Connect with us

Published

on

Ever since I began riding electric bikes from Ride1Up back in 2018, I’ve found that the company does two things very well. First, it makes classic-looking e-bikes that perform even better than they look. And secondly, it does so for a price that leaves me scratching my head wondering how they can sell it for that little. The Ride1Up 700 Series is a perfect example on both counts.

Right out of the box, this urban-assault commuter e-bike has everything a rider needs for a potent city e-bike.

Perhaps most importantly of all, it’s got the speed and power to hang with the cars on the road.

While I don’t mind a Class 2 e-bike, I often feel like I hit a wall at 20 mph (32 km/h) when the motor assist cuts out.

The Ride1Up 700 Series is a Class 3 e-bike and thus can send me right up to 28 mph (45 km/h), as long as I give it some honest pedal-assist above Class 2 speeds.

While that rear hub motor may claim a continuous rating of just 500W, it is paired with a 22A controller and 48V battery to provide just over 1,000W of peak power draw. That results in powerful acceleration, whether you’re relying on the throttle or going halfsies with the pedal assist.

Before I dive too deep into this review, be sure to check out my testing video below. There you’ll see me putting the Ride1Up 700 Series through some real-world commuting-style riding. Then read on for the rest of my thoughts!

Ride1Up 700 Series video review

Ride1Up 700 Series tech specs

  • Motor: 1,000W peak (500W continuous) hub motor
  • Top speed: 28 mph (45 km/h)
  • Range: 30-50 miles (50-80 km)
  • Battery: 48V 14Ah (672Wh) with Samsung cells
  • Weight: 62 lb (28 kg) with rack, fenders
  • Load Capacity: 275 lb (125 kg)
  • Frame: Aluminum alloy
  • Brakes: Tektro dual-piston hydraulic disc brakes
  • Extras: Color LCD display with speedometer, battery gauge, PAS level indicator with five-speed settings, odometer, trip meter, Shimano 8-speed transmission, front and rear LED lights, included high-quality rack and fenders, choice of step-over or step-thru frame
  • Price: $1,695

Outfitted for riding, right out of the box

I always get a bit annoyed when I see e-bikes that are obviously designed for city riding but don’t include important city-specific accessories like lights, fenders, or racks.

I know there’s an argument to be made that not everyone needs the last two (though the belief that all e-bikes should come with included lighting is a hill I’m prepared to die on).

But fenders and racks are so useful that I believe they are basically required equipment for commuter e-bikes. Even if you live in a low rain area, the occasional puddle from irrigation or the errant hose can still leave you with unexpected tire spray. And even when I’m backpacking it instead of loading gear onto a rear rack, the fact that it is there often helps keep my bag from hanging down close the wheel.

In the case of the Ride1Up 700 Series, this e-bike offers the trifecta. Bright lights, high-quality hardened alloy fenders, and a pannier-ready rear rack that is rated for a robust 50 lb (23 kg).

In addition to those three key accessories that come as standard equipment, other commuter-friendly components include the Schwalbe SUPER MOTO X 27.5 x 2.4 tires (one of my favorite on-road tires), powerful dual-piston hydraulic disc brakes, and a Shimano Acera derailleur on an eight-speed cassette.

Are there better transmissions than the Acera? Yes. But is it good enough for 95% of us.

And between those big Schwalbe tires and the 100mm of travel in the front fork (complete with hydraulic lockout), the ride is urban jungle-ready. Potholes and curbs sometimes simply have to be taken head-on, so big tires and bigger suspension are a godsend in those cases. There’s no rear suspension on the Ride1Up 700 Series, as that would be a big ask for a commuter bike (though not unheard of). But at least the Selle Royal gel saddle adds a bit more comfort in the rear.

I’m pretty jazzed about the commuter loadout here, though there is, of course, room for improvement. The cadence sensor is fine, but I got spoiled by the nicer torque sensor on the Ride1Up LTM’D. If they had included a torque sensor on the 700 Series, that would have been sweet! Though considering the bike is priced at $1,695 and includes accessories like lights, fenders, and a rack as standard equipment, I can see how a torque sensor didn’t make it into the budget on this one.

And what’s with that left side throttle? Call me old-fashioned, but I much prefer a right-side throttle. I know the trigger shifter means you can’t have a thumb throttle on the right side, but why not go with a half-twist throttle? Not only is it my favorite style, but it also happens to be the best style as well (according to me).

But what about the electrical side?

So the bike is well-spec’d, sure. But what about the electronics?

Ride1Up pretty much nailed it there too.

The powerful motor and fast top speed of 28 mph (45 km/h) combine to give confidence-inspiring performance. I have no qualms about taking the lane in a city scenario, since I know I have the power to back it up. But when the traffic gets tight, I can easily slide back into the bicycle lane and be a cyclist (traveling at reasonable speeds based on the scenario, of course).

And the 48V 14Ah battery offers sufficient range, though I can’t say it’s the largest battery I’ve seen. With 674 Wh of capacity, the battery is rated for between 30-50 miles of range. The standard disclaimer of “you’ll only get the max range on the lowest pedal assist setting” certainly applies here, and you should know that getting throttle happy really eats into your range. But few commutes are going to be longer than 30 miles – and the ones that are rarely get performed by bicycle anyways. So the battery seems sufficient for the role.

The fact that the battery is also integrated into the frame is another plus for the Ride1Up 700 Series. Not only does it look slick, but it also helps cut down on theft, being much harder to steal.

It’s those little details that all seem to add up on this e-bike: The nicely designed and integrated components, the beautiful cable management to prevent a rat’s nest of wires on the bars, the color LCD screen, the gel saddle. The little extra pieces here and there go above and beyond what we typically see in this mid-level price range for e-bikes.

At $1,695, you really get a lot for your money here. At this price, it’s a great deal for a fast, powerful road-ready bike with all of the necessary commuting equipment.

The small complaints I had were few and far between. Ride1Up did an excellent job with the design and execution of the 700 Series, and it shows.


Subscribe to Electrek on YouTube for exclusive videos and subscribe to the podcast.

Continue Reading

Entertainment

The Stone Roses bassist Gary ‘Mani’ Mounfield dies aged 63

Published

on

By

The Stone Roses bassist Gary 'Mani' Mounfield dies aged 63

The Stone Roses bassist Gary “Mani” Mounfield has died at the age of 63, his family has said.

Mani’s brother, Greg, said in a post on Facebook: “It is with the heaviest of hearts that I have to announce the sad passing of my brother.”

“RIP RKID,” he added.

Gary "Mani" Mounfield and his wife Imelda at the world premiere of "The Stone Roses : Made Of Stone" in 2013. Pic: Reuters
Image:
Gary “Mani” Mounfield and his wife Imelda at the world premiere of “The Stone Roses : Made Of Stone” in 2013. Pic: Reuters

Formed in 1983, The Stone Roses were a mainstay of the “Madchester” scene.

Mani joined the band in 1987 and formed part of its classic line-up alongside singer Ian Brown, guitarist John Squire and drummer Alan ‘Reni’ Wren. He remained with the group until their split in 1996.

Mani’s death comes two years after that of his wife, Imelda Mounfield, who was diagnosed with stage 4 bowel cancer in November 2020. The couple welcomed twin boys in 2012.

Ian Brown, left, with Mani, right, performing on stage during their 2012 reunion concerts in Manchester. Pic: Reuters
Image:
Ian Brown, left, with Mani, right, performing on stage during their 2012 reunion concerts in Manchester. Pic: Reuters

The Stone Roses frontman Brown shared a tribute online, writing: “REST IN PEACE MANi X.”

More from Ents & Arts

Oasis singer Liam Gallagher said he was “in total shock and absolutely devastated”, describing the bassist as “my hero”.

“RIP Mani – my heartfelt condolences to his twin boys and all of his family,” wrote the Happy Mondays’ Shaun Ryder, whose bandmate Rowetta added: “Back with your Imelda, Mani. Going to miss you so much. All my love to the boys, the family & all those who knew & loved him.”

The Charlatans frontman, Tim Burgess, shared a photo of himself with Mani, writing alongside it: “I shared this photo a week or so ago on Mani’s birthday.

“It never failed to bring a smile to my face – and that was exactly the same for the man himself.

“One of the absolute best in every way – such a beautiful friend.”

Echo & the Bunnymen vocalist Ian McCulloch said Mani was someone “who I have always loved and always will love, deeply and forever. Like a brother”.

He continued: “I am in shock to be honest. Please tell me I’m just having a bad, bad dream. My thoughts and feelings and Mani. Love to all of his family from me”.

Pic: Robert Marquardt/ZUMA Press Wire/Shutterstock
Image:
Pic: Robert Marquardt/ZUMA Press Wire/Shutterstock

The “Madchester” bands were known for blending indie with acid house, psychedelia, and pop.

The Stone Roses’ eponymous debut album of 1989 was a huge success, and was named the second greatest album of all time in a “Music of the Millennium” poll conducted by HMV, Channel 4, The Guardian, and Classic FM.

Continue Reading

Entertainment

Half of novelists fear AI will replace them entirely, survey finds

Published

on

By

Half of novelists fear AI will replace them entirely, survey finds

The novel has survived the industrial revolution, radio, television, and the internet. Now it’s facing artificial intelligence – and novelists are worried.

Half (51%) fear that they will be replaced by AI entirely, according to a new survey, even though for the most part they don’t use the technology themselves.

More immediately, 85% say they think their future income will be negatively impacted by AI, and 39% claim their finances have already taken a hit.

Tracy Chevalier, the bestselling author of Girl With A Pearl Earring and The Glassmaker, shares that concern.

“I worry that a book industry driven mainly by profit will be tempted to use AI more and more to generate books,” she said in response to the survey.

“If it is cheaper to produce novels using AI (no advance or royalties to pay to authors, quicker production, retainment of copyright), publishers will almost inevitably choose to publish them.

“And if they are priced cheaper than ‘human made’ books, readers are likely to buy them, the way we buy machine-made jumpers rather than the more expensive hand-knitted ones.”

Chevalier, author of the book Girl With A Pearl Earring, with the painting of the same name. Pic: AP
Image:
Chevalier, author of the book Girl With A Pearl Earring, with the painting of the same name. Pic: AP

Why authors are so worried

The University of Cambridge’s Minderoo Centre for Technology and Democracy asked 258 published novelists and 74 industry insiders how AI is viewed and used in the world of British fiction.

Alongside existential fears about the wholesale replacement of the novel, many authors reported a loss of income from AI, which they attributed to “competition from AI-generated books and the loss of jobs which provide supplementary streams of income, such as copywriting”.

Some respondents reported finding “rip-off AI-generated imitations” of their own books, as well books “written under their name which they haven’t produced”.

Last year, the Authors Guild warned that “the growing access to AI is driving a new surge of low-quality sham ‘books’ on Amazon”, which has limited the number of publications per day on its Kindle self-publishing platform to combat the influx of AI-generated books.

The median income for a novelist is currently £7,000 and many make ends meet by doing related work, such as audiobook narration, copywriting or ghost-writing.

Read more: The author embracing AI to help write novels

Please use Chrome browser for a more accessible video player

Could the AI bubble burst?

These tasks, authors feared, were already being supplanted by AI, although little evidence was provided for this claim, which was not possible to verify independently.

Copyright was also a big concern, with 59% of novelists reporting that they knew their work had been used to train AI models.

Of these, 99% said they did not give permission and 100% said they were not remunerated for this use.

Earlier this year, AI firm Anthropic agreed to pay authors $1.5bn (£1.2bn) to settle a lawsuit which claimed the company stole their work.

The judge in the US court case ruled that Anthropic had downloaded more than seven million digital copies of books it “knew had been pirated” and ordered the firm to pay authors compensation.

However, the judge sided with Anthropic over the question of copyright, saying that the AI model was doing something akin to when a human reads a book to inspire new work, rather than simply copying.

Read more from Sky News:
Scientists sound alarm over ultra-processed foods
‘What is it really like being a British journalist in Moscow?’

Most novelists – 67% – never used it for creative work, although a few said they found it very useful for speeding up drafting or editing.

One case study featured in the report is Lizbeth Crawford, a novelist in multiple genres, including fantasy and romance. She describes working with AI as a writing partner, using it to spot plot holes and trim adjectives.

“Lizbeth used to write about one novel per year, but now she can do three per year, and her target is five,” notes the author of the report, Dr Clementine Collett.

Is there a role for government?

Despite this, the report’s foreword urges the government to slow down the spread of AI by strengthening copyright law to protect authors and other creatives.

The government has proposed making an exception to UK copyright law for “text and data mining”, which might make authors and other copyright holders opt out to stop their work being used to train AI models.

“That approach prioritises access to data for the world’s technology companies at the cost to the UK’s own creative industries,” writes Professor Gina Neff, executive director of the Minderoo Centre for Technology and Democracy.

“It is both bad economics and a betrayal of the very cultural assets of British soft power.”

A government spokesperson said: “Throughout this process we have, and always will, put the interests of the UK’s citizens and businesses first.

“We’ve always been clear on the need to work with both the creative industries and AI sector to drive AI innovation and ensure robust protections for creators.

“We are bringing together both British and global companies, alongside voices beyond the AI and creative sectors, to ensure we can capture the broadest possible range of expert views as we consider next steps.”

Continue Reading

Entertainment

Princess of Wales says her children were ‘very sad’ to miss Paddington at Royal Variety Performance

Published

on

By

Princess of Wales says her children were 'very sad' to miss Paddington at Royal Variety Performance

The Princess of Wales has admitted her children were “very sad” to miss the Royal Variety Performance in London, which she and the Prince of Wales attended.

Prince William and Kate made their first appearance at the event since her recovery from cancer.

Wednesday’s red carpet show at the Royal Albert Hall was headlined by the cast of Paddington The Musical.

After arriving and being presented with posies by nine-year-old twins Emelia and Olivia Edwards, the family of staff at a care home for entertainment industry workers, Kate asked if they were fans of Paddington Bear.

The Princess of Wales meets Emelia and Olivia Edwards. Pic: PA
Image:
The Princess of Wales meets Emelia and Olivia Edwards. Pic: PA

The princess, wearing a green velvet gown, then told the girls that her children were “very sad” not to attend the show and added she had to tell them children were not allowed to go.

“My kiddies were very sad, we’re going to have to keep it a big secret that I saw you guys,” she said.

“They were very sad not to be joining us.”

It is the sixth time William and Kate have attended the annual charity event.

When Olivia told the prince, wearing a tuxedo, her favourite singer was Billie Eilish, he replied she had good taste.

He said: “It’s very nice to see you both. You’re very smiley, you two.”

The royals were also greeted on the red carpet by ITV board members and representatives from the Royal Variety Charity, of which the King is the royal patron.

Pics: PA
Image:
Pics: PA

The Paddington cast were set to take to the stage on Wednesday evening, while pop star Jessie J and Grammy award-winning singer Laufey were also expected to perform.

Read more from Sky News:
New record for wind-powered electricity in Britain
Weather warnings for snow and ice updated

Jessie J attends the Royal Variety Performance. Pic: PA
Image:
Jessie J attends the Royal Variety Performance. Pic: PA

Laufey at the event in London. Pic: PA
Image:
Laufey at the event in London. Pic: PA

Held annually, the Royal Variety Performance was first staged in 1912 for King George V and Queen Mary in support of the charity, which helps those working in the entertainment industry.

Ahead of the show, its executive producer Giles Cooper said the charity was “thrilled” the prince and princess would “once again attend the Royal Variety Performance”.

Mr Cooper, also chairman of the charity, added: “This annual great British institution, viewed by a worldwide TV audience of over 150 million, continues to be a crucial fundraising event supporting people in all areas of performance, either on or off stage.

“In this pressurised world of working in the entertainment industry, our mental health initiative, started in 2024, has been a lifeline for many who are experiencing issues such as anxiety, depression or addiction.”

Pics: PA
Image:
Pics: PA

On Tuesday, the princess called on businesses to value “time and tenderness just as much as productivity and success” in her first speech since she was diagnosed with cancer at the start of 2024.

Speaking at the Future Workforce Summit, Kate told 80 business leaders: “Every one of you interacts with your own environment; a home, a family, a business, a workforce, a community.

“These are the ecosystems that you yourselves help to weave. Imagine a world where each of these environments were built on valuing time and tenderness just as much as productivity and success.

“As business leaders, you will face the daily challenge of finding the balance between profitability and having a positive impact. But the two are not, and should not be incompatible.”

Continue Reading

Trending