Adele has spoken openly about her divorce, its impact on her son, and how people reacted to her weight loss in a wide-ranging interview with chat show legend Oprah Winfrey.
The 33-year-old also performed tracks from her new album 30 at the Griffith Observatory in Los Angeles on the CBS special, ahead of its release later this week.
Here are the key moments from her performances and interview on Sunday night.
Adele was worried her new album was a ‘bit too private’
Speaking to Winfrey in the same garden where the former chat show host interviewed the Duke and Duchess of Sussex, Adele said she was worried that her upcoming album, which she has previously admitted was written while going through her divorce, could be too personal.
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“I think the reason I’m so brave to do it in my career so far is because music helped me in any situation and I would like to do the same for people who are so alone… to be reminded that they’re not alone,” she said.
“There were moments where I was writing the record and I thought that might be a bit too private, too about myself to put out.
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“But nothing is as scary as what I’ve been through over the past few years behind closed doors.
“So I’m not frightened about what people might or might not do.”
Image: Adele’s new album is released this week. Pic: Colombia Records
It was the first time her son Angelo had seen her perform live
Her performance during the two-hour special was also the first time her son, Angelo, had watched her perform live on stage – something she said made her nervous.
Adele also told Winfrey that 30 was dedicated to her son, and is a way of showing him “who I am”.
She said: “The whole album is not about him, it’s about me and I just wanted him to hear me talking madly, deeply about who I am and how I feel.
“I don’t know if I’ll ever be able to have that conversation with him in real life, so he can go and listen to it.”
Also in the audience at Griffith Observatory were James Corden, Drake and Lizzo, with Adele telling the crowd she was s******* herself for the performance.
Image: Adele with new partner US sports agent Rich Paul (centre). Pic: AP
Adele publicly addressed her weight loss – saying she wasn’t “shocked” by the reaction
She mentioned it briefly during her stint on Saturday Night Live, but Adele opened up to Winfrey about her weight loss.
The singer said that she had never set out to lose almost 100lbs (45kg), and that she always has been, and always will be, body-positive.
“My body has been objectified my entire career, I’m too big, I’m too small, I’m hot or I’m not,” she said.
“I never looked up to anyone because of their weight.
“I [was] body-positive then and I’m body-positive now – but it’s not my job to validate how people feel about their bodies.
“I feel bad if anyone feels horrible about themselves but that’s not my job. I’m trying to sort my own life out.”
She also boasted that she can now deadlift 160lbs (72kgs) and that she told her trainer she wanted to be an Olympian.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.