British talent has dominated TV’s biggest awards night, with stars including Kate Winslet, Ewan McGregor and Michaela Coel honoured – and royal drama The Crown and feel-good football comedy Ted Lasso cleaning up.
The 2021 Emmys was a night of Hollywood bowing down to the UK’s acting royalty, with The Crown named best drama and stars Olivia Colman and Josh O’Connor taking home awards for their portrayals of the Queen and Prince Charles in the fourth season of the hit Netflix series.
One of the most applauded wins of the night was Coel’s writing recognition for her hard-hitting drama I May Destroy You – an award she dedicated to “every single survivor of sexual assault”.
Winslet was named best actress in a limited series for her critically acclaimed performance as a small-town detective in gritty Sky murder drama Mare Of Easttown – in a tough category that saw her up against Cynthia Erivo, Anya Taylor-Joy and Elizabeth Olsen, as well as Coel – while McGregor picked up the best actor equivalent for Halston.
Ted Lasso, the Apple TV+ London-based comedy about an American football coach brought in to manage a struggling English Premier League club, was named best comedy for its first season, while US star Jason Sudeikis picked up the gong for best comedy actor. The series also saw wins for two of its British actors, Hannah Waddingham and Brett Goldstein, who were named best supporting actress and actor in the comedy category.
Advertisement
Perhaps the only real surprise of the night came right at the end with the final award, which saw chess drama The Queen’s Gambit take home the best limited series gong ahead of favourites I May Destroy You and Mare Of Easttown.
Image: Kate Winslet was named outstanding lead actress in a limited or anthology series or movie, for Mare Of Easttown, while Jason Sudeikis (below) won the award for best actor in a comedy, for Ted Lasso
The biggest night in US TV returned to downtown Los Angeles for a glamourous in-person event, 12 months after last year’s pandemic-hit remote ceremony, while many of The Crown stars accepted their awards at a ceremony in London. It was a huge night for the royal show – and a fitting end to Colman’s reign after two seasons, with Imelda Staunton set to take over in series five.
Oscar-winner Colman delivered yet another memorable awards show acceptance speech, becoming emotional as she paid tribute to her late father, who died during the pandemic. “What a lovely end to the most extraordinary journey with this lovely family,” she said. “I loved every second of it and I can’t wait to see what happens next.”
She continued: “I wish my dad was here to see this. I lost my daddy during Covid and he would have loved all of this.”
During his speech, O’Connor paid tribute to his co-star Emma Corrin, who played Princess Diana and was nominated alongside Colman, describing the actress as a “force of nature”. The Crown’s supporting stars also won, with Gillian Anderson and Tobias Menzies recognised for playing Margaret Thatcher and the Duke of Edinburgh respectively.
Coel, the star and creator of the critically acclaimed I May Destroy You, which explores the issues of consent and sexual assault, used her acceptance speech to send a message to fellow writers, saying that “visibility these days seems to somehow equate to success, do not be afraid to disappear, from it, from us, for a while and see what comes to you in the silence”.
Winslet’s win, in one of the most competitive categories, saw her recognised for playing the vape-smoking detective Mare in Mare Of Easttown, one of the year’s most talked about dramas. Accepting her prize, the actress said the decade must be about “women having each other’s backs” – and thanked the show’s creator for writing a lead character who is a “middle-aged, imperfect, flawed mother”, adding: “You made us all feel validated.”
Image: Gillian Anderson, who played Margaret Thatcher in The Crown, was another winner for the hit royal drama
The supporting stars of Mare Of Easttown also won in the limited series category, with Julianne Nicholson named outstanding supporting actress and Evan Peters outstanding supporting actor – both thanked Winslet in their speeches.
Elsewhere, the ceremony’s In Memoriam section included tributes to stars including Larry King, Helen McCrory, Cicely Tyson and Michael K Williams – who died earlier in September, and had been nominated in the supporting actor category for drama.
Actress, dancer and choreographer Debbie Allen was the recipient of this year’s governor’s award, the TV Academy’s lifetime achievement prize – becoming the first black woman to be honoured with the gong.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
More on Beth Rigby Interviews
Related Topics:
They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
X
This content is provided by X, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable X cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to X cookies.
To view this content you can use the button below to allow X cookies for this session only.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
Instagram
This content is provided by Instagram, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable Instagram cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to Instagram cookies.
To view this content you can use the button below to allow Instagram cookies for this session only.
Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
More on Palestine Action
Related Topics:
Please use Chrome browser for a more accessible video player
1:57
Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.