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When it comes to crazy electric vehicles from Alibaba, I’ve seen and written about seemingly every category under the sun. From animal-shaped electric boats and e-submarines to electric versions of Henry Ford’s Model T and even electric motorcycles with only one wheel. But never before have I found a direct-from-China EV that was as equal parts fascinating and suicidal as this one. And so it is with a combination of morbid curiosity and substantial trepidation that I present to you this week’s Awesomely Weird Alibaba Electric Vehicle of the Week: a 60+ mph (100 km/h) standing electric scooter.

You know, like a Bird electric scooter. The kind you ride to go get a coffee.

Except this one looks like it ate a few Bird scooters. And it’s the kind you stand up on to go meet Odin in Valhalla.

This massive electric scooter touts a peak power rating of 8,000 W from a pair of gigantic hub motors. That’s enough power to rocket this bad-idea-on-wheels to a claimed 100 km/h, or 62 mph.

I’d call the scooter death defying at these speeds, but I think it might be more accurate to call it death inducing.

The vendor helpfully mentions that the scooter can be limited to 25 km/h (15.5 mph), presumably to make it street legal. Good luck explaining that to the cop that pulls you over after finally catching up with you. I imagine it’d be a bit like pointing to the turn signals you added to your monster truck while stamping your foot and indignantly saying “See, officer?”

The scooter comes with two 72V battery options of either 35Ah or 45Ah. But let’s not kid ourselves, if you’re getting something this ridiculous, then you’re going to max out the pack.

With the larger 3.2 kWh option, that 25 km/h speed limit would probably let the scooter cross the US on a couple of charge stops. At modest speeds of 60 km/h (37 mph) though, the seller rates that battery for 100-130 km (62-81 miles) of range.

Still not too shabby!

That’s a big battery; credit where credit is due. It’s so big that the scooter even comes with two chargers so you have a prayer of filling that battery in a single overnight charge.

The good news is that even though you’ll be flying through the night at breakneck speed (perhaps literally), people will surely see you coming from a distance and have time to get out of the way. That’s because this rolling liability has more lights than a landing strip at O’Hare.

There are four giant spotlights, standard headlights, “ambient lighting,” LED lights built into the acrylic deck, tail lights, and turn signals. Even the instrument display lights up like a Christmas tree.

To be honest, though, that’s a pretty nice instrument panel. Despite the relatively low price of $2,645, the screen seems nicer than you used to find on most electric Zero Motorcycles costing 5-7x the price (until Zero updated those screens lately).

And while I’m making concessions, the scooter actually seems fairly decently built. The full suspension will at least give you a fighting chance when you hit anything on the road larger than a pencil at max speed. And the 13-inch wheels are quite large by scooter standards. They might even help you fare better against potholes. Of course you could also use the scooter’s other defense against potholes: Just hit them at 60 mph and your wheels won’t have time to drop down into them.

Check out how many gadgets we’ve got on those bars, too! This scooter is more decked out than a mall rent-a-cop’s tactical belt.

One area of the sales page that I absolutely love is the “notes” section. In it, the seller provides a couple key pieces of advice for prospective new scooter owners:

Note:
1.This scooter is not 100% waterproof, the water can not come in the battery (water don’t steep the pedal);

2. For the drop testing in the video, it don’t mean customer can drop it. Pls love your scooter and protect it carefully.:)

That is to say, this scooter appears to be able to handle anything you could throw at it up to and including the apocalypse, as long as it’s a dry end of times. And also, don’t drop your scooter. Though good luck even trying not to. The damn thing weighs 58 kg (127 lb).

I also love how the kind helmet-less organ donor in the demo video below is decked out in tactical elbow and knee pads but is just raw-dogging it down the road with no skid-lid. This man made the conscious decision to ride a 60 mph standing scooter with no helmet, but then thought to himself, “I better protect myself with elbow pads, that’s how I make my money.”

For the actually reasonable price of $2,695, the scooter may just be one of the cheaper ways to go out in a blaze of glory on a thrill ride.

I’m not saying I recommend anyone get one of these, and in fact I’m actively advising against it. Though the free shipping is working against me by making this out to be an even sweeter deal – if the kind of deal you’re looking for is a kamikaze scooter.

I suggest we all sit this one out and just enjoy the scooter on paper for its ridiculousness. There are plenty of other fun and weird electric vehicles on Alibaba that won’t actively try to kill you.

Check out some of my other Awesomely Weird Alibaba Electric Vehicle of the Week finds below, or drop me a line if you happen to find something fun and weird in your own perusings!


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The Stone Roses bassist Gary ‘Mani’ Mounfield dies aged 63

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The Stone Roses bassist Gary 'Mani' Mounfield dies aged 63

The Stone Roses bassist Gary “Mani” Mounfield has died at the age of 63, his family has said.

Mani’s brother, Greg, said in a post on Facebook: “It is with the heaviest of hearts that I have to announce the sad passing of my brother.”

“RIP RKID,” he added.

Gary "Mani" Mounfield and his wife Imelda at the world premiere of "The Stone Roses : Made Of Stone" in 2013. Pic: Reuters
Image:
Gary “Mani” Mounfield and his wife Imelda at the world premiere of “The Stone Roses : Made Of Stone” in 2013. Pic: Reuters

Formed in 1983, The Stone Roses were a mainstay of the “Madchester” scene.

Mani joined the band in 1987 and formed part of its classic line-up alongside singer Ian Brown, guitarist John Squire and drummer Alan ‘Reni’ Wren. He remained with the group until their split in 1996.

Mani’s death comes two years after that of his wife, Imelda Mounfield, who was diagnosed with stage 4 bowel cancer in November 2020. The couple welcomed twin boys in 2012.

Ian Brown, left, with Mani, right, performing on stage during their 2012 reunion concerts in Manchester. Pic: Reuters
Image:
Ian Brown, left, with Mani, right, performing on stage during their 2012 reunion concerts in Manchester. Pic: Reuters

The Stone Roses frontman Brown shared a tribute online, writing: “REST IN PEACE MANi X.”

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Oasis singer Liam Gallagher said he was “in total shock and absolutely devastated”, describing the bassist as “my hero”.

“RIP Mani – my heartfelt condolences to his twin boys and all of his family,” wrote the Happy Mondays’ Shaun Ryder, whose bandmate Rowetta added: “Back with your Imelda, Mani. Going to miss you so much. All my love to the boys, the family & all those who knew & loved him.”

The Charlatans frontman, Tim Burgess, shared a photo of himself with Mani, writing alongside it: “I shared this photo a week or so ago on Mani’s birthday.

“It never failed to bring a smile to my face – and that was exactly the same for the man himself.

“One of the absolute best in every way – such a beautiful friend.”

Echo & the Bunnymen vocalist Ian McCulloch said Mani was someone “who I have always loved and always will love, deeply and forever. Like a brother”.

He continued: “I am in shock to be honest. Please tell me I’m just having a bad, bad dream. My thoughts and feelings and Mani. Love to all of his family from me”.

Pic: Robert Marquardt/ZUMA Press Wire/Shutterstock
Image:
Pic: Robert Marquardt/ZUMA Press Wire/Shutterstock

The “Madchester” bands were known for blending indie with acid house, psychedelia, and pop.

The Stone Roses’ eponymous debut album of 1989 was a huge success, and was named the second greatest album of all time in a “Music of the Millennium” poll conducted by HMV, Channel 4, The Guardian, and Classic FM.

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Half of novelists fear AI will replace them entirely, survey finds

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Half of novelists fear AI will replace them entirely, survey finds

The novel has survived the industrial revolution, radio, television, and the internet. Now it’s facing artificial intelligence – and novelists are worried.

Half (51%) fear that they will be replaced by AI entirely, according to a new survey, even though for the most part they don’t use the technology themselves.

More immediately, 85% say they think their future income will be negatively impacted by AI, and 39% claim their finances have already taken a hit.

Tracy Chevalier, the bestselling author of Girl With A Pearl Earring and The Glassmaker, shares that concern.

“I worry that a book industry driven mainly by profit will be tempted to use AI more and more to generate books,” she said in response to the survey.

“If it is cheaper to produce novels using AI (no advance or royalties to pay to authors, quicker production, retainment of copyright), publishers will almost inevitably choose to publish them.

“And if they are priced cheaper than ‘human made’ books, readers are likely to buy them, the way we buy machine-made jumpers rather than the more expensive hand-knitted ones.”

Chevalier, author of the book Girl With A Pearl Earring, with the painting of the same name. Pic: AP
Image:
Chevalier, author of the book Girl With A Pearl Earring, with the painting of the same name. Pic: AP

Why authors are so worried

The University of Cambridge’s Minderoo Centre for Technology and Democracy asked 258 published novelists and 74 industry insiders how AI is viewed and used in the world of British fiction.

Alongside existential fears about the wholesale replacement of the novel, many authors reported a loss of income from AI, which they attributed to “competition from AI-generated books and the loss of jobs which provide supplementary streams of income, such as copywriting”.

Some respondents reported finding “rip-off AI-generated imitations” of their own books, as well books “written under their name which they haven’t produced”.

Last year, the Authors Guild warned that “the growing access to AI is driving a new surge of low-quality sham ‘books’ on Amazon”, which has limited the number of publications per day on its Kindle self-publishing platform to combat the influx of AI-generated books.

The median income for a novelist is currently £7,000 and many make ends meet by doing related work, such as audiobook narration, copywriting or ghost-writing.

Read more: The author embracing AI to help write novels

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Could the AI bubble burst?

These tasks, authors feared, were already being supplanted by AI, although little evidence was provided for this claim, which was not possible to verify independently.

Copyright was also a big concern, with 59% of novelists reporting that they knew their work had been used to train AI models.

Of these, 99% said they did not give permission and 100% said they were not remunerated for this use.

Earlier this year, AI firm Anthropic agreed to pay authors $1.5bn (£1.2bn) to settle a lawsuit which claimed the company stole their work.

The judge in the US court case ruled that Anthropic had downloaded more than seven million digital copies of books it “knew had been pirated” and ordered the firm to pay authors compensation.

However, the judge sided with Anthropic over the question of copyright, saying that the AI model was doing something akin to when a human reads a book to inspire new work, rather than simply copying.

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Scientists sound alarm over ultra-processed foods
‘What is it really like being a British journalist in Moscow?’

Most novelists – 67% – never used it for creative work, although a few said they found it very useful for speeding up drafting or editing.

One case study featured in the report is Lizbeth Crawford, a novelist in multiple genres, including fantasy and romance. She describes working with AI as a writing partner, using it to spot plot holes and trim adjectives.

“Lizbeth used to write about one novel per year, but now she can do three per year, and her target is five,” notes the author of the report, Dr Clementine Collett.

Is there a role for government?

Despite this, the report’s foreword urges the government to slow down the spread of AI by strengthening copyright law to protect authors and other creatives.

The government has proposed making an exception to UK copyright law for “text and data mining”, which might make authors and other copyright holders opt out to stop their work being used to train AI models.

“That approach prioritises access to data for the world’s technology companies at the cost to the UK’s own creative industries,” writes Professor Gina Neff, executive director of the Minderoo Centre for Technology and Democracy.

“It is both bad economics and a betrayal of the very cultural assets of British soft power.”

A government spokesperson said: “Throughout this process we have, and always will, put the interests of the UK’s citizens and businesses first.

“We’ve always been clear on the need to work with both the creative industries and AI sector to drive AI innovation and ensure robust protections for creators.

“We are bringing together both British and global companies, alongside voices beyond the AI and creative sectors, to ensure we can capture the broadest possible range of expert views as we consider next steps.”

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Princess of Wales says her children were ‘very sad’ to miss Paddington at Royal Variety Performance

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Princess of Wales says her children were 'very sad' to miss Paddington at Royal Variety Performance

The Princess of Wales has admitted her children were “very sad” to miss the Royal Variety Performance in London, which she and the Prince of Wales attended.

Prince William and Kate made their first appearance at the event since her recovery from cancer.

Wednesday’s red carpet show at the Royal Albert Hall was headlined by the cast of Paddington The Musical.

After arriving and being presented with posies by nine-year-old twins Emelia and Olivia Edwards, the family of staff at a care home for entertainment industry workers, Kate asked if they were fans of Paddington Bear.

The Princess of Wales meets Emelia and Olivia Edwards. Pic: PA
Image:
The Princess of Wales meets Emelia and Olivia Edwards. Pic: PA

The princess, wearing a green velvet gown, then told the girls that her children were “very sad” not to attend the show and added she had to tell them children were not allowed to go.

“My kiddies were very sad, we’re going to have to keep it a big secret that I saw you guys,” she said.

“They were very sad not to be joining us.”

It is the sixth time William and Kate have attended the annual charity event.

When Olivia told the prince, wearing a tuxedo, her favourite singer was Billie Eilish, he replied she had good taste.

He said: “It’s very nice to see you both. You’re very smiley, you two.”

The royals were also greeted on the red carpet by ITV board members and representatives from the Royal Variety Charity, of which the King is the royal patron.

Pics: PA
Image:
Pics: PA

The Paddington cast were set to take to the stage on Wednesday evening, while pop star Jessie J and Grammy award-winning singer Laufey were also expected to perform.

Read more from Sky News:
New record for wind-powered electricity in Britain
Weather warnings for snow and ice updated

Jessie J attends the Royal Variety Performance. Pic: PA
Image:
Jessie J attends the Royal Variety Performance. Pic: PA

Laufey at the event in London. Pic: PA
Image:
Laufey at the event in London. Pic: PA

Held annually, the Royal Variety Performance was first staged in 1912 for King George V and Queen Mary in support of the charity, which helps those working in the entertainment industry.

Ahead of the show, its executive producer Giles Cooper said the charity was “thrilled” the prince and princess would “once again attend the Royal Variety Performance”.

Mr Cooper, also chairman of the charity, added: “This annual great British institution, viewed by a worldwide TV audience of over 150 million, continues to be a crucial fundraising event supporting people in all areas of performance, either on or off stage.

“In this pressurised world of working in the entertainment industry, our mental health initiative, started in 2024, has been a lifeline for many who are experiencing issues such as anxiety, depression or addiction.”

Pics: PA
Image:
Pics: PA

On Tuesday, the princess called on businesses to value “time and tenderness just as much as productivity and success” in her first speech since she was diagnosed with cancer at the start of 2024.

Speaking at the Future Workforce Summit, Kate told 80 business leaders: “Every one of you interacts with your own environment; a home, a family, a business, a workforce, a community.

“These are the ecosystems that you yourselves help to weave. Imagine a world where each of these environments were built on valuing time and tenderness just as much as productivity and success.

“As business leaders, you will face the daily challenge of finding the balance between profitability and having a positive impact. But the two are not, and should not be incompatible.”

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