Who’s the best Bond? From Connery to Craig, a look back at all 25 films in pictures
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adminSince his very first film mission in 1962, Britain’s suavest and most famous secret agent has officially brought the fast cars, the gadgets and the death-defying stunts to the big screen no less than 25 times.
James Bond is one of the highest-grossing and most popular media franchises of all time – so after several delays, caused by the pandemic as well as other issues, anticipation has reached fever-pitch for the spy’s latest outing, No Time To Die.
It started with the late, great Sean Connery, with George Lazenby, Roger Moore, Timothy Dalton and Pierce Brosnan all filling 007’s shoes before the incumbent Daniel Craig took over in 2006. (Of course there was David Niven’s Casino Royale spoof in 1967 and Connery’s Never Say Never Again in 1983, too, but as fans will tell you, they were not made by Bond producers Eon, so we’ll count them out).
After No Time To Die, Craig is set to bow out and pass the instructions for the perfect vodka martini over once again.
There has already been lots of speculation about who will play the next Bond – Idris Elba? Tom Hardy? Tom Hiddleston? A – gasp – woman? But that can wait. Here’s a look back at all the films, right from the beginning – the best place to start a James Bondathon. Because nobody does it better…
Dr No (1962)

Bond author Ian Fleming was initially resistant to the casting of Connery as the MI6 agent, describing him as an “overgrown stuntman” who was not refined enough for the role. However, he was later so impressed with his performance that he created a Scottish ancestry for the character in subsequent books. The first film sees Bond in Jamaica investigating the suspected murder of a fellow agent, famously encountering Ursula Andress’s Honey Ryder emerging from the sea in a white bikini during his quest to track down the evil Dr No – who plans to sabotage the US space programme. Spoiler alert: Bond outwits his opponent and rescues the girl – a screen hero is born.
From Russia With Love (1963)

The one with the fight scene on the train. No, not that fight scene on the train, with Roger Moore’s Bond and Jaws, the other one. Connery’s train fight scene saw Bond grappling with Red Grant (played by Robert Shaw) and seemed darker and grittier than many of the films that followed. The baddies also included Rosa Klebb (Lotte Lenya) and her lethal knife shoe – spoofed in the Austin Powers films by the character of Frau Farbissina.
Goldfinger (1964)

The gadget-filled Aston Martin DB5! Oddjob’s lethal bowler hat! Death by gold paint! Bond escaping castration by laser beam! Pussy Galore! Shirley Bassey starting the trend for killer theme songs! For these reasons and more, Goldfinger is widely considered to be up there among the best Bonds. “No, Mr Bond. I expect you to die,” is the famous line from Auric Goldfinger (Gert Frobe) during that stressful laser-beam scene. Fortunately, 007 managed to find a way out of it.
Thunderball (1965)

Sorry Tom Jones, Bassey was always going to be a tough act to follow and your Thunderball just doesn’t compare with the woman with the Midas touch. Still, the film was decent. Bond fact: some 25% of Thunderball screen time takes place underwater, according to the official 007 website. It was billed as the “biggest Bond of all” and it’s certainly quite spectacular: there are spearguns and sharks and a jetpack, which is surely up there with Bond’s greatest ever gadgets? A deserved Oscar for special effect supervisor John Stears.
You Only Live Twice (1967)

Bond is assassinated by Chinese agents in Hong Kong! Don’t worry, it’s all been faked so that 007 can travel incognito to investigate the hijacking of American and Russian spacecraft. Of course it has! In You Only Live Twice, we got to see the face of cat-stroking master villain Blofeld, the Spectre chief played by Donald Pleasence, for the first time, and it’s also the one with the piranhas and the volcanic lair. Bond notes: the screenplay for You Only Live Twice was adapted from the Ian Fleming novel, although disregarded most of the plot, by none other than Roald Dahl. Also, this one was back to form with the theme song, thanks to Nancy Sinatra and those opening strings (nicked by Robbie Williams for his 1998 chart-topping hit, Millenium).
On Her Majesty’s Secret Service (1969)

After five films, Connery said he was feeling the pressure and Bond duties were taken over for one film only by the little known Australian actor George Lazenby. The film sees Bond hunting his old foe Blofeld, and is memorable for its ski chase scenes. Also starring the late Diana Rigg as Tracy (aka the Contessa Teresa di Vicenzo) – the only woman ever to get ladies man Bond to the altar. Sadly, they didn’t get a happy ending. Lazenby was reportedly made to do a retake of the scene, without tears. Because James Bond doesn’t cry.
Diamonds Are Forever (1971)

Connery was enticed back to the franchise, reportedly with a fee of £1.25 million (about £16-£18 million today, adjusting for inflation), and Bassey was back too for her second blistering theme song. This time, Bond impersonates a diamond smuggler in an investigation which leads him to Blofeld once again, in a film that was a little sillier than his previous outings. While the film was a commercial success, later reviews criticised its portrayal of gay assassins Wint and Kidd, and for not making more of the female characters.
Live And Let Die (1973)

One of the best 007 theme songs, thanks to Paul McCartney and Wings, ushered in the Roger Moore era – and the Bond eyebrow. Live And Let Die is the one with the crocodile stepping stones and Jane Seymour’s tarot reader Solitaire, plus Yaphet Kotto as baddie Dr Kananga and his alter-ego Mr Big, the franchise’s first black antagonist. It was a departure from powerful megalomaniac villains to drug-trafficking and voodoo, and while it had all the classic Bond elements of danger and seduction, watching through the lens of 2021 it’s hard to ignore the film’s derogatory clichés.
The Man With The Golden Gun (1974)

The MI6 agent is sent a gold bullet inscribed with 007, a warning that he has been targeted by professional assassin Scaramanga – the man with the golden gun and the third nipple, played by Christopher Lee (a step-cousin of Ian Fleming). Moore’s second outing as Bond sees him determined to track down the killer, travelling to a remote island by seaplane accompanied by assistant Mary Goodnight (Britt Ekland). There’s a battle to retrieve a solex agitator (us neither), some martial arts thrown in for good measure, and a corkscrew car jump from a rickety bridge that was apparently pulled off in one take. Hervé Villechaize is particularly memorable as henchman Nick Nack.
The Spy Who Loved Me (1977)

Another famous Bond train fight scene, this time with henchman Jaws (Richard Kiel) and his famous metal teeth, plus more ski stunts involving a ski pole gun AND a Union Jack parachute. Oh, and there’s also the Lotus Esprit that transformed into a submarine, complete with underwater rockets. The Spy Who Loved Me also provided one of the better Bond theme songs, courtesy of Carly Simon and Nobody Does It Better. Once declared “the greatest film ever made” – not our words, the words of Alan Partridge – it’s a favourite of many Bond aficionados, especially fans of Moore.
Moonraker (1979)

Not a critics’ or fan favourite this one, with a plot involving a hijacked space shuttle and a quest that takes Bond from Venice to Brazil to destroy a highly toxic nerve gas. Bassey returned for the theme song once again but this one doesn’t live up to Goldfinger or Diamonds – sorry, Shirl. There was also a return for Jaws (guess who’s dropped in for a bite, teases the trailer) – and a tense fight scene on a cable car that looks like it could do with a health and safety check, set against the impressive backdrop of Rio de Janeiro’s Sugarloaf Mountain.
For Your Eyes Only (1981)

Back from space and a return to slightly more serious Bond, with Moore’s 007 sent to retrieve the Automatic Targeting Attack communicator (ATAC; see what they did there?) from a sunken spy ship. This mission leads him from Spain to Italy to Corfu, in a race against the Russians, with helicopter stunts and a brush with sharks thrown in the mix – all in a day’s work for Bond, who’s also wooing Chanel model Carole Bouquet’s Melina Havelock, the daughter of the murdered marine archaeologist whose killer he is trying to track down. Keep up.
Octopussy (1983)

Moore’s penultimate outing as 007 saw him disguised as a clown, a gorilla and a crocodile. Yes, a crocodile. Well, a submarine disguised as a crocodile. Octopussy has everything, boasts the trailer, as the Taj Mahal comes into view: “Elegant palaces and beautiful women.” Not sure the modern-day Bond would get away with that. Octopussy is the Bond with the faberge eggs, former tennis pro Vijay Armitraj, and Maud Adams – who first appeared in Man With The Golden Gun – returning to play the eponymous Octopussy. Plus, twin villains and a stunt involving a small plane flying through a hangar.
A View To A Kill (1985)

Grace Jones and Christopher Walken brought two brilliant villains to the screen, while Duran Duran brought the ’80s cheese to the soundtrack. Walken plays Max Zorin, the man who wants to destroy Silicon Valley, while Jones is bodyguard May Day. Moore’s last hurrah, A View To A Kill includes the killer fight scene on top of the Golden Gate Bridge, plus more skiing and snowboarding, too – apparently this was the sport’s debut appearance in a major feature film.
The Living Daylights (1987)

Timothy Dalton stepped into the tux to usher in a more serious era for Bond, but perhaps Dalton took it a little too seriously. The Living Daylights had less silliness and far less womanising, but still some impressive action scenes – with a particularly impressive stunt on a cargo plane flying over a desert with a bomb on board, as well as an escape by cello case down a snowy mountainside.
Licence To Kill (1989)

Bond goes rogue, out for revenge and tracking down the drugs baron who fed his agent friend Felix Leiter to the sharks. This was the final Bond outing produced by Cubby Broccoli and also the fifth and final film directed by John Glen, and the first not to make use of an Ian Fleming story. Dalton took on many of the stunts himself – including running from an exploding tanker – but it wasn’t enough to keep his licence to kill.
GoldenEye (1995)

After a six-year break, Bond was back! This time with Pierce Brosnan, a man who looks like he was born to be Bond. GoldenEye began the Brosnanaissance with a death-defying dam bungee jump, with stuntman Wayne Michaels later saying in an interview that there “was a trauma clinic ready and an emergency helicopter to rush me to hospital” in case things went wrong. Gulp. Judi Dench also entered the franchise as the first female M – calling out 007 out as a “sexist, misogynist dinosaur” – and baddies came courtesy of Sean Bean and Famke Janssen. It was the first Bond to use CGI, moving the action firmly into the 1990s. And Tina Turner provided the pipes for for another memorable theme song.
Tomorrow Never Dies (1997)

“Let the mayhem begin.” Jonathan Pryce is the fictional British media baron baddie Eliot Carver, Bond’s main nemesis in Tomorrow Never Dies. Carver wants to start a war between Britain and China, and Bond has 48 hours to sort it out. Michelle Yeoh plays a Bond ally, and performed most of her own stunts – making her more of an equal match than previous female characters – while Teri Hatcher appeared as Carver’s wife. Notable action scenes included an impressive helicopter-motorcycle chase.
The World Is Not Enough (1999)

It opens with the longest pre-credit sequence in 007 history, lasting 14 minutes, with a scene including Bond in high-speed pursuit down the Thames – complete with a mid-air barrel roll, a hot air balloon and the yet to be opened Millennium Dome in the background. Denise Richards as nuclear physicist Christmas Jones didn’t make for the most critically acclaimed Bond girl performance, and many reviews felt The World Is Not Enough did not make enough of Robert Carlyle as terrorist Victor “Renard” Zokas. On the upside, alternative rock band Garbage (Stupid Girl, Only Happy When It Rains) were a curveball but great choice for the theme song.
Die Another Day (2002)

The invisibility cloak might have worked for Harry Potter, but the invisible car was perhaps a step too far for James Bond. Everyone likes a 007 gadget, of course, but it all started to feel like the film was relying far too heavily on the tech trickery. The plot involves Bond getting captured in North Korea by a colonel trading weapons for blood diamonds, who is later revealed to be operating as another baddie, having completely changed his appearance using gene therapy. Halle Berry and Rosamund Pike also star, while Madonna makes a much-panned cameo as a fencing instructor – obviously working some screen time into the contract when she got the gig to perform the theme song.
Casino Royale (2006)

Bond is blonde! Even this was a talking point at the time, imagine what will happen if they really do cast a woman as the next one! Needless to say, Craig proved any detractors wrong. In a comeback influenced by the Bourne series, the Layer Cake actor ushered in a much grittier era of Bond, while also getting to do his best Ursula Andress impression, emerging from the sea in his trunks. Craig was everything you want Bond to be – cool but bad-ass with a sense of irony – but also made the character feel more real. He even fell in love, with Eva Green’s Vesper Lynd. No spoilers on that one here. Sob.
Quantum Of Solace (2008)

Picking up just 10 minutes after the end of Casino Royale, Bond was in revenge mode as he quickly uncovered the sinister Quantum, an organisation with double agents in the UK and the US. Olga Kurylenko, Mathieu Amalri and Gemma Arterton also starred, while Jack White and Alicia Keys joined forces for the Another Way To Die theme tune (they obviously decided that singing actual lyrics about Quantum Of Solace wouldn’t work, which was a good call). It’s fair to say this wasn’t as well received as Craig’s debut, but still cleaned up at the box office.
Skyfall (2012)

Even with adjustments for inflation, this one is the highest-grossing Bond of all time. For the first time in 007 history, Skyfall gave viewers something of the agent’s origin story and background on his relationship with Dench’s M. But when you get that emotion you know something’s going to end badly… Elsewhere, Javier Bardem’s Silva made for a memorable Bond villain, and the theme song? Well, when you get Adele on board you know you’re getting a stonker (and an Oscar-winner).
Spectre (2015)

Spectre fact: it includes a Guinness World Record for the largest on screen explosion (of Blofeld’s lair), according to the official 007 site. But before that, it starts with a shoot-out in Mexico City, and an impressive pre-title sequence based around the country’s Day Of The Dead celebrations which culminates in a knuckle-biting helicopter fight scene. Also starring Christoph Waltz, Monica Bellucci and Lea Seydoux, who returns as psychologist and love interest Madeleine Swann in No Time To Die. Have we finally entered the era of Monogamous Bond?
No Time To Die (2021)

Craig’s last outing coupled with all the delays means there is a lot of hype around this one. Will it live up to it? We know to expect changes, with Phoebe Waller-Bridge brought on board for scriptwriting to help modernise, well, the “sexist, misogynist dinosaur” image. And as Bond has left active service – he’s enjoying a more tranquil life in Jamaica, because even secret agents need a break – there’s a new 007 in town, which has generated more than a few headlines. You can’t replace Bond! With a woman! Nomi, played by Lashana Lynch, took the title when Bond left MI6, which seems fair enough. But what does this mean for Bond? We’ll have to wait for answers to that one, but there is a mission, of course – he’s sent to rescue a kidnapped scientist, and has new villain Safin (played by Rami Malek) to contend with. At two hours and 43 minutes, it’s the longest Bond film ever, so expect maximum stunts – and maximum Daniel Craig. Hopefully he’ll be going out in style.
The premiere of No Time To Die will take place at the Royal Albert Hall on 28 September, with the general release two days later
Photo credits: Rex/ Shutterstock/ Moviestore/ Alamy/ Eon/ Nicola Dove
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Entertainment
Why is actor Gerard Depardieu on trial – and what does it mean for #MeToo in France?
Published
3 hours agoon
May 12, 2025By
admin
One of France’s most successful actors has been accused of sexually assaulting two women on the set of one of his films.
Gerard Depardieu, 76, has starred in more than 200 films over five decades, winning two best lead actor awards at the Cesars, as well as being nominated for an Oscar and 15 other Cesars.
On Tuesday, judges at the Tribunal de Paris are expected to reveal whether he has been found guilty of the two counts of sexual assault alleged to have happened in 2021, both of which he denies.
If convicted, he faces up to five years in prison or a fine of €75,000 (£62,000).
While the #MeToo movement ultimately led to the downfall of Hollywood film director Harvey Weinstein in the US, France’s #balancestonporc equivalent has struggled to gain momentum.
But Depardieu’s court case, coming soon after that of Gisele Pelicot, who waived her anonymity to reveal her husband had orchestrated her drugging and rape by more than 50 men, is proof for many that France is finally getting its own #MeToo moment.
Here, Sky News looks at the case – and what it means for women’s rights in France.

Gerard Depardieu arrives at court. Pic Reuters
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Depardieu arrives for sexual assault trial.
What is he accused of?
Depardieu is accused of sexually assaulting two female crew members on the set of the film Les Volets Verts (Green Shutters) in 2021.
The anonymous women both claim the actor forced himself on them on multiple occasions, touching them over their clothes, the court was told.

Pic Reuters
The first woman said in one incident, as she passed him in a corridor he grabbed her, pinned her down between his legs and rubbed himself against her waist, hips, and chest, making accompanying gestures and lewd comments.
The other woman claimed he touched her buttocks in public on more than one occasion, as well as touching her chest.
Depardieu denies the allegations and appeared in person at the Tribunal de Paris, telling the court: “I’ve always been told I have a Russian nature, I don’t know if it’s because of the drinking or the vulgarity.”
But he added: “I’m not touching the butts of women.”
Read more
Inside court at Depardieu’s trial
Depardieu acknowledges his ‘vulgarity’
One of the alleged victims claimed he behaved “like a madman” who took “pleasure in frightening me”.
Depardieu responded: “I understand perfectly if she’s a bit upset. I am capable of trash talk… I don’t have to talk like that, get angry like that, voila.”
He also claimed that he had been in a “bad mood” because the set was hot, which was difficult for him, being overweight.
The trial was due to start in October but was postponed until March after Depardieu’s legal team asked for a six-month delay due to his poor health. Suffering complications from diabetes and high blood pressure, they said he was unable to sit for long periods.

In Cannes in 1997. Pic: Reuters
Separately, he also remains under investigation for the alleged rape and sexual assault of a 22-year-old actress. The woman claims Depardieu sexually assaulted her twice at his home.
She originally reported the alleged incidents in 2018 but the charges were dropped in 2019 following a nine-month investigation.
However, the case was reopened in October 2020 when the woman refiled the complaint.
In March 2022, Depardieu’s bid to get the case thrown out was rejected by Paris’s court of appeal, with authorities saying he would remain under investigation until the matter is either sent to trial or dismissed. He denies the allegations.
In April 2023, investigative French media outlet Mediapart reported claims of 13 women who said Depardieu sexually assaulted or harassed them between 2004 and 2022.
In an open letter in the newspaper Le Figaro that October, Depardieu said he had “never abused a woman”.
A group of 50 French stars, including singer and wife of former French President Nicolas Sarkozy Carla Bruni, wrote their own open letter defending him in Le Monde, condemning what they described as his “lynching” and describing him as “probably the greatest” French actor.
A week later, President Emmanuel Macron condemned the “manhunt” for Depardieu, calling him an “immense actor” who “makes France proud”.

A women’s rights activist during a protest in January 2024 in Paris. Pic: AP
Who is Gerard Depardieu?
Depardieu was born in Chateauroux, central France in 1948. He left home at the age of 16 for Paris, where he got his first acting job with a travelling theatre company.
After a few minor film roles, his break came in 1973 with a lead part in Bertrand Blier’s film Les Valseuses (Going Places) – alongside his former theatre friends Patrick Dewaere and Miou Miou.
From there his popularity boomed and he became one of the most prolific French actors of the 1980s and 1990s.
He won awards for his roles in The Last Metro and Cyrano de Bergerac, which also received an Oscar nomination. He was made president of the Cannes Film Festival jury in 1992.
His success also saw him become a Chevalier of France’s Legion d’Honneur and its Ordre national du Merite – two of the country’s most prestigious honours.

Former French President Jacques Chevalier awards Depardieu the Chevallier de la Legion d’Honneur at the Elysee Palace in 1996. Pic: Reuters
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Inside Gerard Depardieu’s court hearing
Gisele Pelicot – from victim to feminist hero
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Across roughly 250 films, he has worked with more than 150 directors, including Jean-Luc Godard and Ridley Scott.
He became close friends with Robert De Niro after they starred together in Bernardo Bertolucci’s film 1900 in 1976.
Depardieu married fellow actor Elisabeth Depardieu in 1971. She starred alongside him in Jean de Florette and Manon Of The Spring in 1986. They had two children, who both became actors. Their son Guillaume died from pneumonia aged 37 in 2008. The couple divorced in 1996.
He announced his retirement from acting in 2005, claiming he had made “enough” films and wished to pursue other things.
In 2012 he moved to Belgium to avoid paying taxes in France. He wrote an open letter to the then prime minister, saying he was surrendering his French passport because he wanted “nothing to do” with his home country and the government was trying to “punish success”.

With Russian President Vladimir Putin in Sochi in 2013. Pic: AP
Vladimir Putin personally signed an executive order to give him Russian citizenship in 2013. Two years later his films were banned in Ukraine over comments he made questioning the country’s sovereignty as an independent state. He has since condemned Russia’s war there.
He also claims to have been given citizenship by the United Arab Emirates.
In 2023 he was stripped of his National Order of Quebec after a documentary revealed him making lewd comments and sexual gestures on a trip to North Korea in 2018, which the region’s premier described as “shocking”.

At the Netflix premiere of the series Marseille in the city in 2016. Pic: Reuters
Why is the Depardieu case so important in France?
The #MeToo and #TimesUp movements in the US saw women in the creative industries calling out sexual harassment and assault by their male counterparts.
But it “didn’t really take off in France” in the same way, Sarah McGrath, chief executive of Women For Women France, an organisation fighting against gender-based violence, tells Sky News.
While she saw colleagues around the world “thrilled that victims could finally feel confident to talk about the crimes they’d be subjected to”, she says in France “we had a very different experience”.
In 2018, dozens of female French stars and intellectuals signed an “anti-MeToo manifesto”, condemning the movement as a “witch hunt” and defending men’s sexual freedom to proposition women.
Although some, notably Depardieu’s co-star and friend Catherine Deneuve, have publicly U-turned on the issue, it demonstrated a resistance to change in French society.

With actor and co-star Catherine Deneuve in Cannes in 1984. Pic: AP
Blanche Sabbah, a French feminist activist and comic book author, says: “We love to talk about being the cultural exception in France.
“We have this idea that if you are some kind of artistic genius then you are less accountable for bad behaviour – and that we’re more sexually liberated – and don’t concern ourselves with moral panics like in the US. I think that stopped the [MeToo] movement in its tracks.”
Ms McGrath describes this “cultural exception” as “an attitude that a man’s reputation and livelihood is more important than victims”.
Both women also point to a “general distrust” of claimants and “false ideas” they are bypassing the courts and telling their stories in the media to “get money”.
“It’s simply not true and comes from a lack of understanding that the French justice system does not play a protective role for victims of sexual violence,” she says.
“Victims are actually more likely to come out with debts of thousands of euros if they go through the justice system, which far exceeds any compensation they might get.”

Gisele Pelicot outside court after her husband’s conviction. Pic: Reuters
But while the “balancestonporc” – report your pig – hashtag struggled to gain momentum in 2018, the women say they have seen a shift – particularly following the case of Gisele Pelicot and the conviction of her husband for raping and inviting at least 50 other men to rape her while she was drugged and unconscious.
“It’s taken time, but finally we’re getting somewhere,” Ms Sabbah says. “Gisele’s case serves as a reminder that our culture has a huge influence on how we behave.”
Those found guilty in the Pelicot case were aged between 20 and 70 and included a journalist, nurse, firefighters, and a DJ.
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10:58
Mass rape trial that ignited a movement
“She has proven that this is the problem of every man – that what you think your favourite movie star can do serves as an argument for justifying what crimes you would commit as a ‘normal’ person’,” Ms Sabbah adds.
Regardless of the outcome of the Depardieu case, both women agree that his prosecution represents a “huge step forward” for women’s rights and victims of gender-based violence.
“There have been three or four convictions [of men for gender-based violence] recently, so I think the way those cases are perceived now is different to how it was in 2018,” Ms Sabbah says.
“We have gone from ‘classement sans suite’ (no further action) to movie stars on trial.”
Entertainment
BAFTA TV Awards 2025: Nine stand-out moments from TV’s starriest night
Published
6 hours agoon
May 12, 2025By
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The biggest night in British TV, this year’s BAFTA TV Awards saw the golden masks handed out to a wide spread of shows – with the BBC’s Mr Loverman the only show to take home two awards.
Hosted by Scottish actor and presenter Alan Cumming, the night kicked off with a Traitors skit, before handing out 29 awards, interspersed with a live performance or two.
While Baby Reindeer had gone into the night the most nominated, it took just one prize, as did the much talked about Mr Bates vs The Post Office. Meanwhile, Rivals and Slow Horses, which had also been hotly tipped, went home empty-handed.
Here are some of the top moments from the 2025 TV BAFTAs.

Baby Reindeer star Jessica Gunning won her first BAFTA. Pic: John Phillips/BAFTA/Getty Images for BAFTA
‘Hello cheeky chops!’
Jessica Gunning took the first prize of the evening, greeting her award by saying: “Hello cheeky chops!”
Gunning, a first-time nominee, said Baby Reindeer had “changed my life”, reminiscing about her childhood playing make-believe and inventing imaginary friends, never knowing she would eventually end up using her dramatic skills to win a BAFTA.
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The role of Martha has already won her an Emmy, a SAG award and a Golden Globe in the US.
Gunning also wished her co-star and creator of Baby Reindeer, Richard Gadd, a happy birthday (his 36th), calling him “nipple”, a nickname her character Martha gave to Donny (Gadd’s character) in the show.

Cast and crew of Mr Bates vs The Post Office take their award. Pic: BAFTA Pic: John Phillips/ Getty Images for BAFTA
‘Liars and bullies’
Mr Bates vs The Post Office took the limited drama prize, with producer Patrick Spence telling the audience: “Our show didn’t change the law, the people of this nation did that,” before going on to say it showed the public “cannot abide liars and bullies.”
Flagging the journalists and the campaigners who covered the wrongful conviction of the sub postmasters convicted due to the Horizon IT scandal, he called making the show, “the greatest privilege of our lives”.
Later, when accepting the special award earned by ITV for commissioning the show, the channel’s managing director Kevin Lygo said he had “never seen anything quite like” the impact of Mr Bates vs The Post Office.
Flagging the large number of people impacted by the scandal who were still waiting for compensation, Lygo didn’t mince his words, demanding: “Hurry up and pay these people what they’re due.”

Danny Dyer is a proud – and sweary – BAFTA winner. Pic: PA
Watch your mouth
Several winners were so excited they could not refrain from a little blue language.
Accepting his first BAFTA for best male comedy performance, Danny Dyer dropped the f-bomb numerous times.
In his speech, Dyer thanked his co-star and the show’s creator, Ryan Sampson, calling him “one of the greatest things to have come out of Rotherham”.
He praised Sampson for “never doing the same thing twice”, adding with tongue in cheek, “It’s not something I can say”. Dyer concluded his speech with a nod to his family, and a final trademark “f***”.
Meanwhile, a very excited Sophie Willen stepped up to accept the prize for scripted comedy.
The Taskmaster alumni told the crowd: “I’m not allowed to swear and all I want to do is go beep, beep”, before calling her win “bloomin’ fabulous”.
Willen – whose part autobiographical comedy Alma’s Not Normal tackles the care system, drug addiction, mental illness, and terminal cancer – called her cast and crew “shit hot”, before catching herself, then repeating “shit, shit”.

Ruth Jones with her BAFTA for Gavin & Stacey. Pic: Kate Green/BAFTA/Getty Images for BAFTA
‘I love you James’
Taking the prize for female performance in a comedy, Ruth Jones channelled her inner Nessa, saying: “I’m not going to lie, this is immense.”
Thanking the cast and crew, she became emotional as she added: “The person I would like to thank most is my dear, dear talented friend James Corden.” The cameras, of course, then panned to a chuffed-looking Corden, sitting in the audience.
She went on to say that without him, “Vanessa Shanessa Nessa Jenkins would not exist”, paying tribute to their 17 years writing together, adding, “long may it continue” – and so perhaps giving hope for a new Jones/Corden collaboration to follow Gavin And Stacey’s final act?

State Of Rage director Marcel Mettelsiefen. Pic: John Phillips/BAFTA/Getty Images for BAFTA
War amid the awards
In a sobering moment amid the glitz and the glamour, the director of best single documentary, Ukraine: Enemy In The Woods – filmed by Ukrainian soldiers on the frontline – paid tribute to two contributors to the film who had since been killed in conflict.
Jamie Roberts spoke about two young men he had worked with on the film, before adding: “They are not here – they are now dead.”
The winner of the current affairs category, State Of Rage, also offered a heartfelt message as they accepted the award for the programme, which follows a Palestinian and Israeli family in the West Bank.
German State Of Rage director Marcel Mettelsiefen said: “It would be wrong to stand here without acknowledging what’s happening in Gaza.”
Speaking as a parent, he said: “This violence needs to stop now,” then adding, “let’s break this silence together.”

Kirsty Wark celebrates her fellowship. Pic: John Phillips/BAFTA/Getty Images for BAFTA
‘I’ve interviewed musicians – and a few monsters’
Former Newsnight presenter Kirsty Wark received a standing ovation as she collected her BAFTA fellowship – the body’s highest accolade.
Accepting her award, Wark said: “Thank you so much to BAFTA. It is a privilege and an honour to have my name added to such an incredible roll call. My work continues to give me so much, not just wonderful friends and colleagues.”
The veteran broadcaster continued: “Things have changed so much, so radically, since the ’70s, not least the shoulder pads, the office drinks trolley, shooting on reversal for a fast edit, and film crews, the size of football teams, but always the chance to learn and grow and I’ve been lucky to interview everyone from politicians to painters, architects, economists, musicians and a few monsters.”
Wark added that the “most joyous change in television” has been “the number of women in senior roles”.

‘Mr Cruises’ aka Rob Brydon accepts Would I Lie To You’s first BAFTA. Pic: John Phillips/BAFTA/Getty Images for BAFTA
Would I Lie To You wins its first BAFTA
Everyone loves a conspiracy theory, and this year it could be courtesy of BAFTA and a big boat.
Accepting the entertainment award for perennial favourite Would I Lie To You, host Rob Brydon said: “This is a surprise.”
Team captain Lee Mack then added: “We’ve been nominated for eight years but now ‘Mr Cruises’ has done it for us,” referring to Brydon’s adverts for P&O Cruises – the sponsor of the event.
“The whiff of scandal is in the air,” quipped Brydon.
In Memoriam
The In Memoriam section of the night was accompanied by live music by concert violinist and social media sensation Esther Abrami.
Always a poignant moment in the evening, it included a wide variety of stars who passed away this year, including Shannon Doherty, Tony Slattery, Paul Danan, Henry Kelly, Linda Nolan, Michael Moseley, The Vivienne and Timothy West.

Sir David Suchet became Poirot – briefly – to hand out the best actress award. Pic: John Phillips/BAFTA/Getty Images for BAFTA
Poirot presents best actress
Awarding the best actress prize, Sir David Suchet channelled his most famous on-screen character, Hercule Poirot, greeting the audience with “Mesdames, Messieurs” to wild applause.
He went on, in the words of the bumbling Belgian detective: “I expect you’re wondering why I’ve gathered you here tonight?”
In a surprise win, Industry star Marisa Abela took the prize and had to be helped up on to the stage due to the length and tightness of her sparkling black gown.
Clearly surprised by her win, and becoming tearful, as she paid tribute to her drama school teacher who she said was in the audience that night, she also thanked her mother, also an actress, without whom she said she’d never be on the stage accepting her first BAFTA aged just 28.
Entertainment
P Diddy: Everything you need to know about the Sean Combs trial
Published
6 hours agoon
May 12, 2025By
admin
Seven months after his high-profile arrest, the trial of hip-hop mogul Sean “Diddy” Combs is due to start.
A three-time Grammy winner and one of the most influential hip-hop producers of the past 30 years – also known variously as Puff Daddy, P Diddy and “Love” in the years since he rose to fame in the 1990s – the rapper and founder of Bad Boy Records is now facing serious criminal charges in the US, as well as several civil lawsuits.
He has pleaded not guilty to criminal charges, said his sexual relationships were consensual, and strenuously denied all allegations of wrongdoing.

Sean ‘Diddy’ Combs in 2018. Pic: 20th Century Fox Licensing/Merchandising/Everett/Shutterstock
Combs, 55, was arrested and charged in September 2024, six months after raids by federal agents on two of his properties in Los Angeles and Miami. He has been held in detention in New York since his arrest, having been refused bail as he awaits trial.
Jury selection began last week, with the final stages due to take place once court is in session today – starting at 2.30pm UK time. The court in Manhattan is set to be extremely busy, with opening statements by lawyers expected to begin after this.
Here is everything you need to know.
What is Combs on trial for?

Combs’ first court appearance in September 2024. Court sketch: Elizabeth Williams via AP
Combs is facing five felony charges:
• Racketeering conspiracy
• Two counts of sex trafficking by force, fraud or coercion
• Two counts of transportation to engage in prostitution
The rapper was initially charged with three offences – racketeering, sex trafficking, and transportation to engage in prostitution. Two extra counts – one each of sex trafficking and transportation to engage in prostitution – were added earlier in April.
Combs has pleaded not guilty to all charges.
Racketeering broadly means engaging in an illegal scheme or enterprise, and the charge falls under the Racketeering Influenced and Corrupt Organisations Act (RICO) in the US.
According to the US justice department’s definition of RICO statute, it is also illegal to “conspire to violate” the laws.
The indictment against Combs alleges that between 2008 and 2024, he “led a racketeering conspiracy that engaged in sex trafficking, forced labour, kidnapping, arson, bribery, and obstruction of justice, among other crimes”, the US attorney’s office for the Southern District of New York said following his arrest in September.
Who are the accusers?

Pic: AP Photo/Suzanne Plunkett 2000
Prosecutors expect four accusers to testify against Combs during the criminal trial.
Three have requested their identities not be revealed to the press or the public and that they instead be referred to using only pseudonyms.
One accuser, who is referred to as Victim 1 in court documents, is prepared to testify under her own name, prosecutors have said.
When did allegations begin?

Cassie Ventura and Combs, pictured in 2015, reportedly started dating in 2007 and split in 2018. Pic: Reuters
In November 2023, Combs’ former girlfriend, R’n’B star Cassie – full name Casandra Ventura – filed a civil lawsuit alleging she was trafficked, raped, plied with drugs and viciously beaten by the rapper on many occasions over the course of 10 years.
The lawsuit was settled the following day. Terms of the agreement were not made public but there was no admission of wrongdoing from Combs, and he issued a statement saying he “vehemently” denied the “offensive and outrageous” allegations.
Six months later, footage recorded at a hotel in Los Angeles in 2016 emerged, allegedly showing Combs hitting and kicking Cassie in a hallway.
Shortly afterwards, he released a video apology, saying his behaviour in the video was at a time when he had “hit rock bottom” but nonetheless was “inexcusable” and that he was “disgusted” with himself.
The rapper’s lawyers argue the footage was nothing more than a “glimpse into a complex but decade-long consensual relationship”.
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1:08
Combs issues apology after assault video emerges
Details of ‘freak offs’
The charges include details of alleged “freak offs” – described as “elaborate and produced sex performances that Combs arranged, directed, masturbated during, and often electronically recorded”.
He allegedly induced female victims and male sex workers into drug-fuelled sexual performances, according to the indictment.
Prosecutors allege victims were given controlled substances during the sometimes days-long events to keep them “obedient and compliant” and Combs subjected them to “physical, emotional, and verbal abuse” to get them to engage.
The indictment also alleges Combs “engaged in acts of violence, threats of violence, threats of financial and reputational harm, and verbal abuse” including kidnapping and arson when witnesses of his alleged abuse threatened his authority or reputation.

Two of Combs homes were raided by Homeland security in March 2024
What happens first?
The hearing at the US District Court for the Southern District of New York, in Lower Manhattan, began with the start of jury selection on Monday 5 May.
After the two additional charges were added in April, Combs’ legal team requested a delay of two months, saying they needed more time to prepare his defence. However, Judge Arun Subramanian, who will hear the trial, denied the request, saying it had been made too close to the start date.
So, the trial will go ahead as planned. Jury selection is scheduled to take a week, but as a high-profile case, this process may be complicated and take some time.
If it goes to plan, the opening statements from the prosecution and defence are set to begin on Monday 12 May.
Potential jurors were questioned on their views regarding sex, drugs, alcohol, and violence, as well as their thoughts on Combs and whether they can remain fair and impartial, in a questionnaire.
In a letter submitted to the judge, the rapper’s legal team said: “Because this trial involves content that is sensitive and private in nature, many individuals are uncomfortable speaking about these issues in front of others and would be more candid writing about them in a questionnaire.”
Read more:
The rise and fall of Sean ‘Diddy’ Combs
Diddy – a timeline of allegations
Examples of areas “requiring inquiry” were potential connections to “drug or alcohol abuse… domestic violence, their willingness to watch videos with physical assault and videos that are sexually explicit, and their views towards people with multiple sexual partners”, they said.
They also wanted potential jurors to say if they have watched documentaries released about Combs since the charges were announced.
Hundreds of prospective jurors filled out questionnaires designed to elicit any bias they may have about the case. Combs’ defence lawyers and prosecutors agreed on about 150 who could proceed to in-person questioning by the judge, known as voir dire.
During the first day of jury selection, they were also presented with a list of names, including celebrities, that may come up during the trial. These included actors Michael B Jordan and Mike Myers, rapper Kanye West, Aubrey O’Day and Dawn Richard – former members of girl group Danity Kane, who were signed to Bad Boy – and singer Michelle Williams.
The context in which these people may be mentioned is not yet known.
What has Combs said?

Pic: Charles Sykes/Invision/AP 2023
The rapper has strongly denied all the allegations against him.
Following his initial court appearance in September, one of his lawyers, Marc Agnifilo, said the rapper would “fight this to the end,” that he was “not afraid” of the charges, and was “looking forward to clearing his name”.
“Eventually he’s going to be shown to be innocent,” Mr Agnifilo said.
In a document submitted in February, Combs’ legal team argued for the transportation charge to be dismissed, saying he had been subject to a “racist” prosecution “for conduct that regularly goes unpunished”, and that he was being “singled out” as “a powerful black man” over the use of escorts.
They argued that “no white person” had ever “been the target of a remotely similar prosecution” and said that while the rapper had “complicated relationships with significant others as well as with alcohol and drugs… that doesn’t make him a racketeer, or a sex trafficker”.
Are the criminal charges separate to the lawsuits?
Yes. Combs has also been hit with dozens of civil claims – a few filed before the criminal charges were announced, but the majority afterwards.
These include accusations of sexual abuse by men and women, from alleged victims who were as young as 10 at the time of the alleged incidents.
Many of these have been filed by Texas lawyer Tony Buzbee, whom Combs’ team have accused of seeking publicity.
One particularly high-profile lawsuit, involving rapper Jay-Z as well as Combs, was voluntarily dropped with prejudice, meaning it cannot be brought again, by the accuser in February.
Another lawsuit accuses Combs of raping a woman as alleged payback for her saying she believed he was involved in the murder of rapper Tupac Shakur. Combs is suing the lawyer involved in this case for defamation, over other allegations that have been made against him.
What sentence does Combs face?
The US attorney’s office for the Southern District of New York announced details of potential sentences when Combs was charged, but said the decision would ultimately be determined by the judge.
Racketeering conspiracy carries a maximum sentence of life in prison, the attorney’s office said, as does sex trafficking by force, fraud, or coercion – which also carries a mandatory minimum sentence of 15 years in prison.
The charge of transportation for purposes of prostitution carries a maximum sentence of 10 years in prison.
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