‘Passing’ as white: How making new film helped explain Rebecca Hall’s family history
Rebecca Hall was in her mid-20s when she first started to understand her complicated family history. The British actress-turned-director says most would look at her fair complexion and dark hair and see “English rose”, she says – but looks are never the end of a person’s story.
Hall, who has appeared in films including Vicky Cristina Barcelona, Frost/Nixon and Holmes & Watson, is the daughter of the late renowned British film and theatre director Peter Hall and the American opera singer Maria Ewing.
Her maternal grandfather, she learned, was a light-skinned black man who “passed” for white for the majority of his life.
Tessa Thompson (left) and Ruth Negga star in Rebecca Hall’s Passing. Pic: Netflix
It was about 13 years ago, when Hall picked up the 1929 novel Passing, by Nella Larsen, that she started to consider her own mixed-race heritage and why it had never really been spoken about in her family.
Set in the Harlem neighbourhood of New York, Larsen’s exploration of race and the practice of “passing”, which was not uncommon for light-skinned black people wanting to escape racial segregation and discrimination in that era, struck a nerve.
Hall pictured with Negga (left) and Tessa Thompson (right) at a screening of the film in New York earlier this year, and below with her mother, Maria Ewing, in 2010. Pics: Andy Kropa/Invision/AP and Alex Berliner/BEI/Shutterstock
Finding out about her own history led to Hall adapting the novel for the big screen; the story follows two black women, Irene Redfield (Tessa Thompson) and Clare Kendry (Oscar nominee Ruth Negga), who could both “pass” as white but choose to live on opposite sides of the colour line.
“I think so many people are not aware that it happened because it’s a historical event that was necessarily hidden,” Hall tells Sky News.
“So a lot of families, it’s hidden even within those families, including my own. My grandfather was African-American and he passed white for most of his life. And that is a fact that I’ve only really fully learned details of in the last year or so.”
Before she read Larsen’s novel, Hall says she had no context or even any way of describing how her grandfather had lived his life, and why. “So it gave me an enormous amount of context and understanding and compassion and empathy for the choice.”
Passing tells the story of former childhood friends Clare and Irene, who are reunited one summer and Irene discovers Clare has been passing as white; she is even married to an overt racist (played by Alexander Skarsgård).
The film uses the notion of passing to explore not just racial identity but gender and the responsibilities of motherhood, sexuality and the performance of femininity.
Hall on set with Thompson and Negga, and below with Andre Holland, who plays Irene’s husband Brian. Pics: Emily V Aragones/ Netflix
It is not about critiquing those who chose to pass, says Hall, but about critiquing “a society that, in any way, judges a person’s construct of themselves… there’s the things we think we believe, the person we think we ought to be, that society wants us to be. And there’s the thing we really want to be, that we desire to be. And sometimes that can be a huge conflict zone, and it means sometimes that we’re hiding our true selves.”
Passing is Hall’s directorial debut and it has been many years in the making. “I faced problems both within the industry – I came up against blocks trying to get it made – but I also came up against personal blocks,” she says.
“[The screenplay] sat in a drawer for quite a long time because I just didn’t have the confidence. I felt like it was too ambitious… and I just didn’t believe anyone would let me make it.”
Hall feared that some in the industry would question her suitability for telling this story.
“The pitch meetings were particularly poignant,” she says. “I ended up getting very emotional every time I was pitching it to some financier because they would invariably ask me, you know, ‘why on earth are you making this?’
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“But I feel like I’m this sort of walking example of what this film’s all about. You know, everyone looks at me and has a whole set of assumptions that aren’t necessarily true. Or they’re true but it’s not the end of the story.
“Forever, everyone’s looked at me and known that I’m Peter Hall’s daughter and I’m part of a British theatrical lineage, and [I’m thought of as] ‘English rose’, and that’s sort of the end of the story. And the fact that within my own story there’s… so many other contradictory and elusive things sort of points out the absurdity of it all.”
Hall has shot the film in black and white, something she would not budge on. “In a very soundbitey kind of way, it just felt like the best way to make a movie about colourism was to take all the colour out of it,” she says.
“But I think more specifically what I mean by that is, I think sometimes to understand truths about humanity, we need poetry. We don’t necessarily need complete reality, sometimes the abstraction helps.
Negga as Clare and Thompson as Irene in Passing. Pic: Netflix
Alexander Skarsgard plays Clare’s racist husband John. Pic: Netflix
“I think black and white takes these concepts and sort of highlights that we’re so busy putting everyone into these categories, when no one can be reduced to a single thing. Like, you” – she gestures to me – “can’t be reduced to just ‘woman’ or, you know, ‘white’, or whatever it is… the great irony about black and white film is it’s not black and white, it’s grey. And this is existing in the grey areas, actually.”
Making the film opened up a lot of conversations between Hall and her mother that had previously been left unsaid.
“She’s extremely proud and she’s extremely emotional about it,” says Hall. “She said that she felt it had given her and her father who’s no longer with us a sort of release in a way, like an ability to talk about something that up until this point felt like it couldn’t be addressed.”
She adds: “I hope, sort of in the broadest sense, the thing that people take away [from the film] is, thinking about what the legacy of a life lived in hiding is. And that doesn’t just mean racial hiding, it means all the ways in which we’re not showing up for ourselves completely. And how we can’t because of how much society imposes something – especially black women.”
Passing is out now on Netflix
Davina McCall has said her short-term memory is “a bit remiss” as she recovers from brain tumour surgery.
Speaking from her bed, the visibly emotional TV presenter posted a short video updating her Instagram followers on her condition, saying it had been a “mad” time.
She expressed an “enormous heartfelt thank you” to people who had messaged her after she revealed this month she had a benign brain tumour, a colloid cyst, which she described as “very rare”.
Looking bright, but with a visibly bruised left eye, McCall said: “My short-term memory is a bit remiss.
“But that is something I can work on, so I’m really happy about that. I’m writing everything down, to keep myself feeling safe.”
She added: “It’s been mad, and it’s just really nice to be back home, I’m on the other side.”
In a message posted with the video, she reiterated her thanks for all the support she has received, adding: “Had a great night’s sleep in my own bed. Have a couple of sleeps during the day which keeps my brain clear… Slowly, slowly…”
When she first shared her diagnosis, she said chances of having it were “three in a million” and that she had discovered it several months previously after a company offered her a health scan in return for giving a menopause talk.
The 57-year-old star said support from her fans had “meant the world”.
She said she was being “brilliantly looked after” by her partner, hairdresser Michael Douglas, and her stepmother, Gabby, who she calls mum.
Becoming tearful, the presenter said: “I’d quickly like to say big up the stepmums. I don’t really say thank you to Gabby enough. She’s been an amazing rock my whole life.”
McCall was estranged from her birth mother, Florence McCall, who died in 2008.
McCall with 2002 Big Brother winner Kate Lawler. Pic: Rex Features
With a catch in her voice, McCall went on: “I’ve got a massive dose of vitamin G – I’m just really grateful. I’ve always been really lucky in my life, but I feel unbelievably grateful right now. So, thanks for everything, all of you.
“I’m on the mend, I’m resting and sleeping loads and I feel really good. I’m just very lucky.”
Stars including presenter Alison Hammond, singer Craig David and radio host Zoe Ball quickly shared their delight at the positive update.
McCall rose to fame presenting on MTV in the mid-1990s, and later on Channel 4’s Streetmate, before becoming a household name as the host of Big Brother from 2000 to 2010.
McCall with her MBE, alongside her partner Michael Douglas and her daughter Holly Robertson. Pic: PA
She’s gone on to present programmes across the networks, the most recent being ITV dating show My Mum, Your Dad.
Last year, McCall was appointed Member of the Order of the British Empire (MBE) in the 2023 Birthday Honours for services to broadcasting.
Married twice, McCall has three children, two daughters and a son, with her second husband, presenter Matthew Robertson.
She has lived with Douglas since 2022, and they present a weekly lifestyle podcast together, Making The Cut.
Barbara Taylor Bradford, the bestselling novelist who wrote A Woman Of Substance, has died at the age of 91.
The Leeds-born author, who sold more than 90 million books, died peacefully at her home on Sunday after a short illness and was “surrounded by loved ones to the very end”, a spokeswoman said.
Taylor Bradford, who was often labelled “the grand dame of blockbusters”, hit the big time when A Woman Of Substance was published in 1979, making her an overnight success.
The story sold millions of copies and traced the journey of Emma Harte from life as a servant in rural Yorkshire to heading a business empire.
The rags to riches story was followed by many other successful books with the author’s works being published in more than 40 languages across 90 countries.
Pic: Caroll Taveras/Bradford Enterprises/PA
The author on her 21st birthday. Pic: Bradford Enterprises/PA
Charlie Redmayne, chief executive of publisher HarperCollins, said the author was a “natural storyteller”, adding: “Barbara Taylor Bradford was a truly exceptional writer whose first book, the international bestseller A Woman Of Substance, changed the lives of so many who read it – and still does to this day.”
Taylor Bradford, who was made an OBE in 2007 for services to literature, wrote a total of 40 novels during her career – her most recent was The Wonder Of It All, published last year.
Pic: Caroll Taveras/Bradford Enterprises/PA
Taylor Bradford with her husband Robert in 1993. Pic: PA
Born in May 1933 as the only child of Winston and Freda Taylor, she worked as a typist for the Yorkshire Evening Post before becoming a reporter and then the paper’s first woman’s editor.
At the age of 20, she moved to London and worked in Fleet Street for Woman’s Own and the London Evening News.
She met her husband, American film producer Robert Bradford, in 1961 and they married in London on Christmas Eve in 1963 before moving to New York the following year.
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The couple were married for 55 years until he died from a stroke in 2019.
Following a private funeral in New York, the author will be buried alongside her late husband at the city’s Westchester Hills Cemetery.
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