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As someone who’s owned and operated their fair share of EVs, I was looking forward to experiencing Volkswagen’s first truly mainstream electric vehicle, the VW ID.4 SUV. As a part of a #vwpartner collaboration with Volkswagen, I got the opportunity to drive the VW ID.4 for a few days. What I found was an SUV for the masses that is easy to adapt to if you’re coming from a traditional gas-powered vehicle.

The VW ID.4 also features plenty of tech, including wireless CarPlay on a large available 12-inch display, and available wireless charging. Watch our hands-on video for the details.

Wake up and go

One of the best benefits of owning an electric vehicle is waking up with a full charge each morning. That means no wondering about how much gas is left in the tank, and no annoying detours to the gas station. You simply wake up, unplug, and get going to your destination. Once you get used to this aspect of owning an electric vehicle, it’s hard to go back.

Driving and performance

One of the things that surprised me about the VW ID.4 is how easy it makes it to move from a gas-powered vehicle to an electric SUV. VW has resisted the temptation to make the ID.4 weird or overly quirky just because it’s electric. This is an SUV first and foremost, and it drives similarly to gas-powered vehicles.

Hands-on with the Volkswagen ID.4 electric SUV

Although it’s not a performance vehicle, the VW ID.4 has enough power for everyday tasks like merging on the highway and passing in traffic. Volkswagen will have other offerings, including the AWD version of the ID.4, if you’re looking for additional power.

What stood out most for me was how responsive the vehicle was, especially when turning. The turning radius is very good for an SUV of this size, making it easy to do u-turns. This was a huge departure from my daily driver, which feels like driving a small boat in comparison.

Another mainstay of electric vehicles is regenerative braking, which will slow acceleration while simultaneously recharging the battery. While the ID.4 doesn’t feature so-called “one-pedal driving,” you can easily enable stronger regenerative braking, which means using the actual brakes a lot less.

Storage

The VW ID.4 is a real SUV and can accommodate five individuals comfortably. VW notes that it provides more passenger volume than the 2021 Toyota RAV 4.

There is plenty of storage in the rear of the vehicle, thanks to the split rear folding seats. Accessing that rear storage is easy with the powered liftgate. You’ll also find two hidden storage compartments in the back, which are great for hiding valuables or less-often-used items.

CarPlay

CarPlay brings a seamless iPhone experience to your vehicle’s primary display, providing safer interaction with your phone while bringing Siri voice control and text-to-speech to your vehicle. CarPlay brings Apple Maps, Apple Music, Podcasts, and even third-party apps to the VW ID.4 in a simple and safe manner. Of course, you can also make phone calls or listen and respond to text messages using your voice.

As someone who drives an electric vehicle that will probably never have CarPlay, I didn’t realize how much I missed the feature until driving the ID.4. For an iPhone user (the vehicle also supports Android Auto), the convenience of CarPlay can’t be overstated, and the VW ID.4’s available 12-inch screen makes the CarPlay experience stand out.

As an Apple Music subscriber, one of my favorite things about CarPlay, and one of the features that I miss the most on my daily driver, is Apple Music. CarPlay provides access to the entire library of over 75 million songs and allows you to request any of them on-demand with a simple voice command. Even better is the fact that your entire curated music library, including all of your playlist and albums, is easily accessible.

CarPlay is a feature that I’ve enjoyed in other vehicles, but to have it presented on the VW ID.4’s massive 12-inch display makes apps like Apple Maps even easier to use. CarPlay also works with third-party mapping applications like Google Maps and Waze.

The VW ID.4 includes a couple of additional available tech options that make CarPlay even better. For starters, there’s wireless CarPlay connectivity, which means you don’t have to plug in any cables to get connected – simply get in the vehicle, and it automatically connects to your iPhone. Secondly, the VW ID.4 features a wireless charger, which means your phone can stay charged even though it’s not connected to a physical cable.

Additional standout features

In additional to CarPlay, there are other standout features offered that I enjoyed:

  • A panoramic roof, but also a retractable sunshade to keep the cabin from getting too hot.
  • Massaging driver and passenger seats.
  • Customizable RGB ambient lighting for the footwell, doors, and dash.

Electrify America

I stopped at my local Electrify America charging station, which is one of over 600 such charging stations around the country (with another 100+ coming soon).

Charging is easy, and you can monitor the charging status on the 12-inch display. In addition, Plug and Charge is coming, which will make charging even easier than pumping gas. Compared to the average gas vehicle, the VW ID.4 electric SUV can provide as much as $4000 in estimated fuel cost savings over five years.

Conclusion

Driving the all-electric Volkswagen ID.4 means zero direct emissions, which is great for the environment. While that might make you feel good, the car also has to be practical and work for you to be truly tenable. That’s why I think the VW ID.4, and vehicles like it, will play a big role in the advancement of electrification here locally, and in other areas around the world.

The Volkswagen ID.4 is practical, it also has the tech, the storage, and the down-to-earth design language. Combined with the familiar functionality, and it’s easy to see why this electric SUV will make it easy to transition from a gas-powered vehicle.


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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
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Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
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Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
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Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
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Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

More on The Who

Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
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Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
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Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

Read more from Sky News:
Tributes to ‘genius’ Kilmer
Richest billionaires named
Springsteen’s seven new albums

In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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Russell Brand charged with rape and sexual assault

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Russell Brand charged with rape and sexual assault

Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

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Ashna Hurynag discusses Russell Brand’s charges

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

Read more from Sky News:
Mum spared prison after son’s death
Last UK blast furnaces days from closure
Ship owner files legal claim after North Sea crash

The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

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