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Denmark-headquartered Ørsted is the largest offshore wind company in the world. David Hardy, who became CEO of Ørsted Offshore North America in October 2020, testified today on Capitol Hill, before the US House Committee on Energy and Commerce, Energy Subcommittee. Here’s what he said this morning.

What follows is a transcript of Hardy’s statement:

Chairman Pallone, Chairman Rush, Ranking Member McMorris-Rodgers, Ranking Member Upton, and Members of the Committee, thank you for the invitation to speak with you today. My name is David Hardy, and I am the CEO of Ørsted Offshore North America.

Ørsted is the global leader in offshore wind energy with approximately 8,000 megawatts of installed capacity globally. While today’s hearing is focused on offshore wind, it is important to note that Ørsted is also a global leader in onshore wind, solar, energy storage, and green hydrogen. While once a fossil-fuel-intensive oil and gas company, today we’ve transitioned to a 100% clean energy company.

Although we have this global experience, at our core we are a local company rooted in the communities we serve.

In the US, Ørsted is the leading offshore wind energy company, currently developing offshore wind farms totaling more than 4,000 MW and powering millions of homes in Rhode Island, Connecticut, New York, New Jersey, and Maryland.

We’ve been involved in one way or another with all seven of the current operating offshore wind turbines in the US – installing the first two turbines in federal waters off the coast of Virginia last year, and owning and operating the five-turbine Block Island Wind Farm.

While our offshore wind projects are obviously being built along the coastlines, I would like to highlight how offshore wind energy creates economic opportunity in communities across the country.

Building the US offshore wind energy supply chain

One of the challenges facing the US offshore wind industry is the capacity of and expertise within the supply chain. Ørsted has a two-pronged approach to help solve this challenge. This includes, first, building US capability with existing American companies and second, attracting European firms to build facilities here in the US, thus creating foreign direct investment and new American jobs.

Here are some examples of how we are helping to build capabilities with US companies:

First, in the area of offshore substations: We’ve partnered with Kiewit, a company based in Nebraska, to build the first American-made offshore wind substation. Kiewit will leverage its oil and gas experience to produce this important piece of infrastructure in Texas.

Drawing on its experience in the oil and gas sector, this new contract will provide Kiewit with new offshore wind energy experience, which will allow it to support future US offshore wind farms.

Next, in the area of vessels: Earlier this summer, I was in Minority Whip Scalise’s district to meet with Edison Chouest Offshore, a [Los Angeles] company that will build America’s first Service Operations Vessel, or SOV. This is an $80 million vessel that is 260 feet in length.

And in June, I joined Congressman McKinley, Senator Manchin, and Secretary Granholm in West Virginia to celebrate the lease we signed to charter the first US built offshore wind turbine installation vessel. This $500 million vessel will be built in Texas.

US steel manufacturers in Pennsylvania, North Carolina, Alabama, and West Virginia will supply the steel for these two vessels. And Caterpillar, in Illinois, will produce the engines to power our SOV.

Last, in the area of foundation components: I attended an event just two weeks ago with Congressman Tonko to announce an $86 million investment for Riggs Distler and Ljungstrom Steel Fabricators to make steel components in Western New York for our turbine foundations. And in Maryland, we are investing $70 million into Crystal Steel, a minority-owned company to do similar work.

Now, I would like to share some examples of how we are working with global partners to build US facilities and create American jobs.

First in the area of undersea submarine cables. We’ve partnered with Nexans, a French global leader in submarine export cables, to expand their capabilities in their South Carolina facility. And as part of our current bid in Maryland, we partnered with Hellenic Cables, a Greek company, to open a factory in the Baltimore area and produce the first American-made offshore wind submarine array cables there.

Additionally, we have also attracted EEW, a German offshore wind foundation manufacturer, to open the world’s most advanced monopile manufacturing facility in Paulsboro, New Jersey. This investment includes six large buildings to make 400-foot in length and 40-foot diameter monopiles.

As you can see, there is already significant economic activity across the country.

Even as a new industry, our supply chain today already includes companies and employees from every state represented on this subcommittee.

Closing

In closing, I would like to emphasize one more important point. That is that Europe has had several decades to build the infrastructure needed to support a mature offshore wind energy industry. And although we are making considerable progress in building the US supply chain, it remains a challenge that needs regulatory certainty and incentive if we want to achieve 30 gigawatts by 2030 and realize our full potential.

It is an exciting but critical time for US offshore wind energy, an industry that will both reduce the impacts of climate change, as well as create jobs across America. Thank you for your interest, and I look forward to your questions.

Read more: Ørsted is first in US to operate solar, wind, and storage at utility scale


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Photo: Ørsted


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‘The heartbeat of Blondie’: Drummer Clem Burke dies aged 70

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'The heartbeat of Blondie': Drummer Clem Burke dies aged 70

Blondie drummer Clem Burke has died at the age of 70

The band said Blurke had been diagnosed with cancer, and described his death as a “profound loss”.

He featured on all the Debbie Harry-fronted group’s studio albums since joining a year after their formation in 1975.

Blurke was with the band from their self-titled debut, through their 1978 classic Parallel Lines, to 2017’s Pollinator.

Drummer Clem Burke.
Pic: Reuters
Image:
Drummer Burke.
Pic: Reuters

In a statement on Blondie’s Instagram, Harry and the band’s guitarist, Chris Stein, said: “It is with profound sadness that we relay news of the passing of our beloved friend and bandmate Clem Burke following a private battle with cancer.

“Clem was not just a drummer, he was the heartbeat of Blondie.

“His talent, energy, and passion for music were unmatched, and his contributions to our sound and success are immeasurable.

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“Beyond his musicianship, Clem was a source of inspiration both on and off the stage. His vibrant spirit, infectious enthusiasm and rock solid work ethic touched everyone who had the privilege of knowing him.

“Clem’s influence extended far beyond Blondie, a self-proclaimed ‘rock and roll survivalist’, he played and collaborated with numerous iconic artists.”

Clem Burke drummer of the band Blondie in his performance at Festival Estereo Picnic 2023.
Pic: AP
Image:
Burke in his performance at Festival Estereo Picnic 2023.
Pic: AP

Burke featured on Iggy Pop’s 1982 album Zombie Birdhouse and also performed with Bob Dylan, The Ramones, The Who guitarist Pete Townshend and Joan Jett.

The statement went on to say Burke had left an “indelible mark on every project he was part of”.

It added: “We extend our deepest condolences to Clem’s family, friends, and fans around the world. His legacy will live on through the tremendous amount of music he created and the countless lives he touched.”

Burke, who performed on classic tracks such as Call Me, Heart Of Glass and One Way Or Another, made his final live appearance with Blondie last year.

Read more from Sky News:
King arrives in Rome for Italy tour with Queen after health concerns

Global bank chiefs hold talks over Trump tariffs crisis

Blondie performs during Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 25, 2023.  
Pic: Invision/AP
Image:
Blondie performing during Glastonbury Festival in 2023.
Pic: Invision/AP

Among those paying tribute to him was Kinks guitarist Dave Davies, who said: “I feel saddened that Clem Burke was taken from us so soon.

“May he rest in peace, spectacular drumming, we were friends.”

Nancy Sinatra said: “My heart is shattered. Clem became an icon as a member of Blondie, but he was also an important part of my band, the K.A.B. I was blessed to call him my friend.

“If I ever needed him, he was there. Always. Sending healing prayers and comfort to his widow, Ellen, his family, and all who loved him.”

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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
Image:
Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
Image:
Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
Image:
Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
Image:
Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
Image:
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
Image:
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

Read more from Sky News:
Tributes to ‘genius’ Kilmer
Richest billionaires named
Springsteen’s seven new albums

In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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