For more than nine months, musician and composer Mehdi Rajabian kept himself hidden away in an underground room in Sari, northern Iran, working to create his latest album undercover.
While many artists will tell you they pour blood, sweat and tears into their art, this is much more than just a throwaway phrase for Rajabian.
He has already served more than two years in prison for making music the Iranian authorities did not agree with, including a period of solitary confinement and a hunger strike, but is undeterred – despite the very real threat of more jail time. No power, he says, can stop the “freedom and thought of music”.
So despite his limitations and the danger he faces in a country where art is heavily censored, the 31-year-old recorded his second album, Coup Of Gods, in a secret basement, patiently dealing with the challenges of keeping hidden, plus low-speed internet, to connect with other musicians from all over the world.
The album includes tracks featuring an orchestra from Brazil, and singers and musicians from everywhere from the US to Italy to Russia. It has been mastered by record producer and songwriter Harvey Mason Jr, who has worked on tracks by stars including Beyonce, Britney Spears, John Legend and Justin Timberlake, and became chief executive of the Recording Academy (which runs the Grammy Awards) earlier in 2021.
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Rajabian approached Mason on email and the Grammys boss tells Sky News he was at first “blown away by his story” but ultimately the music had to be good enough. “For me it all came down to what came out of the speakers,” he says. “The music was beautiful, compelling and so well done. In my mind, it is true art.”
Rajabian, also corresponding with Sky News over email, says he is proud of the album and thinks it has “come out really strong”, despite “all the complications” he has had to overcome.
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“In Iran, women can’t sing and it’s prohibited,” he says. “Even I got arrested a few months back for finishing an album having female voices. Prison and prohibition have caused Iranian artists to be afraid to be in my album.”
Rajabian is all too aware of the horrors he could face should he be jailed again. In 2013, he spent three months in solitary confinement for propaganda against the state. Solitary confinement “kills the human soul,” he says. “You are no longer a normal human being afterwards.”
From 2015, following what Amnesty International described as a “blatantly unfair” trial, he served two years in prison until he was released after a 40-day hunger strike. “Solitary kills the soul and the hunger strike kills the body”, he says, describing it as “like eating your own flesh” because of the damage inflicted. “I lost 15kg of weight and 40% of my vision.”
The musician was arrested again in 2020, for his first album and for working with female dancers and singers, and again, he says, because of his new album earlier this year. He is currently in the midst of a three-year suspended sentence, which could be activated at any time.
Rajabian spent his time behind bars at Iran’s notorious Evin Prison. “It can be said that it is one of the most horrible prisons in the world,” he says. “I spent several months in a Somali pirate cell as a punishment. Prison is a difficult place to live, but what matters is how much you believe in your own thought and philosophy of work; the more you believe, the easier it is for you to overcome difficulties.”
After his arrest, his office was closed and his recordings and hard drives seized. He spent his “whole life” while making the album in his underground room, alone. But he is determined.
“A few months back, I was arrested by the Iranian regime,” he says. “Handcuffed in a court, they asked to seize the project, and [ordered me to] stop making music. But I stated to the judge that even if this means I’m going back to jail, I’ll get my work done. I do not think about the consequences of producing a work of art and I am ready for any consequences. They can imprison me again. I [will] also write music in prison, as I wrote before. Music will not stop under any circumstances.”
The hunger strike left Rajabian with incredibly swollen joints, meaning he can no longer play an instrument himself. So he composed and arranged the album working alongside collaborators including US singers Lizzy O’Very and Aubrey Johnson and musicians such as violinists Yury Revich and Emmanuele Baldini, cellist Rafael Cesario, duduk player Soroosh Nematollahi and sarangi player Vanraj Shastri. His underground room has now been cleared, to remove all trace of his work, and the album is ready to go.
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A teaser for Iranian composer Mehdi Rajabian’s new record, Coup Of Gods.
The first track, Whip On A Lifeless Body, is his most personal. “This piece is the narrator of a human body that no longer has a physical presence,” he says. “The feeling is for the time when I was on a hunger strike, between earth and sky, between life and death, between the living and the dead… on the 29th day of the hunger strike, I opened my eyes that morning and I did not know whether I was alive or dead, on earth or in heaven. I was in a trance. It was a strange feeling.”
Making music, or the type of music Rajabian wants to make, is clearly a dangerous business in Iran. Many would ask why he continues. “Forbidding music for me means sewing my lips,” he says. “I cannot be silent. In the time of oppression, silence means betrayal. Prohibition of art means prohibition of truth and suppression of consciousness. So I have to believe in the freedom of music, even if I go to prison again for it.”
The release comes just weeks after the Taliban’s takeover of bordering Afghanistan, where concerns have been raised for musicians and artists and how their work may be censored. Rajabian says he knows too well the mentality of the country’s new rulers.
“There is only one question for me: how can we as artists express our pain to the world with the language of art, when these kind of painful images are sent to the world from Iran and Afghanistan? As artists, our work has become difficult, because feelings, sadness, surprise and pain are no longer effective.
“The world is no longer amazed by any sound or image; humanity has seen everything that exists. That is why humanity is moving towards fun and entertainment with art. Philosophical, protest and poetic art no longer has a place. Humanity shuns philosophical and painful art because humanity wants to get away from these pains. And that makes it difficult for us.”
Rajabian says that despite everything, hope keeps him alive, “even though I know we have a difficult future ahead of us”.
He continues: “After every darkness there is a light. Finally, I am optimistic about the future.”
Coup Of Gods by Mehdi Rajabian will be released on streaming platforms by Mason’s label Hundredup on 17 September
Kate Nash says selling photos of her bottom on the X-rated site OnlyFans has allowed her to add an extra crew member to her tour staff.
The 37-year-old singer says the fact she is having to subsidise her shows in this way shows that the music industry is “completely broken”.
She announced she was launching her OnlyFans account last week as she began the UK leg of her tour, and has previously said on Instagram that, “touring makes losses not profits”.
Speaking about her new venture to BBC Radio 4’s Today programme she said it was “very funny” and “fun to do,” adding, “My industry is completely broken, I don’t think it’s sustainable, and I think it’s a complete failure, I think it will collapse as well”.
Going on to talk about “people finding solutions to fund their art,” she said: “I think it’s quite empowering, and I’m also creating jobs with my bum now.
“For example, I couldn’t bring a crew member that’s on tour with me in the UK to Europe, but now I can, because of my OnlyFans website.”
She has previously described the career move as a “punk protest,” containing “lots of comedy”.
Speaking to LBC last week, she said: “The cost of touring has gone up. Just like the cost of living crisis, there’s a cost-of-touring crisis – where the cost of travel, accommodation, crew wages, bus rental, all the things that you need to pay for when you go on tour, everything’s gone up.
“But a lot of bands’ and artists’ fees for gigs have not gone up, whereas ticket prices have gone up.”
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Nash also said music was an “exploitative industry,” adding, “I have had lots of experience of being exploited”.
She said it could “learn a lot from the sex industry”.
Beginning her career in 2005, Nash has had one UK top 10 single – 2007’s Foundations – and two UK top 10 albums.
She has just finished a three-week US tour and is now touring the UK before moving on to Europe. Her London gig later this week is sold out.
And Nash isn’t the only one branching out to bring in cash. Lily Allen said earlier this year that she had joined OnlyFans to sell photographs of her feet.
The 39-year-old Smile singer, who moved to the US in 2020, says she has “very strict guidelines” and is charging subscribers $10 (£8) a month to view images of her feet on the platform.
Davina McCall has said her short-term memory is “a bit remiss” as she recovers from brain tumour surgery.
Speaking from her bed, the visibly emotional TV presenterposted a short video updating her Instagram followers on her condition, saying it had been a “mad” time.
She expressed an “enormous heartfelt thank you” to people who had messaged her after she revealed this month she had a benign brain tumour, a colloid cyst, which she described as “very rare”.
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Looking bright, but with a visibly bruised left eye, McCall said: “My short-term memory is a bit remiss.
“But that is something I can work on, so I’m really happy about that. I’m writing everything down, to keep myself feeling safe.”
She added: “It’s been mad, and it’s just really nice to be back home, I’m on the other side.”
In a message posted with the video, she reiterated her thanks for all the support she has received, adding: “Had a great night’s sleep in my own bed. Have a couple of sleeps during the day which keeps my brain clear… Slowly, slowly…”
When she first shared her diagnosis, she said chances of having it were “three in a million” and that she had discovered it several months previously after a company offered her a health scan in return for giving a menopause talk.
The 57-year-old star said support from her fans had “meant the world”.
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She said she was being “brilliantly looked after” by her partner, hairdresser Michael Douglas, and her stepmother, Gabby, who she calls mum.
Becoming tearful, the presenter said: “I’d quickly like to say big up the stepmums. I don’t really say thank you to Gabby enough. She’s been an amazing rock my whole life.”
McCall was estranged from her birth mother, Florence McCall, who died in 2008.
With a catch in her voice, McCall went on: “I’ve got a massive dose of vitamin G – I’m just really grateful. I’ve always been really lucky in my life, but I feel unbelievably grateful right now. So, thanks for everything, all of you.
“I’m on the mend, I’m resting and sleeping loads and I feel really good. I’m just very lucky.”
Stars including presenter Alison Hammond, singer Craig David and radio host Zoe Ball quickly shared their delight at the positive update.
McCall rose to fame presenting on MTV in the mid-1990s, and later on Channel 4’s Streetmate, before becoming a household name as the host of Big Brother from 2000 to 2010.
She’s gone on to present programmes across the networks, the most recent being ITV dating show My Mum, Your Dad.
Last year, McCall was appointed Member of the Order of the British Empire (MBE) in the 2023 Birthday Honours for services to broadcasting.
Married twice, McCall has three children, two daughters and a son, with her second husband, presenter Matthew Robertson.
She has lived with Douglas since 2022, and they present a weekly lifestyle podcast together, Making The Cut.
Barbara Taylor Bradford, the bestselling novelist who wrote A Woman Of Substance, has died at the age of 91.
The Leeds-born author, who sold more than 90 million books, died peacefully at her home on Sunday after a short illness and was “surrounded by loved ones to the very end”, a spokeswoman said.
Taylor Bradford, who was often labelled “the grand dame of blockbusters”, hit the big time when A Woman Of Substance was published in 1979, making her an overnight success.
The story sold millions of copies and traced the journey of Emma Harte from life as a servant in rural Yorkshire to heading a business empire.
The rags to riches story was followed by many other successful books with the author’s works being published in more than 40 languages across 90 countries.
Charlie Redmayne, chief executive of publisher HarperCollins, said the author was a “natural storyteller”, adding: “Barbara Taylor Bradford was a truly exceptional writer whose first book, the international bestseller A Woman Of Substance, changed the lives of so many who read it – and still does to this day.”
Taylor Bradford, who was made an OBE in 2007 for services to literature, wrote a total of 40 novels during her career – her most recent was The Wonder Of It All, published last year.
Born in May 1933 as the only child of Winston and Freda Taylor, she worked as a typist for the Yorkshire Evening Post before becoming a reporter and then the paper’s first woman’s editor.
At the age of 20, she moved to London and worked in Fleet Street for Woman’s Own and the London Evening News.
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She met her husband, American film producer Robert Bradford, in 1961 and they married in London on Christmas Eve in 1963 before moving to New York the following year.