calculated attempt to silence those who stand up and speak out against the Israeli genocide in Gaza.
“Kneecap have used their platform on stages across the world to expose this genocide, and it is the responsibility of all of us to continue speaking out and standing against injustice in Palestine.”
Sinn Fein leader Mary Lou McDonald wrote on X: “Mo Chara spoke out against Israel’s genocide, for the people of Gaza, for a free Palestine.
“The charges were an attempt to shut him up, to silence protest. It failed. He’s free. Kneecap are not the story. Genocide is the story.”
The venue of the hearing had been changed at short notice, following a burst mains pipe at Westminster Magistrates’ Court.