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When it comes to crazy electric vehicles from Alibaba, I’ve seen and written about seemingly every category under the sun. From animal-shaped electric boats and e-submarines to electric versions of Henry Ford’s Model T and even electric motorcycles with only one wheel. But never before have I found a direct-from-China EV that was as equal parts fascinating and suicidal as this one. And so it is with a combination of morbid curiosity and substantial trepidation that I present to you this week’s Awesomely Weird Alibaba Electric Vehicle of the Week: a 60+ mph (100 km/h) standing electric scooter.

You know, like a Bird electric scooter. The kind you ride to go get a coffee.

Except this one looks like it ate a few Bird scooters. And it’s the kind you stand up on to go meet Odin in Valhalla.

This massive electric scooter touts a peak power rating of 8,000 W from a pair of gigantic hub motors. That’s enough power to rocket this bad-idea-on-wheels to a claimed 100 km/h, or 62 mph.

I’d call the scooter death defying at these speeds, but I think it might be more accurate to call it death inducing.

The vendor helpfully mentions that the scooter can be limited to 25 km/h (15.5 mph), presumably to make it street legal. Good luck explaining that to the cop that pulls you over after finally catching up with you. I imagine it’d be a bit like pointing to the turn signals you added to your monster truck while stamping your foot and indignantly saying “See, officer?”

The scooter comes with two 72V battery options of either 35Ah or 45Ah. But let’s not kid ourselves, if you’re getting something this ridiculous, then you’re going to max out the pack.

With the larger 3.2 kWh option, that 25 km/h speed limit would probably let the scooter cross the US on a couple of charge stops. At modest speeds of 60 km/h (37 mph) though, the seller rates that battery for 100-130 km (62-81 miles) of range.

Still not too shabby!

That’s a big battery; credit where credit is due. It’s so big that the scooter even comes with two chargers so you have a prayer of filling that battery in a single overnight charge.

The good news is that even though you’ll be flying through the night at breakneck speed (perhaps literally), people will surely see you coming from a distance and have time to get out of the way. That’s because this rolling liability has more lights than a landing strip at O’Hare.

There are four giant spotlights, standard headlights, “ambient lighting,” LED lights built into the acrylic deck, tail lights, and turn signals. Even the instrument display lights up like a Christmas tree.

To be honest, though, that’s a pretty nice instrument panel. Despite the relatively low price of $2,645, the screen seems nicer than you used to find on most electric Zero Motorcycles costing 5-7x the price (until Zero updated those screens lately).

And while I’m making concessions, the scooter actually seems fairly decently built. The full suspension will at least give you a fighting chance when you hit anything on the road larger than a pencil at max speed. And the 13-inch wheels are quite large by scooter standards. They might even help you fare better against potholes. Of course you could also use the scooter’s other defense against potholes: Just hit them at 60 mph and your wheels won’t have time to drop down into them.

Check out how many gadgets we’ve got on those bars, too! This scooter is more decked out than a mall rent-a-cop’s tactical belt.

One area of the sales page that I absolutely love is the “notes” section. In it, the seller provides a couple key pieces of advice for prospective new scooter owners:

Note:
1.This scooter is not 100% waterproof, the water can not come in the battery (water don’t steep the pedal);

2. For the drop testing in the video, it don’t mean customer can drop it. Pls love your scooter and protect it carefully.:)

That is to say, this scooter appears to be able to handle anything you could throw at it up to and including the apocalypse, as long as it’s a dry end of times. And also, don’t drop your scooter. Though good luck even trying not to. The damn thing weighs 58 kg (127 lb).

I also love how the kind helmet-less organ donor in the demo video below is decked out in tactical elbow and knee pads but is just raw-dogging it down the road with no skid-lid. This man made the conscious decision to ride a 60 mph standing scooter with no helmet, but then thought to himself, “I better protect myself with elbow pads, that’s how I make my money.”

For the actually reasonable price of $2,695, the scooter may just be one of the cheaper ways to go out in a blaze of glory on a thrill ride.

I’m not saying I recommend anyone get one of these, and in fact I’m actively advising against it. Though the free shipping is working against me by making this out to be an even sweeter deal – if the kind of deal you’re looking for is a kamikaze scooter.

I suggest we all sit this one out and just enjoy the scooter on paper for its ridiculousness. There are plenty of other fun and weird electric vehicles on Alibaba that won’t actively try to kill you.

Check out some of my other Awesomely Weird Alibaba Electric Vehicle of the Week finds below, or drop me a line if you happen to find something fun and weird in your own perusings!


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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
Image:
Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
Image:
Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
Image:
Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
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Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

More on The Who

Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
Image:
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
Image:
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

Read more from Sky News:
Tributes to ‘genius’ Kilmer
Richest billionaires named
Springsteen’s seven new albums

In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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Russell Brand charged with rape and sexual assault

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Russell Brand charged with rape and sexual assault

Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

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Ashna Hurynag discusses Russell Brand’s charges

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

Read more from Sky News:
Mum spared prison after son’s death
Last UK blast furnaces days from closure
Ship owner files legal claim after North Sea crash

The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

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