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At London’s Hammersmith Apollo in the spring of 2001, Kylie Minogue previewed a previously unheard song.

While new material doesn’t always receive quite the same enthusiasm in a live setting as fan favourites – particularly when you have a back catalogue of bangers such as Kylie‘s – this was Can’t Get You Out Of My Head, an instant earworm like nothing she had recorded before, a song that was soon to take on a life of its own.

Rob Davis, former Mud glam-rocker turned acclaimed pop and dance songwriter, was in the crowd to see it performed on stage, before Minogue had even recorded it. “It was really exciting,” he says. “It went down amazingly. It’s quite sing-along, isn’t it, so I think people got the gist quickly. And it’s Kylie, people love her, don’t they?”

The previous year, with three-and-a-half minutes of shiny disco pop helped by a pair of teeny gold hotpants, Minogue had firmly reinstated herself as one of our most beloved music stars, following her mid-90s period experimenting with the still brilliant (Confide In Me remains one of her best) but less commercially friendly Indie Kylie. Spinning Around was glitzy and fun and instantly propelled the singer back to the top of the charts – but if this was Minogue’s “comeback”, we hadn’t seen anything yet.

La la la, la la la la la: 20 years ago, in September 2001, Can’t Get You Out Of My Head was suddenly everywhere. Released first in Australia and the following week in the UK, it spent four weeks at number one over here (one of just two tracks that year to stay for so long, matched only by Atomic Kitten’s Whole Again) and 30 weeks in the Top 40 in total, according to Official Charts.

Another charts fact? It took just over four months to sell a million – compare that with 25 years for her second biggest-selling UK hit, 1989’s loved-up duo with Jason Donovan, Especially For You. Around the world, it is estimated to have sold more than five million copies.

It was a moment in music where the stars aligned: a song we aptly couldn’t get out of our heads; a slick, futuristic video with simple, almost robotic choreography (the start of Kylie’s jerky, face-up-close-to-the-camera moves she became known for around the period of Fever, her eighth album); and another unforgettable outfit in the form of her hooded, slashed-to-the-navel white jumpsuit.

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Plus of course, the magic of Kylie.

It started in a garage-turned-studio at Davis’s then home in Epsom, Surrey. Davis – who includes Spiller’s huge summer 2000 hit Groovejet (If This Ain’t Love), featuring Sophie Ellis-Bextor, and dance classic Toca’s Miracle, also released in 2000, on his CV – co-wrote the track with Cathy Dennis, another former pop star turned acclaimed songwriter. It was the first time they had ever worked together.

Kylie Minoque in concert at the Hammersmith Apollo in 2001. Pic: Ilpo Musto/Shutterstock
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Minoque performed the song live for the first time at the Hammersmith Apollo in 2001, before it had been released. Pic: Ilpo Musto/Shutterstock


Kylie Minogue performing in Munich, Germany, in 2002
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The star performing in Munich, Germany, in 2002

“It was just one of those days where everything worked,” he says. “It was all written as we went, no preconceived ideas or anything. All I started with was a 125 drum loop… and I played a bit of guitar and [Dennis] came in with the ‘I Just Can’t Get You Out Of My Head’ thing straight away. Gradually, we wrote it in sections on the keyboard. With a lot of dance music, you have a whole backing track first. But we didn’t, we gradually wrote it from top to bottom as we went along.”

Eschewing the traditional verse-chorus-verse pattern, Can’t Get You Out Of My Head has an unusual structure. “It’s funny because at the time one of my publishers said to me, ‘where’s the chorus?’ because it comes in with different hooks… this was almost chorus-bridge-chorus. But there’s no rules, really. It’s a good example, Can’t Get You Out Of My Head, that you can go anywhere.”

Kylie Minogue with two awards - best pop and best dance artist - at the MTV Europe Music Awards in Barcelona in November 2002
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The star went on to win numerous awards, including best pop and best dance artist at the MTV Europe Music Awards in 2002, following the release of Can’t Get You Out Of My Head and the Fever album

Davis says he and Dennis had a good feeling about the song, knew that in the right hands it could do very well. “But there’s other songs I’ve been excited about that haven’t done as well,” he says. So he didn’t let himself get too excited.

The song was originally sent to Ellis-Bextor’s team, who reportedly passed, and S Club 7 were said to have been in the running at one point, too. Ellis-Bextor, says Davis, is a friend and “always has a grin” when it comes up; the song that got away.

“I don’t think it could have been as big with anybody else,” he says. “It just worked for her brilliantly.” Minogue’s A&R representative wanted it immediately and, according to a 2012 interview with The Quietus, it took just 20 seconds of hearing the demo for the star herself to be hooked. She went to Davis’s garage studio to record it.

“It was a sweet moment, she was really nice,” says Davis. “She brought her own food – smoked salmon and stuff like that, from a deli – and brought enough for everybody. It was all done in the garage, just me and Cathy producing it. It was done in bits but she’d already learnt it – she’s very pro, Kylie. She’d done it live before, routined it for the [Hammersmith] live gig, which was really cool. So she already knew the song really well.”

Five months after the song’s release, Minogue performed it at the Brits, a mash-up with New Order’s Blue Monday, arriving on stage on a giant Kylie CD. She won the awards for best international female and album, for Fever. At the MTV Europe Music Awards later in 2002, she was named best pop act and best dance act.

“The whole buzz around it was incredible,” says Davis. “It was an amazing time. I think now, it’s considered an iconic song for her.” Davis and Dennis also wrote Come Into My World, another track on Fever, which won a Grammy in 2004.

Can’t Get You Out Of My Head even broke through to the NME Awards and was nominated for best single that year. As Minogue has put it herself, the song “kick-started a whole different phase in my career”. The music has never stopped, with the star releasing her 15th album, Disco, in 2020 – and becoming the first woman to top the UK album chart across five decades.

“Wow. I mean, WOW!!! What a moment in my lifetime,” she said, sharing a clip from the Can’t Get You Out Of My Head video on social media to mark the Australia release earlier this month. “I’ve been singing it ever since!!!”

Haven’t we all?

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Reports of BBC coup ‘complete nonsense’, board member tells MPs

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Reports of BBC coup 'complete nonsense', board member tells MPs

Reports of a “board-level orchestrated coup” at the BBC are “complete nonsense”, non-executive director Sir Robbie Gibb has told MPs.

Sir Robbie, whose position on the BBC board has been challenged by critics in recent weeks, was among senior leaders, including the broadcaster’s chair, Samir Shah, to face questions from the Culture, Media and Sport committee about the current crisis.

The hearing took place in the wake of the fallout over the edit of a speech by US President Donald Trump, which prompted the resignation of the corporation’s director-general and the chief executive of BBC News, and the threat of a lawsuit from the US president.

Former BBC editorial adviser Michael Prescott wrote the memo that was leaked. Pic: PA
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Former BBC editorial adviser Michael Prescott wrote the memo that was leaked. Pic: PA

Former editorial adviser Michael Prescott, whose leaked memo sparked the recent chain of events, also answered questions from MPs – telling the hearing he felt he kept seeing “incipient problems” that were not being tackled.

He also said Mr Trump’s reputation had “probably not” been tarnished by the Panorama edit.

During his own questioning, Sir Robbie addressed concerns of potential political bias – he left BBC News in 2017 to become then prime minister Theresa May’s director of communications, a post he held until 2019, and was appointed to the BBC board in 2021 by Boris Johnson.

BBC board member Sir Robbie Gibb appearing before the Culture, Media and Sport committee. Pic: PA
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BBC board member Sir Robbie Gibb appearing before the Culture, Media and Sport committee. Pic: PA

“I know it’s hard to marry the fact that I spent two years as director of communications for the government… and my genuine passion for impartiality,” he said.

“I want to hear the full range of views… I don’t want the BBC to be partisan or favour any particular way.”

Asked about reports and speculation that there has been a “board-level orchestrated coup”, Sir Robbie responded: “It’s up there as one of the most ridiculous charges… People had to find some angle.

“It’s complete nonsense. It’s also deeply offensive to fellow board members… people of great standing in different fields.”

He said his political work has been “weaponised” – and that it was hard as a non-executive member of the BBC to respond to criticism.

‘We should have made the decision earlier’

BBC chair Samir Shah also answered questions. Pic: PA
Image:
BBC chair Samir Shah also answered questions. Pic: PA

Mr Shah admitted the BBC was too slow in responding to the issue of the Panorama edit of Mr Trump, which had been flagged long before the leaked memo.

“Looking back, I think we should have made the decision earlier,” he said. “I think in May, as it happens.

“I think there is an issue about how quickly we respond, the speed of our response. Why do we not do it quickly enough? Why do we take so much time? And this was another illustration of that.”

Following reports of the leaked memo, it took nearly a week for the BBC to issue an apology.

Mr Shah told the committee he did not think Mr Davie needed to resign over the issue and that he “spent a great deal of time” trying to stop him from doing so.

Is director-general role too big for one person?

Tim Davie is stepping down as BBC director-general
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Tim Davie is stepping down as BBC director-general

Asked about his own position, Mr Shah said his job now is to “steady the ship”, and that he is not someone “who walks away from a problem”.

A job advert for the BBC director-general role has since gone live on the corporation’s careers website.

Mr Shah told the hearing his view is that the role is “too big” for one person and that he is “inclined” to restructure roles at the top.

He says he believes there should also be a deputy director-general who is “laser-focused on journalism”, which is “the most important thing and our greatest vulnerability”.

Earlier in the hearing, Mr Prescott gave evidence alongside another former BBC editorial adviser, Caroline Daniel.

He told the CMS committee that there are “issues of denial” at the BBC and said “the management did not accept there was a problem” with the Panorama episode.

Mr Prescott’s memo highlighted concerns about the way clips of Mr Trump’s speech on January 6 2021 were spliced together so it appeared he had told supporters he was going to walk to the US Capitol with them to “fight like hell”.

‘I can’t think of anything I agree with Trump on’

Mr Trump has said he is going to pursue a lawsuit of between $1bn and $5bn against the broadcaster, despite receiving an official public apology.

Asked if the documentary had harmed Mr Trump’s image, Mr Prescott responded: “I should probably restrain myself a little bit, given that there is a potential legal action.

“All I could say is, I can’t think of anything I agree with Donald Trump on.”

He was later pushed on the subject, and asked again if he agreed that the programme tarnished the president’s reputation, to which he then replied: “Probably not.”

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Why are people calling for Sir Robbie Gibb to go?

Mr Prescott, a former journalist, also told the committee he did not know how his memo was leaked to the Daily Telegraph.

“At the most fundamental level, I wrote that memo, let me be clear, because I am a strong supporter of the BBC.

“The BBC employs talented professionals across all of its factual and non-factual programmes, and most people in this country, certainly myself included, might go as far as to say that they love the BBC.

He said he “never envisaged” the fallout that would occur. “I was hoping the concerns I had could, and would, be addressed privately in the first instance.”

Asked if he thinks the BBC is institutionally biased, he said: “No, I don’t.”

He said that “tonnes” of the BBC’s work is “world class” – but added that there is “real work that needs to be done” to deal with problems.

Mr Davie, he said, did a “first-rate job” as director-general but had a “blind spot” toward editorial failings.

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Rapper Ghetts facing new charges after allegedly causing death by dangerous driving

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Rapper Ghetts facing new charges after allegedly causing death by dangerous driving

The rapper Ghetts, who allegedly caused the death of a man in a hit-and-run collision, is facing further charges.

The rapper was charged at the end of last month after a 20-year-old died in a road incident in northeast London.

The musician, whose real name is Justin Clarke-Samuel, initially faced a single count of causing the death of Yubin Tamang by dangerous driving.

He now faces two further charges of driving dangerously before and after the collision on 18 October.

It is alleged he drove dangerously in Tavistock Place, in the Bloomsbury area of central London, and on other roads in the borough of Camden, north London.

The collision with Mr Tamang occurred in Redbridge Lane, Ilford, at 11.33pm on 18 October, the Met Police said. Clarke-Samuel is accused of failing to stop after his BMW hit the victim.

Mr Tamang died on 20 October.

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Clarke-Samuel allegedly continued to drive dangerously in Worcester Crescent, Redbridge, on the journey back to his home in King’s Avenue, Woodford, east London.

The black BMW, which is allegedly registered and insured in the defendant’s name, was said to have suffered significant damage.

The rapper has been in custody since a preliminary appearance at Barkingside Magistrates’ Court on 27 October.

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On Monday, he appeared at the Old Bailey by videolink from Pentonville prison and spoke to confirm his name.

Mr Tamang’s family watched in the court, having travelled to the UK from Nepal.

Adjourning the case, Judge Nigel Lickley KC said Clarke-Samuel could appear in court by videolink again next time as he remanded him in custody.

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Jimmy Cliff: Reggae singer and actor dies

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Jimmy Cliff: Reggae singer and actor dies

Jimmy Cliff, a musical artist who helped bring reggae to an international audience, has died aged 81.

Known for hits including You Can Get It If You Really Want, The Harder They Come, and Many Rivers To Cross, his career spanned six decades.

Cliff performing on the Pyramid Stage, at the Glastonbury Festival in 2003. Pic: PA
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Cliff performing on the Pyramid Stage, at the Glastonbury Festival in 2003. Pic: PA


His wife, Latifa Chambers wrote on Instagram: “It’s with profound sadness that I share that my husband, Jimmy Cliff, has crossed over due to a seizure followed by pneumonia.

“I am thankful for his family, friends, fellow artists and coworkers who have shared his journey with him.

“To all his fans around the world, please know that your support was his strength throughout his whole career. He really appreciated each and every fan for their love.”

Thanking the medical staff who helped during his illness, she added: “Jimmy, my darling, may you rest in peace. I will follow your wishes.”

Signed by his wife, and two of his children, Latifa and Lilty, the statement concluded: “We see you Legend.”

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Tributes to the singer included those from Jamaican Prime Minister Andrew Holness, calling him “a true cultural giant whose music carried the heart of our nation to the world… Jimmy Cliff told our story with honesty and soul. His music lifted people through hard times, inspired generations, and helped to shape the global respect that Jamaican culture enjoys today.”

UB40 star Ali Campbell, who covered Cliff’s song Many Rivers To Cross in 1983, also paid tribute, saying he was “absolutely heartbroken to hear about the passing of a Reggae forefather” in a post on X.

Campbell also called Cliff “a pillar of our music, and one of the first to carry reggae out into the world”.

Jimmy Cliff (L) stands with Wyclef Jean at his Rock and Roll Hall of Fame induction in 2010. Pic: Reuters
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Jimmy Cliff (L) stands with Wyclef Jean at his Rock and Roll Hall of Fame induction in 2010. Pic: Reuters

A legend of music and screen

A two-time Grammy-winning artist, Cliff was awarded the Jamaican Order of Merit in 2003, the highest honour in the arts and sciences, from the Jamaican government.

Over the years, he would work with stars including the Rolling Stones, Sting, Elvis Costello, Annie Lennox, Paul Simon and Wyclef Jean.

He was inducted into the Rock and Roll Hall of Fame in 2010.

A prolific writer, frequently expressing his humanitarian views through his work, his 1969 track Vietnam was reportedly described by Bob Dylan as “the best protest song” he had ever heard.

Cliff was also well known for cover versions of songs, including Johnny Nash’s I Can See Clearly Now, which appeared on the soundtrack of the 1993 movie Cool Runnings, and Cat Stevens’ Wild World.

He twice performed on high-profile US chat show Saturday Night Live.

An actor and a musician, as well as singing the title track of 1972 cult classic The Harder They Come, Cliff also starred in it.

One of the first major commercial releases to come out of Jamaica, the movie is credited with bringing reggae to the world, as well as showing a grittier and more realistic side to the country.

During this time, Cliff’s fame rivalled Bob Marley as the reggae’s most prominent artist.

The storyline, which revolved around Cliff’s character, Ivan, moving to Kingston, Jamaica, to make it as a musical superstar, had parallels with his own.

Cliff at the MOBO (Music of Black Origin) Awards at the London Arena in London's Docklands in 2002. Pic: PA
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Cliff at the MOBO (Music of Black Origin) Awards at the London Arena in London’s Docklands in 2002. Pic: PA

‘Hurricane Hattie’

He was born James Chambers, during a hurricane, on 30 July 1944, in St James Parish, northwestern Jamaica.

In the 1950s, he moved with his father from the family farm to Kingston, determined to succeed in the music industry.

He began writing as Jamaica was gaining its independence from Britain, and as the early sounds of reggae – first called ska – were being developed.

At just 14, he became nationally famous for the song Hurricane Hattie, which he had written himself.

Cliff would go on to record over 30 albums and perform all over the world, including in Paris, in Brazil and at the World’s Fair, an international exhibition held in New York in 1964.

The following year, Island Records’ Chris Blackwell, the producer who launched Bob Marley And The Wailers, invited Cliff to work in the UK.

Jimmy Cliff during the Love Supreme Jazz Festival in 2019. Pic: Shutterstock
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Jimmy Cliff during the Love Supreme Jazz Festival in 2019. Pic: Shutterstock

‘I still have many rivers to cross!’

Speaking about his burning passion for life during a 2019 interview, when the star had begun losing his sight, Cliff said: “When I’ve achieved all my ambitions, then I guess that I will have done it and I can just say ‘great’.

“But I’m still hungry. I want it. I’ve still got the burning fire that burns brightly inside of me – like I just said to you. I still have many rivers to cross!”

Cliff’s last studio album, Refugees, made with Wyclef Jean, was released in 2022, and the singer said he wrote the title track “due to emotional feelings towards freedom taken away from human beings”.

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