Connect with us

Published

on

At London’s Hammersmith Apollo in the spring of 2001, Kylie Minogue previewed a previously unheard song.

While new material doesn’t always receive quite the same enthusiasm in a live setting as fan favourites – particularly when you have a back catalogue of bangers such as Kylie‘s – this was Can’t Get You Out Of My Head, an instant earworm like nothing she had recorded before, a song that was soon to take on a life of its own.

Rob Davis, former Mud glam-rocker turned acclaimed pop and dance songwriter, was in the crowd to see it performed on stage, before Minogue had even recorded it. “It was really exciting,” he says. “It went down amazingly. It’s quite sing-along, isn’t it, so I think people got the gist quickly. And it’s Kylie, people love her, don’t they?”

The previous year, with three-and-a-half minutes of shiny disco pop helped by a pair of teeny gold hotpants, Minogue had firmly reinstated herself as one of our most beloved music stars, following her mid-90s period experimenting with the still brilliant (Confide In Me remains one of her best) but less commercially friendly Indie Kylie. Spinning Around was glitzy and fun and instantly propelled the singer back to the top of the charts – but if this was Minogue’s “comeback”, we hadn’t seen anything yet.

La la la, la la la la la: 20 years ago, in September 2001, Can’t Get You Out Of My Head was suddenly everywhere. Released first in Australia and the following week in the UK, it spent four weeks at number one over here (one of just two tracks that year to stay for so long, matched only by Atomic Kitten’s Whole Again) and 30 weeks in the Top 40 in total, according to Official Charts.

Another charts fact? It took just over four months to sell a million – compare that with 25 years for her second biggest-selling UK hit, 1989’s loved-up duo with Jason Donovan, Especially For You. Around the world, it is estimated to have sold more than five million copies.

It was a moment in music where the stars aligned: a song we aptly couldn’t get out of our heads; a slick, futuristic video with simple, almost robotic choreography (the start of Kylie’s jerky, face-up-close-to-the-camera moves she became known for around the period of Fever, her eighth album); and another unforgettable outfit in the form of her hooded, slashed-to-the-navel white jumpsuit.

More on Kylie Minogue

Plus of course, the magic of Kylie.

It started in a garage-turned-studio at Davis’s then home in Epsom, Surrey. Davis – who includes Spiller’s huge summer 2000 hit Groovejet (If This Ain’t Love), featuring Sophie Ellis-Bextor, and dance classic Toca’s Miracle, also released in 2000, on his CV – co-wrote the track with Cathy Dennis, another former pop star turned acclaimed songwriter. It was the first time they had ever worked together.

Kylie Minoque in concert at the Hammersmith Apollo in 2001. Pic: Ilpo Musto/Shutterstock
Image:
Minoque performed the song live for the first time at the Hammersmith Apollo in 2001, before it had been released. Pic: Ilpo Musto/Shutterstock


Kylie Minogue performing in Munich, Germany, in 2002
Image:
The star performing in Munich, Germany, in 2002

“It was just one of those days where everything worked,” he says. “It was all written as we went, no preconceived ideas or anything. All I started with was a 125 drum loop… and I played a bit of guitar and [Dennis] came in with the ‘I Just Can’t Get You Out Of My Head’ thing straight away. Gradually, we wrote it in sections on the keyboard. With a lot of dance music, you have a whole backing track first. But we didn’t, we gradually wrote it from top to bottom as we went along.”

Eschewing the traditional verse-chorus-verse pattern, Can’t Get You Out Of My Head has an unusual structure. “It’s funny because at the time one of my publishers said to me, ‘where’s the chorus?’ because it comes in with different hooks… this was almost chorus-bridge-chorus. But there’s no rules, really. It’s a good example, Can’t Get You Out Of My Head, that you can go anywhere.”

Kylie Minogue with two awards - best pop and best dance artist - at the MTV Europe Music Awards in Barcelona in November 2002
Image:
The star went on to win numerous awards, including best pop and best dance artist at the MTV Europe Music Awards in 2002, following the release of Can’t Get You Out Of My Head and the Fever album

Davis says he and Dennis had a good feeling about the song, knew that in the right hands it could do very well. “But there’s other songs I’ve been excited about that haven’t done as well,” he says. So he didn’t let himself get too excited.

The song was originally sent to Ellis-Bextor’s team, who reportedly passed, and S Club 7 were said to have been in the running at one point, too. Ellis-Bextor, says Davis, is a friend and “always has a grin” when it comes up; the song that got away.

“I don’t think it could have been as big with anybody else,” he says. “It just worked for her brilliantly.” Minogue’s A&R representative wanted it immediately and, according to a 2012 interview with The Quietus, it took just 20 seconds of hearing the demo for the star herself to be hooked. She went to Davis’s garage studio to record it.

“It was a sweet moment, she was really nice,” says Davis. “She brought her own food – smoked salmon and stuff like that, from a deli – and brought enough for everybody. It was all done in the garage, just me and Cathy producing it. It was done in bits but she’d already learnt it – she’s very pro, Kylie. She’d done it live before, routined it for the [Hammersmith] live gig, which was really cool. So she already knew the song really well.”

Five months after the song’s release, Minogue performed it at the Brits, a mash-up with New Order’s Blue Monday, arriving on stage on a giant Kylie CD. She won the awards for best international female and album, for Fever. At the MTV Europe Music Awards later in 2002, she was named best pop act and best dance act.

“The whole buzz around it was incredible,” says Davis. “It was an amazing time. I think now, it’s considered an iconic song for her.” Davis and Dennis also wrote Come Into My World, another track on Fever, which won a Grammy in 2004.

Can’t Get You Out Of My Head even broke through to the NME Awards and was nominated for best single that year. As Minogue has put it herself, the song “kick-started a whole different phase in my career”. The music has never stopped, with the star releasing her 15th album, Disco, in 2020 – and becoming the first woman to top the UK album chart across five decades.

“Wow. I mean, WOW!!! What a moment in my lifetime,” she said, sharing a clip from the Can’t Get You Out Of My Head video on social media to mark the Australia release earlier this month. “I’ve been singing it ever since!!!”

Haven’t we all?

Continue Reading

Entertainment

Denis Villeneuve: Director of next James Bond film announced – and says he’s a ‘diehard 007 fan’

Published

on

By

Denis Villeneuve: Director of next James Bond film announced  - and says he's a 'diehard 007 fan'

The director of the next James Bond film has been announced.

Denis Villeneuve – a four-time Academy Award nominee who earned critical acclaim for the Dune Franchise and Blade Runner 2049 – said the role is a “massive responsibility”.

The Canadian filmmaker described himself as a “diehard” fan since childhood, adding that it is a “huge honour” to come on board.

“Some of my earliest movie-going memories are connected to 007. I grew up watching James Bond films with my father, ever since Dr No with Sean Connery,” Villeneuve said.

Sean Connery as James Bond in From Russia With Love. Pic: The Legacy Collection/THA/Shutterstock 1963
Image:
Sean Connery as James Bond. Pic: The Legacy Collection/THA/Shutterstock 1963

Reassuring fans, the director continued: “To me, he’s sacred territory. I intend to honour the tradition and open the path for many new missions to come.”

His appointment comes as the British spy franchise experiences a major overhaul, with Barbara Broccoli and Michael G Wilson handing over creative control to Amazon MGM Studios.

Daniel Craig as James Bond in.Spectre.
Pic:Credit: Photo by /Columbia/Eon/Shutterstock
Image:
Daniel Craig as James Bond in Spectre. Pic: Columbia/Eon/Shutterstock

The Broccoli family have long been the force behind the Bond films, and now co-own the intellectual property.

More on Denis Villeneuve

Two recently appointed producers – Spider-Man’s Amy Pascal and Harry Potter’s David Heyman – said securing a director and developing a screenplay were top priorities before deciding who would succeed Daniel Craig in the role.

Read more entertainment news:
After Amazon takeover, what happens to James Bond?
Richard E Grant goes on ’emotional’ Gavin And Stacey tour
‘A gold rush’: What’s driving the boom in immersive events?

Denis Villeneuve. Pic: Reuters
Image:
Denis Villeneuve. Pic: Reuters

The head of Amazon MGM Studios, Mike Hopkins, described Villeneuve as a “cinematic master whose filmography speaks for itself”.

He added: “Denis has delivered compelling worlds, dynamic visuals, complex characters, and – most importantly – the immersive storytelling that global audiences yearn to experience in theatres.

“James Bond is in the hands of one of today’s greatest filmmakers and we cannot wait to get started on 007’s next adventure.”

Continue Reading

Entertainment

‘We watched Gavin And Stacey on repeat’: Richard E Grant goes on ’emotional’ tour in memory of his late wife

Published

on

By

'We watched Gavin And Stacey on repeat': Richard E Grant goes on 'emotional' tour in memory of his late wife

Richard E Grant has shared an emotional video of his trip to Barry – the town made famous by the hit TV show Gavin And Stacey.

He was joined by the show’s co-creator Ruth Jones, who is best known for playing Nessa.

They are both filming a new drama called The Other Bennet Sister, which delves into a character in Jane Austen’s Pride And Prejudice.

Grant excitedly said “oh my god” as he stood outside Stacey’s family home – and headed across the road to Uncle Bryn’s.

A trip to Barry Island soon followed to visit some of the sitcom’s most famous landmarks, including Marco’s Cafe and the beachfront.

And the actor’s visit wouldn’t have been complete without Jones putting on her best Nessa voice – and asking: “Oh, Rich, what’s occurin’?

“It’s really emotional being here,” Grant said.

“The last months of my wife’s life, we watched Gavin And Stacey on repeat – and it just cheered us up endlessly.”

In 2021, Grant announced that his wife Joan Washington had died – eight months after she was diagnosed with stage four lung cancer.

At the time, he described his family’s loss as “incalculable”.

Continue Reading

Entertainment

Sean ‘Diddy’ Combs praises judge and chooses not to testify as trial draws to a close

Published

on

By

Sean 'Diddy' Combs praises judge and chooses not to testify as trial draws to a close

Prosecutors and defence lawyers have rested their cases in the sex-trafficking trial of Sean “Diddy” Combs, bringing more than six weeks of testimony against the hip-hop mogul to a close.

The high-profile trial has heard from more than 30 witnesses, including the rapper’s ex-girlfriend Cassie Ventura, as well as former employees of his company Bad Boy Entertainment, male escorts, law enforcement officers and hotel staff.

But one person jurors won’t hear from is Combs himself.

Confirming this to Judge Arun Subramanian, the rapper said he had discussed the issue of testifying “thoroughly” with his team and made the decision not to give evidence. He also thanked the judge and told him he was doing an “excellent job”.

Diddy trial: As it happened

Sean "Diddy" Combs watches as his former girlfriend Casandra "Cassie" Ventura is sworn in as a prosecution witness before U.S. District Judge Arun Subramanian at Combs' sex trafficking trial in New York City, New York, U.S., May 13, 2025 in this courtroom sketch. REUTERS/Jane
Image:
Cassie Ventura was heavily pregnant when she testified at the start of the trial. Pic: Jane Rosenberg/ Reuters

After the prosecution rested, the defence team moved for the judge to acquit the 55-year-old – a fairly standard move – saying attorneys for the government had not provided evidence to prove any of the charges filed.

They then presented a brief case themselves, submitting more text messages as evidence to show Combs and his girlfriends were in loving, consensual relationships, and making a few stipulations about testimony, but calling no witnesses. This lasted for less than an hour.

They have previously conceded Combs has been violent in the past, something he is “not proud” of, but said this did not make him a sex trafficker.

The charges against ‘Diddy’

Sean ‘Diddy’ Combs is charged with one count of racketeering conspiracy, two charges of sex-trafficking, and two charges of transportation to engage in prostitution.

He has pleaded not guilty to all charges and has strenuously denied all allegations of sexual abuse. The hip-hop mogul’s defence team has described him as “a complicated man” but say the case is not.

They have conceded Combs could be violent and that jurors might not condone his proclivity for “kinky sex”. However, they argue this was a consensual “swingers” lifestyle and was not illegal.

Combs has remained in jail without bail since he was arrested in New York in September last year.

Throughout the trial, defence lawyers have made their case for exoneration through their questioning of witnesses called by the prosecution, including several who gave evidence reluctantly or after they were granted immunity to testify.

Prosecutors argue Combs coerced and forced Cassie and another former girlfriend, who testified under the pseudonym Jane, into “freak off” sex sessions with male escorts, and used his business empire to facilitate these, as well as drug use, and cover up bad behaviour.

Sean 'Diddy' Combs as jurors were shown explicit videos during his sex trafficking trial. Pic: Court sketch/Jane Rosenberg/Reuters
Image:
Jurors have seen several clips of explicit footage. Pic: Jane Rosenberg/ Reuters

During the first week of the trial, Cassie, 38, spent four days giving evidence. Heavily pregnant at the time, she told jurors she felt pressured to take part in hundreds of “freak offs” with male sex workers as Combs watched.

She told the court they became so frequent during their relationship, which began in 2007 and ended in 2018, that they were “like a job”, and she had barely any time for her own career.

The singer and musician gave birth two weeks after her testimony, her friend and former stylist confirmed as he gave evidence himself in court.

Jane testified for six days about similar sexual performances, which Combs referred to as “hotel nights”, “wild king nights” or “debauchery” with her, the court heard. Like Cassie, she said she felt coerced into engaging in them because she loved the music star and wanted to please him.

Jane dated Combs on and off from early 2021 to his arrest in 2024.

Jurors have been shown several recordings of these sex sessions, lasting more than 40 minutes in total. The footage was shown on monitors and jurors used headphones, keeping it private from the media and members of the public in court.

In her opening statement, defence lawyer Teny Geragos called the videos “powerful evidence that the sexual conduct in this case was consensual and not based on coercion”.

Read more:
Everything you need to know about the trial
The rise and fall of Sean ‘Diddy’ Combs
What we learned from Cassie’s testimony

The trial also heard from Mia, another alleged victim who testified under a pseudonym. Mia was a former employee of Combs, who told the court he sexually assaulted her on several occasions in the years she worked for him.

She had never told anyone about the alleged abuse until the investigation into Combs, she said, telling the court she was ashamed. “I was going to die with this,” she said, becoming tearful on the stand. “I didn’t want anyone to know ever.”

The trial has been eventful, with one juror dismissed and replaced by an alternate after it emerged he had given conflicting evidence about where he lives. The judge said he had “serious concerns” that not being truthful about this could potentially mean he wanted to be on the jury for a particular reason.

And at one point, Combs was warned by the judge for nodding enthusiastically toward jurors during a section of cross-examination by his lawyers. The judge said he could be excluded from the trial if it happened again.

Court is not in session on Wednesday. The trial continues on Thursday, when closing statements from the legal teams will begin.

Continue Reading

Trending