She’s played the manipulative Amy in Gone Girl, has portrayed real people including the war journalist Marie Colvin, and was nominated for a Golden Globe just last year for her performance in black comedy thriller I Care A Lot.
But the new adaptation of The Wheel Of Time sees Rosamund Pike in a fantasy role, leading the cast of a series based on the bestselling novels by Robert Jordan.
She told Sky News’ Backstage podcast it’s nice to be doing something unexpected.
“I do like to surprise people, but I don’t go for the element of surprise at the expense of choices I believe in,” Pike said.
“So it just seemed like this character came into my life for a reason, it sounds a bit sort of like mumbo jumbo, but I’d had a fairly tough ride with some of the big lives that I’ve played in recent years, like Marie Colvin and Marie Curie, and I thought this world that’s striving for balance in Wheel Of Time with this woman, who is kind of connected to the universe in quite a profound way and can channel elements, I thought, ‘this is going to be a role that I grow differently with and acquire some new skills through’.”
With any adaptation comes a weight of expectation from fans – but despite Jordan selling more than 90 million copies of the Wheel Of Time books, Pike isn’t just unphased by that expectation – she thrives off it.
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She said: “I do like the responsibility of taking a much-loved character and fleshing them out and because I’m quite dedicated, I think as an actor, I do delve deeply and I think deeply and I like the responsibility.
“And I think there’s a risk involved because obviously you know that you won’t please everybody, and I think that little bit of danger of the fact that you could so easily fail, I think that also appeals to me.”
Pike’s co-star Daniel Henney admits he did wonder how fans would react to the cast.
Image: Daniel Henney and Rosamund Pike in The Wheel Of Time. Pic: Amazon Studios
“In the beginning, there was some trepidation because of how many books have been sold and how beloved they are,” he told Backstage.
“But I was pleasantly surprised once we started and once we got to know The Wheel Of Time fans and the fan base, and how lovely they are, and how supportive they’ve been.
“I think that we’re just so lucky because it feels like they’re just an extension of us, a team, and they’ve been more of a support system than anything, which is not what I sort of anticipated in the beginning when you sign on to something that’s so beloved and there’s a lot of pressure, but it’s turned out to be a real asset for us, to be honest.”
Image: Rosamund Pike in The Wheel Of Time. Pic: Amazon Studios
Pike and Henney’s characters are extremely close – but the relationship is purely platonic.
The actress said that meant developing “a kind-of shorthand” between the pair to show how well they know one another.
“They hardly have to make a tiny meeting of the eye to know what one another’s thinking, and it’s important that when they’re fighting together they don’t have to be in one another’s eyeline to know what the other one is doing,” Pike explained.
“So things like that, which is perhaps not immediately obvious, but often we are back-to-back, but we’re completely aware of one another in space and anticipating the other person’s move.
“It’s a lovely thing Robert Jordan wrote in the development of this bond, it’s a really cool thing to play with, and one I think the audiences will really, really enjoy.”
Henney said it meant straying from the norm when it came to filming certain scenes, saying: “I remember the stunt guys when they choreographed the sequences initially, they’d done a great job, but there were some moments where they included moments for me to look directly at her and to sort of make those moments stand out.
“And I said, I didn’t want that, I wanted it to be much more sort of on an unspoken level, that we don’t have to look at each other, we could feel each other.”
Image: Rosamund Pike in The Wheel Of Time. Pic: Amazon Studios
Pike’s character can use magic, harnessing light in order to cast spells, and she told Sky News she drew from the practices of Tai Chi and Qigong in order to make the performance feel authentic.
“I want to feel that when she’s pulling these threads, there’s something that she’s actually getting hold of… And I wanted to just avoid at all costs something that doesn’t feel connected, the kind of relying totally on visual effects to make me look cool,” Pike said.
“I just thought ‘I’ve got to believe because surely the most interesting part of this character is the cost to her of channelling – what is the physical toll of these massive elemental forces coming through your body?’ That’s what’s surely interesting about the one power.
“Robert Jordan stresses that if you’re not trained in it, it’s so intoxicating to use it that you draw more and more until finally, it burns you through and through, like an incredibly strong narcotic.”
The Wheel Of Time is out on Amazon Prime Video – hear our review in the latest episode of Backstage – the film and TV podcast from Sky News.
Thousands of members of actors’ trade union Equity are being asked whether they would support industrial action over artificial intelligence protections.
The organisation has launched an indicative ballot among about 7,000 members working in film and TV.
Performers are being asked whether they are prepared to refuse to be digitally scanned on set in order to secure adequate artificial intelligence protections.
It will be the first time the performing arts and entertainment trade union has asked this whole section of its membership to vote in a ballot.
Image: The Hollywood strikes took place in 2023. File pic: AP
The announcement follows the Hollywood strikes in 2023, when members of Equity’s sister union in the US, SAG-AFTRA, and writers, went on strike over issues including AI.
Equity’s ballot opens on Thursday and runs for two weeks, and will show the level of support the union has for action short of a strike.
Another statutory ballot would have to be made before any industrial action is taken.
“While tech companies get away with stealing artists’ likeness or work, and the government and decision makers fret over whether to act, unions including Equity are at the forefront of the fight to ensure working people are protected from artificial intelligence misuse,” Equity general secretary Paul W Fleming said in a statement.
“If bosses can’t ensure someone’s likeness and work won’t be used without their consent, why should performers consent to be digitally scanned in the first place?”
Mr Fleming said the ballot would give members the opportunity to “send a clear message to the industry: that it is a basic right of performers to have autonomy over their own personhood and identity”.
The union has no choice but to recommend members support industrial action, he said.
“It’s time for the bosses to step away from the brink and offer us a package, including on AI protections, which respects our members,” added Mr Fleming.
The hotly anticipated Spotify Wrapped is revealing our top tracks, artists and albums for 2025.
But how does the streaming service calculate personalised summaries of users’ listening habits and rank the UK’s hottest artists?
Here’s a look at how your data is used.
The platform describes the annual statistics as “a chance to look back on your year in sound”.
It says data is captured between January and mid-November on every account, although it mostly excludes anything streamed in private mode. (Don’t worry, your passion for the Spice Girls can be kept secret.)
Wrapped presents personalised listening statistics, which Spotify calls the “real story of your year of listening”, alongside global figures for comparison.
The streaming service says Minutes Listened reflects the actual time spent listening to audio on the platform.
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Once a user streams at least 30 tracks, Spotify generates a list of Your Top Songs. Similarly, Your Top Artists ranks artists based on total minutes listening to a particular performer.
Other metrics identify the top genres users have played, as well as podcasts and audiobooks ranked by total minutes listened. And if you’ve listened to at least 70% of tracks on a record, you’ll see top albums too.
Spotify also creates Your Listening Age, a guesstimate of your age based on the era of the music “you feel most connected to”.
The streaming service says the statistic is calculated using a five-year span of music which users engaged with more than other listeners of a similar age.
Image: Spotify has been summing up 2025’s most listened to tracks. Pic: Spotify
Swift vs Bunny
Pop superstar Taylor Swift has been named the UK’s most-streamed artist on Spotify for the third year in a row.
But she dropped out of the top spot in the global rankings, coming second to Puerto Rican superstar Bad Bunny, who secured more than 19.8 billion streams. Third were The Weeknd, followed by Drake and Billie Eilish.
Bad Bunny’s LP Debi Tirar Mas Fotos was the most listened-to album worldwide.
Spotify revealed Drake was the UK’s second most-listened to artist, followed by Sabrina Carpenter in third, The Weeknd in fourth and Billie Eilish in fifth.
Despite being the most listened-to artist, Swift failed to break into the UK’s top five most listened-to songs and albums of the year.
Alex Warren’s Ordinary was the most-streamed song, and Short ‘N’ Sweet, released by Carpenter last year, the top album.
Israel will be allowed to compete in next year’s Eurovision Song Contest – with several broadcasters saying they will now boycott the event.
Dutch broadcaster AVROTROS, Spain’s RTVE and Ireland’s RTE immediately issued statements saying they will not participate in the 2026 contest following the European Broadcasting Union’s general assembly meeting on Thursday.
Sky News understands Slovenia’s broadcaster will also pull out.
Members were asked to vote in a secret ballot on whether they were happy with new rules announced last month, without going ahead with a vote on participation next year.
In a statement, the EBU said members had shown “clear support for reforms to reinforce trust and protect neutrality”.
Ahead of the assembly, Israel’s public broadcaster KAN said its chief executive Golan Yochpaz and representative to the EBU, Ayala Mizrahi, would present KAN’s position “regarding attempts to disqualify Israel from the competition”.
The rule changes annnounced in November came after Israeli singer Yuval Raphael received the largest number of votes from the public at this year’s contest, held in Basel, Switzerland, in May – ultimately finishing as runner-up to Austria’s entry after the jury votes were counted.
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This breaking news story is being updated and more details will be published shortly.