‘We can all be heroes of our own lives’: Ava DuVernay on telling Colin Kaepernick’s story
Ava DuVernay has some advice for teenagers.
The filmmaker, who made history when she became the first black female director to make a movie nominated for the best picture Oscar with the historical drama Selma, has recently spent plenty of time with young people on sets.
In the last few years, DuVernay has made the big-budget Disney adaptation Wrinkle In Time, as well as When They See Us – a Netflix show based on the real Central Park jogger case which saw a group of young, black men falsely convicted of raping a white woman in New York.
Sports star and activist Colin Kaepernick’s story is being told in Colin In Black And White. All pics: Netflix
Now, she’s turned her attention to the formative years of sports star and activist Colin Kaepernick, who inspired a movement when he refused to stand for the national anthem at an American Football game in 2016 – instead choosing to take the knee, in protest against police brutality and racial injustice.
DuVernay says that making Colin In Black And White has given her a fresh perspective on her own youth.
San Francisco 49ers Colin Kaepernick (right) and Eric Reid (left) take the knee during the US National Anthem at an NFL football game in 2016
“Making [the show] got me thinking about my own teenage years and how the things that I went through really shaped who I am now,” she told Sky News’ Backstage podcast. “You just wish you could tell kids, what you’re going through right now matters, it’s important, pay attention, don’t let go.
“So often they’re told that they’re not important, but those moments when you’re a teenager are the most important, they are so important. They are building who you become and how you respond to challenges and triumphs later in life.”
Director and co-creator Ava DuVernay and Jaden Michael (also below), who plays the young Kaepernick in the series. Pic: Arturo Holmes/ Netflix
DuVernay admits she didn’t set out to make a show about Kaepernick’s younger years; it was in fact the former NFL player who brought the idea to her.
“So for me it was an opportunity to say, okay, we can do this if we can use it as a springboard to talk about much more. And so that’s why in the piece you’ll see I’ve directed him in kind of the gallery of his mind, where we go out, we see memories, we see bits of history, we see bits of cultural context on all of these stories of his childhood, so it’s this beautiful pastiche of forms within the show, which was really exciting as a filmmaker.”
The show is not easy to define, as the dramatised version of Kaepernick’s life story is mixed in with him as a narrator in vision making astute points about race and culture.
DuVernay says it’s far more than the tale of one child.
“It allowed us to take the childhood and expand it and to make sure that it had more context and contrast than this just telling a story of a kid – it’s the kid on his way to being the hero, right? And it basically says that we can all be the heroes of our own lives as long as we really pay attention to each step, because every step matters.”
In order to tell Kaepernick’s story, DuVernay set her sights on casting the perfect people to play his adoptive white parents.
Mary-Louise Parker and Nick Offerman play Kaepernick’s adoptive parents Teresa and Rick
She hired Parks And Recreation actor Nick Offerman and Weeds star Mary-Louise Parker, an actress who could relate to Kaepernick’s mother on a personal level as she too has an adopted black child.
“They were the exact people that I wanted, I’ve been such a huge fan of both of them,” DuVernay said. “Nick Offerman, I think, is just a brilliant thinker, and it was really interesting because in the United States he has a very particular audience of people who feel connected to him, but don’t necessarily know his politics – he’s a very liberal man, he’s very radical in his view of equity and justice, and so I wanted to really speak to folks who are fans of his that need to hear something new.
“And then Mary-Louise is just really close to the subject matter… There was a beautiful connection there for her personally – the mother in the story handles things very differently than Mary-Louise did, but I think it was illuminating for her, and it was beautiful to have an actor who was that close to the subject matter.”
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While DuVernay directed the show, she says it really is Kaepernick’s baby – and that he was involved throughout every step.
“Colin was a part of the whole process, really kind of over my shoulder for most of it and [was] able to say, ‘Oh, that wasn’t quite like that and I would have done this this way’, which we welcomed all the way up to the end.
“So this is truly a collaboration – his story told in a way that is pleasing to me as an artist to be able to put my name on it, but really tells a story that he wanted to tell.”
Colin In Black And White is out on Netflix now. Hear our review in the latest episode of Backstage, the film and TV podcast from Sky News
Entertainment
Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
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In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
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The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”
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