For more than nine months, musician and composer Mehdi Rajabian kept himself hidden away in an underground room in Sari, northern Iran, working to create his latest album undercover.
While many artists will tell you they pour blood, sweat and tears into their art, this is much more than just a throwaway phrase for Rajabian.
He has already served more than two years in prison for making music the Iranian authorities did not agree with, including a period of solitary confinement and a hunger strike, but is undeterred – despite the very real threat of more jail time. No power, he says, can stop the “freedom and thought of music”.
Image: Rajabian has collaborated online with singers and musicians from around the world to make the record. Pic: Barg Music
So despite his limitations and the danger he faces in a country where art is heavily censored, the 31-year-old recorded his second album, Coup Of Gods, in a secret basement, patiently dealing with the challenges of keeping hidden, plus low-speed internet, to connect with other musicians from all over the world.
The album includes tracks featuring an orchestra from Brazil, and singers and musicians from everywhere from the US to Italy to Russia. It has been mastered by record producer and songwriter Harvey Mason Jr, who has worked on tracks by stars including Beyonce, Britney Spears, John Legend and Justin Timberlake, and became chief executive of the Recording Academy (which runs the Grammy Awards) earlier in 2021.
Advertisement
Rajabian approached Mason on email and the Grammys boss tells Sky News he was at first “blown away by his story” but ultimately the music had to be good enough. “For me it all came down to what came out of the speakers,” he says. “The music was beautiful, compelling and so well done. In my mind, it is true art.”
Rajabian, also corresponding with Sky News over email, says he is proud of the album and thinks it has “come out really strong”, despite “all the complications” he has had to overcome.
More on Grammys
Related Topics:
“In Iran, women can’t sing and it’s prohibited,” he says. “Even I got arrested a few months back for finishing an album having female voices. Prison and prohibition have caused Iranian artists to be afraid to be in my album.”
Rajabian is all too aware of the horrors he could face should he be jailed again. In 2013, he spent three months in solitary confinement for propaganda against the state. Solitary confinement “kills the human soul,” he says. “You are no longer a normal human being afterwards.”
Image: Producer and songwriter Harvey Mason Jr, who is releasing the album through his label, says he believes it is “true art”. Pic: Jordan Strauss/Invision/AP
From 2015, following what Amnesty International described as a “blatantly unfair” trial, he served two years in prison until he was released after a 40-day hunger strike. “Solitary kills the soul and the hunger strike kills the body”, he says, describing it as “like eating your own flesh” because of the damage inflicted. “I lost 15kg of weight and 40% of my vision.”
The musician was arrested again in 2020, for his first album and for working with female dancers and singers, and again, he says, because of his new album earlier this year. He is currently in the midst of a three-year suspended sentence, which could be activated at any time.
Rajabian spent his time behind bars at Iran’s notorious Evin Prison. “It can be said that it is one of the most horrible prisons in the world,” he says. “I spent several months in a Somali pirate cell as a punishment. Prison is a difficult place to live, but what matters is how much you believe in your own thought and philosophy of work; the more you believe, the easier it is for you to overcome difficulties.”
After his arrest, his office was closed and his recordings and hard drives seized. He spent his “whole life” while making the album in his underground room, alone. But he is determined.
“A few months back, I was arrested by the Iranian regime,” he says. “Handcuffed in a court, they asked to seize the project, and [ordered me to] stop making music. But I stated to the judge that even if this means I’m going back to jail, I’ll get my work done. I do not think about the consequences of producing a work of art and I am ready for any consequences. They can imprison me again. I [will] also write music in prison, as I wrote before. Music will not stop under any circumstances.”
The hunger strike left Rajabian with incredibly swollen joints, meaning he can no longer play an instrument himself. So he composed and arranged the album working alongside collaborators including US singers Lizzy O’Very and Aubrey Johnson and musicians such as violinists Yury Revich and Emmanuele Baldini, cellist Rafael Cesario, duduk player Soroosh Nematollahi and sarangi player Vanraj Shastri. His underground room has now been cleared, to remove all trace of his work, and the album is ready to go.
Please use Chrome browser for a more accessible video player
A teaser for Iranian composer Mehdi Rajabian’s new record, Coup Of Gods.
The first track, Whip On A Lifeless Body, is his most personal. “This piece is the narrator of a human body that no longer has a physical presence,” he says. “The feeling is for the time when I was on a hunger strike, between earth and sky, between life and death, between the living and the dead… on the 29th day of the hunger strike, I opened my eyes that morning and I did not know whether I was alive or dead, on earth or in heaven. I was in a trance. It was a strange feeling.”
Making music, or the type of music Rajabian wants to make, is clearly a dangerous business in Iran. Many would ask why he continues. “Forbidding music for me means sewing my lips,” he says. “I cannot be silent. In the time of oppression, silence means betrayal. Prohibition of art means prohibition of truth and suppression of consciousness. So I have to believe in the freedom of music, even if I go to prison again for it.”
The release comes just weeks after the Taliban’s takeover of bordering Afghanistan, where concerns have been raised for musicians and artists and how their work may be censored. Rajabian says he knows too well the mentality of the country’s new rulers.
“There is only one question for me: how can we as artists express our pain to the world with the language of art, when these kind of painful images are sent to the world from Iran and Afghanistan? As artists, our work has become difficult, because feelings, sadness, surprise and pain are no longer effective.
“The world is no longer amazed by any sound or image; humanity has seen everything that exists. That is why humanity is moving towards fun and entertainment with art. Philosophical, protest and poetic art no longer has a place. Humanity shuns philosophical and painful art because humanity wants to get away from these pains. And that makes it difficult for us.”
Rajabian says that despite everything, hope keeps him alive, “even though I know we have a difficult future ahead of us”.
He continues: “After every darkness there is a light. Finally, I am optimistic about the future.”
Coup Of Gods by Mehdi Rajabian will be released on streaming platforms by Mason’s label Hundredup on 17 September
Culture lovers have long believed in the healing power art. Now, science has caught up, with new research showing it has measurable benefits on the body.
A study from King’s College London has found that looking at original artworks, in a gallery, doesn’t just lift us emotionally – it also has a positive impact on our physical health.
Fifty people aged between 18 and 40 were shown art by a selection of leading 19th-century artists: Toulouse-Lautrec, Manet, van Gogh and Gauguin.
Image: Henri de Toulouse-Lautrec (1864 – 1901), Jane Avril in the Entrance to the Moulin Rouge (c. 1892)
Image: Édouard Manet (1832 – 1883), Banks of the Seine at Argenteuil (1874)
Image: Édouard Manet (1832 – 1883), A Bar at the Folies-Bergere (1882)
Image: Vincent van Gogh (1853 – 1890), Self-Portrait with Bandaged Ear (1889)
Image: Paul Gauguin (1848 – 1903), Te Rerioa (The Dream) (1897)
Participants viewed five paintings for three minutes each, in a 20-minute session.
But while half viewed the original paintings in the Courtauld Gallery in London, the others looked at reproductions in a neutral setting.
Their heart rates and skin temperature were measured with research-grade digital watches to indicate levels of interest and arousal, and saliva samples were taken with swabs before and after the session to measure stress hormones.
The results in those looking at the results in the gallery were significant, and immediate: The stress hormone cortisol fell by 22% and inflammatory markers linked to health problems including heart disease, diabetes and depression were reduced by as much as 30%.
More on London
Related Topics:
No change was observed in the reproduction group.
Image: Dr Tony Woods, researcher at King’s College London
Dr Tony Woods of King’s College London, who was the study’s lead researcher, told Sky News: “The magnitude of the difference between being in here and looking at the real art, looking at the copies in the laboratory, the difference between the two participant groups was quite enormous.”
It’s good news for the NHS, which is increasing its use of social prescribing, which can include visits to galleries.
Dr Woods went on: “The government’s health strategy is all about prevention. And this is a gift to [Health Secretary] Wes Streeting. Art is very well worth investing in because of the return on investment – it will keep people out of hospitals.”
Over one and a half million people in the UK accessed social prescribing between September and August this year across the UK, and NHS England told Sky News their ambition is to make it available to every person in England.
Dr Woods says the next steps of the study will be to find out how long the positive effects last, and research further into the effects of art on older participants.
Russell Tovey, actor, art lover and co-host of Talk Art, chatted to Sky News about his favourite piece at the gallery – van Gogh’s Self-Portrait with Bandaged Ear (1889).
Image: Talk Art podcast hosts Russell Tovey and Robert Diament
Tovey jokes: “Look at this painting here. It’s quite a troublesome picture, especially for me with my ears…
“But you can look at the surface and the way that he makes brushstrokes and the scale of the things and the colour he used. And you think about his life at the time and where he was living, and all those questions and answers will reveal the painting.”
Tovey adds: “Art is intrinsic to humanity,” and “shows us who we are”.
And now with the new findings, the hope is that gallery visits will be considered just as good as your ‘five-a-day’.
Tovey goes on: “It’s good for your health, it’s beneficial to your mental health and to your wellbeing to be in a museum and to be around art…
“If you eat well, go to the gym and go to a regular art gallery visit, then your health will be through the roof.”
Tovey’s podcast co-host, gallery owner Robert Diament, agrees: “I think it’s really important just to slow down a bit. Going to a museum or gallery can be part of your self-care routine… It will improve your life.”
Amid rising costs, reduced funding and dwindling visitor numbers, the findings could also provide a boost to galleries.
Jenny Waldman, Art Fund director, told Sky News: “These museums and galleries were set up in all cities and towns by people, you know, hundreds of years ago, who felt that it was good for people. So, this is the evidence, finally, that they were right.”
Image: Jenny Waldman, Art Fund director
The national charity for museums and galleries, Art Fund champions art around the country, with initiatives including the National Art Pass which offers free or discounted entry to hundreds of museums, galleries and historic places around the UK.
So, what do gallery visitors think of the news that their time looking at art will positively impact their wellbeing?
Charlie, 10, from London said: “It makes me feel quite calm, and it draws me in.”
His dad Patrick, who had brought Charlie with his two young brothers to see the exhibition, added: “Looking at them on screens, or even in books, you just don’t get the full impression.”
Taeseok, an arts student from Amsterdam visiting the UK for the first time, said it felt good to stand and focus on just one thing, with no distractions. He summed it up: “Things around you start to not matter at all… It’s just you and the artwork.”
Re-framed as a course of treatment instead of an indulgent pastime, could the hard edge of science change the role galleries play in society?
If so, it could be a fitting reminder to the government of the true power of art, at a time when so many institutions are struggling to survive.
Thieves have stolen more than 1,000 items from a museum’s collection in California, including jewellery, carvings and Native American artefacts.
The burglary took place at an off-site storage facility holding items for the Oakland Museum of California (OMCA) on 15 October.
Image: A neckpiece by Florence Resnikoff was also taken. Pic: Leopold Macaya/Oakland Museum of California/AP
The museum’s director said on Thursday details about the incident were being made public because the items might show up at flea markets, pawn shops and antique stores.
“The theft that occurred represents a brazen act that robs the public of our state’s cultural heritage,” said Lori Fogarty.
“They’re not just a loss to the museum. They’re a loss to the public, to our community and we’re hoping our community can help us bring them home.”
She also said she believed it was an opportunistic crime, rather than a targeted raid.
“We think the thieves found a way to enter the building, and they grabbed what they could easily find and snatch and get out of the building with,” she said.
Image: Oakland Museum of California. Pic: Leopold Macaya/Oakland Museum of California/AP
A metal neckpiece by the late artist Florence Resnikoff, scrimshaw walrus tusks and Native American baskets were taken, with the thieves also making off with historic memorabilia like pins and sporting items.
Experts believe some items may have already been sold.
John Romero, a retired police captain, told the Los Angeles Times he expects detectives are looking at resale platforms such as Craigslist and Ebay, as well as networks specialising in historic or collectable goods.
“These people are interested in fast cash, not the full appraisal value,” he said. “They need to get rid of it quickly.”
Oakland Police Department is working with a specialist art crime unit of the FBI to track down the items.
They were one of the main staples of noughties music in the UK and Ireland and to celebrate 25 years of touring, Westlife have returned to the spotlight again.
The boy band has released a new song called Chariot, with an album following suit in February and a tour that will take them around the world next year.
“The Westlife story is fairy tale stuff and we’re very lucky and proud to be part of it”, Shane Filan tells Sky News at the Royal Albert Hall, where they have just performed for two nights.
“It took our breath away. We came out to the Royal Albert Hall thinking it might be a little bit more intimate than a big arena and just the sheer noise, the sheer screams from the women and everyone just having good fun.
“The support and love, we never felt it like we did in the room. It was amazing.”
Image: Westlife started their 25th anniversary celebrations with two sold-out shows at the Royal Albert Hall in London
Formed by their manager Louis Walsh in the late 1990s, the group originally consisted of Filan, Mark Feehily, Brian McFadden, Nicky Byrne and Kian Egan.
McFadden left the group in 2004 to pursue a solo career, but the other four have remained together.
Due to health issues, Feehily can’t join the celebrations, but representatives say he is still very much part of the band and features on their new music and upcoming album.
Image: Westlife were blown away by the ‘sheer noise’ of screaming fans at the Royal Albert Hall. Pic: Sony Music
Image: Pic: Sony Music
History-making chart successes
Westlife are joint third with Sir Cliff Richard and Ed Sheeran for the most UK number one singles in history, just behind Elvis and The Beatles.
In their first 18 months, they secured seven of those top spots thanks to songs like Flying Without Wings, I Have A Dream and If I Let You Go.
Reflecting on the years gone by, Byrne says the nostalgia hits harder than ever.
“You see the generations coming to the shows, people letting their hair down, people remembering the songs from their first kiss, the first dance, all those special things that music does,” he says.
“Not even just for the fans – we’re having the time of our lives.
“We’re singing these songs up there… I remember breaking the wardrobe door when we were promoting Swear It Again, and now we’re singing it in front of the Royal Albert Hall and look, I mean, just look at this place.”
Image: (L-R) Kian Egan, Nicky Bryne and Shane Filan say they are having ‘the time of their lives’ performing together again
Famous fans and furniture
For Byrne, finding out about fans of their music never gets old, and their song Flying Without Wings seems to be a key component of their stature in music.
“I did Soccer Aid with Tom Grennan recently, and he was talking all about how he grew up listening to Westlife – his dad is Irish. Big Zuu, who scored the winning goal, he was like, ‘Flying Without Wings, man, is the best song I’ve ever heard’.”
It’s the same song Sheeran first learned to play guitar on, and years later, he began writing songs for the group, including their latest single Chariot.
Oddly, it’s their choice in furniture that receives just as much attention as their music over the years, with four stools becoming synonymous with the group.
Stemming from their lack of dancing skills, according to Simon Cowell at least, they chose to change it up and simply rise from their chair on the key change of the song.
“We are stool connoisseurs. It’s become a very strange thing and it’s nearly as big as our music. It’s genuinely as big as You Raise Me Up,” Filan laughs.
Image: Filan (R) jokes that the band have become ‘stool connoisseurs’
Keeping their kids grounded
As the band continued to release music, each member settled down and had families of their own. Now their children are around the same age they were when they first started as a group.
Egan says they all made a conscious decision to raise the next generation away from the spotlight.
“We don’t want our kids growing up in this world and at the end of the day they are privileged, so it’s really important for us to keep them grounded and to try and give them as much of a natural kind of upbringing as they possibly can, and I think that’s why we choose to bring them up in the same places that we grew up,” he adds.
Byrne chimes in jokingly: “Slightly bigger houses, though!”
It was this tour that caused Byrne’s children to realise the extent of their father’s fame.
“I have twin boys who are 18 and a half, and the middle girl is 12. So last week, when the tour went on sale in Ireland, and we went from five nights in the 3Arena to 13, and from Belfast it went from three right up to seven, and the boys are looking at me, going, ‘You’re doing 13 nights in the 3Arena’.
“And it is even me looking at them going, ‘Yeah, right’. It hits you, it hits you there in a way, to be honest with you. I got a little bit cooler then.”
Running from September 2026, Westlife 25 – The Anniversary World Tour, will kick off in Dublin for 13 shows before heading to Aberdeen, Glasgow, Newcastle, Leeds, Sheffield, London, Brighton, Bournemouth, Birmingham, Cardiff, Manchester and then Belfast for seven nights.
Gigs in Paris, Hamburg, Copenhagen, Stockholm, Amsterdam, Antwerp, Cologne and Zurich will follow.
Tickets for Westlife’s UK tour dates go on sale this Friday.