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Rebecca Hall was in her mid-20s when she first started to understand her complicated family history. The British actress-turned-director says most would look at her fair complexion and dark hair and see “English rose”, she says – but looks are never the end of a person’s story.

Hall, who has appeared in films including Vicky Cristina Barcelona, Frost/Nixon and Holmes & Watson, is the daughter of the late renowned British film and theatre director Peter Hall and the American opera singer Maria Ewing.

Her maternal grandfather, she learned, was a light-skinned black man who “passed” for white for the majority of his life.

Tessa Thompson and Ruth Negga star in Rebecca Hall's Passing. Pic: Netflix
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Tessa Thompson (left) and Ruth Negga star in Rebecca Hall’s Passing. Pic: Netflix

It was about 13 years ago, when Hall picked up the 1929 novel Passing, by Nella Larsen, that she started to consider her own mixed-race heritage and why it had never really been spoken about in her family.

Set in the Harlem neighbourhood of New York, Larsen’s exploration of race and the practice of “passing”, which was not uncommon for light-skinned black people wanting to escape racial segregation and discrimination in that era, struck a nerve.

(L-R): Ruth Negga, Rebecca Hall and Tessa Thompson attend a special screening of Passing during the 59th New York Film Festival on 3 October 2021. Pic: Andy Kropa/ Invision/ AP
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Hall pictured with Negga (left) and Tessa Thompson (right) at a screening of the film in New York earlier this year, and below with her mother, Maria Ewing, in 2010. Pics: Andy Kropa/Invision/AP and Alex Berliner/BEI/Shutterstock
Rebecca Hall and her mother Maria Ewing pictured in 2010. Pic: Alex Berliner/BEI/Shutterstock

Finding out about her own history led to Hall adapting the novel for the big screen; the story follows two black women, Irene Redfield (Tessa Thompson) and Clare Kendry (Oscar nominee Ruth Negga), who could both “pass” as white but choose to live on opposite sides of the colour line.

“I think so many people are not aware that it happened because it’s a historical event that was necessarily hidden,” Hall tells Sky News.

“So a lot of families, it’s hidden even within those families, including my own. My grandfather was African-American and he passed white for most of his life. And that is a fact that I’ve only really fully learned details of in the last year or so.”

Before she read Larsen’s novel, Hall says she had no context or even any way of describing how her grandfather had lived his life, and why. “So it gave me an enormous amount of context and understanding and compassion and empathy for the choice.”

Passing tells the story of former childhood friends Clare and Irene, who are reunited one summer and Irene discovers Clare has been passing as white; she is even married to an overt racist (played by Alexander Skarsgård).

The film uses the notion of passing to explore not just racial identity but gender and the responsibilities of motherhood, sexuality and the performance of femininity.

Tessa Thompson as Irene and Ruth Negga as Clare with director Rebecca Hall on the set of Passing. Pic: Emily V Aragones/ Netflix
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Hall on set with Thompson and Negga, and below with Andre Holland, who plays Irene’s husband Brian. Pics: Emily V Aragones/ Netflix
Andre Holland (Brian) on the set of Passing with director Rebecca Hall. Pic: Emily V Aragones/ Netflix

It is not about critiquing those who chose to pass, says Hall, but about critiquing “a society that, in any way, judges a person’s construct of themselves… there’s the things we think we believe, the person we think we ought to be, that society wants us to be. And there’s the thing we really want to be, that we desire to be. And sometimes that can be a huge conflict zone, and it means sometimes that we’re hiding our true selves.”

Passing is Hall’s directorial debut and it has been many years in the making. “I faced problems both within the industry – I came up against blocks trying to get it made – but I also came up against personal blocks,” she says.

“[The screenplay] sat in a drawer for quite a long time because I just didn’t have the confidence. I felt like it was too ambitious… and I just didn’t believe anyone would let me make it.”

Hall feared that some in the industry would question her suitability for telling this story.

“The pitch meetings were particularly poignant,” she says. “I ended up getting very emotional every time I was pitching it to some financier because they would invariably ask me, you know, ‘why on earth are you making this?’

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“But I feel like I’m this sort of walking example of what this film’s all about. You know, everyone looks at me and has a whole set of assumptions that aren’t necessarily true. Or they’re true but it’s not the end of the story.

“Forever, everyone’s looked at me and known that I’m Peter Hall’s daughter and I’m part of a British theatrical lineage, and [I’m thought of as] ‘English rose’, and that’s sort of the end of the story. And the fact that within my own story there’s… so many other contradictory and elusive things sort of points out the absurdity of it all.”

Hall has shot the film in black and white, something she would not budge on. “In a very soundbitey kind of way, it just felt like the best way to make a movie about colourism was to take all the colour out of it,” she says.

“But I think more specifically what I mean by that is, I think sometimes to understand truths about humanity, we need poetry. We don’t necessarily need complete reality, sometimes the abstraction helps.

Ruth Negga as Clare and Tessa Thompson as Irene in Passing. Pic: Netflix
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Negga as Clare and Thompson as Irene in Passing. Pic: Netflix
Ruth Negga as Clare and Alexander Skarsgard as John in Passing. Pic: Netflix
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Alexander Skarsgard plays Clare’s racist husband John. Pic: Netflix

“I think black and white takes these concepts and sort of highlights that we’re so busy putting everyone into these categories, when no one can be reduced to a single thing. Like, you” – she gestures to me – “can’t be reduced to just ‘woman’ or, you know, ‘white’, or whatever it is… the great irony about black and white film is it’s not black and white, it’s grey. And this is existing in the grey areas, actually.”

Making the film opened up a lot of conversations between Hall and her mother that had previously been left unsaid.

“She’s extremely proud and she’s extremely emotional about it,” says Hall. “She said that she felt it had given her and her father who’s no longer with us a sort of release in a way, like an ability to talk about something that up until this point felt like it couldn’t be addressed.”

She adds: “I hope, sort of in the broadest sense, the thing that people take away [from the film] is, thinking about what the legacy of a life lived in hiding is. And that doesn’t just mean racial hiding, it means all the ways in which we’re not showing up for ourselves completely. And how we can’t because of how much society imposes something – especially black women.”

Passing is out now on Netflix

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Kim Kardashian’s Paris robbery trial: Everything you need to know

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Kim Kardashian's Paris robbery trial: Everything you need to know

In October 2016, Kim Kardashian was robbed at gunpoint – with jewellery worth millions of dollars stolen during the audacious heist in Paris.

It was the biggest robbery of an individual in France for more than 20 years – and made front pages around the world.

Now, almost a decade on, the case is finally coming to court.

Why has it taken so long? Will Kardashian give evidence? And who exactly are the “grandpa robbers” facing trial?

Here’s everything you need to know.

Pic: Rex Features
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Kardashian at the Siran Presentation on the day of the robbery. Pic: Rex Features

What happened?

Two years after Kardashian and rapper Kanye West tied the knot in an ostentatious week-long celebration spanning Paris and Florence, the Kardashian-West clan were back in the French capital for Paris Fashion Week.

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Her then husband had returned to the US to pick up his Saint Pablo tour – but Kardashian, along with her sister Kourtney and various members of their entourage, remained in Paris, staying in an exclusive set of apartments so discreet they’ve been dubbed the No Address Hotel.

Nestled on Tronchet Street, just a stone’s throw from Place de l’Opéra, and close to the fashionable Avenue Montaigne, the Hotel de Pourtalès is popular with A-list stars staying in the French capital.

A stay in the Sky Penthouse, the suite occupied by Kardashian, will currently set you back about £13,000 a night.

Kardashian was staying at the Hotel de Pourtales
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Kardashian was staying at the Hotel de Pourtales

On the evening of 3 October, after attending a fashion show with her sister, Kardashian remained in the apartment alone while the rest of her convoy – including her bodyguard Pascal Duvier – went out for the night.

At about 2.30am, three armed men wearing ski masks and dressed as police forced their way into the apartment block – and according to investigators, they threatened the concierge at gunpoint.

Two of them are alleged to have forced the concierge to lead them to Kardashian’s suite. He later told police they yelled at him: “Where’s the rapper’s wife?”

Kardashian said she had been “dozing” on her bed when the men then entered her room.

She has said she believes her social media posts provided the alleged robbers with “a window of opportunity”.

“I was Snapchatting that I was home, and that everyone was going out,” she said in the months after the incident.

The Keeping Up With The Kardashians star vividly described the attack in a police report, as reported in the French weekly paper Le Journal du Dimanche.

“They grabbed me and took me into the hallway. They tied me up with plastic cables and taped my hands, then they put tape over my mouth and my legs.”

She said they pointed a gun at her, asking specifically for her ring and also for money.

Police guard the entrance to the building where Kim has been staying
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Police guard the entrance to the Hotel de Pourtalès the day after the robbery

Kardashian says they carried her into the bathroom and put her in the bathtub. She said she was wearing only a bathrobe at the time.

She had initially thought the robbers “were terrorists who had come to kidnap me”, according to a French police report taken in New York three months after the robbery.

Kardashian told officers: “I thought I was going to die.”

According to police, the robbers – who left the room after grabbing their haul, escaped on bicycles with items estimated to be worth about $10m (£7.5m), including a $4m (£3m) 18.88-carat diamond engagement ring from West.

After they had left, Kardashian said she escaped her restraints and went to find help. After speaking to detectives, she immediately returned to the US on a private jet and later hired a completely new security team.

Kim Kardashian shows off a ring on Instagram
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Kardashian shows off her $4m ring on Instagram

What was stolen?

As well as her engagement ring, Kardashian said the thieves took her large Louis Vuitton jewellery box, which she said contained “everything I owned”.

In police reports given to the French authorities at about 4.30am on the night of the alleged robbery, Kardashian listed these items as having been stolen:

• Two diamond Cartier bracelets
• A gold and diamond Jacob necklace
• Diamond earrings by Lauren Schwartz
• Yanina earrings
• Three gold Jacob necklaces
• Little bracelets, jewels and rings
• A Lauren Schwartz diamond necklace
• A necklace with six little diamonds
• A necklace with Saint spelt out in diamonds
• A cross-shaped diamond-encrusted Jacob cross
• A yellow gold Rolex watch
• Two yellow gold rings
• An iPhone 6 and a BlackBerry

Police recovered only the diamond-encrusted cross that was dropped by the robbers while leaving.

It’s likely the gold in the haul was melted down and resold, while the diamond engagement ring that is now so associated with the robbery would be far too recognisable to sell on the open market.

Kardashian at the Siran Presentation on the day of the robbery. Pic: Rex Features
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Kardashian at the Siran Presentation on the day of the robbery. Pic: Rex Features

What will happen in court?

The hearing will begin at the Court of Appeal of Paris – the largest appeals court in France – on 28 April and is scheduled to last a month.

It will consist of a presiding judge, two professional assessors, and six main jurors.

The hearing involves more than 2,000 documents and there are four civil parties.

Kardashian at the Balenciaga show on the day of the robbery. Pic: Rex Features
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Kardashian at the Balenciaga show on the day of the robbery. Pic: Rex Features

Who is being tried?

There were initially 12 defendants in the case, but one person has died and another has a medical condition that prevents their involvement. This means 10 people – nine men and one woman – are standing trial.

Five of them, who were all aged between 60 and 72 at the time of the incident, face armed robbery and kidnapping charges. They are:

• Yunice Abbas
• Aomar Ait Khedache
• Harminv Ait Khedache
• Didier Dubreucq
• Marc-Alexandre Boyer

Abbas, 72, has admitted his participation in the robbery. In 2021, he published a book about the robbery, titled I Kidnapped Kim Kardashian. In 2021, a court ruled he would not benefit financially from the book.

Aomar Ait Khedache, 69, known to French crime reporters as “Old Omar”, has also admitted participating in the heist but denies the prosecution’s accusation that he was the ringleader.

The remaining five defendants are charged with complicity in the heist or the unauthorised possession of a weapon. They are:

• Florus Heroui
• Gary Mader
• Christiane Glotin
• François Delaporte
• Marc Boyer

Among those, Mader was a VIP greeter who worked for the car company Kardashian used in Paris, and Heroui was a bar manager who allegedly passed on information about Kardashian’s movements.

With many of the accused now ageing and with various serious health conditions, and some having spent time in jail following their arrest, all are currently free under judicial supervision.

If found guilty, those accused of the more serious crimes could face 10 years to life imprisonment.

Pic: Rex Features
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Kardashian at the Off-White show three days before the robbery. Pic: Rex Features

Will Kardashian give evidence?

Yes.

Lawyer Michael Rhodes said Kardashian has “tremendous appreciation and admiration for the French judicial system” and “wishes for the trial to proceed in an orderly fashion in accordance with French law and with respect for all parties to the case”.

A trainee lawyer herself, Kardashian has become a high-profile criminal justice advocate in the US in recent years.

(R-L)Kanye West, Kim Kardashian, Kourtney Kardashian, Kris Jenner. Pic: Rex Features
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(R-L) Kanye West, Kim Kardashian, Kourtney Kardashian, Kris Jenner in the front row three days before the robbery. Pic: Rex Features

Why has it taken so long to come to court?

There was initially a manhunt after the robbery, with French police under pressure to prove that Paris’s security was not in question.

Just the year before in 2015, the capital had been shaken by terrorist attacks by Islamic militants, in which 130 people were killed, including 90 at a music event at the Bataclan theatre.

French police initially arrested 17 people in the Kardashian case in January 2017 – three months after the robbery – assisted by DNA traces found on plastic bands used to tie her wrists. Twelve people were later charged.

It was ordered to be sent to trial in 2021 – at a time when limited court proceedings were happening due to multiple COVID lockdowns, and France was holding its largest ever criminal trial over the November 2015 terror attacks.

Kardashian at the Givenchy show on the day of the robbery. Pic: Rex Features
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Kardashian at the Givenchy show on the day of the robbery. Pic: Rex Features

What has Kardashian said about the incident?

Kardashian has described the robbery as a “life-changing” moment. She took three weeks away from filming her reality TV show Keeping Up With the Kardashians, and took a three-month break from social media.

In a March 2017 episode titled Paris, Kardashian first spoke publicly about her ordeal.

She described first hearing a noise in her apartment, and calling out, thinking it was her sister and assistant: “At that moment when there wasn’t an answer, my heart started to get really tense. Like, you know, your stomach just kind of like, knots up and you’re like, ‘OK, what’s going on?’ I knew something wasn’t quite right.”

She went on: “They asked for money. I said, ‘I don’t have any money’. They dragged me out to the hallway on top of the stairs. That’s when I saw the gun, clear as day. I was looking at the gun, looking down back at the stairs. I was like, I have a split second in my mind to make this quick decision.

“Either they’re going to shoot me in the back or if I make it [down the stairs] and the elevator does not open in time or the stairs are locked, there’s no way out.”

Three months later, she told a Forbes Power Women’s Summit she had changed her approach to posting on social media: “They had followed my moves on social media, and they knew my every move and what I had.”

She added: “It was definitely a huge, huge, huge lesson for me to not show off some of the things that I have. It was a huge lesson to me to not show off where I go.

“It’s just changed my whole life, but I think for the better.”

West and Kardashian at the Off-White show three days before the robbery. Pic: Rex Features
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West and Kardashian at the Off-White show three days before the robbery. Pic: Rex Features

In October 2020, Kardashian told US interviewer David Letterman she feared she would be raped and murdered during the heist, and that her sister had been at the forefront of her mind during the incident.

Speaking on My Next Guest Needs No Introduction, Kardashian said: “I kept on thinking about Kourtney, I kept on thinking she’s going to come home and I’m going to be dead in the room and she’s going to be traumatised for the rest of her life if she sees me… I thought that was my fate.”

When speaking to French police about the impact the robbery had had on her three months after it, Kardashian said: “I think that my perception of jewellery now is that I am not as attached to it as I used to be. I don’t have the same feeling about it. In fact, I even think that it has become a bit of a burden to have the responsibility of such expensive jewels.

“There is nothing of sentimental value to compare with the act of going home and finding one’s children and one’s family.”

She went on to describe Paris as “not the right place” for her, and didn’t return to the French capital for two years following the robbery.

Kardashian has since said in a 2023 episode of Keeping Up With The Kardashians that she did not purchase any jewellery in the seven years following the robbery, kept no jewellery at her home and only wore items that are either borrowed or fake.

She said the realisation that material items don’t matter has made her “a completely different person in the best way”.

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The Magic Circle’s first female member fooled them into believing she was a man – how did she do it?

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The Magic Circle's first female member fooled them into believing she was a man - how did she do it?

How did one woman fool the most famous magic society on the planet?

Back in 1991, Sophie Lloyd pulled off the ultimate illusion, tricking the Magic Circle into thinking she was a man.

But over 30 years after being unceremoniously kicked out, the Circle has tracked down the former actress to apologise and reinstate her membership.

She told Sky News how returning feels like the society has “made good on something that was wrong”.

Sophie Lloyd, who tricked the Magic Circle into believing she was a man
Image:
Sophie Lloyd, who tricked the Magic Circle into believing she was a man

How did she infiltrate that exclusive group that nowadays counts the likes of David Copperfield and Dynamo as members?

In March of that year, she took her entry exam posing as a teenage boy, creating an alter-ego called Raymond Lloyd.

“I’d played a boy before,” she explained, but “it took months of preparation” to secretly infiltrate the Circle’s ranks half a year before it would officially vote to let women in.

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“Really, going back 30 years, men’s clubs were like, you know, just something you accepted.”

The men-only rule had been in place since the Circle was formed in 1905. The thinking behind it being that women just couldn’t keep secrets.

Aware of the frustration of female magicians at the time, Lloyd felt she was up for the challenge of proving women could be as good at magic as the men.

The idea was, in fact, born out of a double act, thought up by a successful magician called Jenny Winstanley who’d wanted to join herself but wasn’t allowed.

She recognised the hoax would probably only work with a much younger woman posing as a teenage boy, and met Lloyd through an acting class.

Sophie Lloyd as teenage magician Raymond Lloyd. Pic: Sophie Lloyd
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Sophie Lloyd as teenage magician Raymond Lloyd. Pic: Sophie Lloyd

Lloyd said: “We had to have a wig made… the main thing was my face, I had plumpers made on a brace to bring his jawline down.”

To hide her feminine hands, she did the magic in gloves, which she says “was so hard to do, especially sleight of hand.”

The biggest test came when she was invited for a drink with her examiner, where she had to fake having laryngitis.

“After the exam, which was 20 minutes, he invited Jenny and I – she played my manager – and I sat there for one hour and three quarters and had to say ‘sorry, I’ve got a bad voice’.”

Raymond Lloyd passed the test, and his membership certificate was sent through to Sophie.

Then, in October of the same year, when whispers started circulating that the society was going to open its membership to both sexes, she and Jenny decided to reveal all. It didn’t go down well.

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Rather than praise her performance, members were incandescent about the deception and, somewhat ironically, Raymond Lloyd was kicked out just before women members were let in.

Lloyd said: “We got a letter… Jenny was hurt… she was snubbed by people she actually knew, that was hurtful. However, things have really changed now…”

Three decades later the Magic Circle put out a nationwide appeal stating they wanted to apologise and Lloyd was recently tracked down in Spain.

While Jenny Winstanley died 20 years ago in a car crash, as well as Sophie receiving her certificate on Thursday, her mentor’s contribution to magic is being recognised at the special show that’s being held in both their honour at the Magic Circle.

Lloyd says: “Jenny was a wonderful, passionate person. She would have loved to be here. It’s for her really.”

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Counter terror police assessing Kneecap concert video

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Counter terror police assessing Kneecap concert video

Counter terror police are assessing a video reported to be from a concert by Irish rappers Kneecap.

A social media clip of the hip hop trio on stage appeared to show one member of the group shout “up Hamas, up Hezbollah”.

The footage was posted online by Danny Morris from the Jewish security charity, the Community Security Trust.

He said it was from a gig last November at London’s Kentish Town Forum.

A Metropolitan Police spokesperson said: “We have been made aware of the video and it has been referred to the counter terrorism internet referral unit for assessment and to determine whether any further police investigation may be required.”

Hamas and Hezbollah are both proscribed as terrorist groups in the UK. Under Section 12 of the Terrorism Act 2000, it is an offence to express “an opinion or belief that is supportive of a proscribed organisation”.

Sky News has contacted Kneecap’s management for comment.

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It comes after TV personality Sharon Osbourne called for Kneecap’s US work visas to be revoked after accusing them of making “aggressive political statements” including “projections of anti-Israel messages and hate speech” at Coachella Music and Arts Festival.

In November last year, Kneecap won a discrimination case against the UK government after former business secretary Kemi Badenoch refused them funding.

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