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“This case is not about a celebrity who likes to party a lot,” assistant US attorney Maria Cruz Melendez told the jury on the first day of R Kelly’s trial. “This case is about a predator.”

At many points during the hearing, the allegations against the disgraced R&B singer were difficult for witnesses to speak about. Dozens of women, and men, gave evidence, the full horror of his crimes officially made public following years of rumours that had been silenced.

R Kelly – once one of the biggest music stars in the world, a three-time Grammy winner whose chart-topping hits include I Believe I Can Fly, Bump ‘N’ Grind and Ignition – had denied all the charges, his lawyers calling his accusers “disgruntled groupies” and saying they were lying, arguing that any “relationships” were consenting.

However, the jury believed the survivors. Robert Sylvester Kelly has now been found guilty of all nine charges brought against him – one charge of racketeering and eight counts of violating a law which prohibits transporting people across state lines for prostitution.

Ms Melendez had told the jury in her opening statement that the 54-year-old used his fame to entice his victims and that he “dominated and controlled them physically, sexually and psychologically”. He was a “predator” whose fame brought him “access to girls, boys and young women”, she said.

Here are some of the key allegations from the month-long trial in Brooklyn.

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Warning: This article contains graphic content.

Marriage to Aaliyah

R Kelly’s marriage to the late R&B singer Aaliyah in 1994 had been speculated about for years. Aaliyah was 15, Kelly 27 when they wed in a secret ceremony following the release of her debut album Age Ain’t Nothing But A Number, which he produced.

During the trial, the singer’s former tour manager Demetrius Smith gave evidence about the relationship – telling the court he bribed a government official to get a fake ID card.

He was forced to testify against his will after being given immunity from future charges.

Recalling the events surrounding the marriage, Mr Smith said he went into a welfare office in Chicago in 1994 and asked an employee who was taking ID photos if they “want to make some money”, before handing over $500.

R&B singer and actress Aaliyah pictured in 2001. Pic: AP
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R&B singer and actress Aaliyah pictured in 2001. Pic: AP

The welfare card was one of two fake IDs used to allow the R&B artist to marry Aaliyah – full name Aaliyah Dana Haughton – after he began a sexual relationship with her and believed she was pregnant, the court heard. A marriage licence listed Aaliyah as 18.

Prosecutors said Kelly wanted to use the marriage – later annulled by Aaliyah’s parents – to protect himself from criminal charges relating to having sex with a minor and prevent the singer from testifying against him.

Mr Smith repeatedly told the judge during his evidence that he was uneasy about taking the stand, but did not give a specific reason.

However, after further questioning, he revealed how Kelly came to him during a 1994 tour and told him Aaliyah was “in trouble” and that he needed to get home.

Mr Smith said they rushed back to Chicago after a concert in another city so they could arrange the marriage, which was meant “to protect him and Aaliyah”.

Later in the trial, another witness told the court that she saw Kelly in a “sexual situation” with Aaliyah in around 1993 – when Aaliyah would have been aged 13 or 14.

The witness, a former backing dancer for Kelly, also said that he had sex with her when she was 15.

Aaliyah later died in a plane crash in 2001, aged 22. In January 2016, Kelly was asked about his relationship with the young star in an interview with GQ, but did not comment. “Out of respect for her mother who’s sick and her father who’s passed, I will never have that conversation with anyone,” he said.

R Kelly denies the charges filed against him
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R Kelly was once one of the biggest music stars in the world

‘He slapped me and choked me until I passed out’

Kelly’s trial in New York came after years of suspicions and accusations against him. Many of the allegations were featured in the Lifetime documentary series Surviving R Kelly, which aired early in 2019.

While some of the witnesses were not identified in the media, and were referred to as “Jane Does” in court, Jerhonda Pace, who is now 28, was one of the women who appeared in the programme and has spoken out against the singer publicly.

She was the first accuser to give evidence during the trial, telling jurors that Kelly invited her to his mansion and ordered her to take off her clothes when she was a 16-year-old virgin, and a member of his fan club, in 2010.

“He asked me to continue to tell everyone I was 19 and act like I was 21,” she told the court. When she told Kelly she was a virgin, he said that was “good” and told her he wanted to “train her” sexually, she said.

Ms Pace told the jury he knew her age as she had shown him identification, and ordered her to call him “Daddy”.

She said they saw each other for another six months, but Kelly grew more and more controlling and would become violent when she broke what she called “Rob’s rules”. She recalled one time when “he slapped me and choked me until I passed out”. Afterwards, he spat in her face and forced her to have oral sex, she said.

Ms Pace also told the court that Kelly would often record their sexual encounters and sometimes ordered her to wear pigtails and “dress like a girl scout”.

‘It was almost like the Twilight Zone’

It was not just Kelly’s victims who gave evidence in court, with former employees describing the things they saw while working for the singer, too.

Anthony Navarro, a trained audio engineer who said he worked for the singer for more than two years until 2009, told the court that girls stayed at Kelly’s mansion in Chicago for long periods of time but could not eat or leave without his permission.

He described the inner workings of the property where the singer had a recording studio, saying it was like being in “the Twilight Zone” and that it sometimes made him “uncomfortable”.

Mr Navarro told the court he never witnessed Kelly sexually abusing victims, but said his job included picking up and driving girls to be with the R&B singer, as well as other tasks associated with his career.

“There’s been times where they (girls) wanted to (leave) but couldn’t because they couldn’t get a ride or we couldn’t get a hold of Rob,” he said.

He recalled being instructed not to talk to girls at the house and having to tell people when girls were no longer in rooms they had been escorted to.

“The things you had to do were just a bit uncomfortable,” he said. “The music and production stuff was really good. All the other stuff was kind of strange… It was almost like the Twilight Zone.”

R Kelly listens in as the final closing arguments are made in his trial. Pic: Reuters
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R Kelly is also facing sex abuse charges brought in Illinois and Minnesota – to which he has also pleaded not guilty

Victim who contracted herpes

One witness, known as “Jane Doe #5”, told the court that Kelly gave her herpes on purpose and assaulted her while she was underage.

She also told the court that the singer once beat her with a shoe. On another occasion, he forced her to rub faeces on her face and videotape it, she said.

Ms Doe also said she was coerced into getting an abortion after Kelly said he wasn’t ready to have a child with her.

The pair first came into contact in 2015, when the witness, then 17, was invited to Kelly’s hotel in Orlando, Florida, following a gig during which the then-48-year-old paid “a lot of attention to her”, she told the court.

Ms Doe said she told the singer she was 18 when they met – the age of consent in Florida – and said she wanted to be a singer and hoped to advance her career. However, Kelly told her he needed to be pleased sexually before she could audition, she said.

“I just wanted to sing,” Ms Doe, now 23, testified. “I genuinely wanted his input.”

After the initial abuse, which involved oral sex, Kelly was said to have had sex with the victim on more than one occasion. At one point, the court heard, Ms Doe started experiencing pain during sex, which “got worse to the point where I couldn’t walk”.

She was later diagnosed with herpes.

“This man purposely gave me something he knew he had,” she told the court. “He could have controlled the situation.”

Doe said that when she revealed her real age to Kelly, he slapped her across the face but kept her in his life.

In notes that Doe wrote to herself to follow Kelly’s rules, she had written: “Tell Daddy everything.”

Kelly promised a 17-year-old boy fame in exchange for sex

A male accuser, who testified under the pseudonym Louis, told the court he was just 17 when Kelly promised him fame in exchange for sex.

He said the singer had lured him to his Chicago-area home in 2007 with a false offer to help him with his music career.

Kelly had asked him “what I was willing to do for music”, he told the court, and said he had replied: “I’ll carry your bags… anything you need I’ll be willing to do.”

According to Louis’s testimony, Kelly responded: “That’s not it, that’s not it”, before asking him if he ever fantasised about having sex with men.

He said that Kelly had “crawled down on his knees and proceeded to give me oral sex”, adding: “I wasn’t into it.”

He also said that, on another occasion, Kelly had snapped his fingers to summon a naked girl to perform a sex act on himself and Louis.

The teenage boy continued to see the R&B star because “I really wanted to make it in the music industry”, the court was told.

The witness who didn’t testify due to panic attacks

Kelly threatened to “f*** up” one of his victims before assaulting her in an incident that was recorded in 2008, it emerged in court documents submitted during the trial.

The filing stated that prosecutors wanted the woman from Florida, referred to as a “Jane Doe”, to testify at Kelly’s trial, but decided against it after she “started to have panic attacks and appeared to have an emotional breakdown” as she listened to the tapes.

While the recordings were played in court, there was no audio for the press and public. A video feed showed Kelly not wearing the headphones that would have allowed him to listen to the evidence.

On tape, the singer was said to be heard saying: “If you lie to me, I’m going to f*** you up.” In a second tape, he was allegedly heard threatening her and accusing her of stealing his Rolex watch.

“You better not ever… take from me again or I will be in Florida and something will happen to you,” he said, according to the documents. “You understand what I’m telling you?”

Kelly allegedly told his victims he had cameras and other recording devices “everywhere” in his Chicago studio and other locations.

R. Kelly sits with his lawyers Nicole Blank Becker, Devereaux Cannick and Thomas Farinella during Kelly's sex abuse trial at Brooklyn's Federal District Court in a courtroom sketch in New York,
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The singer had denied all the charges against him

‘I was scared. I was ashamed. I was embarrassed’

One witness was a former radio station intern when she met Kelly in 2003, after contacting his representatives about an interview. She told the court she was locked in a darkened room and believes she was drugged and assaulted by Kelly while she was unconscious.

“I was sexually assaulted,” the woman, now 39, told jurors. “It wasn’t something I invited.”

Testifying without using her real name, she said she was a 21-year-old single mother from Salt Lake City, in Utah, when she approached Kelly’s entourage.

She was invited to fly to Chicago and meet Kelly at his music studio, all paid for by the singer, the court was told. When she arrived, she was greeted by someone who made her sign a non-disclosure agreement, demanded personal information about her family and surprised her by asking if she “needed protection” – specifically, a condom, she said.

“No, I’m not here for that,” was her response.

The woman said she was told to wait alone for Kelly in a windowless room. When she tried to step out, she discovered that the door was locked from the outside and that, after banging on the door with no response, she needed permission from Kelly to go to the bathroom or anywhere else, she said.

“I was scared. I was ashamed. I was embarrassed,” she told the court.

Two days went by before she was finally given something to eat, she told the court. After passing out, she says she awoke to find someone had taken off her clothes and that she saw Kelly pulling up his trousers.

It felt like another few days passed before she was put on a flight home, the court heard.

As she left, an employee warned her not to “f*** with Mr Kelly”, she said.

What now?

For Kelly, who last released a studio album in 2016, the guilty verdict in New York is not the end of his legal troubles.

He is also facing sex abuse charges brought in Illinois and Minnesota – to which he has also pleaded not guilty.

So there could be more allegations to come.

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Saturday Night Live gets British version

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Saturday Night Live gets British version

A British version of long-running US sketch show Saturday Night Live (SNL) will be coming to Sky next year.

An American pop culture institution, SNL launched the careers of stars including Bill Murray, Tina Fey, Eddie Murphy, Kristen Wiig and Will Ferrell.

Real estate magnate Donald Trump makes a sweeping gesture as he tapes a guest appearance for a Mothers Day episode on NBC's "Saturday Night Live," in New York, April 13, 1993.  
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Donald Trump on a Mothers Day episode SNL in 1993. Pic: AP


It’s also featured a host of celebrity and political guests, including tech billionaire Elon Musk and Donald Trump when he was a presidential candidate.

SNL celebrated 50 years on air in February.

British comedians will be cast in the UK spin-off, which will be overseen by US producer Lorne Michaels alongside the US version.

Along with his production company Broadway Video, which has made The Tonight Show Starring Jimmy Fallon and 30 Rock, the show will be led by UK production team Universal Television Alternative Studio.

The beginnings of SNL, which started in 1975, was recently made into the 2024 film Saturday Night, featuring Spider-Man star Willem Dafoe and Succession actor Nicholas Braun.

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The success of SNL, which airs on NBC in the US, has led to past attempts at international versions of the programme, with a French version Le Saturday Night Live running for just one season in 2017.

OJ  Simpson as he appeared on NBC's 'Saturday Night Live' with Gilda Radner (left), and Jane Curtin.
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OJ Simpson on SNL in 1978 with Gilda Radner (L), and Jane Curtin. Pic: AP

Cecile Frot-Coutaz, chief executive of Sky Studios and chief content officer at Sky, said: “For over 50 years Saturday Night Live has held a unique position in TV and in our collective culture, reflecting and creating the global conversation, all under the masterful comedic guidance of Lorne Michaels.

“The show has discovered and nurtured countless comedy and musical talents over the years and we are thrilled to be partnering with Lorne and the SNL team to bring an all-British version of the show to UK audiences next year – all live from London on Saturday night.”

Saturday Night Live UK will be broadcast on Sky Max and streaming service NOW in 2026.

Details about the UK version’s cast, hosts, and premiere will be announced in the coming months.

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Wolf Hall director on streaming levies: ‘The government needs the guts to stand up to the bully in the White House’

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Wolf Hall director on streaming levies: 'The government needs the guts to stand up to the bully in the White House'

The director of hit BBC period drama Wolf Hall says the government “needs to have enough guts to stand up to the bully in the White House” to protect the future of public service broadcasting.

Peter Kosminsky told Sky News’ Breakfast with Anna Jones that calls for a streaming levy to support British high-end TV production was urgently needed to stop the “decimation” of the UK industry.

His comments follow the release of a new report from the Culture, Media and Sport (CMS) committee, calling for the government to improve support measures for the UK’s high-quality drama sector while safeguarding the creation of distinctly British content.

Specifically, the report calls for streamers – including Netflix, Amazon, Apple TV+ and Disney+, all of which are based in the US – to commit to paying 5% of their UK subscriber revenue into a cultural fund to help finance drama with a specific interest to British audiences.

Kosminsky, who made the case for the levy and gave evidence to the committee in January, called global tariffs recently introduced by Donald Trump “the elephant in the room”.

He said he feared they would make the government reticent to introduce a streaming levy, but said it was a necessary step to “defend a hundred years of honourable tradition of public service broadcasting in this country and not see it go to the wall because [the government are] frightened of the consequences from the bully in the States”.

Mark Rylance (L) and Damian Lewis in Wolf Hall: The Mirror And The Light. Pic: BBC
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The second series of Wolf Hall, starring Mark Rylance (L) and Damian Lewis, nearly didn’t happen. Pic: BBC

Kosminsky also noted that the streamers would be able to apply for money from the fund themselves, as long as they were in co-production with a UK public service broadcaster.

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Earlier this year, a White House memorandum referenced levies on US streaming services, calling them “one-sided, anti-competitive policies” that “violate American sovereignty”.

In response to the call for streaming levies, a Netflix spokesperson said such a move would “penalise audiences” and “diminish competitiveness”.

They added: “The UK is Netflix’s biggest production hub outside of North America – and we want it to stay that way.”

The Association for Commercial Broadcasters and On-Demand Services (COBA) said such a levy “risks damaging UK growth and the global success story of the UK TV sector,” and “would risk dampening streamers’ existing investment in domestic content and would inevitably increase costs for businesses”.

Pic: BBC
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Pic: BBC

COBA said it welcomed the committee’s support for targeted tax breaks for domestic drama.

Kosminsky also told Sky News the second series of Wolf Hall was nearly called off just six weeks before it was due to start shooting due to financial pressures, adding: “It was only because the producer, the director, writer and the leading actor all agreed to take huge cuts in their own remuneration that the show actually got made.”

He said that both he and the show’s executive producer, Sir Colin Callender, had “worked on the show unpaid for 11 years on the basis that we would get a payment when the show went into production”, calling it “a bitter blow” to see that disappear.

Working in public service broadcasting for his entire career, Kosminsky said it was “absolutely heartbreaking for me and others like me to see that the industry we have been nurtured by and we care about is being decimated”.

While he said he was a “huge fan of the streamers”, he said it was their “very deep pockets” that had “driven up the price of what we do”, to the point where the traditional broadcasters can no longer afford to make high-end television.

Pic: Netflix
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Adolescence. Pic: Netflix

Just this week, Adolescence, created by British talent Jack Thorne and Stephen Graham, became the fourth most popular English-language series in Netflix’s history with 114 million views.

But while some very British shows might get taken on by the streamers due to universal appeal, Kosminsky said dramas including ITV’s Mr Bates Vs The Post Office and Hillsborough, and BBC drama Three Girls about the grooming of young girls by gangs in the north of England were examples of game-changing productions that could be lost in the future.

He warned: “These are not dramas that the streamers would ever make, they’re about free speech in this country. That’s part of what we think of as a democratic society, where we can make these dramas and programmes that challenge on issues of public policy that would never be of any interest in America.”

Mr Bates vs the Post Office. Pic: ITV/Shutterstock
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Mr Bates vs the Post Office. Pic: ITV/Shutterstock

The CMS report comes following an inquiry into British film and high-end television, which considered how domestic and inward investment production was being affected by the rise of streaming platforms.

Chairwoman of the CMS committee, Dame Caroline Dinenage, said “there will be countless distinctly British stories that never make it to our screens” unless the government intervenes to “rebalance the playing field” between streamers and public service broadcasters (PSBs).

A DCMS spokesperson said: “We acknowledge the challenges facing our brilliant film and TV industry and are working with it through our Industrial Strategy to consider what more needs to be done to unlock growth and develop the skills pipeline. We thank the committee for its report which we will respond to in due course.”

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New Universal theme park set to open in UK – with promise of ‘billions’ of pounds for the economy

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New Universal theme park set to open in UK  - with promise of 'billions' of pounds for the economy

A deal for a new Universal theme park in Bedfordshire has been confirmed, which Rachel Reeves says will bring “billions” to the economy and create thousands of jobs.

It will be the first Universal-branded theme park and resort in Europe and is set to open in 2031, when it is expected to become the UK’s most popular visitor attraction.

The government said it will bring an estimated £50bn into the British economy and will create about 28,000 jobs – nearly 20,000 during the construction phase, and 8,000 more in hospitality and the creative industries when it opens.

A 500-room hotel and a retail and entertainment complex is planned alongside the theme park, which will be built on a former brickworks.

Universal, which is owned by Sky News’ US parent company Comcast, expects the 476-acre site just south of Bedford to generate nearly £50bn for the economy by 2055, with 8.5m visitors in its first year.

The plan remains subject to a formal planning decision process from the Ministry of Housing, Communities and Local Government.

Universal has committed to working with local colleges and universities to train students for hospitality jobs.

There are Universal theme parks in Florida (pictured), California, Japan, Beijing and Singapore. Pic: AP
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There are Universal theme parks in Florida (pictured), California, Japan, Beijing and Singapore. Pic: AP

Among some of the famous Universal films are Wicked, Minions, Oppenheimer, Bridget Jones, Fast and the Furious, and Jurassic World.

There are five Universal theme parks already: Orlando in Florida, Hollywood, Japan, Beijing, and Singapore.

The new Universal theme park will be just south of Bedford
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The new Universal theme park will be just south of Bedford

Speaking to Wilfred Frost on Sky News Breakfast, Culture Secretary Lisa Nandy said the deal was “huge”.

“This is not just about numbers on the spreadsheet,” she said.

“This is about good jobs. It’s about growth. It’s about raising people’s living standards and putting money in people’s pockets. And it’s a massive vote of confidence in the United Kingdom.”

Welcoming the timing of the announcement, Ms Nandy added: “This deal comes off the back of one of the most tumultuous few weeks in global markets that I think anyone can remember within living memory.”

She said the fact that the government had been able to show it kept a “cool head” and “we don’t take knee-jerk decisions in response to global events” was one of the reasons it was able to announce the deal.

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A deal for a new Universal theme park in Bedfordshire has been confirmed
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The proposals to transform the site, a former brickworks, remain subject to a formal planning decision process

The government has said about 80% of employees at the theme park are expected to come from local areas, and it will support the “Oxford-Cambridge corridor” revived by the chancellor in January after the Conservatives scrapped plans for an Abingdon-Milton Keynes train link in 2021.

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Chancellor responds to tariffs: ‘We’ve got your backs’

It will also commit to a “major investment” in infrastructure around the Universal site to ensure it is well-connected and easily accessible.

The announcement comes days after the government approved an expansion of nearby Luton Airport.

Mike Cavanagh, President of Comcast Corporation, said: “We could not be more excited to take this very important step in our plan to create and deliver an incredible Universal theme park and resort in the heart of the United Kingdom, which complements our growing US-based parks business by expanding our global footprint to Europe.

“We appreciate the leadership and support of Prime Minister Keir Starmer, Chancellor Rachel Reeves, Minister for Investment Poppy Gustafsson, Culture Secretary Lisa Nandy and their teams, as we work together to create and deliver a fantastic new landmark destination.”

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