The revered musical Jesus Christ Superstar turns 50 this year.
The rock opera about Jesus and his face-off with Judas has toured the world, with huge productions on the West End, Broadway and beyond.
But before it became a global hit on stage, it started life as a concept album – something Sir Tim Rice called a “godsend”.
Image: The album has been remastered 50 years on
Speaking to Sky News amid the launch of the album’s repackaged rerelease, Sir Tim, who along with Lord Andrew Lloyd Webber was the brains behind the project, said that the record allowed the pair to do more than they could do in a theatre at the time.
“We were trying to get our idea into a musical on the last few days in the life of Jesus, as seen through the eyes of Judas Iscariot.
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“That was our ambition… but no theatrical producer showed any interest at the time, so we were kind of forced to make an album.
“But this turned out to be an absolute godsend, because we were able to use greater forces – we were able to make it more rock, we could have a huge orchestra, we could do wonderful things, even back then in 1970, wonderful things in the recording studio that you couldn’t do in a theatre and that made it a contemporary piece of music.
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“Had we gone to the theatre straight away, it might have been okay, but it wouldn’t have been possible to have had a rock band in those days and an orchestra and all that stuff in a theatre, and we probably would have started out of town where the facilities would have been even less for this new sort of show.
“So we put out the record and the record was an almost overnight hit in America.”
It was this album, with the likes of rock legends Ian Gillan (of Deep Purple fame) as Jesus, Manfred Mann’s Mike D’abo as King Herod and American singer Yvonne Elliman on it, that Sir Tim and Lord Lloyd Webber went on to score one of the first major stage successes of their careers.
“We had this thumping great hit record, a hit record of a show’s score without a show, and of course all the producers who said they [did not] want to do the show, now did want to do the show,” Sir Tim told Sky News.
“Superstar then grew in 1970, 1971, 1972 from an album, which became a hit all over the world, and only rather belatedly in Great Britain, and it became a show on Broadway first and then Australia and around Europe.”
But even before the album, which was recorded in the unassuming Olympic Studios in Barnes, southwest London, it was an idea Sir Tim had when he was growing up at Christian schools.
“I wasn’t sure if I was a believer or not, but I often thought when I was 15 or 16, Judas Iscariot, Pontius Pilate, these guys were around at the time but they didn’t really have their views put forward, particularly Judas in the Gospels.
“Judas is just like a cardboard figure of evil whose role was to betray Christ, and I often wondered if I were in that situation and did not believe Jesus was God, even if I thought he was a terrific guy, what would my reaction be?
“Would you feel that he was a danger to other people… and that really was something that I found very intriguing.”
Image: Sir Tim Rice wrote the show with Lord Andrew Lloyd Webber. Pic: Joel C Ryan/Invision/AP
Sir Tim and Lord Lloyd Webber were also fresh off the back of their first biblical success – Joseph And The Amazing Technicolour Dreamcoat – and had carved themselves out as people who could turn the story into something more exciting.
“This was something Andrew and I talked about to the dean of St Paul’s Cathedral, because he’d seen that we could do something from the Bible and make it fun and entertaining and also keep it serious… and he said, go for it – it’s a good idea.”
The album features tracks like Gethsemane (with that piercing high note), I Don’t Know How To Love Him, and of course Superstar, with Sir Tim saying it would be difficult “to take anything out of it without harming the whole piece” – a testament to the soundtrack’s importance on the story.
Image: (L-R) Tim Minchin, Ben Forster, Melanie C and Chris Moyles were in the 2012 arena version of the show
Reflecting on his memories of recording the album, Sir Tim said: “It was quite nice at the end… when we sent copies of the album out to all the people who’d been on it, and most of them hadn’t really heard very much of it.
“They heard their own songs, often unmixed, but they hadn’t heard the whole thing and in some cases weren’t quite sure what the whole thing was going to end up like at all – but when we sent the album out to them… everybody they called up and said, this is actually great.
“It was a very hot summer, I remember in 1970, and we were sometimes a bit annoyed at having to be stuck in a studio for most of that summer – but it was actually really a very good experience and it was because it was our first major recording sessions”.
The special anniversary editions of the Jesus Christ Superstar album are available now, featuring demos, commentaries, interviews and more.
A huge fire has destroyed the main stage of a major festival in Belgium – two days before it was due to begin.
Tomorrowland is a dance music event as big as Glastonbury – and David Guetta was due to perform.
Footage showed flames and thick plumes of black smoke engulfing the stage and spreading to nearby woodland on Wednesday.
Image: The fire gutted the main stage
Image: Fire crews attempt to bring the blaze under control
The annual festival in the town of Boom, north of Brussels, is one of the biggest in Europe and attracts about 400,000 people over two consecutive weekends.
It is famous for its immersive and elaborate designs and attracts big names within dance music – including Guetta, best known for tracks When Love Takes Over and Titanium.
Dutch DJs Martin Garrix and Charlotte de Witte were also due to perform, along with the likes of Swedish House Mafia, Eric Prydz and Alok.
Image: Black smoke could be seen rising into the sky
The festival’s website described the creative elements which went into the elaborate main stage.
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The theme, described as Orbyz, was “set in a magical universe made entirely out of ice” and “full of mythical creatures”.
Organisers said no one was injured in the blaze but confirmed “our beloved main stage has been severely damaged”, adding they were “devastated”.
Spokesperson Debby Wilmsen added: “We received some truly terrible news today. A fire broke out on the Tomorrowland site … and our main stage was essentially destroyed there, which is truly awful.
“That’s a stage that took years to build, with so much love and passion. So I think a lot of people are devastated.”
Image: Spokesperson Debby Wilmsen told reporters ‘a lot of people are devastated’
Despite the fire, Tomorrowland organisers said they were still expecting 38,000 festivalgoers at DreamVille, the event’s campsite.
An American Idol TV executive and her husband have been found dead in their LA home.
Robin Kaye was a music supervisor on the long-running reality TV series.
The bodies of the 70-year-old and her husband Thomas were discovered after officers conducted a welfare check at their home.
Both had died from gunshot wounds.
Image: Robin Kaye and her husband Thomas. Pic: Facebook
Detectives say Raymond Boodarian has been arrested in connection with their deaths.
It is alleged the 22-year-old had burgled their property while they were away on 10 July – killing the couple upon their return.
According to Los Angeles Police, there were “no signs of forced entry or trouble” at the property.
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Ms Kaye was an industry veteran – and had previously worked on shows including Lip Sync Battle and The Singing Bee, as well as several Miss USA and Miss Universe pageants.
In a statement, an American Idol spokesperson said: “Robin has been a cornerstone of the Idol family since 2009 and was truly loved and respected by all who came in contact with her.
“Robin will remain in our hearts forever and we share our deepest sympathy with her family and friends during this difficult time.”
Huge steel fences have been erected to prevent ticketless fans from watching the Oasis reunion tour in Manchester.
Liam and Noel Gallagher will resume their sold-out run of shows – their first since 2009 – with a performance at Heaton Park tonight, and two more on Saturday and Sunday.
While tens of thousands bought tickets for Oasis’sfirst two shows last weekend, crowds gathered to glimpse the large screens above the stage in the distance – in an area dubbed “Gallagher Hill” by some on social media.
Image: People walk past a temporary security fence erected ahead of concerts by Oasis in Heaton Park on 1 July. Reuters file pic
Manchester City Council has now said more steel fences have been erected around parts of the park to prevent ticketless fans from watching the gigs, and to protect nature in the park.
“After taking stock of how the first two nights went, additional measures have now been deemed necessary and will be in place for the next three concerts,” it said.
“The erection of the fencing has a dual purpose – both to protect the environment from further damage and to dissuade people from gathering there.
“The necessary measure means the concert will no longer be visible from this area.”
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Friday: Excited fans at Oasis homecoming gig
The fences will cover a large area of the hill within the park’s cattle field, which is being developed as a new woodland area with around 300 young trees planted.
The council added that there would be no facilities for people without a ticket, and said the event area is “double-walled with solid high security fencing all the way round”.
More than 2,000 event security staff and police officers will also be on duty around the site “to ensure both the safety and wellbeing of ticket-holders and that only those who have tickets access the concert”, it said.
John Hacking, the council’s executive member for employment, skills and leisure, also said in a statement that “unfortunately our hand has been forced in having to put these additional measures in place”.
He added: “Our advice to music fans who don’t have tickets for the concerts is to head into the city centre instead.
“The whole city is going all out to celebrate and help everyone have a good time.
“We’ve got some fantastic things going on with a real party atmosphere for everyone to enjoy, whether they’ve got tickets for the Oasis gigs or not.”