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I’m a huge proponent of electric motorcycles, which offer all the thrill of gas bikes yet without the emissions, maintenance, or generally associated ownership headaches. The only problem is that they’re traditionally much more expensive than gas bikes. Or at least they were, until the Kollter ES1 rolled into North America.

As much as I love riding flagship Zeros and electric Harleys, those are expensive bikes at around $20,000 or more (though to be fair, Zero has other models at closer to $11K-12K).

On the other end of the spectrum, I had a blast riding the sub-$3,000 CSC City Slicker. But as its name implies, it’s limited to the city. The 45 mph top speed makes quick work of urban jungles but is wholly inadequate for highway use.

But with 70+ mph speeds, the Kollter ES1 can hang out on the highway, though it may be limited to the right lane depending on the scenario.

And with a starting price of around $6,000 in the US, it is fairly priced between the fancy high-end electric motorcycles and the cheaper urban-only options.

Check out my video review of the Kollter ES1 Pro below, then read on for my complete thoughts!

Kollter ES1 electric motorcycle video review

Kollter ES1 quick specs

  • Motor: 11 kW (15 hp) peak-rated single-stage reduction mid-motor, belt drive
  • Top speed: 115 km/h (72 mph)
  • City range: 136 km (80 mi) with dual batteries
  • Highway range: 90 km (56 mi) with dual batteries
  • Battery: Single or dual 72V 32Ah packs for 2.3 kWh or 4.6 kWh
  • Typical recharge cost: $0.26 to $0.52 (single vs. double battery)
  • Charge time: 4.5 hours with 15A quick charger

(Keep in mind these are the specs for the US version that I rode. The Canadian and/or EU versions may differ.)

Modest power, plenty of fun

The Kollter ES1 is a fun bike, but it’s not overly sporty.

I found that I could always beat the cars off the line when the light turns green, which is my baseline for “does this have enough power?”

It’s certainly not a Zero with 82 kW of at-your-fingertips power, but it’s more than enough for commuter use and is an absolute delight every time you twist your wrist. The 11 kW motor combined with a fairly quiet belt drive make the bike responsive and fun to ride.

As fun as it was, I was borrowing the bike and I only spent a few hours on it entirely in a city setting with roads maxing out at 50 mph. That meant even with pushing my luck, I didn’t get the bike much past the low 60s. It had more to give, but with the level of police presence, I really didn’t want to get a speeding ticket on a bike I was borrowing.

So when Kollter says it will get up to 72 mph, I’ll have to take their word for it. But I can tell you that it gets to the low 60s without a protest and wants to keep going, that’s for sure.

I may have been doing city riding, but this was South Florida city riding – meaning plenty of those three-lane 50 mph roads. Based on my usage, I was getting an extrapolated range of around 65 miles. I was also on the double battery model, mind you. With a single battery, I’d expect around half of that range.

The single battery model starts at $5,995, and the second battery costs an extra $900.

Both are removable, though they are big batteries. Consider it your farmer’s carry workout for the day, as each weighs a bit shy of 30 lb. If you have a garage, you’ll probably never need to remove them since you can charge them on the bike. But if you live in an apartment without street-level charging infrastructure, removable batteries make this whole ordeal possible.

And by “charging infrastructure,” I mean a typical 110V wall outlet. The batteries charge off of a conventional wall plug, just like your cell phone or laptop. There’s no level 2 charging here, so don’t expect to use that fancy EVSE charging station down the street.

Another nice benefit is that there are actually Kollter dealers in nearly every corner of the country. I borrowed one from NatiCycle in the Northeast for my testing, but there’s also a California dealer and a Florida dealer too. Again, it can’t compete with Zero or Harley-Davidson, which have dealers all over the place (especially in the latter’s case). But it’s still nice to know that you may be within a couple hundred miles of a bike to actually test out.

To me, the Kollter feels like the exact bike the market has been missing – something to fill the gap between the high-power but high-price Zeros and the cute little city e-motos. It’s got the power and speed to hang with the medium-size dogs, and its got the fun of a “real” bike, not a mini-moto.

There are even pillion pegs so you can bring your partner along for a ride. Talk about utility! You know what that is right there? Sweet confirmation bias telling you this is basically as good as a family car, and that your significant other will certainly agree with you when he or she sees how useful the bike is around town!

Alright, so maybe this isn’t the best family car. But for someone like me with one wife, one dog, and zero responsibilities, it feels like the ultimate ride to me. And considering it comes in at a third of the price of the flagship electric motorcycles available today, it also seems like a much more sensical splurge on a fun electric motorcycle, even if it doesn’t become a daily commuter bike and instead turns into a fun weekend toy.

As long as bikes like the SONDORS Metacycle, NIU RQi, and Sur Ron Storm Bee keep taking their sweet time to make it stateside, long live the Kollter ES1 as the only affordable option for those of us looking for highway e-moto speeds on a budget!

Oh, and for anyone who loves to get dirty, there’s an enduro package available to swap on larger wheels with knobby tires and a chain kit!


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‘Music is back’ as Taylor Swift helps drive record UK sales

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'Music is back' as Taylor Swift helps drive record UK sales

UK music sales hit a 20-year high of £2.4bn in 2024, helped by pop megastar Taylor Swift’s latest album, and driven by streaming and the vinyl revival, figures show.

Revenues from recorded music reached an all-time high, more even than at the peak of the CD era, according to annual figures from the digital entertainment and retail association ERA.

Total consumer spending on recorded music – both subscriptions and purchases – topped the previous record of £2.2bn in 2001, ERA said.

Noah Kahan performs during Soundside Music Festival on Saturday, Sept. 28, 2024, in Bridgeport, Conn. (Photo by Scott Roth/Invision/AP)
Image:
Noah Kahan performing during the Soundside Music Festival in September. Pic: AP

Takings from streaming services including Spotify, YouTube Music, and Amazon rose by 7.8% to a little over £2bn.

Almost £200m was spent on vinyl albums, an annual uplift of 10.5%, while CD album revenues were flat at just over £126m.

Swift’s The Tortured Poets Department was the biggest-selling album of the year, aided by her record-smashing worldwide Eras tour.

More than 783,000 copies were bought, nearly 112,000 of them on vinyl – making it 2024’s biggest-selling vinyl album.

More on Taylor Swift

The biggest single of the year was Noah Kahan’s Stick Season, generating the equivalent of 1.99 million sales.

ERA chief executive Kim Bayley said 2024 was “a banner year for music, with streaming and vinyl taking the sector to all-time-high records in both value and volume.

Ms Bayley called it the “stunning culmination of music’s comeback which has seen sales more than double since their low point in 2013. We can now say definitively – music is back.”

Despite the increasingly strong performance by the British music industry, artists are said to be receiving less money.

Experts have said the musicians make less than people would think because of the role of streaming – platforms do not normally pay artists directly and divide any owed payments among the rights holders of songs.

Music revenues grew by 7.4% in 2024, while video rose by 6.9%, and games fell by 4.4%, according to preliminary figures.

Subscriptions to Netflix, Amazon Prime Video and Apple TV grew by 8.3% to £4.5bn – almost 90% of the sector’s revenues.

Deadpool & Wolverine was the biggest-selling title of the year, with sales of 561,917 – more than 80% of them sold digitally.

Read more:
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J-Lo and Ben Affleck divorce settled
Aubrey Plaza on death of filmmaker husband
‘Nepo babies have never faced so much hate’

Despite the games sector’s 4.4% decline last year, it remains nearly twice as large as the recorded music business.

Full game sales saw a drop-off with PC download-to-own down 5%, digital console games down 15% and boxed physical games down 35%, in favour of subscription models which grew by 12%.

EA Sports FC 25 – formerly known as Fifa was once again the biggest-selling game of the year, generating 2.9 million unit sales, 80% of them as digital formats.

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Kieran Culkin on receiving notes from Jesse Eisenberg on A Real Pain: ‘I’d automatically get defensive’

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Kieran Culkin on receiving notes from Jesse Eisenberg on A Real Pain: 'I'd automatically get defensive'

Kieran Culkin says he doesn’t care if his projects get badly reviewed as long as he enjoyed himself doing them.

The 42-year-old recently won best supporting actor in a motion picture at the Golden Globes for his performance in A Real Pain.

He tells Sky News he isn’t dependent on positive feedback, but it is “cool” when people find a connection to his work.

“I’m doing this [acting] around 36 years. I’ve been sort of trained or whatever, conditioned, to just not care what an audience response is to something,” he says.

“I’ve been in plays that I think ‘this is bad, but I’m enjoying it’. I don’t really care or if it gets poorly reviewed, I don’t really care. So I still sort of have that mentality but it’s actually quite nice that people are connecting with [A Real Pain]. To hear people that have seen it say, I know a guy like Benji or talk about him, it’s like that’s what this feeling is”.

The Succession actor stars alongside Jesse Eisenberg in the film about cousins who take a trip to Poland to see the country their grandmother left.

Culkin says taking notes from a co-star, who also wrote and directed the film, was a new and challenging experience.

“That’s tough; it just is,” he says.

“[Jesse] would give me a note, my chest would puff up and I would automatically get really defensive, like, I’m gonna hit this guy.”

Kieran Culkin and Jesse Eisenberg in A Real Pain. Pic: Courtesy of Searchlight Pictures 2024
Image:
Culkin and Eisenberg. Pic: Searchlight Pictures

‘The biggest taboo on a movie’

Eisenberg says playing the role and being the filmmaker made him “nervous” because he sees actors giving notes to be the “biggest taboo on a movie”.

“You don’t give an actor notes – never do that. You can commit arson on a movie set before you can give an actor notes,” he says.

Will Sharpe and Jesse Eisenberg in A Real Pain. Pic: Courtesy of Searchlight Pictures 2024
Image:
Will Sharpe and Eisenberg. Pic: Searchlight Pictures

A Real Pain is set in Poland and is inspired by a real-life trip Eisenberg took with his now wife Anna Strout more than 20 years ago to retrace his family’s roots.

“Had the war not happened, this is where I would be living,” he says – and so looking at Poland and its history became a huge inspiration to him.

The Now You See Me actor first wrote a play, The Revisionist, which debuted off-Broadway in 2013, and spent the decade redeveloping it to become the “buddy road trip” A Real Pain.

(From L-R): Kieran Culkin, Jennifer Gray, Jesse Eisenberg, Kurt Egyiawan, David Oreskes and Will Sharpe in A Real Pain. Pic: Courtesy of Searchlight Pictures 2024
Image:
Kieran Culkin, Jennifer Grey, Jesse Eisenberg, Kurt Egyiawan, Daniel Oreskes and Will Sharpe (L-R). Pic: Searchlight Pictures

‘It’s this beautiful, warm, welcoming country’

The film weaves through the story of cousins reconnecting on their journey to visit, for the first time, their grandmother’s home before she was displaced during the Holocaust.

Eisenberg is currently in the process of gaining Polish citizenship and says his relationship with the country has changed over the years.

He says: “With Polish heritage, you grow up hearing that it was the site of the murder of all of your family and you hear that it’s bleak and especially if you’re a kid of the 80s and 90s like I am, you hear about bread lines from the Soviet era. And so going there was just unbelievably the polar opposite of what I had heard growing up.

“It’s this beautiful, warm, welcoming country and not only beautiful, warm and welcoming, but like what they did for me and allowed me to do, to tell my family’s story, to be able to shoot at a concentration camp, to be able to shoot on this very hallowed grounds of the various locations we were on was just amazing. I’m in such debt to them.”

Read more:
‘Music is back’ as Taylor Swift helps drive record UK sales
Zendaya and Tom Holland engagement rumours swirl

‘I grew up knowing performance was normal’

A Real Pain looks at how a person’s family history can shape who they become.

Eisenberg says growing up with a mother who worked as a birthday party clown helped him see acting as an attainable career.

He says: “Every morning I saw this woman get dressed up in a ridiculous outfit and put on crazy face makeup and tune her guitar to the piano. So, I grew up knowing that performance was normal.

“I didn’t grow up thinking that people who perform are weird and actors are weird and why do they? You know, I grew up thinking to behave in this silly way can be a professional job.

“So it just stayed in me. And now what we do is kind of ridiculous, but we take it seriously.”

A Real Pain is in cinemas now.

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‘Music is back’ as Taylor Swift helps drive record UK sales

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on

By

'Music is back' as Taylor Swift helps drive record UK sales

UK music sales hit a 20-year high of £2.4bn in 2024, helped by pop megastar Taylor Swift’s latest album, and driven by streaming and the vinyl revival, figures show.

Revenues from recorded music reached an all-time high, more even than at the peak of the CD era, according to annual figures from the digital entertainment and retail association ERA.

Total consumer spending on recorded music – both subscriptions and purchases – topped the previous record of £2.2bn in 2001, ERA said.

Noah Kahan performs during Soundside Music Festival on Saturday, Sept. 28, 2024, in Bridgeport, Conn. (Photo by Scott Roth/Invision/AP)
Image:
Noah Kahan performing during the Soundside Music Festival in September. Pic: AP

Takings from streaming services including Spotify, YouTube Music, and Amazon rose by 7.8% to a little over £2bn.

Almost £200m was spent on vinyl albums, an annual uplift of 10.5%, while CD album revenues were flat at just over £126m.

Swift’s The Tortured Poets Department was the biggest-selling album of the year, aided by her record-smashing worldwide Eras tour.

More than 783,000 copies were bought, nearly 112,000 of them on vinyl – making it 2024’s biggest-selling vinyl album.

More on Taylor Swift

The biggest single of the year was Noah Kahan’s Stick Season, generating the equivalent of 1.99 million sales.

ERA chief executive Kim Bayley said 2024 was “a banner year for music, with streaming and vinyl taking the sector to all-time-high records in both value and volume.

Ms Bayley called it the “stunning culmination of music’s comeback which has seen sales more than double since their low point in 2013. We can now say definitively – music is back.”

Music revenues grew by 7.4% in 2024, while video rose by 6.9%, and games fell by 4.4%, according to preliminary figures.

Subscriptions to Netflix, Amazon Prime Video and Apple TV grew by 8.3% to £4.5bn – almost 90% of the sector’s revenues.

Deadpool & Wolverine was the biggest-selling title of the year, with sales of 561,917 – more than 80% of them sold digitally.

Read more:
Zendaya and Tom Holland engagement rumours swirl
J-Lo and Ben Affleck divorce settled
Aubrey Plaza on death of filmmaker husband
‘Nepo babies have never faced so much hate’

Despite the games sector’s 4.4% decline last year, it remains nearly twice as large as the recorded music business.

Full game sales saw a drop-off with PC download-to-own down 5%, digital console games down 15% and boxed physical games down 35%, in favour of subscription models which grew by 12%.

EA Sports FC 25 – formerly known as Fifa was once again the biggest-selling game of the year, generating 2.9 million unit sales, 80% of them as digital formats.

Continue Reading

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