Guy Pearce on searching for humanity with new film: ‘The evolution of technology is both fascinating and disturbing’
It’s not every day you find yourself getting existential with a film star – but as Guy Pearce’s new film is set in a futuristic world where life-like droids can’t be discerned from real people, it’s got him questioning what it is to be human.
In Zone 414, the actor plays David Carmichael, an ex-police officer tasked with finding the kidnapped daughter of the man who creates the world’s AI machines.
In order to find the missing girl, his character must befriend one of the look-alike robots, forcing him to reflect on what’s real, and what’s programming.
The film also stars Matilda Anna Ingrid Lutz
Pearce, best known for films including Memento and LA Confidential – as well as his rise to fame in Australian soap Neighbours – told Sky News it’s a question we may need to ask ourselves as real-world tech gets smarter.
“The whole evolution of technology and where we’re heading and this rapid desire for very smart people out there who invent technology to create versions of ourselves is really kind of fascinating and disturbing at the same time,” he said.
“And the idea that will those robots, will those androids, become more human or more human than us, or will they become human at all? You know, that’s fascinating as well.”
The actor says he has been asking himself some fundamental questions.
“Where does humanity really come from? Where does it sit? Is it only injected into us as human beings or is there just as much humanity in a chicken, but just because it doesn’t speak we don’t know and could it therefore be implanted into a robot?
“That whole idea about our identity and psychology in this kind of setting was really fascinating.”
Despite grappling with the issues around developments in AI, Pearce said the technology is not something he is familiar with.
However, the star suspects he’ll end up learning from the next generation.
‘That whole idea about our identity and psychology in this kind of setting was really fascinating’
“If Siri accidentally comes on, I’m immediately going, ‘no, off, I don’t need your help, go away!’
“I’m not so much a Luddite, but just an oldie I guess – it’s interesting having Monty, my little boy. He’s only five, so he’s not really aware of what’s possible on a screen yet, but certainly you see him being drawn to it. And I know there will clearly come a point, probably very quickly, where he’s way ahead of me.”
Pearce’s character in Zone 414 is a man of few words. He says he prefers to portray what’s going on through his physicality.
“I’m eliminating dialogue all the time if I can,” he said. “I’ve got to be careful not to fall into the pattern of just turning every character into a silent communicator, because that’s not right for every character – some people are just naturally much more verbose.
“But in this case we understand later the baggage that he’s bringing with him and that on some level he’s shutting down as a human being – he’s just doing what’s necessary to survive… there’s something in that that I find kind of sympathetic and sad, noble or frustrating as well.”
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Earlier this year, Pearce played a love interest for Kate Winslet’s Mare in the hugely popular small-town US crime drama Mare Of Easttown.
As an old friend of the Oscar-winner, he came on to the project late after another actor dropped out – and admitted it still seems strange that he was in it at all.
“They had been shooting for some months anyway by the time I came in, funnily enough. I did one day on 12 March of last year and we shut down [due to the pandemic],” he said.
“And I really only had about seven or eight days work, so that in the end took about six months because we didn’t go back until September of last year to finish off my stuff, and so in a weird way I feel slightly disconnected from the show because it was such a brief time – but I also feel very connected to the show because of my connection with Kate.”
Kate Winslet and Guy Pearce star in Mare Of Easttown. Pic: Sky UK/HBO
Pearce, who was born in Cambridgeshire but grew up in Australia, says he was “wrapped” when Winslet, Evan Peters and Julianne Nicholson won Emmys for their roles in the series.
“I was very, very happy for the show but it was funny too watching the show because my story is kind of really separate from everything else in Mare’s life,” he said. “I was really just there, I guess, to sort of remind Mare that she can have love in her life as well as work really hard.
“So it was funny watching the show because I just felt like I was a fan watching, you know, like anybody else can: Oh, and there’s me – oh that’s right, I forgot I did this.”
Zone 414 is available on digital download from 4 October
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Giles Martin on AI plans: ‘It’s like saying you can burgle my house unless I ask you not to’
Producer Giles Martin has said plans to allow AI firms to use artists’ work without permission, unless creators opt out, is like criminals being given free rein to burgle houses unless they are specifically told not to.
Martin, who is the son of Beatles producer George Martin and worked with Sir Paul McCartney on the Get Back documentary series and the 2023 Beatles track Now And Then, spoke to Sky News at a UK Music protest at Westminster coinciding with a parliamentary debate on the issue.
Under the plans, an exemption to copyright would be created for training artificial intelligence (AI), so tech firms would not need a licence to use copyrighted material – rather, creators would need to opt out to prevent their work from being used.
Creatives say if anything it should be opt-in rather than out, and are calling on the government to scrap the proposals and stop AI developers “stealing” their work “without payment or permission”.
Giles Martin at the 2025 Grammy Awards. Pic: Jordan Strauss/Invision/AP
“If you create something unique it should be unique to you,” says Martin. “It shouldn’t be able to be harvested and then used by other people. Or if it is, it should be with your permission… it shouldn’t be up to governments or big tech.”
Sir Elton John and Simon Cowell are among the celebrities who have backed a campaign opposing the proposals, and Sir Paul has also spoken out against them.
“This is about young artists,” says Martin. “If a young Paul McCartney at the age of 20 or 22 wrote Yesterday, now… big tech would almost be able to harvest that song and use it for their own means. It doesn’t make any sense, this ruling of opting out – where essentially it’s like saying, ‘you can burgle my house unless I ask you not to’.”
‘I’m not anti-AI – it’s a question of permission’
The Beatles’ track Now And Then was written and recorded by John Lennon in New York in the late 1970s, and AI was used to extract his vocals for the 2023 release. The Get Back documentary also used audio restoration technology, allowing music and vocals to be isolated.
AI was used to release The Beatles’ track Now And Then in 2023. Pic: Apple Corps Ltd
“I’m not anti [AI], I’m not saying we should go back to writing on scribes,” Martin said. “But I do think that it’s a question of artist’s permission.”
Using AI to “excavate” Lennon’s voice was with the permission of the late singer’s estate, he said, and is “different from me getting a 3D printer to make a John Lennon”.
He added: “The idea of, for example, whoever your favourite artist is – the future is, you get home from work and they’ll sing you a song, especially designed for you, by that artist, by that voice. And it’ll make you feel better because AI will know how you’re feeling at that time. That’s maybe a reality. Whoever that artist is, they should probably have a say in that voice.”
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Crispin Hunt, of 1990s band The Longpigs, who also attended the protest, said “all technology needs some kind of oversight”.
“If you remove the ability for the world to make a living out of creativity, or if you devalue creativity to such an extent that that it becomes a hobby and worthless to do, then humanity in life will be far less rich because it’s art and culture that makes life richer,” he said. “And that’s why the companies want it for free.”
The Data (Use and Access) Bill primarily covers data-sharing agreements, but transparency safeguards were removed at committee stage.
Critics say changes need to be made to ensure that companies training generative AI models disclose whether work by a human creator has been used and protect creatives under existing copyright rules.
In February, more than 1,000 artists and musicians including Kate Bush, Damon Albarn, Sam Fender and Annie Lennox released a silent album in protest at the proposed changes.
At that time, a government spokesperson said the UK’s current rules were “holding back the creative industries, media and AI sector from realising their full potential – and that cannot continue”.
The spokesperson said they were consulting on proposals that better protect the “interests of both AI developers and right holders” and to deliver a solution “which allows both to thrive”.
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