‘It’s a needed voice in the world’: Halle Berry on her directorial debut

Published

4 years ago

November 17, 2021

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Halle Berry’s directorial debut may include some of the movie tropes we’re familiar with.

A fighter who’s been written off returning to the ring, a parent trying to turn things around when an estranged child comes back in to their life and a woman manipulated by the man who supposedly loves her.

But Berry’s gritty drama Bruised sees the themes reframed and told from the perspective of a black woman – which isn’t something audiences will be so familiar with.

The star – who made history when she became the first and only African-American woman to win the best actress Oscar in 2002 – says now she’s made the movie she appreciates the value of telling the story from her point of view.

“I think now having had this opportunity to tell the story from my gaze – a black female – I think I realise even more having done it, how important it is, how important it is to get a diverse story out in the world,” Berry told Sky News.

“And as I’ve been talking to people about it and having them say it was hard hitting and it was, ‘wow, that was harsh’, and I’m thinking, ‘well, yeah, imagine living it, you know, it’s hard for you to watch it, imagine if that’s your reality’.”

“And the truth is, this is the reality of so many people, and so bringing some light to this subject really is important, and it takes people who’ve lived it, who understand it from this point of view, meaning black females, to tell these stories, and I think it’s a needed voice in the world.”

In the film Berry plays aging MMA fighter Jackie Justice, who accepts an offer to get back in the ring while also dealing with the unexpected return of her 6-year-old son.

The character is fighting on all fronts – fellow women in the ring and various demons and issues outside the sport.

Ultimately the film is about the power of women – a subject Berry wants to see more of on screen.

“As women we’ve been marginalised, you know, and especially as black women, we’ve been severely marginalised,” she said.

“So this is a way of not only getting our power back, but it’s also putting our stories out there and acknowledging that our stories have value, our lives are valuable, our experiences are valuable, our points of view are valuable.

“And this is one way for us to sort of get that out into the world through art in this way.”

It’s almost two decades since Berry’s historic Oscar win, and since then there’s been pressure on Hollywood to be more inclusive, with the MeToo movement and open conversations about how to address a lack of diversity in the industry.

The 55-year-old says she’s certainly seen things change during her career.

“I mean, look around – when I started 30 years ago, there were very few women of colour doing the things that we’re doing today, I look around, they’re everywhere today, and that’s true, they are.

“We’re living a new reality than we were when I started – I was making a way very much out of no way, I was the only one, I was one of the few, and now there’s many of us out here living our dreams, you know, telling stories, having great roles to play.

“So yeah, I do think things are changing – more female directors than ever before, producers… Is change slow? Most change is, but I see great strides and I see how we’re growing and the growth is really real.”

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Despite her years of experience on sets, Berry said taking on the role of director has given her a fresh perspective on the way that films are made.

She says it will definitely change how she sees things as an actress in the future.

“Once you wear this skin and you actually are in charge of an entire production, you realise now why certain decisions were made,” she explained.

“I mean, when I was just an actor, I used to always wonder ‘now why would they schedule the scenes like this? This makes no sense, this is making our job as actors indelibly harder’ – now having been on the other side, I do understand now there’s a reason that has nothing to do with you, actor.

“There’s a bigger thing at play here, there’s other departments, other elements that go into putting a day together and budgeting a film and boarding a film – it’s not always about what’s going to be best for the actors to perform their roles.

“So I now will never ask a director again ‘and why did you schedule this like this? This makes no sense’. Never again.

Bruised is available to stream on Netflix.

Entertainment

Christina Aguilera on bringing Burlesque to the stage and her rise to fame

Published

55 mins ago

July 22, 2025

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Christina Aguilera on bringing Burlesque to the stage and her rise to fame

Christina Aguilera has told Sky News it is “magical” to see her hit film Burlesque being brought to London’s West End – and also opened up about her rise to fame in the late 1990s.

The US star topped the US and UK charts with Genie In A Bottle in 1999, before finding an even bigger audience with her acclaimed album Stripped and hits including Dirrty, Beautiful and Fighter in the early 2000s.

In 2010, she starred in Burlesque alongside Cher, Julianne Hough and Stanley Tucci, and now, 15 years later, is a producer for the stage version of the show alongside the film’s original director and writer, Steven Antin.

Speaking ahead of the show’s gala night, Aguilera told Sky News presenter Leah Boleto she has enjoyed taking a backseat and seeing the fresh interpretation of her character – a small-town girl turned into a star.

“It’s just so beautiful to see the talent that’s on this stage and to absorb it and appreciate the fresh takes on things,” she said. “I love actually taking a step back and a backseat… it’s beautiful to see the reinvention.

“When you’re in it, you focus on the choreography, all these different elements, that being able to take a backseat and being more of a visionary of the bigger picture, it’s really a special thing.”

Aguilera said she had been “blown away” by Jess Folley, who plays her character Ali in the show, and has fully embraced the “powerhouse vocals” as well as the vulnerability needed for the role.

“She just is doing such a magnificent, magnificent job and likewise inspires me as well,” she said.

Aguilera said she would love to see her film co-star Cher popping by to see the show in London.

“She’s always welcome to grace us with her incredible, iconic presence. And I’m just so grateful that I had the time to be with her. I mean, looking back, it’s just – did that even happen?”

Aguilera arrived on the scene at the same time as Britney Spears, at a time when young female pop stars were celebrated, sexualised and scrutinised.

After the success of her debut album, she took a different direction with Stripped – embracing her sexuality and famously taking on a less girlish image with chaps, a nose stud and black streaks in her hair for the Dirrty video, and opening up about her life and emotions through songs such as Fighter and Beautiful.

She also took on the patriarchy in Can’t Hold Us Down, a duet with Lil’ Kim, and performed on the hit cover of Lady Marmalade alongside Lil’ Kim, Maya and Pink for Moulin Rouge!

“I always want to stay true to authenticity,” she said. “And for me, with that first album it was wonderful to get my foot in the door…

“It’s important to me that I stepped out on my own and reflected all sides of me as a woman, embracing my sexuality and sensuality, and my body… Dirrty, I just loved those chaps and everything about that was just so fun and raw.”

So would she do it all again, then? Or would she prefer to be an artist starting out now?

“The ’90s, it was a pretty special time in music. And it was a time when you could still like go to Virgin records or like wherever and look at the CDs, look at the packaging. And, you know, sometimes the authenticity is missed.”

However, the good thing about social media now is that it has given stars the means to tell their own stories, she adds. “You have an opportunity now to really present yourself in ways that it’s not just about the music, to become more the narrator in real time… this is what it is like, be your own voice rather than reading about yourself in an article.”

But still, she wouldn’t swap. “It has to stay where it was.”

Burlesque The Musical is showing at The Savoy theatre in London now

Entertainment

Malcolm-Jamal Warner, who played The Cosby Show’s Theo, drowns in Costa Rica

Published

18 hours ago

July 21, 2025

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Malcolm-Jamal Warner, who played The Cosby Show's Theo, drowns in Costa Rica

Malcolm-Jamal Warner, who played The Cosby Show character Theo, has drowned in Costa Rica, according to authorities.

The country’s Judicial Investigation Department said the 54-year-old actor drowned on Sunday afternoon off a beach on the Caribbean coast.

It is understood he was swimming at Playa Grande de Cocles in Limon province when he was pulled underwater by a current.

“He was rescued by people on the beach,” according to the department’s early report, but emergency workers from Costa Rica’s Red Cross found him without any signs of life and he was taken to the morgue.

Warner was on holiday with his family at the time, according to US celebrity news site People.

The Cosby Show aired from 1984 to 1992 on NBC in the US and is regarded as a groundbreaking show for its portrayal of a successful black middle-class family. It was also shown on Channel 4 in the UK at around the same time.

Its star, Bill Cosby, played a doctor named Cliff Huxtable, with Warner in the role of Theo, his only son.

The NBC sitcom was the most popular show in America for much of its run between 1984 and 1992.

Warner played the role for eight seasons in all 197 episodes, winning an Emmy nomination for supporting actor in a comedy in 1986.

For many, the lasting image of the character, and of Warner, is of him wearing a badly-botched mock designer shirt sewn by his sister Denise, played by Lisa Bonet.

Warner ‘proud’ of show despite Cosby claims

The legacy of The Cosby Show has been tarnished after Cosby was jailed in 2018 following a conviction for sexual assault.

He was released in 2021 after his conviction was overturned.

Dozens of women had accused Cosby of sexual assault or rape before the trial.

Following his release from prison, Cosby was found liable for sexually assaulting a woman at the Playboy Mansion in 1975 when she was a teenager.

Warner told the Associated Press in 2015: “My biggest concern is when it comes to images of people of colour on television and film… We’ve always had ‘The Cosby Show’ to hold up against that. And the fact that we no longer have that, that’s the thing that saddens me the most because in a few generations the Huxtables will have been just a fairy tale.”

In 2023, Warner told People in an interview: “I know I can speak for all the cast when I say The Cosby Show is something that we are all still very proud of.”

Read more entertainment news:
Danny Dyer on Mr Big Stuff
Scuffle breaks out on Royal Opera House on stage

Warner wins a Grammy

Following his career on The Cosby Show, Warner later appeared on the sitcom Malcolm & Eddie, co-starring with comedian Eddie Griffin in the series on the UPN network from 1996 to 2000.

In the 2010s he starred opposite Tracee Ellis Ross as a family-blending couple for two seasons on the BET sitcom Read Between The Lines.

He also had a role as OJ Simpson’s friend Al Cowlings in American Crime Story and was a series regular on Fox’s The Resident.

Films he has appeared in include the 2008 rom-com Fool’s Gold with Matthew McConaughey and Kate Hudson.

A poet and a musician, Warner won a Grammy for best traditional R&B performance for the song Jesus Children with Robert Glasper and Lalah Hathaway. He was also nominated for best spoken word poetry album for Hiding In Plain View.

Warner was married with a daughter, but chose to not publicly disclose their names.

Entertainment

Danny Dyer on Mr Bigstuff, Oasis, and his surprising screensaver

Published

1 day ago

July 21, 2025

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Danny Dyer on Mr Bigstuff, Oasis, and his surprising screensaver

From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.

But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTA win – and one of the ceremony’s biggest cheers from the audience – earlier this year.

Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.

Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.

Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.

“Absolute legend,” he says.

Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.

“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”

Dyer reveals his screensaver

After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.

His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.

But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.

“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”

Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.

In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.

He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.

Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.

“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”

‘Love in the air’ at Oasis gig

But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.

“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.

“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”

Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW