Rebecca Hall was in her mid-20s when she first started to understand her complicated family history. The British actress-turned-director says most would look at her fair complexion and dark hair and see “English rose”, she says – but looks are never the end of a person’s story.
Hall, who has appeared in films including Vicky Cristina Barcelona, Frost/Nixon and Holmes & Watson, is the daughter of the late renowned British film and theatre director Peter Hall and the American opera singer Maria Ewing.
Her maternal grandfather, she learned, was a light-skinned black man who “passed” for white for the majority of his life.
It was about 13 years ago, when Hall picked up the 1929 novel Passing, by Nella Larsen, that she started to consider her own mixed-race heritage and why it had never really been spoken about in her family.
Set in the Harlem neighbourhood of New York, Larsen’s exploration of race and the practice of “passing”, which was not uncommon for light-skinned black people wanting to escape racial segregation and discrimination in that era, struck a nerve.
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Finding out about her own history led to Hall adapting the novel for the big screen; the story follows two black women, Irene Redfield (Tessa Thompson) and Clare Kendry (Oscar nominee Ruth Negga), who could both “pass” as white but choose to live on opposite sides of the colour line.
“I think so many people are not aware that it happened because it’s a historical event that was necessarily hidden,” Hall tells Sky News.
“So a lot of families, it’s hidden even within those families, including my own. My grandfather was African-American and he passed white for most of his life. And that is a fact that I’ve only really fully learned details of in the last year or so.”
Before she read Larsen’s novel, Hall says she had no context or even any way of describing how her grandfather had lived his life, and why. “So it gave me an enormous amount of context and understanding and compassion and empathy for the choice.”
Passing tells the story of former childhood friends Clare and Irene, who are reunited one summer and Irene discovers Clare has been passing as white; she is even married to an overt racist (played by Alexander Skarsgård).
The film uses the notion of passing to explore not just racial identity but gender and the responsibilities of motherhood, sexuality and the performance of femininity.
It is not about critiquing those who chose to pass, says Hall, but about critiquing “a society that, in any way, judges a person’s construct of themselves… there’s the things we think we believe, the person we think we ought to be, that society wants us to be. And there’s the thing we really want to be, that we desire to be. And sometimes that can be a huge conflict zone, and it means sometimes that we’re hiding our true selves.”
Passing is Hall’s directorial debut and it has been many years in the making. “I faced problems both within the industry – I came up against blocks trying to get it made – but I also came up against personal blocks,” she says.
“[The screenplay] sat in a drawer for quite a long time because I just didn’t have the confidence. I felt like it was too ambitious… and I just didn’t believe anyone would let me make it.”
Hall feared that some in the industry would question her suitability for telling this story.
“The pitch meetings were particularly poignant,” she says. “I ended up getting very emotional every time I was pitching it to some financier because they would invariably ask me, you know, ‘why on earth are you making this?’
“But I feel like I’m this sort of walking example of what this film’s all about. You know, everyone looks at me and has a whole set of assumptions that aren’t necessarily true. Or they’re true but it’s not the end of the story.
“Forever, everyone’s looked at me and known that I’m Peter Hall’s daughter and I’m part of a British theatrical lineage, and [I’m thought of as] ‘English rose’, and that’s sort of the end of the story. And the fact that within my own story there’s… so many other contradictory and elusive things sort of points out the absurdity of it all.”
Hall has shot the film in black and white, something she would not budge on. “In a very soundbitey kind of way, it just felt like the best way to make a movie about colourism was to take all the colour out of it,” she says.
“But I think more specifically what I mean by that is, I think sometimes to understand truths about humanity, we need poetry. We don’t necessarily need complete reality, sometimes the abstraction helps.
“I think black and white takes these concepts and sort of highlights that we’re so busy putting everyone into these categories, when no one can be reduced to a single thing. Like, you” – she gestures to me – “can’t be reduced to just ‘woman’ or, you know, ‘white’, or whatever it is… the great irony about black and white film is it’s not black and white, it’s grey. And this is existing in the grey areas, actually.”
Making the film opened up a lot of conversations between Hall and her mother that had previously been left unsaid.
“She’s extremely proud and she’s extremely emotional about it,” says Hall. “She said that she felt it had given her and her father who’s no longer with us a sort of release in a way, like an ability to talk about something that up until this point felt like it couldn’t be addressed.”
She adds: “I hope, sort of in the broadest sense, the thing that people take away [from the film] is, thinking about what the legacy of a life lived in hiding is. And that doesn’t just mean racial hiding, it means all the ways in which we’re not showing up for ourselves completely. And how we can’t because of how much society imposes something – especially black women.”
Hollywood celebrities are among thousands of people to have been evacuated from their homes as fires rip through areas of Los Angeles.
Sky News’ US correspondent Martha Kelner reported that Tom Hanks, Ben Affleck and Reese Witherspoon were all evacuated on Tuesday as wildfires continued to spread in the Pacific Palisades suburb of LA.
The area, which is home to billionaires as well as Hollywood A-listers, is located between Santa Monica and Malibu.
Other celebrities who have fled their homes include the award-winning actor James Woods, who said last night he had been safely evacuated from his home in Pacific Palisades.
But he added in a post on X: “I do not know at this moment if our home is still standing.”
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Actor Mark Hamill, best known for playing Luke Skywalker in the Star Wars films, also posted on social media last night saying he evacuated his home in Malibu and his family were “fleeing for our lives”.
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This Is Us actress Mandy Moore was also forced to leave her home due to the fires.
She said in two Instagram stories she had fled the Eaton fire, which is raging near Altadena, with her children, cats and dog. They have found temporary refuge with friends.
The actress said: “Trying to shield the kids from the immense sadness and worry I feel.
“Praying for everyone in our beautiful city. So gutted for the destruction and loss. Don’t know if our place made it.”
According to Velvet Ropes, which maps celebrity properties, Tom Hanks and Rita Wilson, Matt Damon, Steven Spielberg, Hilary Swank and Sally Field all have homes close to where fires are raging.
Dr Dre, Adam Brody and Leighton Meester, Tyra Banks, Martin Short, Anna Faris, Milo Ventimiglia, Linda Cardellini, Mary McDonnell, Adam Sandler, Miles Teller, and Jennifer Love Hewitt are also said to have houses in affected areas.
In neighbouring Malibu, which was also affected by fires in December, stars including Beyonce and Jay-Z, Kim Kardashian, Lady Gaga and Billie Eilish are said to be among the celebrity residents.
The Palisades blaze has already burnt through more than 11,000 acres of land while the Eaton one has caused the death of two people, Los Angeles County fire chief Anthony Marrone said on Wednesday.
The two other fires are known as Woodley and Hurst, after the main areas affected.
All four blazes are still growing, Mr Marrone said.
A reality TV personality known for appearing on shows like The Hills and Made In Chelsea has told Sky News her family have lost their homes in the California wildfires.
Stephanie Pratt, a model and the sister of fellow reality TV celebrity Spencer Pratt, lives in the Pacific Palisades in Los Angeles, where more than 30,000 people have fled their homes due to the fast-moving blaze.
Los Angeles fire chief Anthony Marrone said on Wednesday that the Palisades fire is still growing and that “well over 5,000 acres” have been burnt.
At least two people have been killed so far, with around 1,000 buildings destroyed.
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House surrounded by flames during wildfire
California governor Gavin Newsom earlier declared a state of emergency over the four wildfires in the south of the state.
Speaking to Sky News from London, an emotional Ms Pratt said: “It’s just so crazy, I had no idea what was happening.
“I talked to my dad yesterday and he said ‘The Palisades is burning’. He said that he was at my brother’s house on Chautauqua [Boulevard] and they were just watching the flames come.
“The firefighters came and said you got to leave.”
‘I don’t know if my house is there’
Ms Pratt said her parents and brother Spencer, who like her starred in the reality series The Hills, were safely evacuated from the area.
However, the 38-year-old added that “all of the phones are disconnected” and that she doesn’t know what had happened to her home.
“I talked to my neighbour last night and she told me that [Palisades Charter High School] had burnt down, and that’s directly behind me, and so had Gelson’s Supermarket which is adjacent,” she said.
“I just can’t reach anyone to see if my house is okay. I just Googled it and it said that it’s destroyed and terrible… I don’t know if my house is there.”
When she asked her dad about Spencer, 41, who is married to 38-year-old Heidi Montag – another co-star of The Hills – Ms Pratt said he told her “I’ve never seen him like this”.
“I’m assuming he’s just completely catatonic,” she added. “We don’t care about the material things or anything like that, but this was their family home.
“This is where they raised their two little kids.”
The Palisades fire is one of five blazes currently burning in southern California– evacuation orders were in place on Tuesday in Altadena after another fire, called the Eaton fire, started near a nature preserve.
A third blaze, called the Hurst fire, also ripped through Sylmar in the north of the city.
And according to the state department Cal Fire, two more blazes – the Woodley fire in Los Angeles and Tyler fire in Riverside – broke out on Wednesday.
Two School Of Rock co-stars, who met at the age of 10, have got married.
Caitlin Hale and Angelo Massagli, who played Marta and Frankie respectively in the 2003 classic alongside Jack Black, tied the knot in New York on Saturday.
The couple brought some of the original cast of the film, which centres on a pretend substitute teacher turning a group of musically gifted school children into a rock band, together to celebrate their nuptials.
Posting on Instagram, Hale, 33, shared various images of the day, including a photobooth picture with a handful of their former cast mates.
The former actress, who now works as a sonographer, wrote under the post: “Special thank you to everyone who contributed to an unforgettable day!”
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Rivkah Reyes, who played bass player Katie in the film, also posted about the wedding, sharing a video on TikTok.
The clip, set to Stevie Nicks’s Edge Of Seventeen, included cameos from Brian Falduto, who played Billy, Joey Gaydos Jr, who played Zack, and Aleisha Allen, who played Alicia, among others.
The use of the song was a nod to one of the scenes from the film where Black and Joan Cusack, who plays headteacher Rosalie Mullins, sing the song in a bar.
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“Celebrating the marriage of Caitlin & Angelo with my forever fam #schoolofrock #wedding,” Reyes wrote alongside the video, which showed them all dancing together.
After appearing together in the film the only contact Hale and Massagli had was through a WhatsApp chat set up with the entire cast, according to The New York Times.
The pair then both left show business and coincidentally reconnected while studying in schools in Florida.
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Massagli, 32, who now works as a lawyer for TikTok, according to The Times, told the paper the familiarity they both had due to working together when they were younger “cut through some of those early relationship hurdles”.