The revered musical Jesus Christ Superstar turns 50 this year.
The rock opera about Jesus and his face-off with Judas has toured the world, with huge productions on the West End, Broadway and beyond.
But before it became a global hit on stage, it started life as a concept album – something Sir Tim Rice called a “godsend”.
Image: The album has been remastered 50 years on
Speaking to Sky News amid the launch of the album’s repackaged rerelease, Sir Tim, who along with Lord Andrew Lloyd Webber was the brains behind the project, said that the record allowed the pair to do more than they could do in a theatre at the time.
“We were trying to get our idea into a musical on the last few days in the life of Jesus, as seen through the eyes of Judas Iscariot.
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“That was our ambition… but no theatrical producer showed any interest at the time, so we were kind of forced to make an album.
“But this turned out to be an absolute godsend, because we were able to use greater forces – we were able to make it more rock, we could have a huge orchestra, we could do wonderful things, even back then in 1970, wonderful things in the recording studio that you couldn’t do in a theatre and that made it a contemporary piece of music.
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“Had we gone to the theatre straight away, it might have been okay, but it wouldn’t have been possible to have had a rock band in those days and an orchestra and all that stuff in a theatre, and we probably would have started out of town where the facilities would have been even less for this new sort of show.
“So we put out the record and the record was an almost overnight hit in America.”
It was this album, with the likes of rock legends Ian Gillan (of Deep Purple fame) as Jesus, Manfred Mann’s Mike D’abo as King Herod and American singer Yvonne Elliman on it, that Sir Tim and Lord Lloyd Webber went on to score one of the first major stage successes of their careers.
“We had this thumping great hit record, a hit record of a show’s score without a show, and of course all the producers who said they [did not] want to do the show, now did want to do the show,” Sir Tim told Sky News.
“Superstar then grew in 1970, 1971, 1972 from an album, which became a hit all over the world, and only rather belatedly in Great Britain, and it became a show on Broadway first and then Australia and around Europe.”
But even before the album, which was recorded in the unassuming Olympic Studios in Barnes, southwest London, it was an idea Sir Tim had when he was growing up at Christian schools.
“I wasn’t sure if I was a believer or not, but I often thought when I was 15 or 16, Judas Iscariot, Pontius Pilate, these guys were around at the time but they didn’t really have their views put forward, particularly Judas in the Gospels.
“Judas is just like a cardboard figure of evil whose role was to betray Christ, and I often wondered if I were in that situation and did not believe Jesus was God, even if I thought he was a terrific guy, what would my reaction be?
“Would you feel that he was a danger to other people… and that really was something that I found very intriguing.”
Image: Sir Tim Rice wrote the show with Lord Andrew Lloyd Webber. Pic: Joel C Ryan/Invision/AP
Sir Tim and Lord Lloyd Webber were also fresh off the back of their first biblical success – Joseph And The Amazing Technicolour Dreamcoat – and had carved themselves out as people who could turn the story into something more exciting.
“This was something Andrew and I talked about to the dean of St Paul’s Cathedral, because he’d seen that we could do something from the Bible and make it fun and entertaining and also keep it serious… and he said, go for it – it’s a good idea.”
The album features tracks like Gethsemane (with that piercing high note), I Don’t Know How To Love Him, and of course Superstar, with Sir Tim saying it would be difficult “to take anything out of it without harming the whole piece” – a testament to the soundtrack’s importance on the story.
Image: (L-R) Tim Minchin, Ben Forster, Melanie C and Chris Moyles were in the 2012 arena version of the show
Reflecting on his memories of recording the album, Sir Tim said: “It was quite nice at the end… when we sent copies of the album out to all the people who’d been on it, and most of them hadn’t really heard very much of it.
“They heard their own songs, often unmixed, but they hadn’t heard the whole thing and in some cases weren’t quite sure what the whole thing was going to end up like at all – but when we sent the album out to them… everybody they called up and said, this is actually great.
“It was a very hot summer, I remember in 1970, and we were sometimes a bit annoyed at having to be stuck in a studio for most of that summer – but it was actually really a very good experience and it was because it was our first major recording sessions”.
The special anniversary editions of the Jesus Christ Superstar album are available now, featuring demos, commentaries, interviews and more.
Mr Bates Vs The Post Office and Mr Loverman were among the big winners at this year’s BAFTA TV awards – with Danny Dyer and Ruth Jones picking up comedy prizes.
After Mr Bates was named the winner of the TV BAFTAfor best limited drama, ITV was also given a special award for commissioning a show that “brought dynamic change”.
The four-part series, which aired in January 2024, depicted how former subpostmasters and subpostmistresses were held liable by the Post Office for financial discrepancies thrown up by its computerised accounting system, Horizon – shining a light on one of the widest miscarriages of justice in UK legal history.
Producer Patrick Spence said the show could never have been made without ITV, as well as the journalists who covered the wrongful convictions, and those who campaigned about the scandal.
“Our show didn’t change the law, the people of this nation did that,” he said.
Image: Lennie James was named best actor for Mr Loverman. Pic: PA
Image: Marisa Abela won her prize for Industry. Pic: PA
Mr Bates stars Toby Jones and Monica Dolan missed out on prizes in the acting categories, with Marisa Abela named best actress for her performance in Industry and Lennie James named best actor for Mr Loverman, a series based on the novel of the same name by Booker Prize winner Bernadine Evaristo.
Both winners seemed shocked to receive the gongs, with first-time nominee Abela saying: “Oh my god, I really wasn’t expecting that at all… This is insane.”
James described the win as a “fantastic honour”.
Earlier in the night, his co-star Ariyon Bakare took home the prize for best supporting actor, while Baby Reindeer’s Jessica Gunning picked up the gong for best supporting actress.
Image: Ruth Jones with her comedy performance gong. Pic: PA
Image: Danny Dyer won his BAFTA for Mr Bigstuff. Pic: PA
Elsewhere, Dyer got one of the night’s biggest cheers as his first ever BAFTA was announced – the award for male performance in a comedy, for his role in Sky’s Mr Bigstuff – while Jones’s final performance as Nessa in the long-awaited Gavin & Stacey: The Finale earned her the female comedy performance gong.
Accepting his prize, Dyer said “the acting was so bad it was funny”, before he swore several times despite being warned about the rules. He also thanked his family, and writer and actor Ryan Sampson, who he called the “best thing to come out of Rotherham”.
“I’m not going to lie this is immense,” said Jones as she collected her award. “The person I would like to thank most his my dear, dear talented friend James Corden.”
She said without British actor Corden, her co-creator and co-star, “Vanessa Shanessa Nessa’ Jenkins would not exist”.
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Stars on the red carpet
Wins for other shows included best drama for Blue Lights, best soap for EastEnders, best scripted comedy for Alma’s Not Normal, best entertainment performance for Joe Lycett’s Late Night Lycett, and best entertainment programme for Would I Lie To You?
This year’s BAFTA Fellowship, the highest accolade given by the organisation, in recognition of an outstanding and exceptional contribution to film, games or television, was presented to broadcaster Kirsty Wark for her “unwavering dedication and unmatched legacy in the world of news and current affairs broadcasting”.
Two new categories celebrating children’s television were also introduced this yearm with CBeebies As You Like It at Shakespeare’s Globe taking home the inaugural prize for best children’s scripted, and Sky’s Disability and Me (FYI Investigates) winning the non-scripted prize.
The main ceremony, which was hosted by actor and presenter Alan Cumming at London’s Royal Festival Hall, came two weeks after the BAFTA craft ceremony for technical awards – where Baby Reindeer, Rivals and Slow Horses each picked up two prizes.
Stanley Tucci says he doesn’t understand why there has been a sudden rise in the “very far right”.
The 64-year-old actor, author and food connoisseur leads a new show aptly named Tucci In Italy, where he looks at the world-renowned cuisine and how its ingredients tell much more than just what is served on the plate.
Speaking to Sky News, he says painting the full picture of the Italian landscape was the driving force behind the show and that he made a conscious decision to include stories from all backgrounds.
Image: Stanley Tucci tries lampredotto while in Florence. Pic: National Geographic/Matt Holyoak
“I asked that we include a story about a gay couple and their children, whether it was adopted or surrogate or however, because I thought it was a really interesting story.
“I am confused as to the direction that so much of the world is heading now to the very far right and sort of vilifying the other, meaning people who aren’t like us, but I don’t quite know what that means because we are all so different.
“There is no us, right? We’re all different, so I don’t know what the problem is there.”
Image: Canci checi, a Ladin staple consisting of fried ravioli. Pic: National Geographic
Image: Tucci cooks at BBQ joint ristoro mucciante in Abruzzo with one of the owners, Rodolfo Mucciante, right. Pic: National Geographic/Matt Holyoak
Tucci adds that he wants to “look at what’s happening in Italy politically and how it’s affecting people but, of course, all through the prism of food”.
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“Those people are sitting there having a traditional Sunday lunch with the grandparents, with the grandkid, and they’re a family and yet the government says they’re not a family.
“I think that’s really interesting because Italy puts so much emphasis on family and for all practical purposes, Italy has a negative birth rate so why wouldn’t you want to welcome more children into your society who are Italian?”
Image: Chef and owner Matilde Pettini opened Dalla Lola in 2021 and discusses their dishes with Tucci. Pic: National Geographic/Matt Holyoak
Image: Ramadan El Sabawy hands Tucci a plate with his son’s crispy margherita pizza. Pic: National Geographic
In 2016, Italy passed a law that now recognises civil unions for same-sex couples in the country.
It grants couples many of the same rights and financial protections as married heterosexual couples, however, it doesn’t give LGBT+ couples the right to joint adoption or in vitro fertilisation.
In 2023, the Italian government extended its initial ban on surrogacy to include arrangements made by its citizens abroad.
Its legislation subjects any intended parent who breaks the law to jail terms of up to two years and fines of up to €1m (£846,000).
The law doesn’t include those children who were already registered before it came into effect.
Image: Tucci holding a cheese made in Lazio. Pic: National Geographic/Matt Holyoak
Image: Torcinello, a traditional sausage, served with scampi, sea asparagus, and sweet pepper sauce. Pic: National Geographic
The buzzword on social media over the last few weeks has been “conclave” following the death of Pope Francis and of course, the Oscar-winning film of the same name.
Our interview took place just before the real conclave took place, which resulted in Pope Leo XIV becoming the first American-born leader of the Catholic Church.
Starring in the film alongside Ralph Fiennes, Tucci became inadvertently connected to the news agenda when life began to imitate art.
“It’s fascinating. I mean, look, I don’t know anything about it, really, other than I made a movie about it. That’s all I know. But it is, the timing of it is unfortunate, but it’s also oddly coincidental.”
Tucci In Italy looks at traditional Italian cuisine but also explores the impact history, changing political landscapes, migration and culture can have on a dinner plate.
Image: Timballo being cut, revealing the intricate layers of crespelle and meatballs inside. Pic: National Geographic
Image: Mr Tucci fly fishes in a glacial river with locals in Trentino-Alto Adige. Pic: National Geographic/Matt Holyoak
Image: Hay soup in a loaf of homemade bread, served in the restaurant Gostner Schwaige. Pic: National Geographic
He visits the northern area of Trentino-Alto Adige, which borders Austria, to look at how Mussolini’s intense policies regarding German identity shaped the area and people today.
“It’s an incredibly beautiful region, but also it’s the way those two cultures have figured out a way to get along without violence, without blame, without hating each other, without divisiveness.
“I think it’s really wonderful. It’s a testament to… How easy it can be for us to get along.”
Tucci In Italy premieres 21 May at 8pm on National Geographic and all episodes stream from 19 May on Disney+.