Backstage With… Michael C Hall on bringing Dexter back: ‘I wouldn’t necessarily say I’ve missed him’

Published

3 years ago

November 4, 2021

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When Dexter ended after eight series in 2016 it suggested a new start for its protagonist – so perhaps it was always inevitable that the serial killer with a conscience would return to our screens one day.

Michael C Hall, who plays the killer, told Sky News’ Backstage podcast that it took the right opportunity for him to return to the beloved – if somewhat controversial – character.

“I wouldn’t necessarily say that I’ve missed him, but I have periodically considered him and periodically considered him in part because the possibility of returning to the character and the show has been presented over the years,” he said.

“I think now is the right time… with as much time having passed since we last saw Dexter, we’re afforded certain storytelling opportunities that we weren’t until now.

“So that was a big part of it and also just having had some time so that the revisitation of the character doesn’t feel fraught with the residue of whatever the old experience was, enough time has passed, enough experience has been had in my own life that there feels adequate distance between me and him, and now and then.”

That residue may in part be to do with the reaction to the final series, and episode, which wasn’t overwhelmingly positive.

But this new season sees the killer in a whole new place – both literally and metaphorically, as he’s now living in a small, snowy town in New York State and has settled in to a murder-free lifestyle.

Hall says returning to the part was like shrugging on an old jacket. “I remember how this fits and, oh yeah, like I never even noticed there was a pocket there,” he said.

“Like maybe, hopefully discovering new things that you hadn’t discovered and being reminded of things that you’d forgotten.

“But I did find that the character, you know, I spent a long time with him and considering him and playing him and living in that imaginative place, so there was a lot that was still very much there – just add water, you know?”

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With Dexter choosing his victims based on their failings, he could perhaps be interpreted as being the ultimate posterboy for cancel culture.

Hall says it’s not a comparison he’s drawn before.

“I mean, Dexter certainly isn’t choosing as his victims, nor did he ever choose people as his victims, people who 15 years ago said something unsavoury in passing.

“I think the people who fit the bill for him are maybe a little more deserving of cancellation, however you land on serial murder, which is another question entirely.

“I suppose he is cancelling or has cancelled a number of people, but I think his motivations are a bit a bit less motivated by any prevailing trends.”

It’s not just Hall returning for the new series, as Jennifer Carpenter is back as the killer’s sister – though this time in a more spiritual advisory role – and original showrunner Clyde Phillips and other behind-the-camera talent also on board.

Hall says getting the band back together certainly has its benefits.

“On the creative side, you know, as far as Clyde Phillips’ involvement and Scott Reynolds, who wrote throughout the course of the eight seasons and was back in this case, and Marcos Sieaga, who was our main director and sort of executive producing director, that just gave a sense of assurance that there was a collective sense of the fundamental DNA or connective tissue that we needed to maintain in spite of the fact that we were doing something very different and telling a different story, contextualised totally differently.”

Dexter: New Blood is coming to Sky Atlantic and NOW on 8 November – hear our review in the latest episode of Backstage, the film and TV podcast from Sky News

Entertainment

‘Music is back’ as Taylor Swift helps drive record UK sales

Published

2 hours ago

January 8, 2025

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'Music is back' as Taylor Swift helps drive record UK sales

UK music sales hit a 20-year high of £2.4bn in 2024, helped by pop megastar Taylor Swift’s latest album, and driven by streaming and the vinyl revival, figures show.

Revenues from recorded music reached an all-time high, more even than at the peak of the CD era, according to annual figures from the digital entertainment and retail association ERA.

Total consumer spending on recorded music – both subscriptions and purchases – topped the previous record of £2.2bn in 2001, ERA said.

Takings from streaming services including Spotify, YouTube Music, and Amazon rose by 7.8% to a little over £2bn.

Almost £200m was spent on vinyl albums, an annual uplift of 10.5%, while CD album revenues were flat at just over £126m.

Swift’s The Tortured Poets Department was the biggest-selling album of the year, aided by her record-smashing worldwide Eras tour.

More than 783,000 copies were bought, nearly 112,000 of them on vinyl – making it 2024’s biggest-selling vinyl album.

The biggest single of the year was Noah Kahan’s Stick Season, generating the equivalent of 1.99 million sales.

ERA chief executive Kim Bayley said 2024 was “a banner year for music, with streaming and vinyl taking the sector to all-time-high records in both value and volume.

Ms Bayley called it the “stunning culmination of music’s comeback which has seen sales more than double since their low point in 2013. We can now say definitively – music is back.”

Despite the increasingly strong performance by the British music industry, artists are said to be receiving less money.

Experts have said the musicians make less than people would think because of the role of streaming – platforms do not normally pay artists directly and divide any owed payments among the rights holders of songs.

Music revenues grew by 7.4% in 2024, while video rose by 6.9%, and games fell by 4.4%, according to preliminary figures.

Subscriptions to Netflix, Amazon Prime Video and Apple TV grew by 8.3% to £4.5bn – almost 90% of the sector’s revenues.

Deadpool & Wolverine was the biggest-selling title of the year, with sales of 561,917 – more than 80% of them sold digitally.

Despite the games sector’s 4.4% decline last year, it remains nearly twice as large as the recorded music business.

Full game sales saw a drop-off with PC download-to-own down 5%, digital console games down 15% and boxed physical games down 35%, in favour of subscription models which grew by 12%.

EA Sports FC 25 – formerly known as Fifa was once again the biggest-selling game of the year, generating 2.9 million unit sales, 80% of them as digital formats.

Entertainment

Kieran Culkin on receiving notes from Jesse Eisenberg on A Real Pain: ‘I’d automatically get defensive’

Published

11 hours ago

January 8, 2025

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Kieran Culkin on receiving notes from Jesse Eisenberg on A Real Pain: 'I'd automatically get defensive'

Kieran Culkin says he doesn’t care if his projects get badly reviewed as long as he enjoyed himself doing them.

The 42-year-old recently won best supporting actor in a motion picture at the Golden Globes for his performance in A Real Pain.

He tells Sky News he isn’t dependent on positive feedback, but it is “cool” when people find a connection to his work.

“I’m doing this [acting] around 36 years. I’ve been sort of trained or whatever, conditioned, to just not care what an audience response is to something,” he says.

“I’ve been in plays that I think ‘this is bad, but I’m enjoying it’. I don’t really care or if it gets poorly reviewed, I don’t really care. So I still sort of have that mentality but it’s actually quite nice that people are connecting with [A Real Pain]. To hear people that have seen it say, I know a guy like Benji or talk about him, it’s like that’s what this feeling is”.

The Succession actor stars alongside Jesse Eisenberg in the film about cousins who take a trip to Poland to see the country their grandmother left.

Culkin says taking notes from a co-star, who also wrote and directed the film, was a new and challenging experience.

“That’s tough; it just is,” he says.

“[Jesse] would give me a note, my chest would puff up and I would automatically get really defensive, like, I’m gonna hit this guy.”

‘The biggest taboo on a movie’

Eisenberg says playing the role and being the filmmaker made him “nervous” because he sees actors giving notes to be the “biggest taboo on a movie”.

“You don’t give an actor notes – never do that. You can commit arson on a movie set before you can give an actor notes,” he says.

A Real Pain is set in Poland and is inspired by a real-life trip Eisenberg took with his now wife Anna Strout more than 20 years ago to retrace his family’s roots.

“Had the war not happened, this is where I would be living,” he says – and so looking at Poland and its history became a huge inspiration to him.

The Now You See Me actor first wrote a play, The Revisionist, which debuted off-Broadway in 2013, and spent the decade redeveloping it to become the “buddy road trip” A Real Pain.

‘It’s this beautiful, warm, welcoming country’

The film weaves through the story of cousins reconnecting on their journey to visit, for the first time, their grandmother’s home before she was displaced during the Holocaust.

Eisenberg is currently in the process of gaining Polish citizenship and says his relationship with the country has changed over the years.

He says: “With Polish heritage, you grow up hearing that it was the site of the murder of all of your family and you hear that it’s bleak and especially if you’re a kid of the 80s and 90s like I am, you hear about bread lines from the Soviet era. And so going there was just unbelievably the polar opposite of what I had heard growing up.

“It’s this beautiful, warm, welcoming country and not only beautiful, warm and welcoming, but like what they did for me and allowed me to do, to tell my family’s story, to be able to shoot at a concentration camp, to be able to shoot on this very hallowed grounds of the various locations we were on was just amazing. I’m in such debt to them.”

‘I grew up knowing performance was normal’

A Real Pain looks at how a person’s family history can shape who they become.

Eisenberg says growing up with a mother who worked as a birthday party clown helped him see acting as an attainable career.

He says: “Every morning I saw this woman get dressed up in a ridiculous outfit and put on crazy face makeup and tune her guitar to the piano. So, I grew up knowing that performance was normal.

“I didn’t grow up thinking that people who perform are weird and actors are weird and why do they? You know, I grew up thinking to behave in this silly way can be a professional job.

“So it just stayed in me. And now what we do is kind of ridiculous, but we take it seriously.”

A Real Pain is in cinemas now.

Entertainment

‘Music is back’ as Taylor Swift helps drive record UK sales

Published

14 hours ago